447:
327:
1659:
42:
243:
994:
1671:
1136:: "since he always had about him boys and beardless youths, whom he loved more than was decent, he acquired the by-name of Sodoma; and in this name, far from taking umbrage or offence, he used to glory, writing about it songs and verses in terza rima, and singing them to the lute with no little facility.") See also: Jeanne Morgan Zarucchi, "Vasari’s Biography of Bazzi as ‘Soddoma’: Art History and Literary Analysis",
1290:
457:
898:. The artist's real surname is uncertain. He is said to have borne the family name of "Sodona" but also the name "Tizzioni". Sodona is the signature on some of his pictures. While Bazzi was corrupted into Razzi, Sodona may have been corrupted into "Sodoma" (Latin and Italian for Sodom, the biblical city).
865:
and that Vasari repaid him by presenting a negative account of Sodoma's morals and demeanour and withholding praise of his work. According to Vasari, the name by which Bazzi was known was "Il
Mattaccio" (the Madcap, the Maniac), this epithet having been bestowed upon him by the monks of Monte
434:. From Lucca, he returned to Siena not long before his death on 14 February 1549 (older narratives say 1554). He had supposedly squandered his property and is said, without documentary support, to have died in penury in the great hospital of Siena. One of his pupils is known as
1130:
però che aveva sempre attorno fanciulli e giovani sbarbati, i quali amava fuor di modo, si acquistò il sopranome di
Soddoma, del quale, non che si prendesse noia o sdegno, se ne gloriava, facendo sopra esso stanze e capitoli e cantandogli in sul liuto assai commodamente.
877:
concurs. Vasari asserts that as he aged, he became too "lazy" to make cartoons for his frescoes but daubed them straight onto the wall. Vasari nevertheless admits that Sodoma produced some works of very fine quality and that during his lifetime his reputation was high.
300:. He executed two great compositions and various ornaments and grotesques in vaulted ceilings divided into feigned compartments in the antique manner that Pinturicchio had recently revived, working at the same time as
215:. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of
414:
has become conventional. According to Vasari's testimony, Bazzi always surrounded himself with "boys and beardless youths, whom he loved more than was decent", for which reason he acquired the nickname
873:
Vasari alleges that Sodoma was always a negligent artist, his early success in Siena, where he painted many portraits, being partly due to lack of competition, a judgment in which
1633:
1124:
281:
had begun in 1498. Gaining fluency in the prevailing popular style of
Pinturicchio, Sodoma completed the set in 1502 and included a self-portrait with badgers and ravens.
319:
with scenes from the Bible and from
Antiquity, the first such work seen in Siena. His painting at this time began to show distinct Florentine influences, especially of
870:, owing to the strange miscellany of animals he kept there. He was a cracker of jokes and fond of music, and he sang poems composed by himself on indecorous subjects.
741:
446:
232:
1009:
51:
1018:
1330:
837:
1133:
1706:
1701:
1305:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on Il Sodoma (see index)
1741:
1300:
747:
953:
Zambrano, Patrizia (September 1994). "A New Scene by Sodoma from the
Ceiling of Palazzo Chigi at Casato di Sotto, Siena".
1736:
652:
308:'s rhetorical story that Sodoma's larger works did not satisfy the pope, who engaged Raphael to substitute a program of
1178:, Baltimore, was resolved in 1536; Wolfgang Loseries, "Sodoma's 'Holy Family' in Baltimore: The 'Lost' Arduini tondo"
1589:
801:
513:
1721:
1469:
1731:
1716:
1323:
1267:
Zarucchi, Jeanne Morgan (2015). "Vasari's
Biography of Bazzi as 'Soddoma:' Art History and Literary Analysis,"
597:
17:
1050:
Recent cleaning revealed the essential integrity of Sodoma's existing ceilings, illustrated by
Bartalini 2001.
1746:
781:
1726:
923:
said that he ripened into an artist only during two years (1498–1500) that he spent with
Leonardo in Milan.
576:
419:. Still, according to Vasari, Bazzi took pride in the nickname and composed stanzas and songs about it.
326:
1711:
1649:
1617:
1607:
1511:
525:
1274:
Zarucchi, Jeanne Morgan (2017). "Félibien's
Biography of 'Le Sodoma' and the Politics of Immorality,"
398:", from as early as 1512. This appears to have been one among various nicknames, he was also known as
1581:
1316:
579:
have been mistaken for works of
Leonardo da Vinci. His easel pictures are rare; there are two in the
530:
963:. Sigismondo was the guarantor of Sodoma's performance for Julius, in October 1508, and his brother
552:. Many critics regard one or the other of these paintings as Sodoma's masterpiece. In the choir of
1005:
315:
Before October 1510 he was in Siena, where he painted the exterior of Palazzo Chigi in monochrome
1562:
1294:
1185:
No. 1092 (March 1994), pp. 168–170 notes a miniature dated 1532 that adapts Sodoma's composition.
1082:(Pinacoteca, Siena) in the composition of an altar for Santissima Annunziata, Florence, begun by
695:
638:
1526:
1568:
1533:
1439:
1200:
756:
501:
369:, according to some accounts). Leo gave him a large sum of money as a reward and created him a
366:
293:
270:
832:
1696:
1464:
1394:
1113:
907:
A minor painter, called "archaic" by Freedberg 1993:117, of whom one signed picture is known.
464:
406:("the madman") among the monks of Monte Oliveto. It is due to the contemporary art historian
999:
One or more of the preceding sentences incorporates text from a publication now in the
1691:
1540:
1429:
861:
706:
541:
521:
505:
493:
1101:
Giovanni Antonio Bazzi hitherto usually styled ‘Sodoma’, The man and the painter 1477–1549
8:
1494:
476:
346:
342:
378:
In his youth, Bazzi had married, but he and his wife soon separated. A daughter married
227:
monks and a series of small Ovidian ceiling panels and a frieze depicting the career of
1675:
1459:
1414:
1399:
1175:
536:
212:
114:
497:, while a drawing at Christ Church is supposed to be a portrait of Raphael by Sodoma.
1378:
769:
480:
379:
216:
208:
110:
91:
1145:
1612:
1474:
1409:
1339:
1141:
916:
874:
733:
580:
484:
435:
297:
262:
180:
124:
1261:
Sodoma, la vita le opere e gli allievi di uno dei massimi artisti del Rinascimento
1663:
1454:
1434:
1419:
1353:
1083:
1060:
Bartalini, Roberto (September 2001). "Sodoma, the Chigi and the Vatican Stanze".
942:
Bartalini, Roberto (September 2001). "Sodoma, the Chigi and the Vatican Stanze".
824:
338:
320:
278:
1033:
1627:
1444:
1404:
964:
856:
553:
407:
305:
289:
285:
184:
147:
143:
127:
73:
1685:
1574:
1489:
1449:
1424:
1302:
Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
1013:
1000:
867:
721:
500:
Among his masterpieces are the frescoes, completed in 1526, in the chapel of
236:
228:
248:
219:, he travelled to Siena before 1503, perhaps at the behest of agents of the
1622:
1363:
1162:
258:
253:(с. 1502), Chiostro Grande, Abbazia territoriale di Monte Oliveto Maggiore
316:
274:
266:
170:
41:
1022:. Vol. 25 (11th ed.). Cambridge University Press. p. 343.
242:
358:
220:
183:
style of early 16th-century Rome onto the traditions of the provincial
151:
675:
648:
634:
284:
Sodoma was invited to Rome in 1508 by the celebrated Sienese merchant
1548:
1484:
1358:
509:
371:
866:
Oliveto. He dressed gaudily, like a mountebank, and his house was a
261:, Sodoma was one of the first to practice in Siena the style of the
1308:
1158:
1087:
427:
224:
204:
200:
173:
69:
1368:
488:
301:
1373:
1289:
1125:
Lives of the Most Excellent Painters, Sculptors, and Architects
665:
561:
517:
508:, depicting the saint in ecstasy, fainting as she receives the
395:
390:, one of his principal pupils. Bazzi acquired his nickname of
361:
became pope (1513), Sodoma presented him with a picture of the
1670:
1128:, trans. Luwdig Schorn, Ernst Förster, vol. 4 (1846), 345f. (
456:
431:
422:
Bazzi returned to Siena and, at a later date, sought work in
188:
167:
87:
423:
337:
Called again to Rome by Chigi, in the Villa Chigi (now the
273:, on the road from Siena to Rome, illustrating the life of
1227:
1174:
A dispute concerning the painting and a tondo now in the
742:
The Holy Family with Saint John the Baptist and an Angel
211:; he also appears to have been a student of the painter
179:. Il Sodoma painted in a manner that superimposed the
1647:
166:(1477 – 14 February 1549) was the name given to the
48:
St Benedict repairs a Broken Colander through Prayer
357:, which some people consider his masterpiece. When
1157:The face looks too old, apart from anything else;
1228:Marciano-Agostinelli Tozzi, Maria Teresa (1951).
479:(if it really is by him) the direct influence of
265:. His first important works were frescoes in the
1683:
664:Oil on canvas, 206 x 154 cm Galleria degli
187:; he spent the bulk of his professional life in
1258:
1249:
207:, in 1477. His first master was the "archaic"
52:Abbazia territoriale di Monte Oliveto Maggiore
1324:
1278:, Vol. 38.1, No. 142 (Spring 2017), pp. 7–10.
1078:Freedberg (1993:117) notes the source of his
491:painted Sodoma's portrait next to himself in
345:, Sodoma painted subjects from the life of
1331:
1317:
40:
1271:, Vol. 70, No. 2 (May 2015), pp. 167–190.
1236:
1059:
941:
223:family, and began with fresco cycles for
1004:
987:
985:
983:
981:
979:
977:
975:
973:
952:
754:The Mystical Marriage of Saint Catherine
586:
455:
445:
325:
241:
850:
789:Saint Sebastian with Madonna and Angels
528:(1536–1538). These frescoes depict the
483:. Modern criticism tends not to follow
27:Italian Renaissance painter (1477–1549)
14:
1684:
760:Galleria Nazionale d'Arte Antica, Rome
355:Nuptials of the Conqueror with Roxanne
1312:
1218:
1209:
970:
819:The Marriage of Alexander and Roxanne
679:Galleria Nazionale d'Arte Antica Rome
516:, are scenes from the history of the
332:Roxanne Receiving Her Husband's Crown
312:, is not borne out by the documents.
1338:
1232:. Messina: Tipografia ditta d'Amico.
1198:
921:Italian Pictures in German Galleries
793:Museo Nazionale di San Matteo, Pisa
277:in continuation of the series that
24:
1212:Giovanni Antonio Bazzi 'Il Sodoma'
748:Musée des Beaux-Arts de Strasbourg
25:
1758:
1282:
1259:Radini Tedeschi, Daniele (2010).
1250:Radini Tedeschi, Daniele (2008).
1241:. Penguin Books. pp. 117–19
1165:are considered more likely models
855:It is said that Sodoma jeered at
571:Some of his works, including the
451:Holy Family with young Saint John
1669:
1657:
1288:
1214:. New York: New York University.
992:
802:Chigi-Saracini Collection, Siena
653:Galleria Nazionale d'Arte Antica
46:Self-portrait, detail of fresco
1470:Antonio da Sangallo the Younger
1199:Cust, Robert H. Hobart (1906).
1168:
1151:
1146:10.1179/0075163415Z.00000000094
1106:
1093:
1072:
967:became Sodoma's notable patron.
351:Alexander in the Tent of Darius
1053:
1044:
1026:
935:
926:
910:
901:
888:
609:Museum of Fine Arts, Budapest
520:, painted in conjunction with
13:
1:
1707:16th-century Italian painters
1702:15th-century Italian painters
1553:
1516:
1237:Freedberg, Sydney J. (1993).
1192:
782:Museo Nazionale di San Matteo
687:
627:Museum of Fine Arts, Budapest
471:Some critics see in Sodoma's
310:Justice, Poetry, and Theology
247:St Benedict repairs a Broken
1742:Italian Renaissance painters
618:Pinacoteca Nazionale, Siena
577:Pinacoteca Nazionale (Siena)
194:
191:, with two periods in Rome.
7:
1239:Painting in Italy 1500–1600
702:Ordination of Saint Alfonso
199:Giovanni Bazzi was born in
10:
1763:
1737:Italian Mannerist painters
1618:Johann Joachim Winckelmann
1608:Art patronage of Julius II
838:Museum & Gallery, Inc.
798:Allegory of Celestial Love
526:Domenico di Pace Beccafumi
504:painted for the church of
288:and was employed there by
1600:
1503:
1387:
1346:
1134:trans. Adrienne DeAngelis
1006:Rossetti, William Michael
729:Saint Jerome in Penitence
546:Deposition from the Cross
514:Oratory of San Bernardino
410:that Bazzi's nickname of
157:
137:
133:
120:
106:
98:
80:
58:
39:
32:
881:
646:Rape of the Sabine Women
1276:French Studies Bulletin
1180:The Burlington Magazine
1118:Encyclopædia Britannica
1099:Robert H. Hobart Cust,
1062:The Burlington Magazine
1038:Flickr – Photo Sharing!
1019:Encyclopædia Britannica
955:The Burlington Magazine
944:The Burlington Magazine
809:Galleria Borghese, Roma
639:National Gallery of Art
632:Saint George and Dragon
441:
1722:Painters from Piedmont
1569:Sistine Chapel ceiling
1534:San Pietro in Montorio
1440:Bernardino delle Croci
1205:. London: John Murray.
1202:Giovanni Antonio Bazzi
713:Crying for dead Christ
593:Flagellation of Christ
564:Gallery of Florence a
512:from an angel. In the
502:St. Catherine of Siena
468:
453:
334:
294:Stanza della Segnatura
271:Monte Oliveto Maggiore
254:
177:Giovanni Antonio Bazzi
63:Giovanni Antonio Bazzi
1732:Italian male painters
1717:Italian LGBT painters
1465:Sebastiano del Piombo
1395:Mariotto Albertinelli
833:Procession to Calvary
684:Adoration of the Magi
623:The Death of Lucretia
587:Partial list of works
465:Galleria degli Uffizi
459:
449:
341:), working alongside
329:
245:
1747:People from Vercelli
1563:St. Peter's Basilica
1430:Antonio da Correggio
1347:Principal proponents
1297:at Wikimedia Commons
1219:Carli, Enzo (1950).
862:Lives of the Artists
851:Critical assessments
846:(Private collection)
815:(Private collection)
777:Sacra Conversazione
707:Santo Spirito, Siena
696:Sant'Agostino, Siena
558:Sacrifice of Abraham
522:Girolamo del Pacchia
506:San Domenico (Siena)
494:The School of Athens
1727:Painters from Siena
1495:Antonio Vassilacchi
932:Freedberg 1993: 117
894:Also wrongly spelt
605:The Road to Calvary
598:Museum of Fine Arts
477:Pinacoteca di Brera
347:Alexander the Great
343:Baldassarre Peruzzi
50:, Chiostro Grande,
1460:Baldassare Peruzzi
1415:Moretto da Brescia
1400:Pellegrino Aretusi
1210:Hayum, A. (1976).
1176:Walters Art Museum
1122:. Giorgio Vasari,
1040:. 24 January 2006.
641:, Washington, D.C.
614:Cinuzzi Deposition
487:in supposing that
469:
454:
394:, as it were "the
335:
255:
115:Gerolamo Giovenone
1712:Bisexual painters
1645:
1644:
1590:The Last Judgment
1379:Leonardo da Vinci
1293:Media related to
828:
794:
785:
773:
770:Galleria Borghese
761:
750:
737:
725:
709:
698:
680:
669:
656:
642:
628:
619:
610:
601:
481:Leonardo da Vinci
380:Bartolomeo Neroni
363:Death of Lucretia
209:Martino Spanzotti
161:
160:
111:Martino Spanzotti
92:Republic of Siena
16:(Redirected from
1754:
1674:
1673:
1662:
1661:
1660:
1653:
1613:Jacob Burckhardt
1558:
1557: 1502–1516
1555:
1521:
1520: 1492–1498
1518:
1475:Andrea del Sarto
1410:Ludovico Beretta
1340:High Renaissance
1333:
1326:
1319:
1310:
1309:
1292:
1264:
1255:
1246:
1233:
1224:
1215:
1206:
1186:
1172:
1166:
1155:
1149:
1121:
1110:
1104:
1097:
1091:
1086:and finished by
1076:
1070:
1069:
1068:(1182): 544–553.
1057:
1051:
1048:
1042:
1041:
1030:
1024:
1023:
998:
996:
995:
989:
968:
962:
961:(1098): 609–612.
951:
950:(1182): 544–553.
939:
933:
930:
924:
914:
908:
905:
899:
892:
875:Sydney Freedberg
840:, South Carolina
822:
792:
780:
768:
759:
746:
745:(c. 1535–1545) -
734:National Gallery
732:
731:(c. 1535–1545) -
720:
705:
694:
692:
689:
678:
663:
651:
637:
626:
617:
608:
596:
581:National Gallery
485:Giovanni Morelli
436:Giomo del Sodoma
263:High Renaissance
233:Sigismondo Chigi
181:High Renaissance
140:
125:High Renaissance
84:14 February 1549
44:
30:
29:
21:
1762:
1761:
1757:
1756:
1755:
1753:
1752:
1751:
1682:
1681:
1680:
1668:
1658:
1656:
1648:
1646:
1641:
1596:
1582:Transfiguration
1556:
1519:
1512:The Last Supper
1499:
1455:Maffeo Olivieri
1435:Piero di Cosimo
1420:Gasparo Cairano
1383:
1354:Donato Bramante
1342:
1337:
1285:
1269:Italian Studies
1195:
1190:
1189:
1173:
1169:
1156:
1152:
1138:Italian Studies
1112:
1111:
1107:
1098:
1094:
1084:Filippino Lippi
1077:
1073:
1058:
1054:
1049:
1045:
1032:
1031:
1027:
993:
991:
990:
971:
940:
936:
931:
927:
915:
911:
906:
902:
893:
889:
884:
853:
825:Villa Farnesina
813:Santa Maddalena
724:, Mexico City
690:
616:(before 1513) -
589:
550:Christ Scourged
444:
339:Villa Farnesina
321:Fra Bartolommeo
279:Luca Signorelli
197:
138:
94:
85:
76:
67:
65:
64:
54:
35:
28:
23:
22:
15:
12:
11:
5:
1760:
1750:
1749:
1744:
1739:
1734:
1729:
1724:
1719:
1714:
1709:
1704:
1699:
1694:
1679:
1678:
1666:
1643:
1642:
1640:
1639:
1638:
1637:
1628:Giorgio Vasari
1625:
1620:
1615:
1610:
1604:
1602:
1598:
1597:
1595:
1594:
1586:
1578:
1572:
1566:
1560:
1545:
1537:
1531:
1523:
1507:
1505:
1501:
1500:
1498:
1497:
1492:
1487:
1482:
1477:
1472:
1467:
1462:
1457:
1452:
1447:
1445:Girolamo Genga
1442:
1437:
1432:
1427:
1422:
1417:
1412:
1407:
1405:Fra Bartolomeo
1402:
1397:
1391:
1389:
1385:
1384:
1382:
1381:
1376:
1371:
1366:
1361:
1356:
1350:
1348:
1344:
1343:
1336:
1335:
1328:
1321:
1313:
1307:
1306:
1298:
1284:
1283:External links
1281:
1280:
1279:
1272:
1265:
1256:
1247:
1234:
1225:
1216:
1207:
1194:
1191:
1188:
1187:
1167:
1150:
1105:
1092:
1071:
1052:
1043:
1025:
1014:Chisholm, Hugh
969:
934:
925:
909:
900:
886:
885:
883:
880:
857:Giorgio Vasari
852:
849:
848:
847:
841:
829:
816:
810:
804:
795:
786:
774:
762:
751:
738:
726:
710:
699:
681:
670:
657:
643:
629:
620:
611:
602:
588:
585:
554:Pisa Cathedral
443:
440:
408:Giorgio Vasari
388:Maestro Riccio
382:, called also
306:Giorgio Vasari
290:Pope Julius II
286:Agostino Chigi
251:through Prayer
196:
193:
185:Sienese school
159:
158:
155:
154:
148:Pope Julius II
144:Agostino Chigi
141:
135:
134:
131:
130:
128:Sienese School
122:
118:
117:
108:
104:
103:
100:
96:
95:
86:
82:
78:
77:
74:Duchy of Savoy
68:
62:
60:
56:
55:
45:
37:
36:
33:
26:
18:Giovanni Bassi
9:
6:
4:
3:
2:
1759:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1689:
1687:
1677:
1672:
1667:
1665:
1655:
1654:
1651:
1636:
1635:
1631:
1630:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1605:
1603:
1599:
1592:
1591:
1587:
1584:
1583:
1579:
1576:
1575:Raphael Rooms
1573:
1570:
1567:
1564:
1561:
1551:
1550:
1546:
1543:
1542:
1538:
1535:
1532:
1529:
1528:
1524:
1514:
1513:
1509:
1508:
1506:
1502:
1496:
1493:
1491:
1490:Palma Vecchio
1488:
1486:
1483:
1481:
1478:
1476:
1473:
1471:
1468:
1466:
1463:
1461:
1458:
1456:
1453:
1451:
1450:Lorenzo Lotto
1448:
1446:
1443:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1425:Giulio Clovio
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1392:
1390:
1388:Other artists
1386:
1380:
1377:
1375:
1372:
1370:
1367:
1365:
1362:
1360:
1357:
1355:
1352:
1351:
1349:
1345:
1341:
1334:
1329:
1327:
1322:
1320:
1315:
1314:
1311:
1304:
1303:
1299:
1296:
1291:
1287:
1286:
1277:
1273:
1270:
1266:
1262:
1257:
1253:
1248:
1244:
1240:
1235:
1231:
1226:
1222:
1217:
1213:
1208:
1204:
1203:
1197:
1196:
1184:
1181:
1177:
1171:
1164:
1160:
1154:
1147:
1143:
1140:70.2 (2015),
1139:
1135:
1132:
1127:
1126:
1119:
1115:
1109:
1102:
1096:
1089:
1085:
1081:
1075:
1067:
1063:
1056:
1047:
1039:
1035:
1029:
1021:
1020:
1015:
1011:
1007:
1002:
1001:public domain
988:
986:
984:
982:
980:
978:
976:
974:
966:
960:
956:
949:
945:
938:
929:
922:
918:
913:
904:
897:
891:
887:
879:
876:
871:
869:
864:
863:
858:
845:
842:
839:
835:
834:
830:
826:
820:
817:
814:
811:
808:
805:
803:
799:
796:
790:
787:
783:
778:
775:
771:
766:
763:
758:(1539–1540) -
757:
755:
752:
749:
744:
743:
739:
735:
730:
727:
723:
722:Museo Soumaya
718:
714:
711:
708:
703:
700:
697:
685:
682:
676:
674:
671:
667:
661:
660:St. Sebastian
658:
654:
649:
647:
644:
640:
635:
633:
630:
624:
621:
615:
612:
606:
603:
599:
594:
591:
590:
584:
582:
578:
574:
569:
567:
566:St. Sebastian
563:
560:, and in the
559:
555:
551:
547:
543:
542:San Francesco
539:
538:
533:
532:
527:
523:
519:
515:
511:
507:
503:
498:
496:
495:
490:
486:
482:
478:
474:
466:
462:
461:St. Sebastian
458:
452:
448:
439:
437:
433:
429:
425:
420:
418:
413:
409:
405:
401:
397:
393:
389:
385:
384:Riccio Sanese
381:
376:
374:
373:
368:
364:
360:
356:
352:
348:
344:
340:
333:
328:
324:
322:
318:
313:
311:
307:
303:
299:
295:
291:
287:
282:
280:
276:
272:
269:monastery of
268:
264:
260:
252:
250:
244:
240:
238:
237:Palazzo Chigi
234:
230:
229:Julius Caesar
226:
222:
218:
214:
210:
206:
202:
192:
190:
186:
182:
178:
175:
172:
169:
165:
156:
153:
149:
145:
142:
136:
132:
129:
126:
123:
119:
116:
112:
109:
105:
101:
97:
93:
89:
83:
79:
75:
71:
61:
57:
53:
49:
43:
38:
31:
19:
1697:1540s deaths
1632:
1623:Leonardeschi
1588:
1580:
1547:
1539:
1525:
1510:
1479:
1364:Michelangelo
1301:
1275:
1268:
1260:
1251:
1242:
1238:
1229:
1220:
1211:
1201:
1182:
1179:
1170:
1163:Timoteo Viti
1153:
1137:
1129:
1123:
1117:
1108:
1100:
1095:
1079:
1074:
1065:
1061:
1055:
1046:
1037:
1028:
1017:
958:
954:
947:
943:
937:
928:
920:
912:
903:
895:
890:
872:
860:
854:
843:
831:
818:
812:
806:
797:
788:
776:
764:
753:
740:
728:
716:
712:
701:
683:
672:
659:
645:
631:
622:
613:
604:
592:
572:
570:
565:
557:
549:
545:
535:
529:
499:
492:
472:
470:
460:
450:
421:
416:
411:
403:
399:
391:
387:
383:
377:
370:
362:
354:
350:
336:
331:
330:Detail from
314:
309:
283:
259:Pinturicchio
256:
246:
198:
176:
163:
162:
47:
1692:1477 births
1676:Visual arts
1593:(1536–1541)
1585:(1516–1520)
1577:(1509–1524)
1571:(1508–1512)
1565:(1506–1513)
1544:(1501–1504)
1530:(1498–1499)
1504:Major works
1114:"Il Sodoma"
1103:(1906), 65.
1080:Crucifixion
1034:"il sodoma"
691: 1530
673:Three Fates
600:, Budapest
575:now in the
573:Holy Family
548:(1513) and
317:chiaroscuro
275:St Benedict
267:Benedictine
257:Along with
171:Renaissance
99:Nationality
1686:Categories
1193:References
1010:Sodoma, Il
868:Noah's ark
668:, Florence
583:, London.
537:Assumption
531:Visitation
467:, Florence
417:Il Soddoma
221:Spannocchi
152:Pope Leo X
1634:The Lives
1549:Mona Lisa
1485:Tamagnino
1480:Il Sodoma
1359:Giorgione
1243:et passim
1008:(1911). "
919:, in his
736:, London
510:Eucharist
412:Il Sodoma
400:Mattaccio
392:Il Sodoma
372:cavaliere
367:Cleopatra
213:Giovenone
195:Biography
164:Il Sodoma
139:Patron(s)
107:Education
34:Il Sodoma
1664:Painting
1159:Perugino
1088:Perugino
965:Agostino
823:Fresco,
791:(1542) -
779:(1542) -
772:, Rome
767:(1540) -
719:(1533) -
704:(1530) -
677:(1525) -
662:(1525) -
650:(1525) -
636:(1518) -
625:(1513) -
607:(1510) -
595:(1510) -
544:are the
534:and the
463:(1525).
428:Volterra
396:sodomite
353:and the
249:Colander
225:Olivetan
217:Leonardo
205:Piedmont
201:Vercelli
121:Movement
70:Vercelli
1650:Portals
1601:Related
1369:Raphael
1016:(ed.).
1003::
917:Morelli
655:, Rome
556:is the
489:Raphael
475:in the
473:Madonna
365:(or of
302:Raphael
298:Vatican
296:in the
292:in the
174:painter
168:Italian
102:Italian
1536:(1500)
1374:Titian
1295:Sodoma
1252:Sodoma
1230:Sodoma
1221:Sodoma
1012:". In
997:
827:, Rome
784:, Pisa
666:Uffizi
562:Uffizi
518:Virgin
430:, and
404:Matazo
1541:David
1527:Pietà
896:Razzi
882:Notes
844:Pietà
765:Pietà
717:Pietà
540:. In
432:Lucca
359:Leo X
189:Siena
88:Siena
807:Leda
524:and
442:Work
424:Pisa
231:for
81:Died
66:1477
59:Born
1183:136
1161:or
1142:doi
1066:143
959:136
948:143
859:'s
715:or
693:) -
402:or
386:or
235:at
1688::
1554:c.
1517:c.
1116:.
1064:.
1036:.
972:^
957:.
946:.
836:–
800:,
688:c.
568:.
438:.
426:,
375:.
349::
323:.
304:.
239:.
203:,
150:,
146:,
113:,
90:,
72:,
1652::
1559:)
1552:(
1522:)
1515:(
1332:e
1325:t
1318:v
1263:.
1254:.
1245:.
1223:.
1148:.
1144::
1120:.
1090:.
821:-
686:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
