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in
Velasquez, the perfection of design surpassed the color; in Riolo the conventionality of the form prevailed to the study of the true, and in the Patania the natural spontaneity took precedence to the knowledge of the principles that inform
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in
Velasques la perfezione del disegno soprastava al colorito; nel Riolo la convenzionalità della forma prevaleva allo studio del vero, e nel Patania la spontaneità naturale la vinceva sulla conoscenza de’ principii informatori
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into
Spanish family; his father was Fabiano Ungo de Velasco. At the age of 15, he changed his surname to that of the Spanish painter
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167:, with whom he painted frescoes in a church in Castellamare. Returning to Palermo, he finally worked under the painter
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In 1869, the writer
Carmelo Pardi compared the three prominent painters of Palermo of the early 19th century:
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163:, Gaetano Mercurio, who fared poorly as a painter. He moved to work under another local follower of Conca,
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Velazquez often collaborated in providing the decoration for the structures built by the architect
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Vita di
Giuseppe Velasques palermitano egregio dipintore scritta da Agostino Gallo suo amico
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website, comments by Cetti
Siracusano from "la Pittura del Settecento in Sicilia".
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Velazquez died at
Palermo and was buried in the Chiesa dei Cappuccini of Palermo.
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507:, by Carmelo Pardi, 1869, Tipografia del Giornale di Sicilia, Palermo, pages 6-7.
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194:. Among his pupils were Francesco la Farina (1778 - 1837). and
416:(canvases, 1808) for the church of San Salvatore di Noto.
259:, then attached to a Benedictine monastery in Palermo.
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He studied painting initially under a former pupil of
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Della vita e delle opere di Andrea D'Antoni pittore
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Effemeridi scientifiche e letterarie per la
Sicilia
132:(16 December 1750 – 7 February 1827) was an
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551:photo from Palazzo Costantino in Il Messagero.
355:(Canvas, 1799) for the Benedictine convent in
46:Relief portrait of Velazquez in the church of
342:(frescoes, 1799) for salone di Ercole in the
336:(frescoes, 1798) for the church of San Matteo
448:, (canvases, 1812–1816) for the church of
299:for the church of San Antonino di Padova.
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390:Psyche conducted by Mercury to Olympus
334:Saint Peter, Matthew, Paul, and Andrea
442:Martyrdom of Saints Phillip and James
570:, painting at San Salvatore di Noto.
422:in the Mother church of Castelbuono.
272:(1772 ed il 1775) for the church of
253:St Benedict destroys the Pagan Idols
242:St Benedict destroys the Pagan Idols
410:Saints Benedict, Placido, and Mauro
380:Coronation of St Cristina by Christ
311:for the church of St Paul in Malta.
209:, and Velasquez; Pardi noted that;
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561:Presentation of St Mauro at temple
463:, Marabitti, and Marchese Airoldi.
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627:18th-century Italian male artists
622:19th-century Italian male artists
340:Labors and Apotheosis of Hercules
483:By Agostino Gallo; 1845; page 4.
365:(1801) for Cathedral of Palermo.
171:, who had trained in Rome under
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305:for Palazzo Costantino, Palermo
244:at the Church of the Concezione
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328:Reale Orto Botanico of Palermo
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617:Italian neoclassical painters
607:19th-century Italian painters
597:18th-century Italian painters
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450:Santa Maria Assunta, Randazzo
396:(frescoes) for Palazzo Ganci.
374:Santa Maria degli Agonizzanti
363:Assumption of the Virgin Mary
257:Immacolata Concezione al Capo
231:Assumption of the Virgin Mary
297:Story of St Anthony of Padua
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233:at the Cathedral of Palermo
182:. He was patronized by the
180:Giuseppe Venanzio Marvuglia
27:Italian painter (1750–1827)
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368:Monochromatic frescoes of
326:Frescoes (1792-1796), for
270:Presentation at the Temple
190:, supplanting the painter
459:, Monsignor Ciafaglione,
420:Granting keys to St Peter
394:Story of Psyche and Amore
285:(1787) for the church of
255:(1775) for the church of
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434:Coronation of the Virgin
303:Battle of Constantinople
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438:Martyrdom of St Andrea
319:(oval for ceiling) of
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612:Painters from Palermo
602:Italian male painters
414:Adoration by the Magi
287:San Domenico, Palermo
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188:University of Palermo
136:painter, active in a
48:San Domenico, Palermo
461:Ferdinand of Bourbon
457:Giuseppe Ventimiglia
384:Cathedral of Palermo
382:(Canvas, 1803), for
344:Palazzo dei Normanni
321:Cathedral of Palermo
169:Gioacchino Martorana
400:Mythologic frescoes
352:William II the Good
274:San Biagio, Nicosia
566:2015-09-23 at the
535:2014-08-06 at the
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196:Salvatore Lo Forte
184:viceroy Caramanico
122:Giuseppe Velasquez
530:Palermo Cathedral
248:Among his works:
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404:Palazzina Cinese
265:Santa Scolastica
203:Giuseppe Patania
161:Sebastiano Conca
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65:16 December 1750
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34:Giuseppe Velasco
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18:Giuseppe Velasco
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309:Life of St Paul
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165:Giuseppe Tresca
154:Diego Velázquez
148:He was born at
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80:7 February 1827
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293:Story of Moses
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282:Vincent Ferrer
280:Miracle of St
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207:Vincenzo Riolo
173:Marco Benefial
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104:Known for
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455:Portraits of
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115:Neoclassicism
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82:(1827-02-07)
592:1827 deaths
587:1750 births
549:Art Tribune
446:Holy Family
402:(1805) for
346:in Palermo.
263:Ecstasy of
96:Nationality
581:Categories
518:dell’arte.
468:References
430:Assumption
138:Neoclassic
61:1750-12-16
350:Dream of
144:Biography
126:Velasques
564:Archived
533:Archived
520:(page 7)
357:Monreale
112:Movement
436:(1809),
150:Palermo
140:style.
134:Italian
130:Velasco
107:Painter
99:Italian
90:, Italy
88:Palermo
71:, Italy
69:Palermo
268:, and
222:Works
412:and
392:and
295:and
214:art.
77:Died
55:Born
128:or
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