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Gordon Willis

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312:, Willis served in the Air Force, managing to join the Photographic and Charting Service in a motion picture unit. "I spent four years learning everything I could about making movies," Willis said. After leaving the Air Force a friend helped him to join the East Coast union in New York and he started to work as an assistant cameraman, working his way up to become a first cameraman about thirteen years later. He worked in advertising, shooting numerous commercials, and made a number of documentaries, a discipline that strongly influenced his later style. "You learn to eliminate, as opposed to adding," Willis said of his time making documentaries. "Not many people understand that." 5191: 556:. The fact that Willis did not receive a single nomination was a subject of some controversy. His frequent absence from this period's nominees has been ascribed both to his unhidden "antipathy for Hollywood" and his work being ahead of its time. He was once quoted as saying of Hollywood, "I don't think it suffers from an overabundance of good taste". Willis was later nominated twice, once for his recreation of 1920s photography in Woody Allen's 671:"I'm delighted that people can fly, dogs can talk, and anything destructive can be fashioned on the screen, but much of what's being done lacks structure or taste. As I've asked in the past: can anyone give me the definition of a camera? It's a tool, a means to an end. So is a light, and everything else you can pile on your back. They're all meant to transpose the written word into moving pictures that tell a story." 420:
explained that when he started out in films he "did things in visual structure that nobody in the business was doing, especially in Hollywood", explaining: "I wasn't trying to be different; I just did what I liked". When asked by the interviewer how he applied his style to different genres and to working with different directors, Willis answered: "You're looking for a formula; there is none. The formula is me."
31: 658:"You can decide this movie has got a dark palette. But you can't spend two hours on a dark palette. . . So you've got this high-key, Kodachrome wedding going on. Now you go back inside and it's dark again. You can't, in my mind, put both feet into a bucket of cement and leave them there for the whole movie. It doesn't work. You must have this relativity." 590:, in 1980. He admitted the film had been a mistake, and later said of directing that he didn't really like it. "I've had a good relationship with actors," he reflected, "but I can do what I do and back off. I don't want that much romancing. I don't want them to call me up at two in the morning saying, 'I don't know who I am'". He was nominated for the 419:
At a seminar on film-making he gave in 2003, Willis said, "It's hard to believe, but a lot of directors have no visual sense. They only have a storytelling sense. If a director is smart, he'll give me the elbow room to paint". He added: "It's the judgment they're paying for." In a later interview he
449:(1974), in order to retain the visual coherence of the two films. Asked in 2004 about shooting films digitally, he was skeptical: "The organics aren't the same," he said. "The interpretive levels suffer", adding: "Digital is another form of recording an image, but it won't replace thinking." 666:
said of Willis, "He has a natural sense of structure and beauty, not unlike a Renaissance artist," while Willis was praised for his capacity to use "painterliness" to define "not just the look but the very meaning and feel of a film". Speaking of contemporary film-making in 2004, Willis
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Willis said that it was the color that stitched the Godfather films together. The visual structure of the films was, he said, his, but he gave Coppola credit for hiring him, saying: "I'm not that easy to deal with". He praised the director for the "management hell" of his struggles with
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films, until Coppola told him they would not look the same without him. His work turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in
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he was responsible for what has been called a "richly textured black-and-white paean to the beauty and diversity of the city itself". Willis, whose idea it was to use anamorphic widescreen for the filming, said: "We both felt that New York was a black-and-white city".
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called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief". When the
301:. As a child, Willis fell in love with films. He wanted to be an actor and then became interested in lighting and stage design, later turning to photography. For a time he intended to be a fashion photographer, photographing models he knew from living in 1844: 3656: 3351: 4191: 635:
Willis's work became celebrated for his ability to use shadow and underexposed film with a "subtlety and expressivity previously unknown on color film stock", with one critic citing as examples Don Corleone's study in
650:, named him "The Prince of Darkness" but Willis himself preferred to talk in terms of "visual relativity", saying: "I like going from light to dark, dark to light, big to small, small to big". Discussing 3649: 3344: 4184: 3642: 4827: 346:
Willis went on to work for some of the most acclaimed directors of what is now seen as a golden age of American film-making. He captured America's urban paranoia in three films he shot with
3337: 4177: 1841: 1763: 305:. "I didn't know shit," Willis said, " dumber than dirt, as they say. No money, no jobs etc." Through contacts of his father's he worked as a "gofer" on various movies in New York. 3665: 1666: 1471: 1740: 540:(1985). Allen said that working with Willis had helped to improve his technical skills, saying of him: "He's an artist. He's got a great sense of humor--he taught me a lot." 3360: 1625: 4200: 1571: 1914: 328:
Willis once stated: "I'm a minimalist. I see things in simple ways ... It's human nature to define complexity as better. Well, it's not." In 1969, director
5245: 2733: 603:(1997), directed by Pakula. Of his decision to retire, Willis said: "I got tired of trying to get actors out of trailers, and standing in the rain". 2262: 496:
he contrasted the warmth of Annie and Alvy Singer's romance in New York with the overexposure of the film's California scenes, while in Allen's
1760: 5240: 2020: 1435: 492:(1977). Willis described making films with Allen as being so comfortable that it was like "working with your hands in your pockets". On 5230: 5072: 470:
with his eyes hooded in shadow, a piece of lighting design that followed from the fact that Brando's make-up had to be lit from above.
1962: 1710: 591: 2126: 1737: 2461: 478:, adding that he was "grateful he could separate the visual structure of these movies from the mess that went on to fashion them". 4635: 2337: 2218: 1260: 5225: 2255: 269: 208: 4820: 2409: 2169: 1394: 1219: 5235: 4813: 2004: 3784: 3371: 1022: 892: 642: 548:
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39
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conducted a survey in 2003, they placed Willis among the ten most influential cinematographers in history.
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said: "He was one of the giants who absolutely changed the way movies looked. Up until the time of
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Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, in
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films and working with Woody Allen on a succession of films that included
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Gordon Willis, 'Godfather' and 'Annie Hall' cinematographer, dies
2044:, London: Faber and Faber, 1993, Revised Edition 2004, p. 75-93. 30: 5174: 2068:, Volume 20, No. 17, October 24, 1983; retrieved March 4, 2011. 3666:
National Society of Film Critics Award for Best Cinematography
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Boston Society of Film Critics Award for Best Cinematography
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New York Film Critics Circle Award for Best Cinematographer
1842:"Cinematographer Gordon Willis talks The Godfather trilogy" 1727: 1933: 1931: 1929: 1867: 1820:, Splice Today, January 28, 2009; retrieved March 4, 2011. 1812: 1810: 1808: 1806: 1804: 552:
nominations, winning 19 times, including three awards for
452: 2453: 2222: 2127:"Gordon Willis, 'Godfather' Cinematographer, Dies at 82" 4643: 1926: 1801: 1770:, Camera Guild, October 16, 2003; retrieved 2011-01-28. 1701: 1699: 1697: 1695: 1693: 1691: 220:. He is best known for his photographic work on eight 315:
He was a camera operator on the feature documentary
1688: 572:, the Academy chose Willis as the recipient of the 398:(1981); as well as shooting all three of Coppola's 2734:Society of Motion Picture and Television Engineers 1991:, The Wrap, 16 October 2009. Retrieved 2011-03-04. 486:Willis' collaboration with Woody Allen began with 2010: 1773: 481: 5207: 2370:, Devereaux Jennings, Irmin Roberts, Art Smith, 1909: 1907: 1905: 1960:"Gordon Willis, the Man Who Shot The Godfather" 2170:'Godfather' Cinematographer Gordon Willis Dies 1855:, September 24, 2008; retrieved March 4, 2011. 212:(May 28, 1931 – May 18, 2014) was an American 4629: 4185: 3650: 3345: 2501:, and the Republic Studio Sound Department / 2256: 1973:, November 30, 2009; retrieved March 4, 2011. 1902: 1798:, filmreference.com; retrieved March 4, 2011. 457:Originally, Willis turned down the first two 2232: 289:, New York. His parents had been dancers in 280: 579: 5246:Burials at Massachusetts National Cemetery 5073:The Godfather Papers and Other Confessions 4636: 4622: 4192: 4178: 3657: 3643: 3352: 3338: 2270: 2263: 2249: 1945:, July 1, 2004; retrieved March 5, 2011. 29: 16:American cinematographer and film director 1784:Internet Encyclopedia of Cinematographers 1227: 592:Golden Raspberry Award for Worst Director 445:. Willis went back to using Mitchells on 293:before his father became a makeup man at 2124: 2111:"First Annual RAZZIE® Awards (For 1980)" 1864:credits on Flicker Alley Blu-ray release 2914:Museum of Modern Art Department of Film 2176:Associated Press Accessed May 20, 2014. 453:Collaboration with Francis Ford Coppola 321:(1958) filmed in the widescreen format 5208: 2143: 2100:Windows (1980) - Turner Classic Movies 1989:"Gordon Willis Finally Gets His Oscar" 1705: 504:Willis also worked on the Allen films 441:equipment, which he had first used on 4617: 4173: 3638: 3333: 2244: 2231: 2146:"R.I.P. 'Godfather' DP Gordon Willis" 2137: 2031:, 6 April 2004. Retrieved 2011-03-05. 1878: 584:Willis directed one film of his own, 1305:American Society of Cinematographers 433:reflex cameras with Baltar or Cooke 270:International Cinematographers Guild 5241:Deaths from cancer in Massachusetts 2738:Gilbert M. "Broncho Billy" Anderson 646:. Willis's friend, cinematographer 594:one year after the film's release. 13: 568:(1990). In 2009, at the inaugural 14: 5257: 5231:Academy Honorary Award recipients 2692:Bausch & Lomb Optical Company 2674:20th Century-Fox Film Corporation 2460:and his associates / Rey Scott / 2338:Museum of Modern Art Film Library 2193: 2003:Lorenz, Janet and Levine, David. 543: 332:hired Willis to work on his film 5190: 5189: 1642:Chicago Film Critics Association 1447:National Society of Film Critics 338:. This was Willis' first movie. 250:films, and all three films from 5151:The Funny Face of the Godfather 2955:National Endowment for the Arts 2462:British Ministry of Information 2179: 2163: 2125:Anderson, John (May 19, 2014). 2118: 2104: 2093: 2082: 2071: 2034: 341: 89:Massachusetts National Cemetery 2452:, John N. A. Hawkins, and the 1858: 1789: 1754: 1738:"Take Five With Gordon Willis" 1601:Boston Society of Film Critics 1214:The Lost Honor of Kathryn Beck 1023:A Midsummer Night's Sex Comedy 675: 519:A Midsummer Night's Sex Comedy 482:Collaboration with Woody Allen 1: 2981:National Film Board of Canada 2217:Radio show (with transcript) 1884:"Gerald Peary: Gordon Willis" 1682: 613:North Falmouth, Massachusetts 368:(1976). He collaborated with 76:North Falmouth, Massachusetts 3613:Joshua James Richards (2020) 2144:Yamato, Jen (May 18, 2014). 1547:New York Film Critics Circle 7: 5226:People from Astoria, Queens 3625:Jonathan Ricquebourg (2023) 2721:Samurai I: Musashi Miyamoto 2219:Gordon Willis retrospective 1370:British Academy Film Awards 429:(1972), Willis mostly used 10: 5262: 4828:Promise Me You'll Remember 2410:Motion Picture Relief Fund 2042:Woody Allen on Woody Allen 1818:"Interview: Gordon Willis" 1786:; retrieved March 4, 2011. 1751:; retrieved March 4, 2011. 1330:Outstanding Cinematography 5236:American cinematographers 5185: 5143:Il figlioccio del padrino 5134: 5099: 5064: 5029: 5004: 4958: 4922: 4852: 4843: 4789: 4754: 4745: 4715: 4664: 4655: 4562: 4379: 4207: 3963: 3672: 3367: 3074: 2888: 2678:Bell & Howell Company 2630: 2454:RCA Manufacturing Company 2278: 2238: 1939:"Gordon Willis Interview" 1570: 1493: 1485: 1470: 1424: 1421: 1393: 1359: 1328: 1292: 1272: 1259: 1129: 1056: 1027: 973: 931: 902: 843: 783: 752: 693: 630: 281:Early life and beginnings 275: 190: 114: 106: 98: 84: 63: 37: 28: 21: 3544:and Rain Kathy Li (2008) 2233:Awards for Gordon Willis 2186:Gordon Willis|Oscars org 1360:Life Achievement Awards 1062:The Purple Rose of Cairo 640:and a parking garage in 606: 580:Directing and retirement 537:The Purple Rose of Cairo 4697:The Godfather's Revenge 2406:William Cameron Menzies 2174:losangeles.cbslocal.com 1796:Gordon Willis Biography 1120:Bright Lights, Big City 893:All the President's Men 643:All the President's Men 365:All The President's Men 263:Fellow cinematographer 243:All the President's Men 148:All the President's Men 4821:The Godfather Part III 4779:The Godfather Part III 3514:, and 13 others (2003) 3021:Michelangelo Antonioni 2545:William Nicholas Selig 2272:Academy Honorary Award 1711:"A Study in Contrasts" 1672:The Godfather Part III 1400:All the Presidents Men 1348:The Godfather Part III 1294:Honorary Academy Award 1281:The Godfather Part III 1228:Awards and nominations 1147:The Godfather Part III 673: 660: 574:Academy Honorary Award 565:The Godfather Part III 437:. After that he used 204:Gordon Hugh Willis Jr. 195:Academy Honorary Award 183:The Godfather Part III 42:Gordon Hugh Willis Jr. 4814:The Godfather Part II 4771:The Godfather Part II 4689:The Godfather Returns 4136:Joshua James Richards 2977:Eastman Kodak Company 2620:The Walls of Malapaga 1920:The Los Angeles Times 1490:The Godfather Part II 1152:Francis Ford Coppola 866:Francis Ford Coppola 861:The Godfather Part II 669: 656: 625:The Godfather Part II 576:for his life's work. 562:(1983), and then for 464:The Godfather Part II 447:The Godfather Part II 127:The Godfather Part II 93:Bourne, Massachusetts 5089:The Godfather Effect 3622:Eliot Rockett (2022) 3194:Jean-Claude Carrière 2784:/ Fred L. Metzler / 2782:William L. Hendricks 2660:/ George Mitchell / 2040:Stig Bjorkman (ed.) 1971:Harvard Film Archive 1853:Monsters and Critics 1780:"Gordon Willis, ASC" 1709:(January 14, 2007). 795:Francis Ford Coppola 741:The People Next Door 664:Francis Ford Coppola 423:Up to the making of 252:Francis Ford Coppola 4705:The Family Corleone 4292:Ernest R. Dickerson 4268:Tony Pierce-Roberts 4151:Michał Dymek (2022) 4144:Andrew Droz Palermo 4072:Mihai Mălaimare Jr. 3566:Mihai Mălaimare Jr. 2851:Charles S. Boren / 2508:The House I Live In 2499:Daniel J. Bloomberg 2476:Metro-Goldwyn-Mayer 2029:MovieMaker Magazine 2018:"Made In Manhattan" 1667:Best Cinematography 1631:Pennies from Heaven 1626:Best Cinematography 1577:Pennies from Heaven 1572:Best Cinematography 1523:Pennies from Heaven 1472:Best Cinematography 1436:Best Visual Effects 1395:Best Cinematography 1261:Best Cinematography 1050:Broadway Danny Rose 1006:Pennies from Heaven 531:Broadway Danny Rose 395:Pennies From Heaven 285:Willis was born in 176:Broadway Danny Rose 5108:The Godfather Saga 4805:Speak Softly, Love 4464:Anthony Dod Mantle 4040:Anthony Dod Mantle 3849:Philippe Rousselot 3801:Philippe Rousselot 3174:George Stevens Jr. 2853:Edward G. Robinson 2553:George Kirke Spoor 2390:and Allen Davey / 2386:, Walter Oberst / 2382:, Harry D. Mills, 2131:The New York Times 1965:2011-05-13 at the 1937:MacIntyre, April. 1847:2011-06-13 at the 1840:MacIntyre, April. 1766:2014-01-09 at the 1743:2008-07-26 at the 1103:The Pick-up Artist 922:September 30, 1955 597:His last film was 5203: 5202: 5025: 5024: 5012:Cardinal Lamberto 4839: 4838: 4741: 4740: 4611: 4610: 4605: 4604: 4595:Hoyte van Hoytema 4480:Matthew Libatique 4448:Guillermo Navarro 4432:Christopher Doyle 4424:Christopher Doyle 4396:Christopher Doyle 4315:Jean Lépin (1992) 4220:Geoffrey Unsworth 4167: 4166: 4008:Christopher Doyle 3972:Christopher Doyle 3689:William A. Fraker 3632: 3631: 3596:Hoyte van Hoytema 3542:Christopher Doyle 3530:Guillermo Navarro 3463:Alex Nepomniaschy 3327: 3326: 3282:Samuel L. Jackson 3244:Donald Sutherland 3230:Frederick Wiseman 2792:William J. Tuttle 2752:Maurice Chevalier 2662:Joseph M. Schenck 2604:The Bicycle Thief 2531:Claude Jarman Jr. 2497:Republic Studio, 2458:Leopold Stokowski 2398:Douglas Fairbanks 2315:The March of Time 2172:. 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Fraker 240:films (including 224:films (including 201: 200: 162:Stardust Memories 107:Years active 56:Astoria, New York 5253: 5193: 5192: 5081:Take the Cannoli 5054:The Godfather II 4950:Salvatore Tessio 4945:Frank Pentangeli 4914:Vincent Corleone 4904:Anthony Corleone 4889:Carmela Corleone 4869:Michael Corleone 4850: 4849: 4752: 4751: 4728:Mark Winegardner 4662: 4661: 4638: 4631: 4624: 4615: 4614: 4598: 4590: 4582: 4574: 4571:Shabier Kirchner 4555: 4547: 4539: 4531: 4523: 4515: 4507: 4499: 4491: 4488:Emmanuel Lubezki 4483: 4475: 4472:Christian Berger 4467: 4459: 4451: 4443: 4427: 4419: 4411: 4403: 4391: 4372: 4364: 4356: 4348: 4340: 4332: 4324: 4316: 4311: 4303: 4300:Vittorio Storaro 4295: 4287: 4279: 4276:Vittorio Storaro 4271: 4263: 4255: 4247: 4239: 4236:Néstor Almendros 4231: 4223: 4216:Ghislain Cloquet 4194: 4187: 4180: 4171: 4170: 4160: 4152: 4147: 4139: 4131: 4123: 4115: 4107: 4099: 4091: 4083: 4075: 4067: 4064:Emmanuel Lubezki 4059: 4051: 4048:Christian Berger 4043: 4035: 4027: 4024:Emmanuel Lubezki 4019: 4003: 3995: 3987: 3979: 3956: 3948: 3940: 3932: 3924: 3916: 3908: 3900: 3892: 3884: 3876: 3873:Peter Suschitzky 3868: 3865:Michael Ballhaus 3860: 3852: 3844: 3836: 3820: 3812: 3804: 3796: 3788: 3780: 3772: 3769:Néstor Almendros 3764: 3756: 3748: 3740: 3732: 3724: 3716: 3713:Vittorio Storaro 3708: 3705:Néstor Almendros 3700: 3692: 3684: 3659: 3652: 3645: 3636: 3635: 3590:Chung Chung-hoon 3578:Emmanuel Lubezki 3572:Emmanuel Lubezki 3560:Emmanuel Lubezki 3487:Emmanuel Lubezki 3430:Michael Ballhaus 3418:Vittorio Storaro 3354: 3347: 3340: 3331: 3330: 3166:D. A. Pennebaker 3156:James Earl Jones 3009:Federico Fellini 2933:Barbara Stanwyck 2906:Laurence Olivier 2808:Y. Frank Freeman 2742:Charles Brackett 2650:Merian C. Cooper 2599:Cecil B. DeMille 2576:Monsieur Vincent 2523:Laurence Olivier 2513:Peggy Ann Garner 2492:Margaret O'Brien 2334:W. Howard Greene 2320:W. Howard Greene 2265: 2258: 2251: 2242: 2241: 2229: 2228: 2188: 2183: 2177: 2167: 2161: 2160: 2158: 2156: 2141: 2135: 2134: 2122: 2116: 2108: 2102: 2097: 2091: 2086: 2080: 2075: 2069: 2060:Friedman, Jack. 2058: 2045: 2038: 2032: 2016:Willis, Gordon. 2014: 2008: 2001: 1992: 1985: 1974: 1957: 1946: 1935: 1924: 1911: 1900: 1899: 1897: 1896: 1876: 1865: 1862: 1856: 1838: 1821: 1814: 1799: 1793: 1787: 1777: 1771: 1758: 1752: 1734: 1725: 1724: 1722: 1721: 1715:The Boston Globe 1703: 1646: 1645: 1605: 1604: 1551: 1550: 1451: 1450: 1374: 1373: 1309: 1308: 1237: 1236: 1195: 1194: 1092:Richard Benjamin 949:Comes a Horseman 882:Stuart Rosenberg 680: 679: 615:. ASC president 570:Governors Awards 291:Broadway theatre 211: 79: 70: 51: 49: 33: 19: 18: 5261: 5260: 5256: 5255: 5254: 5252: 5251: 5250: 5206: 5205: 5204: 5199: 5181: 5130: 5095: 5060: 5021: 5000: 4954: 4918: 4899:Connie Corleone 4855: 4835: 4785: 4737: 4711: 4651: 4642: 4612: 4607: 4606: 4601: 4593: 4587:Claudio Miranda 4585: 4579:Janusz Kamiński 4577: 4569: 4558: 4550: 4542: 4536:Rachel Morrison 4534: 4526: 4518: 4510: 4504:Bruno Delbonnel 4502: 4494: 4486: 4478: 4470: 4462: 4454: 4446: 4430: 4422: 4414: 4406: 4394: 4386: 4375: 4369:Freddie Francis 4367: 4359: 4351: 4343: 4335: 4327: 4321:Janusz Kamiński 4319: 4314: 4306: 4298: 4290: 4282: 4274: 4266: 4258: 4250: 4242: 4234: 4226: 4214: 4203: 4198: 4168: 4163: 4155: 4150: 4142: 4134: 4126: 4118: 4110: 4102: 4094: 4086: 4080:Bruno Delbonnel 4078: 4070: 4062: 4054: 4046: 4038: 4030: 4022: 4006: 3998: 3990: 3982: 3970: 3959: 3951: 3943: 3935: 3927: 3919: 3911: 3903: 3897:Janusz Kamiński 3895: 3887: 3879: 3871: 3863: 3855: 3847: 3841:Frederick Elmes 3839: 3823: 3815: 3807: 3799: 3791: 3785:Michael Chapman 3783: 3777:Caleb Deschanel 3775: 3767: 3759: 3751: 3743: 3735: 3729:Vilmos Zsigmond 3727: 3719: 3711: 3703: 3695: 3687: 3679: 3668: 3663: 3633: 3628: 3536:Janusz Kamiński 3481:Janusz Kamiński 3451:Janusz Kamiński 3435:No Award (1990) 3412:Frederick Elmes 3372:Michael Chapman 3363: 3358: 3328: 3323: 3318:Carol Littleton 3276:Lina Wertmüller 3236:Charles Burnett 3222:Lynn Stalmaster 3180:Angela Lansbury 3146:Jean-Luc Godard 3122:Robert F. Boyle 3116:Ennio Morricone 3070: 2884: 2846:Charlie Chaplin 2698:/ Kemp Niver / 2667:Forbidden Games 2626: 2549:Albert E. Smith 2440:Nathan Levinson 2388:Oliver T. Marsh 2372:Farciot Edouart 2364:Gordon Jennings 2290:Charlie Chaplin 2274: 2269: 2234: 2196: 2191: 2184: 2180: 2168: 2164: 2154: 2152: 2142: 2138: 2123: 2119: 2109: 2105: 2098: 2094: 2089:1991|Oscars.org 2087: 2083: 2078:1984|Oscars.org 2076: 2072: 2066:People Magazine 2059: 2048: 2039: 2035: 2015: 2011: 2002: 1995: 1986: 1977: 1967:Wayback Machine 1958: 1949: 1936: 1927: 1912: 1903: 1894: 1892: 1882:(August 2003). 1877: 1868: 1863: 1859: 1849:Wayback Machine 1839: 1824: 1815: 1802: 1794: 1790: 1778: 1774: 1768:Wayback Machine 1759: 1755: 1745:Wayback Machine 1735: 1728: 1719: 1717: 1704: 1689: 1685: 1230: 1184:Alan J. Pakula 1179:The Devil's Own 1140:Alan J. Pakula 954:Alan J. Pakula 898:Alan J. Pakula 854:Alan J. Pakula 832:The Paper Chase 822:Irvin Kershner 699:End of the Road 678: 633: 609: 600:The Devil's Own 582: 546: 484: 455: 385:The Paper Chase 344: 335:End of the Road 287:Astoria, Queens 283: 278: 214:cinematographer 207: 180: 173: 166: 159: 152: 145: 138: 131: 124: 102:Cinematographer 91: 80: 74: 72: 68: 59: 53: 47: 45: 44: 43: 24: 17: 12: 11: 5: 5259: 5249: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5201: 5200: 5198: 5197: 5186: 5183: 5182: 5180: 5179: 5171: 5163: 5155: 5147: 5138: 5136: 5132: 5131: 5129: 5128: 5120: 5112: 5103: 5101: 5097: 5096: 5094: 5093: 5085: 5077: 5068: 5066: 5062: 5061: 5059: 5058: 5050: 5042: 5033: 5031: 5027: 5026: 5023: 5022: 5020: 5019: 5014: 5008: 5006: 5002: 5001: 4999: 4998: 4993: 4988: 4983: 4978: 4973: 4971:Emilio Barzini 4968: 4962: 4960: 4956: 4955: 4953: 4952: 4947: 4942: 4937: 4935:Peter Clemenza 4932: 4926: 4924: 4920: 4919: 4917: 4916: 4911: 4906: 4901: 4896: 4891: 4886: 4884:Fredo Corleone 4881: 4879:Sonny Corleone 4876: 4871: 4866: 4860: 4858: 4847: 4841: 4840: 4837: 4836: 4834: 4833: 4832: 4831: 4817: 4810: 4809: 4808: 4793: 4791: 4787: 4786: 4784: 4783: 4775: 4767: 4758: 4756: 4749: 4743: 4742: 4739: 4738: 4736: 4735: 4730: 4725: 4719: 4717: 4713: 4712: 4710: 4709: 4701: 4693: 4685: 4677: 4668: 4666: 4659: 4653: 4652: 4641: 4640: 4633: 4626: 4618: 4609: 4608: 4603: 4602: 4600: 4599: 4591: 4583: 4575: 4566: 4564: 4560: 4559: 4557: 4556: 4548: 4544:Alfonso Cuarón 4540: 4532: 4524: 4520:Edward Lachman 4516: 4512:Darius Khondji 4508: 4500: 4492: 4484: 4476: 4468: 4460: 4452: 4444: 4440:Kwan Pun Leung 4428: 4420: 4416:Harris Savides 4412: 4408:Edward Lachman 4404: 4392: 4383: 4381: 4377: 4376: 4374: 4373: 4365: 4357: 4349: 4341: 4333: 4329:Stefan Czapsky 4325: 4317: 4312: 4304: 4296: 4288: 4280: 4272: 4264: 4256: 4248: 4240: 4232: 4224: 4211: 4209: 4205: 4204: 4197: 4196: 4189: 4182: 4174: 4165: 4164: 4162: 4161: 4157:Rodrigo Prieto 4153: 4148: 4140: 4132: 4124: 4120:Alfonso Cuarón 4116: 4108: 4100: 4096:Edward Lachman 4092: 4084: 4076: 4068: 4060: 4052: 4044: 4036: 4028: 4020: 4016:Kwan Pun Leung 4004: 3996: 3988: 3984:Edward Lachman 3980: 3967: 3965: 3961: 3960: 3958: 3957: 3949: 3945:Conrad L. Hall 3941: 3933: 3925: 3917: 3909: 3905:Stefan Czapsky 3901: 3893: 3885: 3877: 3869: 3861: 3853: 3845: 3837: 3821: 3813: 3805: 3797: 3789: 3781: 3773: 3765: 3757: 3753:Haskell Wexler 3749: 3741: 3733: 3725: 3717: 3709: 3701: 3697:Lucien Ballard 3693: 3685: 3681:Haskell Wexler 3676: 3674: 3670: 3669: 3662: 3661: 3654: 3647: 3639: 3630: 3629: 3627: 3626: 3623: 3620: 3614: 3611: 3605: 3602:Alfonso Cuarón 3599: 3593: 3587: 3584:Edward Lachman 3581: 3575: 3569: 3563: 3557: 3551: 3545: 3539: 3533: 3527: 3521: 3515: 3508: 3505:Edward Lachman 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3460: 3457:Stefan Czapsky 3454: 3448: 3442: 3436: 3433: 3427: 3421: 3415: 3409: 3399: 3393: 3387: 3381: 3375: 3368: 3365: 3364: 3357: 3356: 3349: 3342: 3334: 3325: 3324: 3322: 3321: 3310:Angela Bassett 3307: 3293: 3279: 3265: 3251: 3233: 3226:Anne V. Coates 3215: 3205: 3202:Maureen O'Hara 3198:Hayao Miyazaki 3191: 3177: 3163: 3153: 3142:Kevin Brownlow 3139: 3125: 3119: 3113: 3107: 3101: 3095: 3089: 3086:Robert Redford 3082:Sidney Poitier 3078: 3076: 3072: 3071: 3069: 3068: 3058: 3052: 3046: 3040: 3034: 3024: 3018: 3012: 3006: 3000: 2990: 2987:Akira Kurosawa 2984: 2974: 2968: 2958: 2948: 2942: 2936: 2930: 2924: 2917: 2899: 2896:Margaret Booth 2892: 2890: 2886: 2885: 2883: 2882: 2876: 2866: 2859:Henri Langlois 2856: 2849: 2843: 2833: 2827: 2817: 2811: 2801: 2795: 2789: 2786:Jerome Robbins 2779: 2765: 2755: 2749: 2731: 2725: 2717: 2708:Vincent Winter 2689: 2671: 2647: 2634: 2632: 2628: 2627: 2625: 2624: 2611:Louis B. Mayer 2608: 2588: 2568: 2534: 2527:Ernst Lubitsch 2519:Harold Russell 2516: 2495: 2485: 2479: 2465: 2450:William Garity 2443: 2433: 2430:Technicolor SA 2395: 2384:Louis Mesenkop 2380:Loren L. Ryder 2348:J. Arthur Ball 2345: 2327: 2311: 2308:D. W. Griffith 2305: 2302:Shirley Temple 2299: 2293: 2282: 2280: 2276: 2275: 2268: 2267: 2260: 2253: 2245: 2239: 2236: 2235: 2226: 2225: 2215: 2206: 2195: 2194:External links 2192: 2190: 2189: 2178: 2162: 2136: 2117: 2103: 2092: 2081: 2070: 2046: 2033: 2023:2007-06-18 at 2009: 1993: 1975: 1947: 1943:Below The Line 1925: 1923:, May 19, 2014 1901: 1889:Boston Phoenix 1866: 1857: 1822: 1816:Lingan, John. 1800: 1788: 1772: 1753: 1726: 1686: 1684: 1681: 1678: 1677: 1674: 1669: 1664: 1660: 1659: 1656: 1653: 1650: 1637: 1636: 1633: 1628: 1623: 1619: 1618: 1615: 1612: 1609: 1596: 1595: 1592: 1587: 1583: 1582: 1579: 1574: 1569: 1565: 1564: 1561: 1558: 1555: 1542: 1541: 1538: 1533: 1529: 1528: 1525: 1520: 1516: 1515: 1512: 1507: 1503: 1502: 1496: 1495: 1492: 1487: 1483: 1482: 1479: 1474: 1469: 1465: 1464: 1461: 1458: 1455: 1442: 1441: 1438: 1432: 1431: 1428: 1423: 1419: 1418: 1415: 1410: 1406: 1405: 1402: 1397: 1392: 1388: 1387: 1384: 1381: 1378: 1365: 1364: 1361: 1358: 1354: 1353: 1350: 1345: 1341: 1340: 1337: 1332: 1327: 1323: 1322: 1319: 1316: 1313: 1300: 1299: 1296: 1291: 1287: 1286: 1283: 1278: 1274: 1273: 1271: 1268: 1263: 1258: 1254: 1253: 1250: 1247: 1244: 1241: 1233:Academy Awards 1229: 1226: 1223: 1222: 1217: 1210: 1206: 1205: 1202: 1199: 1186: 1185: 1182: 1175: 1171: 1170: 1165: 1158: 1154: 1153: 1150: 1142: 1141: 1138: 1131: 1127: 1126: 1125:James Bridges 1123: 1116: 1112: 1111: 1106: 1099: 1095: 1094: 1089: 1082: 1078: 1077: 1076:James Bridges 1074: 1066: 1065: 1058: 1054: 1053: 1046: 1042: 1041: 1034: 1030: 1029: 1026: 1019: 1015: 1014: 1009: 1002: 998: 997: 994: 986: 985: 982: 975: 971: 970: 967: 960: 956: 955: 952: 944: 943: 940: 933: 929: 928: 927:James Bridges 925: 917: 916: 911: 904: 900: 899: 896: 889: 885: 884: 879: 872: 868: 867: 864: 856: 855: 852: 845: 841: 840: 835: 828: 824: 823: 820: 817:Up the Sandbox 812: 811: 806: 798: 797: 792: 785: 781: 780: 778:Alan J. Pakula 775: 767: 766: 761: 758:Little Murders 754: 750: 749: 744: 736: 735: 730: 722: 721: 719:Irvin Kershner 716: 708: 707: 702: 695: 691: 690: 687: 684: 677: 674: 632: 629: 608: 605: 581: 578: 545: 544:Academy Awards 542: 483: 480: 454: 451: 348:Alan J. Pakula 343: 340: 282: 279: 277: 274: 238:Alan J. Pakula 199: 198: 192: 188: 187: 116: 115:Known for 112: 111: 108: 104: 103: 100: 96: 95: 86: 82: 81: 73: 71:(aged 82) 65: 61: 60: 54: 41: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 5258: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5213: 5211: 5196: 5188: 5187: 5184: 5177: 5176: 5172: 5169: 5168: 5164: 5161: 5160: 5156: 5153: 5152: 5148: 5145: 5144: 5140: 5139: 5137: 5133: 5126: 5125: 5121: 5118: 5117: 5113: 5110: 5109: 5105: 5104: 5102: 5098: 5091: 5090: 5086: 5083: 5082: 5078: 5075: 5074: 5070: 5069: 5067: 5063: 5056: 5055: 5051: 5048: 5047: 5046:The Godfather 5043: 5040: 5039: 5038:The Godfather 5035: 5034: 5032: 5028: 5018: 5015: 5013: 5010: 5009: 5007: 5003: 4997: 4994: 4992: 4989: 4987: 4984: 4982: 4979: 4977: 4974: 4972: 4969: 4967: 4966:Don Altobello 4964: 4963: 4961: 4957: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4927: 4925: 4921: 4915: 4912: 4910: 4909:Mary Corleone 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4882: 4880: 4877: 4875: 4872: 4870: 4867: 4865: 4864:Vito Corleone 4862: 4861: 4859: 4857: 4851: 4848: 4846: 4842: 4829: 4825: 4824: 4823: 4822: 4818: 4816: 4815: 4811: 4806: 4802: 4801: 4800: 4799: 4798:The Godfather 4795: 4794: 4792: 4788: 4781: 4780: 4776: 4773: 4772: 4768: 4765: 4764: 4763:The Godfather 4760: 4759: 4757: 4753: 4750: 4748: 4744: 4734: 4731: 4729: 4726: 4724: 4721: 4720: 4718: 4714: 4707: 4706: 4702: 4699: 4698: 4694: 4691: 4690: 4686: 4683: 4682: 4678: 4675: 4674: 4673:The Godfather 4670: 4669: 4667: 4663: 4660: 4658: 4654: 4650: 4649:The Godfather 4646: 4639: 4634: 4632: 4627: 4625: 4620: 4619: 4616: 4596: 4592: 4588: 4584: 4580: 4576: 4572: 4568: 4567: 4565: 4561: 4553: 4552:Claire Mathon 4549: 4545: 4541: 4537: 4533: 4529: 4525: 4521: 4517: 4513: 4509: 4505: 4501: 4497: 4493: 4489: 4485: 4481: 4477: 4473: 4469: 4465: 4461: 4457: 4456:Robert Elswit 4453: 4449: 4445: 4441: 4437: 4433: 4429: 4425: 4421: 4417: 4413: 4409: 4405: 4401: 4397: 4393: 4389: 4385: 4384: 4382: 4378: 4370: 4366: 4362: 4358: 4354: 4353:Roger Deakins 4350: 4346: 4342: 4338: 4334: 4330: 4326: 4322: 4318: 4313: 4309: 4308:Roger Deakins 4305: 4301: 4297: 4293: 4289: 4285: 4281: 4277: 4273: 4269: 4265: 4261: 4257: 4253: 4249: 4245: 4244:Gordon Willis 4241: 4237: 4233: 4229: 4225: 4221: 4217: 4213: 4212: 4210: 4206: 4202: 4195: 4190: 4188: 4183: 4181: 4176: 4175: 4172: 4158: 4154: 4149: 4145: 4141: 4137: 4133: 4129: 4128:Claire Mathon 4125: 4121: 4117: 4113: 4112:Roger Deakins 4109: 4105: 4101: 4097: 4093: 4089: 4085: 4081: 4077: 4073: 4069: 4065: 4061: 4057: 4056:Roger Deakins 4053: 4049: 4045: 4041: 4037: 4033: 4032:Robert Elswit 4029: 4025: 4021: 4017: 4013: 4009: 4005: 4001: 4000:Xiaoding Zhao 3997: 3993: 3989: 3985: 3981: 3977: 3973: 3969: 3968: 3966: 3962: 3954: 3950: 3946: 3942: 3938: 3934: 3930: 3929:Roger Deakins 3926: 3922: 3918: 3914: 3910: 3906: 3902: 3898: 3894: 3890: 3886: 3882: 3881:Roger Deakins 3878: 3874: 3870: 3866: 3862: 3858: 3854: 3850: 3846: 3842: 3838: 3834: 3833:Asakazu Nakai 3830: 3829:Masaharu Ueda 3826: 3822: 3818: 3814: 3810: 3806: 3802: 3798: 3794: 3793:Gordon Willis 3790: 3786: 3782: 3778: 3774: 3770: 3766: 3762: 3758: 3754: 3750: 3746: 3742: 3738: 3737:Gordon Willis 3734: 3730: 3726: 3722: 3718: 3714: 3710: 3706: 3702: 3698: 3694: 3690: 3686: 3682: 3678: 3677: 3675: 3671: 3667: 3660: 3655: 3653: 3648: 3646: 3641: 3640: 3637: 3624: 3621: 3618: 3615: 3612: 3609: 3608:Claire Mathon 3606: 3603: 3600: 3597: 3594: 3591: 3588: 3585: 3582: 3579: 3576: 3573: 3570: 3567: 3564: 3561: 3558: 3555: 3554:Roger Deakins 3552: 3549: 3548:Barry Ackroyd 3546: 3543: 3540: 3537: 3534: 3531: 3528: 3525: 3524:Robert Elswit 3522: 3519: 3518:Zhao Xiaoding 3516: 3513: 3512:Bernard Lutic 3509: 3506: 3503: 3500: 3499:Roger Deakins 3497: 3494: 3491: 3488: 3485: 3482: 3479: 3476: 3475:Roger Deakins 3473: 3470: 3467: 3464: 3461: 3458: 3455: 3452: 3449: 3446: 3445:Jack N. Green 3443: 3440: 3437: 3434: 3431: 3428: 3425: 3422: 3419: 3416: 3413: 3410: 3407: 3406:Masaharu Ueda 3403: 3400: 3397: 3394: 3391: 3388: 3385: 3382: 3379: 3378:Gordon Willis 3376: 3373: 3370: 3369: 3366: 3362: 3355: 3350: 3348: 3343: 3341: 3336: 3335: 3332: 3319: 3315: 3311: 3308: 3305: 3301: 3297: 3294: 3291: 3287: 3283: 3280: 3277: 3273: 3269: 3266: 3263: 3259: 3258:Lalo Schifrin 3255: 3252: 3249: 3245: 3241: 3237: 3234: 3231: 3227: 3223: 3219: 3216: 3213: 3212:Gena Rowlands 3209: 3206: 3203: 3199: 3195: 3192: 3189: 3185: 3181: 3178: 3175: 3171: 3167: 3164: 3161: 3157: 3154: 3151: 3147: 3143: 3140: 3137: 3136:Gordon Willis 3133: 3129: 3128:Lauren Bacall 3126: 3123: 3120: 3117: 3114: 3111: 3110:Robert Altman 3108: 3105: 3102: 3099: 3098:Blake Edwards 3096: 3093: 3092:Peter O'Toole 3090: 3087: 3083: 3080: 3079: 3077: 3073: 3066: 3065:Ernest Lehman 3062: 3059: 3056: 3055:Andrzej Wajda 3053: 3050: 3047: 3044: 3043:Stanley Donen 3041: 3038: 3035: 3032: 3028: 3025: 3022: 3019: 3016: 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2043: 2037: 2030: 2026: 2025:archive.today 2022: 2019: 2013: 2006: 2000: 1998: 1990: 1987:Pond, Steve. 1984: 1982: 1980: 1972: 1968: 1964: 1961: 1956: 1954: 1952: 1944: 1940: 1934: 1932: 1930: 1922: 1921: 1916: 1910: 1908: 1906: 1891: 1890: 1885: 1881: 1880:Peary, Gerald 1875: 1873: 1871: 1861: 1854: 1850: 1846: 1843: 1837: 1835: 1833: 1831: 1829: 1827: 1819: 1813: 1811: 1809: 1807: 1805: 1797: 1792: 1785: 1781: 1776: 1769: 1765: 1762: 1757: 1750: 1746: 1742: 1739: 1733: 1731: 1716: 1712: 1708: 1702: 1700: 1698: 1696: 1694: 1692: 1687: 1675: 1673: 1670: 1668: 1665: 1662: 1661: 1657: 1654: 1651: 1648: 1647: 1644: 1643: 1634: 1632: 1629: 1627: 1624: 1621: 1620: 1616: 1613: 1610: 1607: 1606: 1603: 1602: 1593: 1591: 1588: 1585: 1584: 1580: 1578: 1575: 1573: 1567: 1566: 1562: 1559: 1556: 1553: 1552: 1549: 1548: 1539: 1537: 1534: 1531: 1530: 1526: 1524: 1521: 1518: 1517: 1513: 1511: 1508: 1505: 1504: 1501: 1498: 1497: 1491: 1488: 1484: 1480: 1478: 1477:The Godfather 1475: 1473: 1467: 1466: 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B. Kahane 2728:Eddie Cantor 2719: 2713:Gate of Hell 2712: 2704:Jon Whiteley 2682:Joseph Breen 2665: 2658:Harold Lloyd 2641: 2618: 2602: 2595:Fred Astaire 2585:Adolph Zukor 2574: 2562: 2558:Bill and Coo 2556: 2541:Thomas Armat 2506: 2426:Conrad Nagel 2418:Ralph Morgan 2402:Judy Garland 2392:Harry Warner 2376:Loyal Griggs 2342:Mack Sennett 2330:Edgar Bergen 2313: 2286:Warner Bros. 2213:Find a Grave 2181: 2173: 2165: 2153:. Retrieved 2150:deadline.com 2149: 2139: 2130: 2120: 2113: 2106: 2095: 2084: 2073: 2041: 2036: 2012: 1942: 1918: 1893:. Retrieved 1887: 1860: 1852: 1791: 1783: 1775: 1756: 1718:. 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Puzo 4645:Mario Puzo 3617:Ari Wegner 3469:John Seale 3314:Mel Brooks 3304:Peter Weir 3286:Elaine May 3188:Piero Tosi 3160:Dick Smith 3049:Elia Kazan 2965:Alex North 2910:King Vidor 2830:Cary Grant 2824:Onna White 2696:Danny Kaye 2686:Pete Smith 2638:Gene Kelly 2482:George Pal 2368:Jan Domela 1895:2011-03-04 1720:2011-03-04 1683:References 1676:Nominated 1581:Nominated 1540:Nominated 1514:Nominated 1481:Nominated 1440:Nominated 1430:Nominated 1417:Nominated 1404:Nominated 1352:Nominated 1339:Nominated 1285:Nominated 1270:Nominated 908:Annie Hall 764:Alan Arkin 494:Annie Hall 489:Annie Hall 439:Panavision 407:Annie Hall 318:Windjammer 310:Korean War 227:Annie Hall 134:Annie Hall 99:Occupation 48:1931-05-28 5124:The Offer 4996:Joey Zasa 4894:Kay Adams 4874:Tom Hagen 4388:Peter Pau 4380:2000–2019 4361:John Toll 4208:1980–1999 4088:Dick Pope 3937:John Toll 3673:1967–2000 3493:Peter Pau 3272:Wes Studi 3208:Spike Lee 2997:Myrna Loy 2945:Hal Roach 2889:1976–2000 2631:1951–1975 2564:Shoeshine 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5146:(1973) 5127:(2022) 5119:(1987) 5111:(1977) 5092:(2012) 5084:(2000) 5076:(1972) 5057:(2009) 5049:(2006) 5041:(1991) 5005:Others 4923:Allies 4856:family 4782:(1990) 4774:(1974) 4766:(1972) 4708:(2012) 4700:(2006) 4692:(2004) 4684:(1984) 4676:(1969) 4665:Novels 4597:(2023) 4589:(2022) 4581:(2021) 4573:(2020) 4554:(2019) 4546:(2018) 4538:(2017) 4530:(2016) 4522:(2015) 4514:(2014) 4506:(2013) 4498:(2012) 4490:(2011) 4482:(2010) 4474:(2009) 4466:(2008) 4458:(2007) 4450:(2006) 4442:(2005) 4426:(2004) 4418:(2003) 4410:(2002) 4402:(2001) 4390:(2000) 4371:(1999) 4363:(1998) 4355:(1997) 4347:(1996) 4339:(1995) 4337:Lü Yue 4331:(1994) 4323:(1993) 4310:(1991) 4302:(1990) 4294:(1989) 4286:(1988) 4278:(1987) 4270:(1986) 4262:(1985) 4254:(1984) 4246:(1983) 4238:(1982) 4230:(1981) 4222:(1980) 4159:(2023) 4146:(2021) 4138:(2020) 4130:(2019) 4122:(2018) 4114:(2017) 4106:(2016) 4098:(2015) 4090:(2014) 4082:(2013) 4074:(2012) 4066:(2011) 4058:(2010) 4050:(2009) 4042:(2008) 4034:(2007) 4026:(2006) 4018:(2005) 4014:, and 4002:(2004) 3994:(2003) 3986:(2002) 3978:(2001) 3955:(2000) 3947:(1999) 3939:(1998) 3931:(1997) 3923:(1996) 3915:(1995) 3907:(1994) 3899:(1993) 3891:(1992) 3883:(1991) 3875:(1990) 3867:(1989) 3859:(1988) 3851:(1987) 3843:(1986) 3835:(1985) 3831:, and 3819:(1984) 3811:(1983) 3803:(1982) 3795:(1981) 3787:(1980) 3779:(1979) 3771:(1978) 3763:(1977) 3755:(1976) 3747:(1975) 3739:(1974) 3731:(1973) 3723:(1972) 3715:(1971) 3707:(1970) 3699:(1969) 3691:(1968) 3683:(1967) 3619:(2021) 3610:(2019) 3604:(2018) 3598:(2017) 3592:(2016) 3586:(2015) 3580:(2014) 3574:(2013) 3568:(2012) 3562:(2011) 3556:(2010) 3550:(2009) 3538:(2007) 3532:(2006) 3526:(2005) 3520:(2004) 3507:(2002) 3501:(2001) 3495:(2000) 3489:(1999) 3483:(1998) 3477:(1997) 3471:(1996) 3465:(1995) 3459:(1994) 3453:(1993) 3447:(1992) 3441:(1991) 3432:(1989) 3426:(1988) 3420:(1987) 3414:(1986) 3408:(1985) 3398:(1984) 3392:(1983) 3386:(1982) 3380:(1981) 3374:(1980) 3320:(2023) 3306:(2022) 3292:(2021) 3278:(2019) 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1655:Title 1614:Title 1560:Title 1460:Title 1383:Title 1318:Title 1246:Title 1162:Malice 713:Loving 631:Legacy 435:lenses 276:Career 197:(2009) 191:Awards 186:(1990) 179:(1984) 172:(1983) 165:(1982) 158:(1978) 151:(1976) 144:(1979) 137:(1977) 130:(1974) 123:(1972) 78:, U.S. 58:, U.S. 4790:Music 4755:Films 1663:1991 1649:Year 1622:1981 1608:Year 1590:Zelig 1586:1983 1568:1981 1554:Year 1536:Zelig 1532:1983 1519:1981 1506:1979 1486:1974 1468:1972 1454:Year 1426:Zelig 1422:1983 1409:1979 1391:1976 1377:Year 1357:1995 1344:1990 1335:Zelig 1326:1983 1312:Year 1290:2009 1277:1990 1266:Zelig 1257:1983 1252:Ref. 1240:Year 1209:1984 1201:Title 1038:Zelig 772:Klute 686:Title 667:said: 607:Death 559:Zelig 525:Zelig 443:Klute 353:Klute 169:Zelig 4438:and 4434:and 4398:and 4218:and 3974:and 3404:and 2428:) / 2358:and 2322:and 2204:IMDb 2157:2014 1635:Won 1594:Won 1527:Won 1494:Won 1363:Won 1298:Won 1198:Year 1174:1997 1157:1993 1130:1990 1115:1988 1098:1987 1081:1986 1057:1985 1045:1984 1033:1983 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Index


Astoria, New York
North Falmouth, Massachusetts
Massachusetts National Cemetery
Bourne, Massachusetts
The Godfather
The Godfather Part II
Annie Hall
Manhattan
All the President's Men
Interiors
Stardust Memories
Zelig
Broadway Danny Rose
The Godfather Part III
Academy Honorary Award
ASC
cinematographer
film director
Woody Allen
Annie Hall
Manhattan
Alan J. Pakula
All the President's Men
James Bridges
Francis Ford Coppola
The Godfather
William A. Fraker
International Cinematographers Guild
Astoria, Queens

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