137:
128:
are being administered a new, undetectable fortifying drug, Hydromel. However, on the day of the event, the most ambitious of the athletes, Dorcas, decides to exceed the prescribed dose and is subsequently caught. Although the team wins the race, a scandal erupts. Dorcas receives a lifetime ban, but her ambition continues to haunt her.
389:
The central role of the Black runner Dorcas
Ableman drew on Simon's own experience of being an athlete; Page later related that the play had been rewritten from an ensemble piece, as "the sheer dynamism Josette brought to the role meant that it was her journey through the play with which the audience
372:
wrote in his autobiography that before the script was available, as many of eight of his fellow cast members were under the impression that they were playing the lead. He recalled that on the first day of rehearsals, the script had still not arrived, and as rehearsals progressed, "Louis's re-writes
127:
The
British national women's hundred-metres relay team is currently training for an international event in Athens, with their coach and medical staff on hand. The team is sponsored by a cosmetics firm seeking to boost its sales. To enhance performance, the team doctor informs the athletes that they
517:
Themes of the play include the unfair treatment of women in sport, the difficulties of balancing a personal life with being an elite sportsperson, racism in advertising, the use of performance-enhancing drugs in sport, and sport psychology. When the sponsor's representative declares that the team
119:'s performance as Dorcas Ableman was acclaimed. The play addresses numerous themes including unfair treatment of women in sport, the difficulties of balancing a personal life with being an elite sportsperson, racism in advertising, and the use of performance-enhancing drugs in sport.
385:
as part of their preparation for roles as athletes, while the actresses playing athletes took sprint training. Despite his concerns about the preparation and his own performance, Branagh considered that the first run of performances were successful, and pleased the audiences.
368:... I sort of assumed it was going to be half the number of lines for twice the number of people – but it does not work that way at all! And I had to learn to write exit lines. One of the problems with having a lot of characters on stage is how you get them off again."
728:
650:, Michael Quinn wrote that Golden Girls was Pages' "greatest success" and that it "ambitiously addressed a plethora of personal and political issues associated with high-profile sports tournaments."
417:, and lighting was by Wayne Dowdeswell. The same cast performed the play at the Gulbenkian Studio, Newcastle-upon-Tyne from 18 to 23 March 1985, and it transferred, with some cast changes, to
373:
were arriving very slowly, and everyone was desperately throwing their weight around and implying that they might leave at any moment. The actors felt betrayed, Louise felt persecuted, and
720:
610:
Starring as Dorcas
Ableman was a breakthrough role for Josette Simon. Her performance was "unanimously praised" according to the literature scholar Kurt Eisen; she won the
1126:
1035:
1249:
1215:
1413:
1319:
899:
1004:
421:
in London, where it played from 29 April to 10 September. At the Pit, it was commercially successful, playing to near-capacity audiences.
585:
felt that although the play kept a coherent narrative despite the various themes, but it was "hard to see what the play id driving at."
1361:
854:
1334:
459:
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503:
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was "about desire and ambition and the ambition to be absolutely the best." Like her other plays of the early 1980s,
1241:
1207:
1405:
1311:
540:
critic Eric
Shorter praised the cast's efforts but felt that the play suffered from overly slow pacing, while
891:
115:. Although Page's writing received a mixed critical reception, Kyle's direction was generally praised, and
624:
wrote that "The immense power and beauty of this actress is at last given proper opportunity by the RSC."
1152:
641:
479:
475:
402:
353:
108:
104:
57:
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received a mixed critical reception, while the response to Kyle's direction was largely positive.
597:
519:
514:. The play can be regarded as a comedy, as it uses irony while lacking traditional comic themes.
22:
996:
842:
483:
1353:
846:
452:
as
Bassett, and Berger, Emmanuel and Yuill reprising their roles from the stage versions.
8:
1679:
603:
536:
522:
mood of the time, which saw South
African teams banned from international competitions."
61:
1625:Öğütcü, Murat (December 2019). "The Politics of Sports in Louise Page's Golden Girls".
564:
546:
429:
192:
644:
for a woman playwright writing in
English. In his 2020 obituary of Page, published in
494:
Page commented that she wanted to write a play about the "politics of sport" and that
1583:
1564:
1537:
1515:
1496:
1477:
1148:
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364:, with a cast twice the size of what she had previously written, "was quite difficult
436:
staged a production. A two-part radio adaptation, written by Page, was broadcast on
1658:
1634:
1613:
1556:
666:
At The Other Place, Stratford-upon-Avon; and
Gulbenkian Studio, Newcastle-upon-Tyne
558:
463:
441:
205:
1617:
1604:
Bartleet, Carina (2021). "Backpages 31.3: In
Memoriam: Louise Page (1955- 2020)".
1057:
FitzGerald, Anne (30 October 1986). "Bright girls run away with the gold medals".
1560:
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1383:
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616:
553:
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247:
140:
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1289:
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445:
410:
382:
179:
116:
630:
591:
449:
414:
218:
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British Black and Asian
Shakespeareans: Integrating Shakespeare, 1966–2018
390:
identified". The play helped establish Page's reputation as a playwright.
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felt that Simon's performance was among the most thrilling in London.
646:
577:
507:
1493:
British Playwrights, 1956-1995: a Research and Production sourcebook
467:
1491:
Eisen, Kurt (1996). "Louise Page". In Demastes, William W. (ed.).
433:
1343:, chapter "Rosaline, RSC, 1984", search phrase "Dorcas Ableman".
921:
Isaacs, David (19 March 1985). "First prize for these runners".
471:
428:
concurrently with the RSC's London run. Later that year, the
482:(1996), The play had its American premiere in 1987 with the
1627:
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
698:
696:
694:
692:
518:
should be mainly white, "the resulting dialogue evokes the
1510:
Herbert, Ian, ed. (1986). "Productions of the Year 1985".
1386:(21 June 1984). "The Arts: Golden Girls/The Other Place".
820:
818:
803:
607:
complained that there were too many strands in the play.
575:, and Gussow commended the interplay of multiple themes.
793:
791:
689:
1175:
1072:
Fulton, Graham (13 April 1989). "Perth: Golden Girls".
948:
Bierley, Stephen (10 May 1985). "Golden track record".
815:
1102:
Mullen, Liz (2 May 1996). "Colchester: Golden Girls".
754:
752:
750:
748:
746:
1187:
1163:
929:
788:
776:
401:
was first staged by the Royal Shakespeare Company at
550:
wrote that "the play has intelligence and momentum"
510:
values in opposition to the materialistic values of
1274:Herbert, Ian, ed. (24 April 1984). "Golden Girls".
743:
764:
963:Reyner, R.L. (23 May 1985). "Bending the rules".
409:, premiering on 20 June 1984. Kit Surrey was the
1671:
1555:. London: Palgrave Macmillan. pp. 230–260.
1551:Richards, Sandra (1993). "The Recent Actress".
1495:. Westport: Greenwood Press. pp. 291–300.
462:. Later productions have included those at the
424:A version amended by Page was presented at the
413:, costumes were by Allan Watkins, music was by
381:trained with RSC member and fitness enthusiast
1450:Quinn, Michael (18 June 2020). "Louise Page".
841:
377:. I'm sure, felt both". Branagh and castmate
344:
1649:(1990). "Emotion Is a Theatrical Weapon".
1056:
997:"The Afternoon Play: Golden Girls: Part 1"
111:, premiering on 20 June 1984, directed by
1025:
1603:
1550:
1181:
1159:. p. 11 – via Newspapers.com.
1147:
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640:was one of twelve nominees for the 1985
135:
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1119:"South Coast rep to premiere two plays"
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782:
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1582:(ebook ed.). London: Bloomsbury.
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1292:(30 April 1985). "All that blisters".
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1282:
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1267:
1242:"Stratford keeps its kingly standards"
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1101:
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962:
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131:
1514:. London Theatre Record. p. 24.
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708:
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770:
702:
614:magazine award for best actress The
1264:
830:
13:
1218:from the original on 19 April 2023
14:
1691:
1026:Zimmerman, Kate (23 April 1986).
1512:London Theatre Record Index 1985
1476:. New York: St. Martin's Press.
1416:from the original on 4 June 2023
1364:from the original on 4 July 2024
1322:from the original on 4 June 2023
1252:from the original on 17 May 2024
1129:from the original on 21 May 2024
1038:from the original on 4 July 2024
1007:from the original on 4 July 2024
978:"Girls going all out for gold".
902:from the original on 4 July 2024
892:"RSC Performances: Golden Girls"
857:from the original on 20 May 2024
731:from the original on 20 May 2024
721:"RSC Performances: Golden Girls"
440:in May 1986. It was directed by
1553:The Rise of the English Actress
1443:
1439:. 18 February 1985. p. 15.
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1300:
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1080:
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1050:
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956:
941:
914:
884:
869:
1206:Shorter, Eric (22 June 1984).
1028:"TC plans contemporary season"
680:
660:
393:
1:
1618:10.1080/10486801.2021.1935026
1117:Wong, Herman (16 July 1987).
982:. 7 November 1985. p. 8.
673:
360:later reflected that writing
103:that was commissioned by the
1561:10.1007/978-1-349-09930-6_11
896:Shakespeare Birthplace Trust
725:Shakespeare Birthplace Trust
525:
330:everything the name suggests
7:
1606:Contemporary Theatre Review
1137:– via Newspapers.com.
1046:– via Newspapers.com.
642:Susan Smith Blackburn Prize
480:Mercury Theatre, Colchester
107:and was first performed at
10:
1696:
1091:. 9 July 1992. p. 10.
880:. 14 June 1984. p. 7.
851:British Council Literature
345:Background and development
339:
20:
1663:10.1017/S0266464X00004243
489:
478:, London (1992), and the
476:The Lilian Baylis Theatre
354:Royal Shakespeare Company
332:
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105:Royal Shakespeare Company
75:
67:
53:
45:
35:
30:
653:
352:was commissioned by the
21:For the 1950s play, see
16:1984 play by Louise Page
1406:"Short back and throat"
1312:"Short back and throat"
151:Cast and characters of
122:
23:The Golden Girls (play)
458:presented the play in
147:
1651:New Theatre Quarterly
1578:Rogers, Jami (2022).
1276:London Theatre Record
601:and Anne McFerran of
484:South Coast Repertory
139:
1435:"untitled article".
1208:"Athletics at a jog"
843:Naffis-Sahely, André
705:, p. Cast list.
502:was critical of the
215:blonde white athlete
1536:. London: Methuen.
1278:. pp. 397–399.
1212:The Daily Telegraph
1001:BBC Programme Index
812:, pp. 152–153.
612:Plays & Players
537:The Daily Telegraph
284:Sue Kinder's father
155:
146:played Mike Bassett
132:Cast and characters
62:Stratford-upon-Avon
1639:10.17613/vce2-er30
1246:The New York Times
1240:(12 August 1984).
1149:de Jongh, Nicholas
565:The Mail on Sunday
547:The New York Times
530:Page's writing of
193:Alphonsia Emmanuel
150:
148:
144:(pictured in 2009)
99:is a 1984 play by
1589:978-1-350-11293-3
1570:978-1-349-09930-6
1543:978-0-413-57960-7
1521:978-0-907945-04-8
1502:978-0-313-28759-6
1483:978-0-312-05822-7
1123:Los Angeles Times
923:Newcastle Journal
686:Sakellaridou 2009
573:Nicholas de Jongh
504:UK's class system
337:
336:
287:George Raistrick
276:Jennifer Piercey
92:
91:
68:Original language
1687:
1666:
1642:
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1598:Journal articles
1593:
1574:
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1506:
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1470:Branagh, Kenneth
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1125:. p. VI.7.
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1087:"Theatre Week".
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876:"Theatre Week".
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464:Belgrade Theatre
442:Vanessa Whitburn
367:
292:Hilary Davenport
270:Vivien Blackwood
206:Katharine Rogers
199:Pauline Peterson
156:
149:
28:
27:
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1657:(22): 174–182.
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1404:(12 May 1985).
1399:
1395:
1388:Financial Times
1381:
1377:
1367:
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1358:BBA Shakespeare
1354:"Josette Simon"
1352:
1351:
1347:
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1335:
1325:
1323:
1310:(12 May 1985).
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1248:. p. 2.5.
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622:Michael Coveney
617:Financial Times
568:
554:Sheridan Morley
528:
492:
486:'s production.
456:Theatre Calgary
426:Leeds Playhouse
403:The Other Place
396:
370:Kenneth Branagh
365:
347:
342:
327:The golden girl
257:Laces Mackenzie
248:Kenneth Branagh
141:Kenneth Branagh
134:
125:
109:The Other Place
88:
58:The Other Place
54:Place premiered
26:
17:
12:
11:
5:
1693:
1683:
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1668:
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1633:(2): 871–882.
1622:
1612:(3): 364–379.
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1594:
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1442:
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1412:. p. 17.
1393:
1375:
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1333:
1318:. p. 17.
1299:
1290:Wardle, Irving
1281:
1263:
1229:
1214:. p. 13.
1198:
1196:, p. 871.
1186:
1184:, p. 375.
1174:
1172:, p. 872.
1162:
1151:(4 May 1984).
1140:
1109:
1094:
1079:
1064:
1049:
1034:. p. D6.
1032:Calgary Herald
1018:
1003:. 3 May 1986.
985:
970:
955:
940:
928:
913:
883:
868:
829:
827:, p. 247.
814:
802:
800:, p. 153.
787:
785:, p. 152.
775:
773:, p. 175.
763:
761:, p. 294.
742:
707:
688:
678:
677:
675:
672:
669:
668:
658:
657:
655:
652:
527:
524:
520:anti-Apartheid
491:
488:
430:Wolsey Theatre
405:, directed by
395:
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356:(RSC). Author
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252:Martin Jacobs
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173:Dorcas Ableman
170:
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165:Original cast
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46:Date premiered
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1454:. p. 32.
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1390:. p. 23.
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1296:. p. 10.
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1182:Bartleet 2021
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1154:
1153:"Golden girl"
1150:
1144:
1128:
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1120:
1113:
1106:. p. 14.
1105:
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1090:
1083:
1076:. p. 15.
1075:
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1061:. p. 23.
1060:
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1006:
1002:
998:
992:
990:
981:
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967:. p. 15.
966:
959:
952:. p. 13.
951:
944:
938:, p. 24.
937:
932:
924:
917:
901:
897:
893:
887:
879:
872:
856:
852:
848:
847:"Louise Page"
844:
838:
836:
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826:
825:Richards 1993
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595:Jim Hiley of
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583:Irving Wardle
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446:Angela Wynter
444:and included
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1530:Page, Louise
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1418:. Retrieved
1410:The Observer
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1402:Asquith, Ros
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1366:. Retrieved
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1316:The Observer
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1308:Asquith, Ros
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936:Herbert 1986
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925:. p. 3.
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895:
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859:. Retrieved
850:
810:Branagh 1991
805:
798:Branagh 1991
783:Branagh 1991
778:
766:
733:. Retrieved
724:
682:
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638:Golden Girls
637:
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631:The Observer
629:
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598:The Listener
596:
592:The Observer
590:
576:
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532:Golden Girls
531:
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506:, favouring
500:Golden Girls
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496:Golden Girls
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450:Terry Molloy
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415:Ilona Sekacz
399:Golden Girls
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362:Golden Girls
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350:Golden Girls
349:
348:
316:Hotel porter
311:Derek Crewe
241:Mike Bassett
228:Janet Morris
219:Kate Buffery
168:London cast
162:Description
153:Golden Girls
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96:Golden Girls
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49:20 June 1984
31:Golden Girls
18:
1341:Rogers 2022
1238:Gussow, Mel
1194:Öğütcü 2019
1170:Öğütcü 2019
626:Ros Asquith
587:Ros Asquith
512:Thatcherism
448:as Dorcas,
438:BBC Radio 4
394:Productions
379:Jimmy Yuill
358:Louise Page
333:Jan Revere
305:Tom Billbow
299:Polly James
281:Noël Kinder
264:Jimmy Yuill
235:Cathy Tyson
186:Muriel Farr
101:Louise Page
40:Louise Page
1680:1984 plays
759:Eisen 1996
674:References
542:Mel Gussow
407:Barry Kyle
308:journalist
212:Sue Kinder
159:Character
113:Barry Kyle
36:Written by
1474:Beginning
1452:the Stage
1437:The Times
1294:The Times
1104:The Stage
1089:The Stage
1074:The Stage
1059:The Stage
980:The Stage
965:The Stage
878:the Stage
771:Page 1990
703:Page 1985
647:The Stage
620:reviewer
578:The Times
526:Reception
508:Socialist
1674:Category
1532:(1985).
1472:(1991).
1414:Archived
1362:Archived
1320:Archived
1250:Archived
1222:19 April
1216:Archived
1127:Archived
1036:Archived
1005:Archived
900:Archived
855:Archived
845:(2010).
729:Archived
604:Time Out
474:(1989),
470:(1986),
468:Coventry
411:designer
581:critic
434:Ipswich
419:The Pit
340:History
295:sponsor
82:England
76:Setting
71:English
1586:
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1499:
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1420:17 May
1368:21 May
1326:17 May
1256:17 May
1133:21 May
1042:21 May
1011:21 May
906:21 May
861:20 May
735:21 May
490:Themes
366:
273:doctor
85:Athens
1463:Books
654:Notes
569:'
559:Punch
472:Perth
375:Barry
319:white
260:coach
1584:ISBN
1565:ISBN
1538:ISBN
1516:ISBN
1497:ISBN
1478:ISBN
1422:2024
1370:2024
1328:2024
1258:2024
1224:2023
1135:2024
1044:2024
1013:2024
908:2024
863:2024
737:2024
460:1986
123:Plot
1659:doi
1635:doi
1614:doi
1557:doi
628:of
589:in
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