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89:. Galilei and the others in the Florentine Camerata were determined to revive the musical style of ancient Greek drama, and while they may have been mistaken, ultimately, in how it was actually performed, they began, using ideas from Mei, one of the greatest revolutions in music history.
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through an extensive correspondence; this information was decisive in the formation of the new musical style which was developing in
Florence at the end of the 16th century, the new recitative style (
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to do a detailed study of ancient Greek music theory. He compiled his findings in a major treatise,
69:(not formally published, but written 1568 to 1573). Many of his findings he communicated to
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42:, famous in music history for providing the intellectual impetus to the
46:, which attempted to revive ancient Greek music drama. He was born in
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140:. Vol. xii (1st ed.). London: Macmillan. p. 67–68.
27:, describing the effect of ancient Greek music on human emotions
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137:The New Grove Dictionary of Music and Musicians
92:Mei also edited and annotated the tragedies of
151:. New York, W.W. Norton & Co., 1954.
130:Palisca, Claude (1980). "Girolamo Mei". In
34:(27 May 1519 – July 1594) was an Italian
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61:Mei was the first European after
182:16th-century Italian historians
124:References and further reading
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16:Italian historian and humanist
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192:Italian Renaissance humanists
56:Decimo Corinella da Peretola
54:and also used the pseudonym
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67:De modis musicis antiquorum
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23:Letter of Girolamo Mei to
149:Music in the Renaissance
116:Palisca, "Girolamo Mei."
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187:Italian music theorists
77:) from which developed
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197:Writers from Florence
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44:Florentine Camerata
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85:, and eventually
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75:stile recitativo
71:Vincenzo Galilei
25:Vincenzo Galilei
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32:Girolamo Mei
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177:1594 deaths
172:1519 births
166:Categories
98:Euripides
94:Aeschylus
36:historian
63:Boethius
48:Florence
40:humanist
134:(ed.).
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79:monody
104:Notes
87:opera
153:ISBN
96:and
52:Rome
38:and
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