305:
286:
321:
115:
25:
336:
414:
352:
60:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
153:. After a few years back at Casalmaggiore, he gained stipends to allow him to travel to Rome, where he was strongly influenced by the academic styles of both
164:
He painted in fresco as well as in oil, distinguishing himself as a painter of historical subjects. From 1806 to 1809, he painted, among other topics, the
304:
320:
63:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
285:
327:
495:
490:
460:
450:
195:
in
Bergamo. He received many subsequent honors including membership in the Academies of Milan (Brera) in 1815, the Atheneum at
335:
465:
71:
84:
Content in this edit is translated from the existing
Italian Knowledge article at ]; see its history for attribution.
470:
455:
398:
423:
475:
351:
357:
79:
427:
295:
200:
100:
485:
480:
256:
93:
199:
in 1819, the
Atheneum at Brescia in 1829, the Accademia of Bologna in 1837, and the Roman
8:
263:
158:
37:
192:
75:
203:
in 1844. He died in 1846 in
Casalmaggiore. His former palace and studio is now the
378:
342:
311:
255:
at
Palazzo Locatelli in Bergamo; and four frescoes in the Colleoni chapel in the
244:
228:
114:
271:
188:
444:
418:
154:
130:
126:
267:
204:
150:
142:
417: This article incorporates text from a publication now in the
82:
to the source of your translation. A model attribution edit summary is
291:
248:
196:
129:– 30 January 1846, Casalmaggiore) was an Italian painter of the
57:
240:
216:
434:. Vol. I (3rd ed.). London: George Bell & Sons.
146:
187:
He then returned to Milan, and through his friendship with
145:. As a teenager, until 1796, he attended the Academy at
53:
432:Bryan's Dictionary of Painters and Engravers (A–K)
383:, Tipografia Capriolo e Massimino, 1900, page 33.
223:, and in the Brera Gallery is a depiction of the
442:
141:He initially was apprenticed in his hometown to
78:accompanying your translation by providing an
44:Click for important translation instructions.
36:expand this article with text translated from
396:
328:Tempio Civico della Beata Vergine Incoronata
270:, and he was a mentor and collaborator with
247:, the frescoes (1818) at Palazzo Bolzesi in
239:. His self-portrait, dated 1821, is in the
399:"Giuseppe Diotti (Dizionario-Biografico)"
113:
443:
422:
277:
243:. He also helped decorate, alongside
233:Leonardo da Vinci and Lodovico Sforza
18:
380:La Pittura lombarda nel secolo XIX.
13:
430:. In Graves, Robert Edmund (ed.).
14:
507:
496:18th-century Italian male artists
491:19th-century Italian male artists
219:is a picture by him representing
123:Francesco Giuseppe Antonio Diotti
90:{{Translated|it|Giuseppe Diotti}}
412:
350:
334:
319:
303:
284:
23:
191:, he became a professor in the
372:
88:You may also add the template
1:
461:19th-century Italian painters
451:18th-century Italian painters
390:
231:). Other works by him are a
182:Moses and the Bronze Serpent
149:and was there instructed by
136:
7:
237:Tobias recovering his Sight
16:Italian painter (1779–1846)
10:
512:
52:Machine translation, like
466:People from Casalmaggiore
210:
38:the corresponding article
365:
99:For more guidance, see
294:Condemned to Death by
262:Among his pupils were
178:Adoration by Shepherds
119:
471:Painters from Bergamo
456:Italian male painters
326:Dome frescoes at the
201:Accademia di San Luca
117:
101:Knowledge:Translation
72:copyright attribution
257:Cathedral of Cremona
215:In the Belvedere at
118:Self-portrait (1844)
476:Painters from Parma
225:Congress of Pontida
428:"Diotti, Giuseppe"
397:di Renzo Mangili.
278:Selected paintings
264:Giovanni Carnovali
174:Moses with Tablets
159:Vincenzo Camuccini
120:
80:interlanguage link
221:The Kiss of Judas
193:Accademia Carrara
112:
111:
45:
503:
435:
416:
415:
402:
384:
376:
354:
338:
323:
307:
288:
91:
85:
58:Google Translate
43:
27:
26:
19:
511:
510:
506:
505:
504:
502:
501:
500:
441:
440:
413:
393:
388:
387:
377:
373:
368:
361:
360:and Sons (1820)
355:
346:
343:Oath of Pontida
339:
330:
324:
315:
312:Ludovico Sforza
308:
299:
289:
280:
245:Luigi Sabatelli
229:Oath of Pontida
213:
139:
125:(1 March 1779,
108:
107:
106:
89:
83:
46:
28:
24:
17:
12:
11:
5:
509:
499:
498:
493:
488:
483:
478:
473:
468:
463:
458:
453:
437:
436:
424:Bryan, Michael
404:
403:
392:
389:
386:
385:
370:
369:
367:
364:
363:
362:
356:
349:
347:
340:
333:
331:
325:
318:
316:
309:
302:
300:
290:
283:
279:
276:
272:Pietro Ronzoni
212:
209:
189:Andrea Appiani
138:
135:
110:
109:
105:
104:
97:
86:
64:
61:
50:
47:
33:
32:
31:
29:
22:
15:
9:
6:
4:
3:
2:
508:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
448:
446:
439:
433:
429:
425:
420:
419:public domain
411:
410:
409:
408:
400:
395:
394:
382:
381:
375:
371:
359:
353:
348:
344:
337:
332:
329:
322:
317:
313:
310:The Court of
306:
301:
297:
293:
287:
282:
281:
275:
273:
269:
265:
260:
258:
254:
253:Bath of Venus
250:
246:
242:
238:
234:
230:
226:
222:
218:
208:
206:
202:
198:
194:
190:
185:
183:
179:
175:
171:
167:
166:Rest in Egypt
162:
160:
156:
155:Gaspare Landi
152:
148:
144:
134:
132:
128:
127:Casalmaggiore
124:
116:
102:
98:
95:
87:
81:
77:
73:
69:
65:
62:
59:
55:
51:
49:
48:
41:
39:
34:You can help
30:
21:
20:
438:
431:
406:
405:
379:
374:
268:Enrico Scuri
261:
252:
236:
232:
224:
220:
214:
205:Museo Diotti
186:
181:
177:
173:
169:
165:
163:
151:Carlo Calani
143:Paolo Araldi
140:
122:
121:
76:edit summary
67:
35:
486:1846 deaths
481:1779 births
407:Attribution
445:Categories
391:References
170:Deposition
131:Neoclassic
40:in Italian
137:Biography
94:talk page
426:(1886).
292:Antigone
70:provide
421::
358:Ugolino
249:Cremona
197:Bergamo
133:style.
92:to the
74:in the
345:(1836)
314:(1823)
298:(1845)
251:; the
241:Uffizi
217:Vienna
211:Legacy
180:, and
366:Notes
296:Creon
176:, an
147:Parma
54:DeepL
341:The
266:and
235:and
172:, a
168:, a
157:and
68:must
66:You
161:.
56:or
42:.
447::
274:.
259:.
207:.
184:.
401:.
227:(
103:.
96:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.