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Biografia degli artisti ovvero dizionario della vita e delle opere dei pittori, degli scultori, degli intagliatori, dei tipografi e dei musici di ogni nazione che fiorirono da'tempi più remoti sino á nostri giorni. Seconda
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Between 1728 and 1733, he also worked as a scenic designer, a common pursuit for quadraturistas. He painted sets for the theaters of San
Samuele and of San Giovanni Grisostomo. Between 1749-1750 he also worked with sets of
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for the patrician Andrea
Cornaro. It is presumed that the two latter artists collaborated in decorating the octagonal room of the Villa Morosini Vendramin Calergi in
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During most of the years between 1720 and 1743, Mengozzi is a member of the
Venetian painters' guild. He journeyed to Rome in 1724. He entered the
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Mengozzi's first collaboration with
Tiepolo was the decoration of the hall on the first floor (1719-1720) of the Villa Baglioni in
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In 1726, he worked with
Tiepolo in the gallery of the archbishop's palace and the Chapel of the Holy Sacrament in the
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Born in
Ferrara, Gerolamo was a pupil of the painters of architectural perspective painters
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323:(Venice, c. 1725-1792), also became well known as a quadraturista. Among his pupils was
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With the departure of
Tiepolo for Spain in 1762, Mengozzi began a collaboration with
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by 1716, where he began collaborations that spanned over four decades with
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Gli artisti italiani e stranieri negli stati estensi catalogo storico ...
346:. Venice; Googlebooks: Presso Andrea Santini e Figlio. pp. 640–641.
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Together with the
Tiepolo, Mengozzi helped decorate the Venetian
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Mengozzi also collaborated with the son of
Giovanni Battista,
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Bellerophon on
Pegasus in flight toward the Glory and Eternity
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Mengozzi's contribution to the fresco of Bellerophon is the
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architecture around scenes, doorways and framing this oval
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of Fine Arts in Venice, and became a professor by 1766.
168:(1724-1725) in the vault of a chapel of the church of
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Treccani Encyclopedia, entry by Nicolette Mandarano
211:were all completed in collaboration with Mengozzi
409:(1994), by Jane Martineau, Andre Robison. page 194
406:The Glory of Venice: Art in the Eighteenth Century
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261:in Turin. He was employed in decoration of the
230:. The quadratura painted frames the events.
304:on the ceiling of the central hall in the
164:on the ceiling. This was followed by the
79:Learn how and when to remove this message
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218:in 1745-1747 . The ceiling depicts
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133:By 1716, he signs a contract with
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263:Palazzina di Caccia of Stupinigi
228:Banquet of Anthony and Cleopatra
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118:in Emilia-Romagna. He moved to
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302:Glory of the Pisani family
166:Apotheosis of Santa Teresa
137:to decorate in fresco the
381:"Udine City Hall Website"
124:Giovanni Battista Tiepolo
92:Gerolamo Mengozzi Colonna
18:Gerolamo Mengozzi-Colonna
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170:Santa Maria degli Scalzi
325:Giovanni Giacomo Monti
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112:Antonio Felice Ferrari
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427:Enciclopedia Treccani
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160:on the walls and the
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494:Quadratura painters
247:Academy of St. Luke
209:Sarah and the Angel
197:Hagar in the Desert
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193:Sacrifice of Isaac
294:Palazzo Rezzonico
282:Palazzo Valmarana
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59:Please help
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499:1774 deaths
484:1686 births
63:if you can.
463:Categories
391:2012-07-28
154:Massanzago
100:quadratura
342:Edizione.
292:. In the
251:Accademia
181:Cathedral
106:Biography
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321:Agostino
174:Castello
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224:Meeting
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