50:
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1209:. Between 1938 and 1965, more than one hundred Rumberas films were made. The genre emerged as a response to the post-World War II entertainment demands. These films typically featured female protagonists known as "rumberas," who were glamorous and often portrayed as dancers or singers in cabarets or nightclubs. Key elements of rumberas films included lavish musical numbers, elaborate costumes, and melodramatic plots that often centered around the rumbera's rise from poverty to fame or her struggles in relationships. The popularity of rumberas films declined by the late 1950s as Mexican cinema diversified, but they remain a significant part of the country's cinematic history.
866:
93:
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597:, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. The cultural landscape of the Golden Age of Mexican Cinema provided a conducive environment for the rise of a new generation of directors like
950:. Renowned for its humorous portrayal of characters traveling through various Mexican landscapes, celebrating the nation's cultural Mexican identity during the Golden Age of Mexican cinema. Cantinflas and Tin-Tan, Mario Moreno and Germán Valdés respectively, were iconic figures in Mexican cinema during the Golden Age. Cantinflas, known for his fast-talking, witty persona, became famous for his comedic timing and social commentary through films like
36:
2014:
1225:" marked a significant evolution in Fernández's directorial approach, focusing more on urban settings and themes that resonated with the emerging popularity of rumbera films. These films represented a departure from Fernández's earlier nationalistic and rural narratives, delving into urban concerns and narratives that aligned with evolving audience tastes and cinematic trends of the era.
1038:, better known as "Viruta and Capulina", were a comic duo who were found in the form of white humor win the affection of the people. Viruta and Capulina began their career together in 1952, although individually had worked on other projects. They filmed more than 25 films. Although they do not have a large number of films together, Manuel Palacios "Manolín" and
1028:, better known as "Resortes." Renowned for his distinctive and lively dance style, Resortes enjoyed a lengthy career spanning over 70 years in both film and television. His enduring popularity solidifies his status as an iconic figure in Mexican popular culture, celebrated for his vibrant performances and comedic prowess.
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Technical innovations came from
Hollywood. Wide screens, three-dimensional cinema, color improvement and stereo sound were some of the innovations introduced by American cinema during the early 1950s. At the time, the high cost of these technologies made it difficult for Mexico to compete; therefore,
793:
brought
Dolores del Río and her alleged rival María Félix together in the film. María Félix, known for her fierce independence and commanding presence, rose to fame as an emblematic actress of Mexican cinema's golden age. Often portraying strong, enigmatic characters, Félix captivated audiences with
1410:
Meanwhile, Mexican cinema had been stalled by bureaucracy and difficulties with the union. Film production was now concentrated in a few hands, and the ability to see new filmmakers emerge was very difficult due to the demands on the directors on the part of the Union of
Workers of Cinematographic
902:
is a film classic, example of early
Mexican comedy, featuring Joaquín Pardavé's iconic character, Don Simón. Joaquín Pardavé, was a popular actor who captivated with the same dramatic or comic characters. Pardavé was also a composer and film director, and his beginnings in the industry from silent
673:
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transmissions started in 1950. By 1956, TV antennas were common in
Mexican homes, and new media grew rapidly in the country outside the capital city. Despite the first black and white television pictures not having the clarity and sharpness of movie films, filmmakers immediately felt sharp
1134:
as
Rosario Medina, a young heiress who has arrived from Spain to claim an inheritance. Corona is a ladies' man who uses his good looks, romantic songs, and legendary status to melt the hearts of women, but his carefree lifestyle is turned upside down when he falls in love with the heiress.
1009:," was a prominent Mexican actor who commenced his career in the Carpas, with a prolific repertoire that includes over 30 films, Clavillazo remains celebrated as one of the most cherished and enduring figures in Mexican cinema and entertainment history. One of his most acclaimed movies is "
1390:
The world was changing and so was the way film was produced by other countries. The elimination of censorship in the United States allowed a more bold and realistic treatment of many topics. In France, a young generation of filmmakers educated in film criticism began the
1073:, alongside influences from European operetta and Hollywood musicals. Legendary actors and singers such as Jorge Negrete, Pedro Infante, and María Félix became synonymous with the genre, captivating audiences with their charismatic performances. Other actors including
845:
is a significant
Mexican film released in 1957, directed by Ismael Rodríguez and starring Pedro Infante and María Félix. The film is renowned for its poignant portrayal of indigenous culture and themes of love, identity, and societal prejudice.
652:. Mexico won the status of most favored nation. Thus, the Mexican film industry found new sources of materials and equipment and secured its position in the production of quality films worldwide. During World War II, the film industry in
1164:
Tropical music that was popular in Mexico and Latin
America since the 1930s was also reflected in Mexican cinema. Numerous music magazines were made in the 1940s and 1950s. In these productions it was common to see figures such as
1418:
recognizing the best productions of the national cinema. The Ariel was instituted in 1946 and emphasized the thriving state of the industry. Nevertheless, the award was revived in 1972 and has taken place annually since then.
1089:
served as the basis for the arguments of many films. Libertad
Lamarque also highlighted performances where music and songs were the main protagonists. Mexican musicals enjoyed international success, particularly in
1275:, Orol created a filmic universe and a particular style by mixing elements of classic film noir with Mexican folklore, urban environments, moral ambiguity, and existential crises. Examples include the classic film
668:
and the United States focused on making war films, which made it possible for the
Mexican film industry, with much more versatile themes in its films, to become dominant in the markets of Mexico and Latin America.
726:, which became the first classic of Mexican cinema; this film is referred to as the initiator of the "Mexican film industry". In the early 1940s began the emergence of great Mexican film studios settled in
1359:
Cine Ópera was one of the most important movie theaters during the Golden Age of Mexican Cinema from its inauguration in 1949 until its closure in 1998. This photograph, taken in 2020, shows its weathered
1372:
competition from this new media, not only in Mexico but throughout the world. The competition forced the film industry to seek new ways to showcase its art, and in the treatment of subjects and genres.
1126:(1953) directed by Ismael Rodríguez, starring Pedro Infante and Jorge Negrete. This film is a beloved classic of Mexican cinema, combining comedy and drama in a story of friendship and rivalry. Lastly
1453:
730:, they begin to support the mass production of films. Among the most important are CLASA Films, FILMEX, Films Mundiales, Cinematográfica Calderón, Películas Rodriguez and Producciones Mier y Brooks.
818:. In contrast, Dolores del Río gained prominence as one of the first Mexican actresses to achieve success in Hollywood during the early 20th century. Another pivotal film of Dolores in Mexico is "
1768:
Universidad de Guadalajara, Consejo Nacional para la Cultura y las Artes (CONACULTA), Secretaría de Cultura del Gobierno del Estado de Jalisco y el Instituto Mexicano de Cinematografía (IMCINE)
986:
magazine as the 10th greatest film produced largely in Mexico. On the other hand, Tin-Tan showcased a unique blend of humor, music, and dance in films such as El Rey del Barrio (1949) and
980:. The phrase that gave that movie its name became a "Cantinflas" (or catchphrase) for the remainder of his career. The film was a breakthrough in Latin America and was later recognized by
841:(1946) directed by Roberto Gavaldón, starring Dolores del Río. A psychological thriller about twin sisters and their complicated relationship, showcasing Gavaldón's mastery of melodrama.
1379:
One of the nations where Mexican cinema was most popular was Yugoslavia, where for much of the 1950s, Mexican films comprised the majority of the films that were screened. The 1950 film
1189:, a unique cinematic curiosity of Mexico, dedicated to the exaltation of the figure of the "rumba" (dancers of Afro-Antillean rhythms). The main figures of this genre were Cubans
527:
524:
521:
518:
515:
502:
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485:
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586:, culminated in 1956. Characterized by the production of high-quality films that contributed to shaping Mexican national identity and culture. Films such as Luis Buñuel's "
1461:
1364:
On April 15, 1957, the whole country mourned with the news of the death of Pedro Infante. His death was one of the markers of the end of the Golden Age of Mexican Cinema.
767:(1947) were considered pivotal works by Fernández and his team, and gave Mexican cinema enormous prestige, with their works being shown worldwide in major film festivals.
1796:
British Film Institute (BFI) Publishing en asociación con el Instituto Mexicano de Cinematografía (IMCINE) y el Consejo Nacional para la Cultura y las Artes (CONACULTA)
644:, and the film industries of these regions were severely affected. Europe due to its location and the United States because the materials used to produce films (such as
1065:
Known for their vibrant music, dance sequences, and melodramatic storytelling, Mexican musicals often incorporated elements of traditional Mexican folk music, such as
1493:
829:(1948) directed by Ismael Rodríguez, starring Pedro Infante. This film is a classic of Mexican cinema, known for its emotional storyline and iconic performances.
1383:, which premiered in 1952 in Yugoslavia, was one of the most popular films of the decade in that nation. The popularity of Mexican films led to the so-called
1347:(1958) directed by Julián Soler, is also comedic horror films of the 1950s that parodies classic horror tropes while incorporating Mexican cultural elements.
1569:
1301:
Although the 1960s are considered the Golden Age of Horror and science fiction in Mexican cinema, during the Golden Age there were some remarkable works.
1321:(1957) directed by Fernando Méndez, this film marks the revival of Mexican horror in the mid-1950s and features a vampire who terrorizes a Mexican town.
1102:(1936) directed by Fernando de Fuentes, is considered the earliest and most influential Mexican musical, a soundtrack that popularized ranchera music. "
17:
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1602:
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Mexican cinema continued to produce works of superb quality and began to explore other genres such as comedy, romance and musical. In 1943, the film
1474:
Entre 1936 y 1956 la industria cinematográfica en México alcanzó uno de sus mejores momentos, considerado como la Época de Oro del cine mexicano.
898:
theaters that were popular in Mexico during the early 20th century. ¡Ay, qué tiempos, señor don Simón! (1941) directed by Julio Bracho, starring
590:" (The Forgotten Ones) illuminated the social realities of Mexico, leaving a profound impact on audiences both within the country and abroad.
1974:
648:) became scarce and were rationed. In 1942, when German submarines destroyed a Mexican tanker, Mexico joined the Allies in the war against
1476:[Between 1936 and 1956 the film industry in Mexico reached one of its best moments, considered the Golden Age of Mexican cinema.]
551:
2002:
934:. In this film, Cantinflas plays a bumbling employee who becomes entangled in humorous situations while trying to impress his boss and
860:
1344:
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1411:
Production (STPC). Three of the most important film studios disappeared between 1957 and 1958: Tepeyac, Clasa Films and Azteca.
1970:
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Erase una vez el cine: diccionario-- realizadores, actrices, actores, películas, capítulos del cine mundial y latinoamericano
49:
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also made dozens of musical films that served as a platform to promote Mexican music. The songs of important composers like
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1521:
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1980:
1122:, a comedy musical stars Pedro Infante and features lively musical numbers that highlight his charm and singing talent.
713:, were huge blockbusters that showed that Mexico had the equipment and talent needed to sustain a strong film industry.
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894:) to independent actors who achieved a huge poster, many of these comedians emerged from the "Carpas", traditional
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837:. The psychological drama explores themes of obsession and jealousy with Buñuel's trademark surrealist touch and
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926:"Tin-Tan". Tin-Tan was another comedic legend known for his charismatic persona and improvisational skills.
2047:
2032:
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822:" (1944), a melodrama that showcased her ability to portray complex emotions with grace and sensitivity.
1099:
718:
578:
65:
1014:
915:, explores family dynamics and romance, blending humor with heartfelt moments of early Mexican comedy.
576:) is a boom period in the history of Mexican cinema, which began in 1936 with the premiere of the film
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1988:
1681:
1086:
1114:. It showcases Negrete's powerful singing voice and became one of the defining films of his career.
1339:
1302:
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1127:
1058:
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1946:
Paxman, Andrew. "Who Killed the Mexican Film Industry? The Decline of the Golden Age, 1946-1960."
1414:
Also in 1958, the Mexican Academy of Motion Picture Arts and Sciences decided to discontinue the
735:
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to iconic status, revered not only in Mexico but also throughout Hispanic communities worldwide.
1544:
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1331:(1952), the film that first introduced wrestlers to the genre. Other works in the genre include
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2052:
2042:
1310:
1282:
1214:
987:
621:
114:
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films made him a "symbolic father" of all Mexican comedians from the Thirties to the Sixties.
1327:
100:
1433:
1259:
genre popular in Hollywood in the 1930s and 1940s was represented by the actor and director
1025:
1305:(1934) directed by Fernando de Fuentes, this early Mexican horror film is set in a haunted
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1035:
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943:
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899:
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2010:
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834:
8:
1428:
1157:
927:
826:
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1489:"Situación actual de la música folklórica chilena. Según el Atlas del Folklore de Chile"
1286:
1119:
757:
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598:
55:
1926:
1368:
1272:
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923:
1317:(the Weeping Woman), a ghostly figure said to roam rivers mourning her lost children.
1156:
A feature of rumberas cinema were the exotic dances performed by women. In the image,
904:
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1933:
1914:
1900:
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1868:
Mckee Irwin, Robert (Spring 2010). "Mexican Golden Age Cinema in Tito's Yugoslavia".
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communities worldwide, due to their universal themes and infectious musical numbers.
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919:
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craze, as Mexican music and fashions were much imitated in Yugoslavia in the 1950s.
1178:
2018:
1396:
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891:
799:
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606:
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1660:
1293:" (1952), known for its atmospheric cinematography and exploration of corruption.
1213:
a 1950 Mexican drama film directed by Alberto Gout and starring Ninón Sevilla and
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not for some years was it able to produce films incorporating these innovations.
1333:
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are remembered for their great chemistry in the theaters and later in the films.
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1111:
1082:
1404:
1400:
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1031:
958:(1964). But it was in 1940 that he finally became a movie star, after shooting
947:
908:
838:
710:
700:
1540:
Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends
1238:
1185:. However, the musical film in Mexico was mostly represented by the so-called
998:
973:
602:
41:
2524:
1581:
1570:"María Félix, 87, Feisty Heroine Who Reigned Supreme in Mexican Cinema, Dies"
1264:
1186:
1174:
1147:
1107:
1091:
951:
637:
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69:(1936), film considered to be the first of the Golden Age of Mexican Cinema.
2082:
1322:
1202:
1131:
990:(1951), which made him immensely popular for his charismatic performances.
955:
869:
842:
784:
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641:
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92:
1313:(1933) Directed by Ramón Peón, this film draws from the Mexican legend of
830:
1415:
1309:
and is considered one of the earliest examples of Mexican horror cinema.
1206:
1182:
772:
727:
886:
Many other comedians achieved recognition in Mexican cinema. From comic
1318:
1314:
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1021:
1006:
931:
873:
872:(right) comedian, during the late 1930s teamed up with the rising star
1399:
had claimed the careers of several filmmakers. The Swedish film with
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1256:
1248:
887:
815:
665:
645:
1024:.. Another notable artist who emerged from the Carpas tradition was
1285:" (1951), which blends noir aesthetics with Mexican melodrama, and
1070:
35:
672:
620:
Mexican cinema of the Golden Age is also credited with propelling
1306:
802:" (1946). Her acting career consists of 47 films made in Mexico,
649:
1454:"#AGNResguarda documentos de la Época de Oro del Cine Mexicano"
1384:
807:
653:
633:
1899:, Berkeley: University of California Press, 3rd edition 2005.
1964:
1718:
1716:
964:("There's the rub", literally "There lies the detail"), with
811:
803:
661:
657:
1005:
Antonio Espino y Mora, widely recognized by his stage name "
605:, among others. Simultaneously, it propelled actors such as
1841:
La aventura del cine mexicano: En la época de oro y después
1823:
Albores del Cine Mexicano (Beginning of the Mexican Cinema)
895:
1948:
Estudios Interdisciplinarios de América Latina y el Caribe
1728:
1713:
1281:(1948) and notable examples include Emilio Fernández's "
1217:. It's considered a masterpiece of the Rumberas film. "
693:
Since the beginning of talkies in Mexico, films such as
922:(1949) directed by Gilberto Martínez Solares, starring
1879:
Bellezas del cine mexicano/Beauties of Mexican Cinema
783:
was the first Spanish-language film to be awarded a
1897:
Mexican Cinema: Reflections of a Society, 1896–2004
1925:
1855:Mexico's Cinema: A Century of Film and Filmmakers
739:brought together a team comprising the filmmaker
2522:
1923:
1876:
1106:" (1941) directed by Joselito Rodríguez, stars
930:(1957) Directed by Miguel M. Delgado, starring
1820:
1696:"Deep focus: the Golden Age of Mexican cinema"
1628:"Deep focus: the Golden Age of Mexican cinema"
1603:"Deep focus: the Golden Age of Mexican cinema"
907:(1946) directed by Ismael Rodríguez, starring
1996:
1653:"Las 100 mejores películas del cine mexicano"
545:
1975:Consejo Nacional para la Cultura y las Artes
1872:. Vol. 4, no. 1. pp. 151–160.
1867:
1734:
1722:
825:Other noticeable films of this era include
716:One of the first blockbusters was the film
2003:
1989:
861:Comedy in the Golden Age of Mexican cinema
622:Norteño music into Chilean popular culture
552:
538:
1857:, Wilmington, Delaware: SR Books, 1999.
1808:Mexican Cinema, Mexican Woman (1940–1950)
1486:
1160:performing at the Tropicana cabaret 1950.
849:
833:(1953) directed by Luis Buñuel, starring
1480:
1354:
1232:
1151:
1049:
992:
864:
671:
1778:GARCÍA, Gustavo y AVIÑA, Rafael (1993)
1683:MMStudio:10 Greatests Mexican Comedians
1511:
14:
2523:
1754:Secretaría de Educación Pública (SEP)
1567:
1561:
1516:. México: Lom Ediciones. p. 390.
1984:
1766:Historia documental del cine mexicano
1536:
1464:from the original on 23 October 2022
1403:made its appearance, while in Japan
1961:More of 100 Years of Mexican Cinema
1928:Mexican Movies in the United States
1543:. United States: ABC-CLIO. p.
794:her performances in films such as "
24:
1924:AGRASÁNCHEZ JR.., Rogelio (2006).
1744:
25:
18:Golden age of the cinema of Mexico
2552:
1954:
1877:AGRASÁNCHEZ JR., Rogelio (2001).
1821:DÁVALOS OROZCO, Federico (1996).
1325:greatest contributions come with
1251:at the City Theater in March 1948
1138:
2081:
2012:
1792:PARANAGUÁ, Paulo Antonio (1995)
1247:, at Kleine-Gartmanplantsoen in
91:
48:
34:
27:Period in Mexican cinema history
1932:. McFarland & Company Inc.
1881:. Archivo Fílmico Agrasánchez.
1764:GARCÍA RIERA, Emilio (1992–97)
1688:
1296:
1913:, Taylor & Francis, 2005,
1780:Época de oro del cine mexicano
1752:Época de oro del cine mexicano
1675:
1645:
1620:
1595:
1530:
1505:
1446:
1040:Estanislao Shilinsky Bachanska
1013:" (1956) for popularizing the
574:Época de Oro del Cine Mexicano
13:
1:
1439:
877:
771:was awarded in 1946 with the
2531:Golden Age of Mexican cinema
1810:University of Arizona Press
1750:GARCÍA RIERA, Emilio (1986)
1512:Mouesca, Jacqueline (2001).
1345:El Castillo de los Monstruos
1228:
791:The Soldiers of Pancho Villa
566:Golden Age of Mexican Cinema
7:
1839:AYALA BLANCO, Jorge (1997)
10:
2557:
1806:HERSHFIELD, Joanne (1996)
1568:Dillon, Sam (2002-04-09).
1487:Dannemann, Manuel (1975).
1422:
1350:
1145:
1045:
890:couples (in the style of
858:
627:
584:Let's Go with Pancho Villa
2090:
2079:
2025:
1104:¡Ay Jalisco, no te rajes!
854:
1537:Baugh, Scott L. (2012).
1395:movement. In Italy, the
1303:El Fantasma del Convento
1278:Gangsters Versus Cowboys
1128:Here Comes Martin Corona
1100:Allá en el Rancho Grande
719:Allá en el Rancho Grande
579:Allá en el Rancho Grande
66:Allá en el Rancho Grande
1950:29, no. 1 (2018): 9-33.
1911:Mexican National Cinema
1494:Revista Musical Chilena
876:(left) for three films
2541:Golden ages (metaphor)
1460:(in Mexican Spanish).
1361:
1283:En la palma de tu mano
1263:. Inspired by popular
1252:
1161:
1062:
1002:
1001:in López Park, Orizaba
883:
850:Cinematographic genres
690:
573:
1977:de México (Conaculta)
1358:
1328:The Magnificent Beast
1236:
1155:
1053:
996:
911:, Pedro Infante, and
868:
706:The Woman of the Port
675:
101:List of Mexican films
1267:and figures such as
1191:María Antonieta Pons
1124:Dos tipos de cuidado
1087:José Alfredo Jiménez
1036:Marco Antonio Campos
936:Primero soy mexicano
918:Other films include
777:Cannes Film Festival
709:(1934), directed by
699:(1932), directed by
1429:Estudios Churubusco
1340:Ladrón de Cadáveres
1158:Evangelina Elizondo
1118:(1951) directed by
1059:María Elena Marqués
961:Ahí está el detalle
928:El bolero de Raquel
827:Nosotros los pobres
724:Fernando de Fuentes
1663:on 8 February 2010
1574:The New York Times
1458:Gobierno de México
1434:Televisa San Ángel
1369:Mexican television
1362:
1273:Edward G. Robinson
1253:
1167:Damaso Perez Prado
1162:
1063:
1026:Adalberto Martínez
1020:, particularly in
1003:
884:
691:
2518:
2517:
1971:Cineteca Nacional
1853:MACIEL, David R.
1244:La mujer de todos
978:Dolores Camarillo
920:El rey del barrio
835:Arturo de Córdova
562:
561:
108:Mexican Animation
16:(Redirected from
2548:
2536:Cinema of Mexico
2085:
2058:Cinematographers
2019:Cinema of Mexico
2017:
2016:
2015:
2005:
1998:
1991:
1982:
1981:
1963:en el sitio del
1943:
1931:
1892:
1873:
1870:The Global South
1836:
1738:
1735:Mckee Irwin 2010
1732:
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1723:Mckee Irwin 2010
1720:
1711:
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1554:978-031-3380-365
1534:
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1523:978-956-2823-364
1509:
1503:
1502:
1484:
1478:
1477:
1471:
1469:
1450:
1287:Roberto Gavaldón
1237:Marquee listing
1120:Ismael Rodríguez
1096:Spanish-speaking
938:(1950) starring
892:Laurel and Hardy
882:
879:
769:María Candelaria
758:María Candelaria
749:Pedro Armendariz
745:Gabriel Figueroa
741:Emilio Fernández
640:participated in
599:Emilio Fernández
593:In 1939, during
554:
547:
540:
95:
75:
74:
63:Protagonists of
56:Esther Fernández
52:
38:
21:
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2086:
2077:
2021:
2013:
2011:
2009:
1957:
1940:
1909:NOBLE, Andrea,
1889:
1833:
1747:
1745:Further reading
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1353:
1299:
1291:La noche avanza
1269:Humphrey Bogart
1255:In Mexico, the
1231:
1150:
1144:
1079:Antonio Aguilar
1048:
970:Joaquín Pardavé
940:Joaquín Pardavé
905:Los tres García
900:Joaquín Pardavé
880:
863:
857:
852:
820:Las Abandonadas
753:Dolores del Río
743:, photographer
630:
615:Dolores del Río
558:
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472:
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1956:
1955:External links
1953:
1952:
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1938:
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1907:
1895:MORA, Carl J.
1893:
1887:
1874:
1865:
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1818:
1804:
1794:Mexican Cinema
1790:
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1739:
1737:, p. 161.
1727:
1725:, p. 160.
1712:
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1497:(in Spanish).
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1431:
1424:
1421:
1405:Akira Kurosawa
1401:Ingmar Bergman
1381:Un día de vida
1352:
1349:
1298:
1295:
1265:Gangster films
1230:
1227:
1223:Victims of Sin
1195:Amalia Aguilar
1179:María Victoria
1143:
1137:
1116:A Toda Máquina
1047:
1044:
1032:Gaspar Henaine
948:Flor Silvestre
909:Fernando Soler
859:Main article:
856:
853:
851:
848:
798:" (1943) and "
711:Arcady Boytler
701:Antonio Moreno
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2098:
2097:
2095:
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2092:Films by year
2089:
2084:
2074:
2073:Screenwriters
2071:
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1994:
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1972:
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1966:
1962:
1959:
1958:
1949:
1945:
1941:
1939:0-7864-2545-8
1935:
1930:
1929:
1922:
1920:
1919:0-415-23010-1
1916:
1912:
1908:
1906:
1905:0-7864-2083-9
1902:
1898:
1894:
1890:
1888:968-5077-11-8
1884:
1880:
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1866:
1864:
1863:0-8420-2682-7
1860:
1856:
1852:
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1849:970-05-0376-3
1846:
1843:ed. Grijalba
1842:
1838:
1834:
1832:968-6932-45-3
1828:
1824:
1819:
1817:
1816:0-8165-1636-7
1813:
1809:
1805:
1803:
1802:0-85170-515-4
1799:
1795:
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1789:
1788:968-6932-68-2
1785:
1781:
1777:
1775:
1774:968-895-343-1
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1761:
1760:968-29-0941-4
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1657:Somo Magazine
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1501:(131): 38–86.
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1200:
1199:Ninón Sevilla
1196:
1192:
1188:
1187:Rumberas film
1184:
1180:
1176:
1175:Rita Montaner
1172:
1171:Toña la Negra
1168:
1159:
1154:
1149:
1148:Rumberas film
1141:
1136:
1133:
1129:
1125:
1121:
1117:
1113:
1109:
1108:Jorge Negrete
1105:
1101:
1097:
1093:
1092:Latin America
1088:
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988:El Ceniciento
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966:Sofía Álvarez
963:
962:
957:
953:
952:El Analfabeto
949:
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941:
937:
933:
929:
925:
924:Germán Valdés
921:
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638:United States
635:
625:
623:
618:
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612:
611:Pedro Infante
608:
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596:
591:
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588:Los Olvidados
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81:
77:
76:
68:
67:
57:
51:
43:
37:
19:
2053:Horror films
1947:
1927:
1910:
1896:
1878:
1869:
1854:
1840:
1822:
1807:
1793:
1779:
1765:
1751:
1730:
1703:. Retrieved
1699:
1690:
1682:
1677:
1665:. Retrieved
1661:the original
1656:
1647:
1635:. Retrieved
1631:
1622:
1610:. Retrieved
1606:
1597:
1585:. Retrieved
1573:
1563:
1539:
1532:
1513:
1507:
1498:
1492:
1482:
1473:
1466:. Retrieved
1457:
1448:
1413:
1409:
1389:
1380:
1378:
1374:
1366:
1363:
1338:
1337:(1954), and
1332:
1326:
1323:Chano Urueta
1300:
1297:Horror films
1276:
1254:
1242:
1219:Salón México
1215:Andrea Palma
1205:and Mexican
1203:Rosa Carmina
1163:
1139:
1132:Sara Montiel
1112:Gloria Marín
1083:Agustín Lara
1075:Luis Aguilar
1064:
1055:Luis Aguilar
1030:
1016:
1004:
981:
959:
956:El Padrecito
944:Luis Aguilar
917:
913:Abel Salazar
885:
870:Manuel Medel
824:
796:Doña Bárbara
789:
785:Golden Globe
780:
768:
762:
756:
755:. The films
734:
732:
717:
715:
704:
694:
692:
684:
677:Lupita Tovar
642:World War II
631:
619:
595:World War II
592:
577:
565:
563:
115:Horror films
79:
64:
2043:Films (A–Z)
1416:Ariel Award
1239:Maria Félix
1207:Meche Barba
1183:Los Panchos
999:Sara García
974:Sara García
954:(1961) and
881: 1938
773:Golden Palm
761:(1943) and
736:Wild Flower
728:Mexico City
681:Donald Reed
607:María Félix
603:Luis Buñuel
42:Tito Guízar
2525:Categories
2048:Golden Age
1667:28 January
1440:References
1407:appeared.
1397:Neorealism
1367:The first
1319:El Vampiro
1315:La Llorona
1311:La Llorona
1211:Aventurera
1146:See also:
1022:Costa Rica
1007:Clavillazo
997:Statue of
932:Cantinflas
874:Cantinflas
2100:1896–1919
2068:Producers
2038:Directors
1782:ed. Clío
1582:0362-4331
1261:Juan Orol
1257:film noir
1249:Amsterdam
1241:'s film,
1229:Film Noir
1067:rancheras
1017:pura vida
1011:Pura Vida
888:slapstick
816:Argentina
800:Enamorada
781:The Pearl
764:The Pearl
666:Argentina
646:cellulose
80:Cinema of
1825:. Clío.
1468:20 April
1462:Archived
1393:New Wave
1343:(1956).
1334:La Bruja
1140:Rumberas
1071:mariachi
751:actress
747:, actor
636:and the
632:In 1939
2063:Editors
1423:Studios
1360:façade.
1351:Decline
1307:convent
1221:" and "
1061:in 1955
1046:Musical
1015:phrase
839:La Otra
650:Germany
628:Origins
570:Spanish
2033:Actors
2026:Topics
1936:
1917:
1903:
1885:
1861:
1847:
1829:
1814:
1800:
1786:
1772:
1758:
1705:6 June
1637:6 June
1612:6 June
1580:
1551:
1520:
1385:Yu-Mex
1130:stars
976:, and
855:Comedy
808:France
689:(1932)
654:France
634:Europe
613:, and
582:, and
84:Mexico
2110:1930s
2105:1920s
1965:ITESM
1587:8 May
1142:films
1057:with
983:Somos
843:Tizoc
812:Italy
804:Spain
696:Santa
686:Santa
662:Spain
658:Italy
493:2020s
451:2010s
409:2000s
367:1990s
325:1980s
283:1970s
241:1960s
199:1950s
157:1940s
150:1930s
143:1920s
136:1910s
129:1900s
122:1890s
2510:2024
2505:2023
2500:2022
2495:2016
2490:2015
2485:2014
2480:2013
2475:2012
2470:2011
2465:2010
2460:2009
2455:2008
2450:2007
2445:2006
2440:2005
2435:2004
2430:2003
2425:2002
2420:2001
2415:2000
2410:1999
2405:1998
2400:1997
2395:1996
2390:1995
2385:1994
2380:1993
2375:1992
2370:1991
2365:1990
2360:1989
2355:1988
2350:1987
2345:1986
2340:1985
2335:1984
2330:1983
2325:1982
2320:1981
2315:1980
2310:1979
2305:1978
2300:1977
2295:1976
2290:1975
2285:1974
2280:1973
2275:1972
2270:1971
2265:1970
2260:1969
2255:1968
2250:1967
2245:1966
2240:1965
2235:1964
2230:1963
2225:1962
2220:1961
2215:1960
2210:1959
2205:1958
2200:1957
2195:1956
2190:1955
2185:1954
2180:1953
2175:1952
2170:1951
2165:1950
2160:1949
2155:1948
2150:1947
2145:1946
2140:1945
2135:1944
2130:1943
2125:1942
2120:1941
2115:1940
1973:del
1934:ISBN
1915:ISBN
1901:ISBN
1883:ISBN
1859:ISBN
1845:ISBN
1827:ISBN
1812:ISBN
1798:ISBN
1784:ISBN
1770:ISBN
1756:ISBN
1707:2024
1669:2006
1639:2024
1614:2024
1589:2018
1578:ISSN
1549:ISBN
1518:ISBN
1470:2023
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1201:and
1110:and
1094:and
1077:and
1069:and
1034:and
946:and
896:tent
814:and
703:and
679:and
601:and
564:The
528:2029
525:2028
522:2027
519:2026
516:2025
512:2024
509:2023
506:2022
503:2021
500:2020
486:2019
483:2018
480:2017
477:2016
474:2015
470:2014
467:2013
464:2012
461:2011
458:2010
444:2009
441:2008
438:2007
435:2006
432:2005
428:2004
425:2003
422:2002
419:2001
416:2000
402:1999
399:1998
396:1997
393:1996
390:1995
386:1994
383:1993
380:1992
377:1991
374:1990
360:1989
357:1988
354:1987
351:1986
348:1985
344:1984
341:1983
338:1982
335:1981
332:1980
318:1979
315:1978
312:1977
309:1976
306:1975
302:1974
299:1973
296:1972
293:1971
290:1970
276:1969
273:1968
270:1967
267:1966
264:1965
260:1964
257:1963
254:1962
251:1961
248:1960
234:1959
231:1958
228:1957
225:1956
222:1955
218:1954
215:1953
212:1952
209:1951
206:1950
192:1949
189:1948
186:1947
183:1946
180:1945
176:1944
173:1943
170:1942
167:1941
164:1940
1700:BFI
1632:BFI
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