419:, decided to establish the "Fondazione Giovanni Michelucci" which he guided until his demise. He bequeathed his vision and values to the Foundation, that he wanted to be attentive to the social problems of the city and to the separate worlds of total institutions as prison, asylum, hospitals. He committed the Foundation to offering ideas and plans for action on the chronic urban question, how to reconnect separate spaces by a new design of the city, giving witness to a way of life and to making architecture meet the needs of the people. The Foundation now also conserves his archives, his works, his writings, his ideal heritage. The Michelucci Foundation was established to "contribute to research and study on city planning and modern and contemporary architecture, with a special attention to the problems regarding social facilities, hospitals, prisons, schools”. Today, the Michelucci Foundation is a relevant and innovative actor in research and planning on social habitat and on the relationship between space and society. The Foundation coordinates several projects and researches in partnership with local authorities and cultural institutions, developing programs and proposals to integrate the local policies on the most relevant urban problems: migration, housing exclusion, suburbs, urban security, health.
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Sadly leaving the university because of his age, he dedicated his work to rigorous research with which he prepared, singularly but not limited to, a new revolution in the language of architecture: the concept of space wherever accessible, variety, the refusal of formulaic and technocratic diagrams, a
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he left
Pistoia and the family's "Officine Michelucci" and moved to Rome. He met Eloisa Pacini, a refined painter and pianist, also from Pistoia, who belonged to the same artistic milieu where Michelucci played an important role in intellectual culture. They married in 1928, sharing a strong social
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The first turning point work after the war, a small church in the countryside of
Pistoia, is a manifesto against the fashionable rhetoric and focused on the human dimension, using the language of rural architecture in order to restore the main religious and civil meeting center of a small and poor
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Many later works included social housing, workers' villages, public buildings, banks, churches, museum, social spaces for prisons, hospitals, schools and other projects, always developed around the idea of a friendly, supportive, democratic community-city, where architecture is open to the city,
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in
Florence with a work that won international acclaim not only for its rational and functional qualities but also for the quality of its integration into the historical and urban context. He reaffirmed the value of attention to architectural history and the desire to escape from rhetorical
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Michelucci's thesis was innovative but not accepted, this defeat heavily influencing his teaching at the
Faculty of Architecture, where he was now Dean. In fact, in 1948, Michelucci left the Faculty in Florence, and became a professor at the Faculty of Engineering in
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excitement, which was thought to represent an era, confronting modern architectural challenges removed from the feeling of conforming to a current architecture or blindly tied to one style. Between
December '45 and January '46 he founded the magazine
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He came from a family which owned an outstanding workshop for artistic iron craftsmanship and his youthful formative years were spent immersed in that world, after graduating from the Higher
Institute of Architecture at the
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new relation between ancient and modern, which was also expressed through combining stones, bricks, concrete, steel, glass and new materials used architecturally, but mainly in a symbolic way.
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awareness during their life together. Life in Rome was experienced as an extraordinary opportunity to study the architecture of the holy city and to build new work experience.
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became involved in book projects, one of the "Famiglia
Artistica" and "La Tempra", which bind to the critical Pistoia also in the subsequent experiences in Rome.
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Michelucci died on the night of 31 December 1990, at age 99, (he would have turned 100 in 2 days time) at his studio-home in
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with Baroni, Berardi, Gamberini, Guarnieri and
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community, marking definitively the real role of architecture in the service of his idea of "The New City".
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people-oriented and far from disciplinary boundaries of styles and languages.
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245:Firenze Santa Maria Novella railway station
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440:"Fondazione Giovanni Michelucci"
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