381:, and after him the various spiritual directors were given the task of reconstituting a library inside the boarding school, with sums allocated in Ghislieri's budget. A privileged channel of access was that followed by the works owned by the suppressed Society of Jesus and in particular by the Braidense library. But the Austrian monarchy, which in the mid-eighteenth century had taken control of the College showing considerable openness towards European culture in every branch, during the Restoration age imposed its own censorship on the library, distrusting ideas that entered the cultural circuit. of the French Revolution. This situation only ceased with the unification of Italy, which allowed the library to continue to enrich itself with works aimed at deepening the topics of university courses, but also of general culture. Among the privileged channels for enriching the book material there were acquisitions through bequests or donations, among which those of Pietro Ciapessoni, rector of the College and illustrious historian of Roman law, and Alessandro Pellegrini, Germanist and scholar of languages and European cultures. The library now houses about 130,000 volumes: alongside textbooks freely for students, there are not only works of fiction and non-fiction, but also encyclopedias, repertoires and bibliographic tools for every area of knowledge.
195:, offering them logistic and cultural opportunities such as scholarships, lectures, conferences, a 130,000-volume library (the third-largest private library in Northern Italy), and foreign-language courses. Each year about 40 new students from all over the country are selected by public competition. Founded by Pope Pius V (Antonio Ghislieri) in 1567, and secularly managed since the 18th century, the college is now under the High Patronage of the Presidency of the Italian Republic. It is classified among high qualifying institutions by the Italian Ministry for Education and University. Student expenses are subsidized by the college as the required fees are proportional to parental income; many places are granted for free. Among its alumni are
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223:, the architect designed an imposing building yet functional to the community life for which it was intended. From this purpose derives the centrality of the four-sided portico, with columns combined and reinforced at the corners by a pillar, and of the large corridor on the main floor, overlooked by the students' rooms and which receives light from two large loggias. Towards the middle of the eighteenth century the building was significantly enlarged with the addition of a new wing to the south, the so-called Crimea.
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The college chapel was designed by
Pellegrino Tibaldi and only finished at the beginning of the seventeenth century, following the intervention of another famous architect of the time, Alessandro Mollo. The atrium, through which you enter the chapel, is dedicated to St. Pius V and preserves numerous
264:, kept in the premises of the College's Administration and the Rector's apartment) and by sculptural works is noteworthy. Among the latter is the bronze statue signed by Francesco Nuvoloni and dated to 1692 which stands out in the center of Piazza Ghislieri: the work, cast in
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nucleus of the chapel. The
Ghislieri college has promoted and financed the restoration of the castle as a venue for multiple cultural activities: congresses and conferences, specialization and refresher courses, scientific seminars and exhibitions.
260:, stands out. The chapel is accessed through an atrium dedicated to St. Pius, whose miracles are celebrated in seventeenth-century paintings. The glory of the founder is celebrated, in the College, by numerous portraits (among which the painting by
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The constitutive bulls issued by Pius V did not foresee the existence of a library, even if in the
College there were books owned by the institution, both bought directly from the founding pope, and forfeited when the abbey table of
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Collegio
Ghislieri is a 450-year-old Italian institution committed to promote university studies on the basis of merit, hosting around 200 pupils (males and females) who attend all faculties in the
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pervades the whole building, starting with the severe façade which has the sumptuous Roman school portal and the lantern tower as the only ornaments. Interpreting the spirit of
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401:: the necessary revenues were thus guaranteed to fulfill Ghislieri's institutional tasks, and an autonomy of management that has never ceased over the centuries.
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by
Giovanni Battista del Sole. The oratory, with a central plan, is surmounted by a dome with eight segments with a lantern; on the altar, the altarpiece of the
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was suppressed. They are mostly works of religious and philosophical content or of theology, but there are some very precious incunabula, including the
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era. The result of successive building phases, it assumed its present structure in the fourteenth century starting from the original
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by
Francesco Ferreri, can be counted among the masterpieces of sculpture of the period and resumes tone and energy the grandeur of
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The castle of
Lardirago, born in the twelfth and thirteenth centuries as a defensive structure, became a noble residence in the
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The construction of the building intended to house the
Ghislieri college was undertaken in 1571 under the direction of
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Francesco
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and several
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In 1569 Pope Pius V ordered the attribution to the college of the fiefdom of
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This article is about the College in Pavia. For the College in Rome, see
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Sapientia, cum probitate morum conjuncta, humanae mentis perfectio.
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Knowledge and morals are the perfection of the human mind.
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paintings of the sixteenth century and in particular:
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698:Buildings and structures in Pavia
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254:Nativity, Saint Jerome and Pius V
501:(in Italian). Collegio Ghislieri
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215:. The austere spirit of the
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234:The miracles of St. Pius V
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371:Maria Theresa of Austria
361:San Pietro in Ciel d'Oro
385:The castle of Lardirago
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605:. Collegio Ghislieri
603:Fondazione Ghislieri
553:. Collegio Ghislieri
449:. Collegio Ghislieri
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579:. Regione Lombardia
547:"COLLEGIO'S PALACE"
527:. Regione Lombardia
479:on 28 December 2016
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379:University of Pavia
217:Counter-Reformation
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115:Gian Arturo Ferrari
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324:The chapel.
221:Pope Pius V
169:Pope Pius V
102:Established
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677:Categories
429:References
422:Romanesque
336:The porch.
227:The chapel
203:The palace
163:(Italian:
29:45°11′10″N
655:Ghislieri
629:Ghislieri
625:"LIBRARY"
551:Ghislieri
447:Ghislieri
395:Gerenzago
391:Lardirago
213:Philip II
111:President
32:9°09′42″E
414:Visconti
130:Location
354:Library
270:Bernini
187:History
173:college
148:Website
443:"Home"
418:Sforza
121:Rector
177:Pavia
141:Italy
135:Pavia
76:Motto
69:Pavia
663:2022
637:2022
611:2022
585:2022
559:2022
533:2022
507:2016
485:2016
455:2022
266:Rome
248:and
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