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Paint sheen

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31: 157: 146: 168: 190:. The more binder the coating contains, the more regular reflection will be made from its smooth surface; conversely, with less binder, grains of pigment become exposed to the surface, scattering the light and providing matte effect. To a lesser extent, gloss is also affected by other factors: refraction index of the pigment particles, viscosity and refraction index of the binder. 108:
Firwood, a UK paint manufacturer measures gloss as percentages of light reflected from an emitted source back into an apparatus from specified angles, ranging between 60° and 20° depending on the reflectivity. With very low gloss levels (such as matte finishes), a 60° angle is too great to measure
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In traditional household interiors, walls are usually painted in flat or eggshell gloss, wooden trim (including doors and window sash) in high gloss, and ceilings almost invariably in flat. Similarly, exterior trim is usually painted with a gloss paint, while the body of the house is painted in a
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PVC affects both physical and optical properties of a paint. Matte paints have less binder, which makes them more susceptible to mechanical damages (however, they are less visible than on glossy surfaces). More binder provides a smoother and more solid surface. However, at a certain PVC, called
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As a gloss finish will reveal surface imperfections such as sanding marks, surfaces must generally be prepared more thoroughly for gloss finishes. Gloss-finish paints are generally more resistant to damage than flat paint, more resistant to staining, and easier to clean. Flat paint may become
272:(CPVC), the paint is already saturated with binder and the surface becomes solid and glossy, without protruding particles; adding more binder (lowering PVC) will not affect the sheen. CPVC generally depends on the binder-pigment system used, and generally falls in the 35–65% range. 262: 276:
glossier through burnishing or staining with grease; glossy paint may lose its gloss and look scratched if abraded. Unlike gloss paint, flat paint can generally be touched up locally without repainting the entire surface.
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Scattering of light on finishes with 75% (matte), 50% (satin) and ~35% (glossy) pigment-volume concentration. Still lower PVCs (below critical) do not affect sheen, but only permeability.
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Between those extremes, there are a number of intermediate gloss levels. Their common names, from the most dull to the most shiny, include
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Matte paint: Its history and technology, analysis, properties, and treatment, with special emphasis on ethnographic objects
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Gloss level can be characterized by the angular distribution of light scattered from a surface, measured with a
17: 491: 367: 486: 283:, but there are various ways of measuring this, and different industries have different standards. 182:
The sheen or gloss level of a paint is principally determined by the ratio of resinous, adhesive
257:{\displaystyle {\text{PVC}}={\frac {V_{\text{pigment}}}{V_{\text{pigment}}+V_{\text{binder}}}}} 319: 421: 8: 66: 70: 30: 447: 427: 373: 325: 183: 73:
in a range of angles. The gloss level of paint can also affect its apparent colour.
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The returned light into the apparatus allows the gloss to be classified as follows:
100:. These terms are not standardized, and not all manufacturers use all these terms. 365: 42: 480: 156: 145: 467:
PCI Magazine article: What is the Level of Confidence in Measuring Gloss?
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light reflectance accurately, so a lower angle of 20° is usually used.
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Gloss paint is commonplace in the automotive industry for car bodies.
197:(PVC), defined as the ratio of pigment volume and total paint volume: 366:
Eric F. Hansen; Sue Walston; Mitchell Hearns Bishop, eds. (1994).
187: 69:(mirror-like) direction, while on flat paints most of the light 346:"A Guide to Measuring Levels of Gloss in Paint | Firwood" 46: 317: 321:
Graphic Standards Field Guide to Residential Construction
61:) are typical extreme levels of glossiness of a finish. 472:
NPL: Good practice guide for the measurement of Gloss
206: 186:, which solidifies after drying, and solid, powdery 446:Koleske, Paint and Coating Testing Manual, p. 615, 256: 478: 34:High-gloss finish used for kitchen elements 65:is shiny and reflects most light in the 29: 318:Dennis J. Hall; Nina M. Giglio (2011). 14: 479: 419: 361: 359: 357: 355: 324:. John Wiley & Sons. p. 410. 413: 41:is a measure of the reflected light ( 392: 352: 24: 25: 503: 460: 402:. Sherwin-Williams/SHEEN magazine 372:. Getty Conservation Institute. 166: 155: 144: 286: 440: 338: 311: 103: 13: 1: 304: 135: 195:pigment-volume concentration 27:Glossiness of a paint finish 7: 10: 508: 297: 193:An important indicator is 258: 35: 420:Ostrow, Judy (2001). 298:Further information: 259: 33: 204: 400:"Considering Sheen" 492:Painting materials 254: 119:Semi-gloss: 41–69% 116:Full gloss: 70–90% 36: 433:978-1-61059-446-2 331:978-0-470-90626-2 252: 248: 235: 224: 210: 16:(Redirected from 499: 454: 444: 438: 437: 426:. Quarry Books. 417: 411: 410: 408: 407: 396: 390: 389: 387: 386: 363: 350: 349: 342: 336: 335: 315: 263: 261: 260: 255: 253: 251: 250: 249: 246: 237: 236: 233: 226: 225: 222: 216: 211: 208: 170: 159: 148: 128:Eggshell: 10–15% 21: 507: 506: 502: 501: 500: 498: 497: 496: 487:Interior design 477: 476: 463: 458: 457: 445: 441: 434: 418: 414: 405: 403: 398: 397: 393: 384: 382: 380: 364: 353: 344: 343: 339: 332: 316: 312: 307: 302: 289: 245: 241: 232: 228: 227: 221: 217: 215: 207: 205: 202: 201: 180: 179: 178: 177: 173: 172: 171: 162: 161: 160: 151: 150: 149: 138: 106: 28: 23: 22: 15: 12: 11: 5: 505: 495: 494: 489: 475: 474: 469: 462: 461:External links 459: 456: 455: 439: 432: 423:Painting Rooms 412: 391: 378: 351: 337: 330: 309: 308: 306: 303: 288: 285: 265: 264: 244: 240: 231: 220: 214: 175: 174: 165: 164: 163: 154: 153: 152: 143: 142: 141: 140: 139: 137: 134: 133: 132: 131:Matte: <10% 129: 126: 123: 120: 117: 105: 102: 26: 9: 6: 4: 3: 2: 504: 493: 490: 488: 485: 484: 482: 473: 470: 468: 465: 464: 453: 452:0-8031-2060-5 449: 443: 435: 429: 425: 424: 416: 401: 395: 381: 379:0-89236-262-6 375: 371: 370: 362: 360: 358: 356: 347: 341: 333: 327: 323: 322: 314: 310: 301: 296: 293: 292:lower gloss. 284: 282: 277: 273: 271: 242: 238: 229: 218: 212: 200: 199: 198: 196: 191: 189: 185: 169: 158: 147: 130: 127: 125:Sheen: 15–25% 124: 122:Satin: 26–40% 121: 118: 115: 114: 113: 110: 101: 99: 95: 91: 87: 83: 79: 74: 72: 68: 64: 60: 56: 52: 48: 44: 40: 32: 19: 18:Gloss (paint) 442: 422: 415: 404:. Retrieved 394: 383:. Retrieved 368: 340: 320: 313: 294: 290: 287:Applications 278: 274: 270:critical PVC 269: 266: 194: 192: 181: 111: 107: 97: 93: 89: 85: 81: 77: 75: 62: 58: 54: 50: 38: 37: 300:Light booth 104:Terminology 63:Gloss paint 481:Categories 406:2015-03-11 385:2015-03-11 305:References 281:glossmeter 136:Technology 98:high gloss 94:semi-gloss 43:glossiness 49:finish. 45:) from a 82:eggshell 71:diffuses 67:specular 234:pigment 223:pigment 188:pigment 450:  430:  376:  328:  247:binder 184:binder 51:Glossy 86:satin 78:matte 59:matte 47:paint 39:Sheen 448:ISBN 428:ISBN 374:ISBN 326:ISBN 96:and 90:silk 57:(or 55:flat 53:and 209:PVC 483:: 354:^ 92:, 88:, 84:, 80:, 436:. 409:. 388:. 348:. 334:. 243:V 239:+ 230:V 219:V 213:= 20:)

Index

Gloss (paint)

glossiness
paint
specular
diffuses



binder
pigment
glossmeter
Light booth
Graphic Standards Field Guide to Residential Construction
ISBN
978-0-470-90626-2
"A Guide to Measuring Levels of Gloss in Paint | Firwood"




Matte paint: Its history and technology, analysis, properties, and treatment, with special emphasis on ethnographic objects
ISBN
0-89236-262-6
"Considering Sheen"
Painting Rooms
ISBN
978-1-61059-446-2
ISBN
0-8031-2060-5

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