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133:"have the capacity to simplify even the most crucial civic issues and shape public opinion." Not being satisfied with the images found in local papers and national magazines, the government went a step farther and began publishing their own comics. The intentions behind these publications were to "reinforce the government's expectations about the preferred cultural identity of the country." When examining government issued comics, it is important to realize that they give us an idea of the government's "idealized or assumed 'American experience'." The themes and ideas found within the comics written and distributed by the government "express the government's attempts to recognize and address the nation's attitudes and concerns." 80: 194:
immigrants." The Federal Civil Defense Administration "produced comics designed to teach children how to survive everything from natural disasters—such as fires or earthquakes—to an atomic holocaust." By addressing the children, they could then in turn "get the word out to their parents about what families could do to protect themselves: build home shelters, stockpile canned goods and bottled water, learn first aid, and drop to the ground if they happened to get caught outside during an atomic blast." One example of these targeting tactics is Bert the Turtle, "likely the most famous pop icon of the Atomic Age", from the comic
22: 104:-format by governments and their affiliated bodies. These works fulfill a wide variety of purposes often seen in government publications, primarily educating the public about government programs or lifestyle choices the government wants to encourage. Richard L. Graham examines and dissects the United States' government comics in 228:
in 2008. It is intended for educational purposes for military members, veterans, and family members. The novel centers around three main characters, each previously active-duty members in the military dealing with the transition of coming back home. The struggles of the transition from combat back to
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These comics were "distributed at schools, civic events, and recruiting offices; they were inserted in local newspapers and national magazines", and can be found online on official government sites. The target audience for these comics included "women, children, workers, ethnic groups, and
129:." In an effort to boost public support for ongoing foreign policies, the government looked to this study, and tried to persuade and suggest themes and ideas of soldiers and America as a whole, for artists to include in their weekly publications. Government officials understood that 243:, the CDC frames a real survival lesson in the entertaining zombie narrative. The story depicts a zombie apocalypse from the perspective of two residents of an unnamed town in southeast America, with an interlude showing the 177:. While Walt Disney Studios in California "became extensive 'war plants', housing mountains of munitions", artists were also developing characters for the comic 93:
in 1943. A large number of these US government comics were developed, illustrated and published with the intention of educating citizens and military personnel.
173:, Geisel created an illustrated pamphlet for the army, which addressed the problems of malaria. Another famous artist commissioned by the government was 165:
also wrote and drew for the government. After becoming a captain in the army, Geisel worked in the animation branch, "where he wrote episodes of
153:. Some of the more well known artists within the comic world were also an integral part of creating and popularizing government issued comics. 32: 476: 198:. "The strategy behind Bert was to have a cartoon animal stand-in soften the blow when a topic was too scary to deal with directly." 158: 256: 247:'s attempts to counter the pandemic. The comic utilizes the zombie narrative's ability to "fulfill survivalist fantasies." 460: 66: 389: 496: 125:
conducted a study which found that "for adults, the most widely read non-advertising feature in newspapers was the
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These comics were mainly printed by federal agencies, but the government also commissioned works printed by
491: 407: 161:, which published illustrated pamphlets to complement other army publications. Before he was Dr. Seuss, 261: 244: 90: 48: 79: 44: 429:
American Zombie Gothic: The Rise and Fall (And Rise) of the Walking Dead in Popular Culture
225: 162: 85: 40: 8: 157:, an army veteran, created the character "Joe Dope", and contributed to the creation of 456: 452: 446: 195: 221: 485: 166: 146: 142: 229:
family life are shown through each of the character's individual struggles.
217: 174: 154: 126: 170: 101: 150: 130: 408:"Preparedness 101: Zombie Pandemic :: Government Comics" 31:
deal primarily with the United States and do not represent a
169:, a series of cartoon shorts for soldiers." Along with 312: 310: 448:
Government Issue: Comics for the People, 1940s-2000s
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Government Issue: Comics for the People, 1940s-2000s
431:. McFarland & Company, Inc., Publishers. 2010. 358: 346: 334: 322: 307: 295: 188: 483: 201: 29:The examples and perspective in this article 116: 100:include informational material produced in 282:"Government Issue: Comics for the People" 67:Learn how and when to remove this message 78: 89:is a 16-page comic book created by the 484: 444: 376: 364: 352: 340: 328: 316: 301: 159:PS, The Preventive Maintenance Monthly 257:U.S. Government Informational Comics 15: 13: 284:. Blog.abramsbooks.com. 2011-11-10 14: 508: 470: 241:Preparedness 101: Zombie Pandemic 234:Preparedness 101: Zombie Pandemic 189:Distribution and target audience 20: 421: 400: 390:"Products - Military OneSource" 123:Advertising Research Foundation 382: 274: 216:is a graphic novel written by 206: 1: 438: 202:Examples of government comics 183:United States Army Air Forces 181:, a manual of sorts, for the 477:Government Comics Collection 267: 7: 445:Graham, Richard L. (2011). 250: 43:, discuss the issue on the 10: 513: 262:United States PSYOP Comics 245:Center for Disease Control 136: 111: 394:www.militaryonesource.mil 117:History of implementation 91:Office of War Information 497:Government publications 427:Bishop, Kyle William. 94: 82: 226:Ceridian Corporation 163:Theodor Seuss Geisel 86:Franklin D Roosevelt 49:create a new article 41:improve this article 492:Comics publications 410:. Contentdm.unl.edu 224:, published by the 95: 98:Government comics 77: 76: 69: 51:, as appropriate. 504: 466: 453:Abrams ComicArts 432: 425: 419: 418: 416: 415: 404: 398: 397: 386: 380: 374: 368: 362: 356: 350: 344: 338: 332: 326: 320: 314: 305: 299: 293: 292: 290: 289: 278: 72: 65: 61: 58: 52: 24: 23: 16: 512: 511: 507: 506: 505: 503: 502: 501: 482: 481: 473: 463: 441: 436: 435: 426: 422: 413: 411: 406: 405: 401: 388: 387: 383: 375: 371: 363: 359: 351: 347: 339: 335: 327: 323: 315: 308: 300: 296: 287: 285: 280: 279: 275: 270: 253: 237: 211: 204: 191: 179:Winter Draws On 139: 119: 114: 73: 62: 56: 53: 38: 25: 21: 12: 11: 5: 510: 500: 499: 494: 480: 479: 472: 471:External links 469: 468: 467: 461: 440: 437: 434: 433: 420: 399: 381: 379:, p. 139. 369: 357: 345: 333: 321: 306: 294: 272: 271: 269: 266: 265: 264: 259: 252: 249: 236: 231: 210: 205: 203: 200: 196:Duck and Cover 190: 187: 138: 135: 118: 115: 113: 110: 75: 74: 35:of the subject 33:worldwide view 28: 26: 19: 9: 6: 4: 3: 2: 509: 498: 495: 493: 490: 489: 487: 478: 475: 474: 464: 462:9781419700781 458: 454: 450: 449: 443: 442: 430: 424: 409: 403: 395: 391: 385: 378: 373: 367:, p. 15. 366: 361: 355:, p. 17. 354: 349: 343:, p. 11. 342: 337: 331:, p. 13. 330: 325: 319:, p. 12. 318: 313: 311: 304:, p. 16. 303: 298: 283: 277: 273: 263: 260: 258: 255: 254: 248: 246: 242: 235: 230: 227: 223: 219: 215: 209: 199: 197: 186: 184: 180: 176: 172: 168: 167:Private Snafu 164: 160: 156: 152: 148: 144: 134: 132: 128: 124: 121:In 1942, the 109: 107: 103: 99: 92: 88: 87: 81: 71: 68: 60: 50: 46: 42: 36: 34: 27: 18: 17: 447: 428: 423: 412:. Retrieved 402: 393: 384: 372: 360: 348: 336: 324: 297: 286:. Retrieved 276: 240: 238: 233: 218:Sid Jacobson 213: 212: 207: 192: 178: 140: 120: 105: 97: 96: 84:The Life of 83: 63: 54: 30: 377:Graham 2011 365:Graham 2011 353:Graham 2011 341:Graham 2011 329:Graham 2011 317:Graham 2011 302:Graham 2011 222:Ernie ColĂłn 214:Coming Home 208:Coming Home 175:Walt Disney 155:Will Eisner 127:comic strip 57:August 2014 486:Categories 439:References 414:2014-08-04 288:2014-08-04 171:Munro Leaf 102:comic book 268:Citations 151:DC Comics 45:talk page 251:See also 39:You may 137:Artists 112:History 459:  149:, and 147:Harvey 143:Marvel 131:comics 47:, or 457:ISBN 220:and 239:In 488:: 455:. 451:. 392:. 309:^ 185:. 145:, 108:. 465:. 417:. 396:. 291:. 70:) 64:( 59:) 55:( 37:.

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Franklin D Roosevelt
Office of War Information
comic book
Advertising Research Foundation
comic strip
comics
Marvel
Harvey
DC Comics
Will Eisner
PS, The Preventive Maintenance Monthly
Theodor Seuss Geisel
Private Snafu
Munro Leaf
Walt Disney
United States Army Air Forces
Duck and Cover
Sid Jacobson
Ernie ColĂłn
Ceridian Corporation
Center for Disease Control
U.S. Government Informational Comics
United States PSYOP Comics
"Government Issue: Comics for the People"

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