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77:, a textile industrialist, bought the palace in 1888 and mortgaged it to the Austrian National bank in the late 1920s. After the annexation of Austria to Nazi-controlled Germany, Mautner's Jewish heir. were forced to flee the country in 1938, resulting in the mortgage on the estate being transferred to Germany's Reichsbank. It was returned to the Austrian National bank after World War II had ended and was later bought by the Republic of Austria in 1948. In the following years, the villa's renovation was overseen by Franz Sobek, who had provided the funds for the purchase of the palace.
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It was eventually incorporated into the MAK as a museum branch in 1965, when Sobek was bought out of his rights to the property. Taking into possession the Geymüllerschlössel, the MAK also took over Franz Sobek's collection of
Viennese clocks from the 18th and 19th century as well as furniture from
70:. Geymüllerschlössel is furnished with original furniture from the first half of the 19th century. Its architectural style features the blend of Gothic, Indian and Arab elements typical especially of pleasure palaces at the time.
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The mansion was built in 1808 as a summer residence for the
Viennese merchant and banker Johann Jakob Geymüller (1760-1834) who was the brother of Johann Heinrich Geymüller, the landlord and owner of
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The estate was passed between a number of different owners before coming into the possession of the Museum of
Applied Arts and Contemporary Art (MAK) in the 1960s.
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Over the past years, the Geymüllerschlössel hosted a number of exhibitions focusing on contemporary design interventions and comparisons, including
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Clegg & Guttmann. Biedermeier reanimated. Katalog zur gleichnamigen
Ausstellung in der MAK-Expositur Geymüllerschlössel, MAK Wien
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Alt-Wiener Uhren. Die
Sammlung Sobek im Geymüller-Schlössl. 1750-1900
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123:"MAK Branch Geymüllerschlössel. Past and Present in Dialog"
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Geymüllerschlössel on the official website of the MAK
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Thun-Hohenstein, Christoph / Fischer, Bärbel (2016).
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Salon of the Geymüllerschlössel, taken in the 1930s
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