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306:. Lewis became more involved with the AACM, and Jackson encouraged him to apply to join the group. After his acceptance, Lewis was voted reading secretary and began taking minutes at weekly meetings. Lewis regularly played late gigs with the Muhal Richard Abrams Big Band during his year off, and in the daytime held a
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Lewis was born July 14, 1952, in
Chicago, Illinois. Lewis's father, George Thomas Lewis, was a postal worker who studied electronics under the GI Bill and had a deep love of jazz music; his mother, Cornelia Griffith Lewis, liked blues, soul, and R&B singers.
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Lewis began his education at a public elementary school, but he was one of many Black students who could only attend half-days, allegedly to relieve "overcrowding"; this was widely understood to be an excuse to enforce de facto segregation under superintendent
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His parents wanted him to learn an instrument as a way to make friends, and Lewis chose the trombone, which was paid for in monthly installments. He played in the school orchestra and concert band, took private lessons from
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in 1969, and at age 17 began his studies in prelaw. He also took music theory classes and met a number of artists in the community, but began to lose interest in school after his sophomore year and decided to take a break.
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278:. Lewis was invited to check out a show at the Pumpkin Room, but misunderstood the invitation and brought his trombone; they let him play anyway, as part of a group that also included
624:, a documentary about the first symposium of electronic music held in Africa. Lewis gave an invited keynote lecture and performance at NIME-06, the sixth international conference on
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Lewis, George E. (2005). "The Secret Love between
Interactivity and Improvisation, or Missing in Interaction: A Prehistory of Computer Interactivity". In Fähndrich, Walter (ed.).
2757:
Lewis, George E. (2017). "From
Network Bands to Ubiquitous Computing: Rich Gold and the Social Aesthetics of Interactivity". In Born, Georgina; Lewis, Eric; Straw, Will (eds.).
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graduate students, and as a teenager joined the school's new jazz band, run by jazz historian Frank Tirro (then working on his PhD) and Dean Hey. In the late 1960s, classmate
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185:, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a
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Lewis has long been active in creating and performing with interactive computer systems, most notably his software
Voyager, which "listens" and reacts to live performers.
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Lewis (compositions, live electronic processing, live electronics and spatialization performance) with large ensembles (Ensemble Erik Satie, Wet Ink, Vancouver
Olympiad)
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Lewis, George E. (2021). "'Is Our
Machines Learning Yet?' Machine Learning's Challenge to Improvisation and the Aesthetic". In de Assis, Paulo; Giudici, Paolo (eds.).
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2248:"Information Station No. 1" (2000), multi-screen videosonic interactive installation for the Point Loma Wastewater Treatment Plant, San Diego, Calif.
181:) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of
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In 1971, during his time off in
Chicago, Lewis heard some musicians practicing together near his parents' house; he introduced himself, and met
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Lewis, George E. (30 March 2004). "Afterword to "Improvised Music After 1950": The
Changing Same". In Fischlin, Daniel; Heble, Ajay (eds.).
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4447: (archived May 17, 2006) Interview with George Lewis, discussing computer music and other topics, including improvisation and Voyager
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Lewis, George E. (2007). "Living with
Creative Machines: An Improvisor Reflects". In Everett, Anna; Wallace, Amber J. (eds.).
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290:. Lewis worried about his performance, but McCall invited him to play another concert; at rehearsal, he was introduced to
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Lewis, George E. "Leben mit kreativen
Maschinen: Reflexionen eines improvisierenden Musikers". In Knauer, Wolfram (ed.).
2007:
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Lewis, George E. (2020). ""Foreword: On the Art of Becoming"". In MacDonald, Raymond A.R.; Wilson, Graeme B. (eds.).
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Lewis, George E. (2008). "Stan Douglas's Suspiria: Genealogies of Recombinant Narrativity". In Douglas, Stan (ed.).
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2239:"Mbirascope/Algorithme et kalimba" (1985), interactive mbira-driven audiovisual installation, with David Behrman
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Lewis, George E. (2018). "Why Do We Want Our Computers To Improvise?". In McLean, Alex; Dean, Roger T. (eds.).
2282:"Interactive Trio" (2007), for interactive computer-driven piano, human pianist, and additional instrumentalist
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to create performances of interactive music and interactive video controlled by Lewis's improvised trombone.
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2211:"Virtual Discourse" (1993), composition for infrared-controlled "virtual percussion" and four percussionists
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230:, where he started classes at age 9. Lewis attended the Lab School from 1961 until his graduation in 1969.
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2251:"Rio Negro II" (2007), robotic-acoustic sound installation, with Douglas Ewart and Douglas Irving Repetto.
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3856:"A New Book Assesses the Four-Decade Legacy of the Association for the Advancement of Creative Musicians"
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Lewis (computer, conductor, trombone), Sarah Cahill, Steven Schick, Quincy Troupe, and the NOW Orchestra
357:. Lewis met many more musicians among Yale's students, faculty, and others living near New Haven such as
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2242:"A Map of the Known World" (1987), interactive mbira-driven audiovisual installation, with David Behrman
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201:. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at
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4275:"Atelier George Lewis: Rainbow Family 1984 - George Lewis; Joëlle Léandre; Derek Bailey; Steve Lacy"
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4380:"Live at the Public Theater in New York, Vol. 1 - Gil Evans | Songs, Reviews, Credits, Awards"
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Gale, Peggy (1996). ""Stan Douglas: Evening and others."". In Gale, Peggy; Steele, Lisa (eds.).
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1089:& Levy Lorenzo, Seth Parker Woods, Dana Jessen & Eli Stine, software by Damon Holzborn
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287:
2270:"Chamber Music for Humans and Non-Humans" (1980), for micro-computer and improvising musician
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2672:. New York: Scala Arts Publishers & John and Mable Ringling Museum of Art. pp. 31–41
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2217:"Crazy Quilt" (2002), for infrared-controlled "virtual percussion" and four percussionists
8:
4407:"BBCSSO/Volkov review – brisk and beautiful Beethoven but Lewis premiere is hard to like"
3371:
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Lewis, George E. (2018). "Toni Dove's Nonmodern Ontologies". In McLendon, Matthew (ed.).
2285:"Interactive Duo" (2007), for interactive computer-driven piano and human instrumentalist
2226:"Les Exercices Spirituels" (2010) for eight instruments and computer sound spatialization
2214:"North Star Boogaloo" (1996), for percussionist and computer, with text by Quincy Troupe
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Composing While Black: Afrodiasporische Neue Musik Heute / Afrodiasporic New Music Today
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1985: Misha Mengelberg / Steve Lacy / George Lewis / Harjen Gorter / Han Bennink –
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announced the appointment of Lewis as its next artistic director, effective April 2022.
660:(University of Chicago Press). Lewis later wrote an opera based on the book, titling it
4645:
4353:"Joëlle Léandre / Pauline Oliveros / George Lewis - Play As You Go (Trost, 2021) *****"
4301:"George Lewis' The Recombinant Trilogy Reimagines the Boundaries of Experimental Music"
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Lewis, George E. (2009). ""Interactivity and Improvisation"". In Dean, Roger T. (ed.).
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2348:"The Imaginary Suite" (1977), two movements for tape, live electronics, and instruments
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3118:"Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination"
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2245:"Rio Negro" (1992), robotic-acoustic sound-sculpture installation, with Douglas Ewart
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1973:
1937:
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177:. He has been a member of the Association for the Advancement of Creative Musicians (
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2363:"Artificial Life 2007" (2007), composition for improvisors with open instrumentation
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2764:
2715:"The Situation of a Creole: In 'Defining Twentieth-and-Twenty First-Century Music'"
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2183:"Dancing in the Palace" (2009), for tenor voice and viola, with text by Donald Hall
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Years given are for the recording(s), not first release, unless stated otherwise.
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3718:
VIDEO Re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video
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Organized by year of release; year(s) of recording noted if known to be earlier.
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Organized by year of release; year(s) of recording noted if known to be earlier.
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3997:"Why George Lewis' revolutionary 'Shadowgraph, 5' can last 3 minutes or 4 hours"
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2273:"Rainbow Family" (1984), for soloists with multiple interactive computer systems
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2279:"Virtual Concerto" (2004), for improvising computer piano soloist and orchestra
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2208:"Nightmare At The Best Western" (1992), for baritone voice and six instruments
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4751:
4542:
3226:
Zorn, John, ed. (2000). "Teaching Improvised Music: An Ethnographic Memoir".
2276:"Voyager" (1987), for improvising soloist and interactive “virtual orchestra"
2223:"Sour Mash" (2009), composition for vinyl turntablists, with Marina Rosenfeld
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226:. An African American teacher convinced Lewis's parents to enroll him at the
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2174:"Collage" (1995), for poet and chamber orchestra, with text by Quincy Troupe
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in 2018. Lewis has received four honorary degrees: Doctor of Music from the
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4654:
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4551:
3153:
The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
3098:
2738:
Lewis, George E. (2017). "The Sound of Terry Adkins". In Berry, Ian (ed.).
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Since 2004, he has served as Edward H. Case Professor of American Music at
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3617:"Frederic Rzewski, Politically Committed Composer and Pianist, Dies at 83"
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4743:
4204:"George Lewis, Les Exercices Spirituels. Tzadik Records TZA 8081CD, 2011"
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His work "Morning Blues for Yvan" was featured on the compilation album
173:(born July 14, 1952) is an American composer, performer, and scholar of
4823:
3777:
3247:"Improvised Music after 1950: Afrological and Eurological Perspectives"
3203:
3179:
2295:"The Empty Chair" (1986), computer-driven videosonic music theatre work
2102:
1466:
1271:
275:
3430:
A Power Stronger Than Itself: The AACM and American Experimental Music
3273:
2382:
A Power Stronger Than Itself: The AACM and American Experimental Music
736:
A Power Stronger Than Itself: The AACM and American Experimental Music
703:'s Music in American Culture Award in 2009. He became a Fellow of the
658:
A Power Stronger Than Itself: The AACM and American Experimental Music
195:
A Power Stronger Than Itself: The AACM and American Experimental Music
4650:
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4547:
4535:
3971:"The daring debut album of AACM historian George Lewis gets reissued"
2022:
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1251:
587:
467:
443:
326:
3752:"UC San Diego Composer Rand Steiger Wins 2015 Guggenheim Fellowship"
2970:. Santa Barbara: Center for Black Studies Research. pp. 83–99.
361:, who began visiting Lewis early in the morning before his classes.
317:; artists brought to campus during Lewis's remaining years included
4935:
4719:
4384:
4330:
3265:
2619:
2267:"The KIM and I" (1979), for micro-computer and improvising musician
1411:
1325:
1303:
2006: Muhal Richard Abrams / George Lewis / Roscoe Mitchell –
2479:
2357:"Homage to Charles Parker" (1979), for improvisors and electronics
1195:
1987: Mengelberg / Lacy / Lewis / Ernst Reÿseger / Bennink –
3950:"Penn's 2022 Commencement Speaker and Honorary Degree Recipients"
2814:. New York and Oxford: Oxford University Press. pp. 457–66.
2603:
2220:"Hello Mary Lou" (2007) for chamber ensemble and live electronics
313:
Lewis returned to Yale in 1972, just as the university began its
3908:"Outspoken Composer to Lead International Contemporary Ensemble"
3180:"Too Many Notes: Computers, Complexity and Culture in 'Voyager'"
2298:"Changing With The Times" (1991), radiophonic/music theatre work
2205:"Atlantic" (1978), for amplified trombones with resonant filters
2117:
What Is the Difference Between Stripping and Playing the Violin?
4463:
3536:"Fifty years ago today, the school boycott that rocked Chicago"
2844:. Special issue on Technology and Black Music in the Americas.
2481:
Machinic Assemblages of Desire: Deleuze and Artistic Research 3
2452:
The Oxford Handbook of Critical Improvisation Studies: Volume 2
2431:
The Oxford Handbook of Critical Improvisation Studies: Volume 1
2257:"Ikons" (2010), interactive sound sculpture, with Eric Metcalfe
1796:
591:
372:
364:
Lewis graduated from Yale in 1974 with a degree in philosophy.
1342:
2009: Glasgow Improvisers Orchestra & George Lewis –
978:
Lewis (trombone, conductor, compositions) / The NOW Orchestra
4152:"The Shadowgraph Series: Compositions for Creative Orchestra"
3143:
Improvisieren: Darmstädter Beiträge zur Jazzforschung, Band 8
2926:"Mobilitas Animi: Improvising Technologies, Intending Chance"
2901:"Improvising Tomorrow's Bodies: The Politics of Transduction"
2763:. Durham and London: Duke University Press. pp. 91–109.
629:
2180:"Signifying Riffs" (1998), for string quartet and percussion
3156:. Middletown: Wesleyan University Press. pp. 131–162.
2877:. Ostfildern, Germany: Hatje Cantz Verlag. pp. 42–53.
969:
The Shadowgraph Series: Compositions for Creative Orchestra
2351:"Chicago Slow Dance" (1977), for electro-acoustic ensemble
900:
Lewis (trombone, computer, compositions), Roscoe Mitchell
1399:
2019: Kimmig-Studer-Zimmerlin & George Lewis –
3366:
3364:
3337:
3335:
3333:
2691:. New York: Oxford University Press. pp. 123–130.
1055:
Lewis (computer programming, hardware hacking), Ewart,
3307:
3305:
3303:
3301:
3299:
3059:"Improvisation and the Orchestra: A Composer Reflects"
2360:"Sequel" (2004), for eight electro-acoustic performers
2345:"Monads" (1977), graphic score for any instrumentation
2229:"Anthem" (2011), for chamber ensemble with electronics
2189:"The Will To Adorn" (2011), for large chamber ensemble
652:
In 2008, Lewis published a book-length history of the
4696:
3804:"UNYAZI Electronic Music Symposium and Festival 2005"
3145:(in German). Hofheim: Wolke Verlag. pp. 123–144.
2836:
Lewis, George E. (May 2008). Lewis, George E. (ed.).
1202:
1988: John Zorn / George Lewis / Bill Frisell –
1171:
1982: Derek Bailey / George Lewis / John Zorn –
586:
and Oliver Johnson; the installation was featured at
559:
From 1988-1990, Lewis collaborated with video artist
3361:
3330:
2512:. Oxford: Oxford University Press. pp. vii–xx.
1292:
1998: George E. Lewis & Bertram Turetzky –
796:
Monads-Triple Slow Mix-Cycle-Shadowgraph, 5 (Sextet)
5113:
Members of the American Academy of Arts and Letters
4450:Golden, Barbara. "Conversation with George Lewis."
3905:
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3410:
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3406:
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3400:
3398:
3396:
3394:
3392:
2536:"Lifting the Cone of Silence From Black Composers"
2509:The Art of Becoming: How Group Improvisation Works
2354:"Blues" (1979), graphic score for four instruments
1743:(hat ART; recorded in 1982; rereleased in 1999 as
921:Lewis (trombone), Daniel Koppelman, Ruth Neville,
4023:"The African Influence on Pop and Jazz Musicians"
3485:
3483:
2449:Lewis, George E.; Piekut, Benjamin, eds. (2016).
2428:Lewis, George E.; Piekut, Benjamin, eds. (2016).
2177:"Ring Shout Ramble" (1998), for saxophone quartet
566:In 1992, Lewis collaborated with Canadian artist
257:
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3924:
3149:
3096:
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2807:
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2744:. New York: Prestel Publishing. pp. 105–129
2737:
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2665:
2505:
2477:
2407:Kisiedu, Harald; Lewis, George E., eds. (2023).
310:union job at Illinois Slag and Ballast Company.
3558:
3556:
3389:
16:American composer, performer, and music scholar
4249:"George Lewis : Les Exercices Spirituels"
3480:
3466:The Department of Music at Columbia University
3456:
3454:
3452:
3450:
2575:Lewis, George E.; Calico, Joy H. (Fall 2019).
1373:2016: George Lewis & Splitter Orchester –
601:in New York City. He previously taught at the
254:at another concert on his high school campus.
4682:
4479:
3344:"George Lewis, 20th Century musician at UCSD"
2789:Journal of the American Musicological Society
2581:Journal of the American Musicological Society
2470:
853:Lewis (trombone, electronics), Ewart, Davis,
805:Lewis (alto and tenor trombones, sousaphone,
5048:Corresponding fellows of the British Academy
3882:"The Creative Constructions of George Lewis"
3553:
3140:
2785:""Americanist Musicology and Nomadic Noise""
2604:"Listening for Freedom with Arnold Davidson"
2406:
1947:Space Minds, New Worlds, Survival of America
5038:University of California, San Diego faculty
3447:
2574:
2448:
2427:
1085:Works for solo instrument and electronics:
274:, John Shenoy Jackson, Steve Galloway, and
4689:
4675:
4486:
4472:
4404:
3232:. New York: Granary Books. pp. 78–109
1664:Live at the Public Theater (New York 1980)
1401:Kimmig-Studer-Zimmerlin & George Lewis
1186:Change of Season (Music Of Herbie Nichols)
4318:
4208:Journal of the Society for American Music
3376:John Simon Guggenheim Memorial Foundation
3023:Journal of the Society for American Music
2994:"Live Algorithms and the Future of Music"
2853:
2842:Journal of the Society for American Music
2592:
2063:1987: Joe Sachse with David Moss, Lewis,
574:, featuring Lewis in an improvisation of
4201:
4020:
3968:
3668:"George E. Lewis—The Story's Being Told"
2688:The Oxford Handbook of Algorithmic Music
2129:2001: Bert Turetzky & Mike Wofford,
1331:2009: George Lewis / Marina Rosenfeld –
607:
371:
4377:
4298:
4272:
4077:"George Lewis: Changing With the Times"
3932:"Harvard awards seven honorary degrees"
3721:. Toronto: Art Metropole. p. 363.
3533:
3489:
3341:
2413:(in German and English). Wolke Verlag.
2308:"The Shadowgraph Series, 1-5" (1975–77)
2254:"Travelogue" (2009), sound installation
1406:2019: George Lewis / Roscoe Mitchell –
875:Lewis (electronics, trombones), Ewart,
738:received the 2009 American Book Award.
719:in 2015, Doctor of Humane Letters from
707:in 2015, a Corresponding Fellow of the
228:University of Chicago Laboratory School
4980:
4202:Banfield, William C. (November 2012).
3879:
3853:
3665:
3588:
3496:Oxford African American Studies Center
2644:"(Machine) Listening as Improvisation"
2168:"Toneburst" (1976) for three trombones
1417:2021: Joelle Léandre / George Lewis /
1029:George Lewis: Les Exercices Spirituels
727:in 2018, and Doctor of Music from the
4670:
4467:
4299:DeGroot, Jillian (22 February 2021).
4046:
3749:
3614:
3504:10.1093/acref/9780195301731.013.37354
3426:
3244:
3177:
3115:
3056:
3016:
2991:
2923:
2898:
2835:
2811:The Oxford Handbook of Computer Music
2782:
2712:
2641:
2601:
2553:
2533:
2400:
2378:
2367:
1130:Jila Save! Mon. - The Imaginary Suite
929:, Bernard Mixon, Peter Gonzales III,
705:American Academy of Arts and Sciences
626:New Interfaces for Musical Expression
390:Lewis has recorded or performed with
5108:21st-century American male musicians
3994:
3714:
3534:Strauss, Valerie (22 October 2013).
3225:
3019:"The Virtual Discourses of Pamela Z"
2967:AfroGEEKS: Beyond the Digital Divide
2099:Genesis & The Opening of the Way
1935:1979: Leo Smith Creative Orchestra,
1215:1992: Zorn / Lewis / Frisell –
1001:, compositions), Siegfried Rössert,
713:American Academy of Arts and Letters
678:
4273:Broomer, Stuart (5 February 2021).
4127:"George Lewis : Endless Shout"
3969:Margasak, Peter (30 October 2015).
2760:Improvisation and Social Aesthetics
2484:. Leuven: Leuven University Press.
1364:International Contemporary Ensemble
1158:1980: Evan Parker / George Lewis –
673:International Contemporary Ensemble
603:University of California, San Diego
250:concert, and Lewis first heard the
13:
3906:Javier C. Hernández (2022-04-08).
3017:Lewis, George E. (February 2007).
2642:Lewis, George E. (December 2018).
666:Museum of Contemporary Art Chicago
14:
5134:
4699:SEAMUS Lifetime Achievement Award
4427:
4326:"George Lewis: Album Discography"
3775:
3640:
3589:Palmer, Robert (2 October 1977).
3342:Schinto, Jeanne (19 April 2001).
3122:Critical Studies in Improvisation
2554:Lewis, George E. (January 2020).
2195:"Float, Sting" (2018), for sextet
2192:"Thistledown" (2012), for quartet
2171:"Endless Shout" (1994), for piano
2080:The Storming of the Winter Palace
1283:The Usual Turmoil and Other Duets
746:
687:. His many honors also include a
616:Lewis is featured extensively in
578:"Spirits Rejoice" with musicians
315:Duke Ellington Fellowship Program
222:, whose policies led to the 1963
4493:
3245:Lewis, George E. (Spring 1996).
2602:Lewis, George E. (Winter 2019).
2534:Lewis, George E. (3 July 2020).
2340:Graphic and instructional scores
1810:L-R-G / The Maze / S II Examples
1508:Four Compositions (Quartet) 1983
638:Crosstalk: American Speech Music
29:
4453:eContact! 12.2 — Interviews (2)
4398:
4371:
4345:
4292:
4266:
4241:
4195:
4170:
4144:
4119:
4094:
4069:
4040:
4021:Rockwell, John (1 March 1981).
4014:
3988:
3962:
3942:
3899:
3873:
3847:
3822:
3796:
3769:
3743:
3708:
3684:
3659:
3634:
3615:Robin, William (27 June 2021).
3608:
3591:"The New Intimacy Of Solo Jazz"
3433:. University of Chicago Press.
2874:Past Imperfect: Works 1986-2007
2385:. University of Chicago Press.
2311:"Hello and Goodbye" (1976/2000)
2157:
2136:2008: Musica Elettronica Viva,
2021:1985: Evan Parker (with Lewis,
1098:
35:George E. Lewis playing at the
3582:
3527:
2838:"Foreword: After Afrofuturism"
2783:Lewis, George E. (Fall 2011).
2115:1998: Miya Masaoka Orchestra,
1547:(New Tone; recorded 1971–1976)
1535:Creative Orchestra (Köln) 1978
741:
723:in 2017, Doctor of Music from
701:American Musicological Society
662:Afterword: The AACM (as) Opera
548:In the 1980s, Lewis succeeded
258:Education and joining the AACM
224:Chicago Public Schools boycott
1:
5083:Black Saint/Soul Note artists
5068:Globe Unity Orchestra members
4436:from Columbia University site
4102:"George Lewis: Endless Shout"
3995:Swed, Mark (19 August 2020).
3666:Hunter, Trevor (2010-06-01).
3289:
2992:Lewis, George E. (May 2007).
2372:
2131:Transition and Transformation
1526:Ensemble (Victoriaville) 1988
1486:Creative Orchestra Music 1976
1429:
1161:From Saxophone & Trombone
711:in 2016, and a member of the
208:
95:Musician, composer, professor
5063:American male jazz musicians
5053:Jazz musicians from Illinois
4434:George Lewis faculty profile
3254:Black Music Research Journal
3100:Improvisation V: 14 Beiträge
2669:Toni Dove: Embodied Machines
2326:"Something Like Fred" (2009)
2323:"The Chicken Skin II" (2007)
1911:You Can't Name Your Own Tune
1867:(Black Saint; recorded 1981)
1593:Quintet (Moers) 1977 - 05.30
1577:Orchestra (Los Angeles) 1992
1495:The Montreux/Berlin Concerts
1452:(Black Saint; recorded 1978)
1132:(Black Saint; recorded 1978)
664:; the work premiered at the
7:
5043:American Book Award winners
5033:Columbia University faculty
4178:"Sequel (For Lester Bowie)"
3854:Chinen, Nate (2 May 2008).
2560:Curating Contemporary Music
2455:. Oxford University Press.
2434:. Oxford University Press.
545:(Instant Composer's Pool).
10:
5139:
5123:Members of Skull and Bones
3750:Sutro, Dirk (2015-04-30).
3229:Arcana: Musicians on music
2594:10.1525/jams.2019.72.3.607
2471:Articles and book chapters
2262:Interactive computer music
2005:1982: John Lindberg Trio,
1375:Creative Construction Set™
1228:& George Lewis –
1168:(2002) and Otoroku (2023))
1111:/ George Lewis Duo –
729:University of Pennsylvania
683:In 2002, Lewis received a
570:on the video installation
5073:Sackville Records artists
4993:American male trombonists
4988:American jazz trombonists
4706:
4634:Donaueschingen (Duo) 1976
4613:
4510:
4501:
4405:Tim Ashley (2021-08-27).
4220:10.1017/S1752196312000405
3830:"NIME 06 Session Program"
3427:Lewis, George E. (2008).
3178:Lewis, George E. (2000).
3116:Lewis, George E. (2004).
3075:10.1080/07494460600989812
3063:Contemporary Music Review
3057:Lewis, George E. (2006).
3035:10.1017/S1752196307070034
2942:10.1080/13534640701682867
2924:Lewis, George E. (2007).
2899:Lewis, George E. (2007).
2855:10.1017/S1752196308080048
2769:10.1215/9780822374015-005
2713:Lewis, George E. (2017).
2556:"A Small Act of Curation"
2379:Lewis, George E. (2008).
2186:"Ikons" (2010), for octet
2031:Hook, Drift & Shuffle
1674:(New Tone; recorded 1981)
1556:(hatOLOGY; recorded 1977)
1362:2016: George Lewis &
1277:1998: George Lewis &
1231:Donaueschingen (Duo) 1976
997:Lewis (trombone, laptop,
990:Sequel (For Lester Bowie)
552:as the music director of
367:
145:
141:
99:
91:
69:
49:
44:
28:
21:
5078:Music & Arts artists
5058:21st-century trombonists
4519:Homage to Charles Parker
4456:(April 2010). Montréal:
3778:"Recharging Unyazi 2005"
3756:UC San Diego News Center
2577:"Editorial Introduction"
1634:Variations in Dream Time
1470:(Pi; recorded 2009–2010)
1221:(hat Hut; recorded 1989)
845:Homage to Charles Parker
697:Alpert Award in the Arts
380:In 1976, Lewis released
376:George E. Lewis in 2006.
3784:. Africa Open Institute
3696:Aesthetic-machinery.com
3196:10.1162/096112100570585
2719:Twentieth-Century Music
2110:Through Love to Freedom
2070:1987: Heiner Goebbels,
1992:1981: Laurie Anderson,
1928:1979: Jacques Bekaert,
1784:Roscoe Mitchell Quartet
1604:(Braxton Bootleg, 2013)
1596:(Braxton Bootleg, 2013)
1588:(Braxton Bootleg, 2012)
1580:(Braxton Bootleg, 2011)
1572:(Braxton Bootleg, 2011)
1564:(Braxton Bootleg, 2011)
1538:(hatART; recorded 1978)
1520:(hatART; recorded 1976)
1517:Dortmund (Quartet) 1976
1234:(hatART; recorded 1976)
1078:The Recombinant Trilogy
912:Changing With the Times
717:University of Edinburgh
695:Fellowship (2011), the
632:, Paris, in June 2006.
535:Musica Elettronica Viva
343:Willie "The Lion" Smith
252:Art Ensemble of Chicago
65:Chicago, Illinois, U.S.
5093:Charly Records artists
5028:Yale University alumni
5023:Tzadik Records artists
5018:Musicians from Chicago
4441:"Person to... person?"
4049:"Listening to Voyager"
3692:"Don Ritter Biography"
3490:Wriggle, John (2013).
3184:Leonardo Music Journal
2163:Solo and chamber music
2036:1985: Joelle Leandre,
1908:1977: Barry Altschul,
1717:Bospaadje Konijnehol I
1700:Globe Unity – 40 Years
1569:Orchestra (Paris) 1978
1529:(Victo; recorded 1988)
1425:(Trost; recorded 2014)
721:New College of Florida
618:Unyazi of the Bushveld
613:
377:
262:Lewis was accepted to
78:contemporary classical
45:Background information
5098:Incus Records artists
5088:Pi Recordings artists
4998:Free jazz trombonists
4951:Scott A. Wyatt (2018)
4784:Bebe and Louis Barron
4439:Casserley, Lawrence.
4001:The Los Angeles Times
3103:. Winterthur: Amadeus
2741:Terry Adkins: Recital
2648:Technosphere Magazine
2122:1999: NOW Orchestra,
2097:1997: Steve Coleman,
2072:Der Mann im Fahrstuhl
2043:1986: Ushio Torikai,
1944:1979: Leroy Jenkins,
1921:1979: Fred Anderson,
1681:Globe Unity Orchestra
1667:(Trio; recorded 1980)
1601:Quartet (Berlin) 1976
1408:Voyage And Homecoming
1388:& George Lewis –
1349:2014: George Lewis /
1322:Transatlantic Visions
1124:1979: George Lewis /
1048:Rainbow Family (1984)
693:United States Artists
689:Guggenheim Fellowship
647:Mendi + Keith Obadike
611:
539:Globe Unity Orchestra
375:
236:University of Chicago
191:Guggenheim Fellowship
4712:Vladimir Ussachevsky
4622:Elements of Surprise
4584:Muhal Richard Abrams
4357:Free Jazz Collective
4305:I Care If You Listen
3317:MacArthur Foundation
2014:1983: Rhys Chatham,
1819:Sketches from Bamboo
1553:Quintet (Basel) 1977
1440:Muhal Richard Abrams
1164:(Incus; reissued on
1114:Elements of Surprise
831:Muhal Richard Abrams
775:Solo Trombone Record
685:MacArthur Fellowship
628:, which was held at
620:(2005), directed by
500:Muhal Richard Abrams
472:Karl E. H. Seigfried
382:Solo Trombone Record
272:Muhal Richard Abrams
187:MacArthur Fellowship
171:George Emanuel Lewis
5118:Psi Records artists
4359:. 13 September 2021
3808:Art Africa Magazine
3540:The Washington Post
2314:"Angry Bird" (2007)
2086:1996: India Cooke,
1804:; recorded 1976–77)
1561:Quartet (Graz) 1976
1386:Ensemble Dal Niente
671:In April 2022, the
599:Columbia University
308:United Steelworkers
242:took Lewis to hear
203:Columbia University
199:American Book Award
4646:More News for Lulu
4158:. 20 November 2008
4027:The New York Times
3912:The New York Times
3880:Gottschalk, Kurt.
3860:The New York Times
3621:The New York Times
3595:The New York Times
2998:CT Watch Quarterly
2540:The New York Times
2401:Edited collections
2368:Books and articles
2303:Creative orchestra
2108:1998: Evod Magek,
1957:1979: Sam Rivers,
1874:Richard Teitelbaum
1502:; recorded 1975–6)
1218:More News for Lulu
1003:Guillermo E. Brown
868:Chicago Slow Dance
855:Richard Teitelbaum
725:Harvard University
614:
508:Richard Teitelbaum
384:to great acclaim.
378:
302:, Aaron Dodd, and
175:experimental music
5003:MacArthur Fellows
4975:
4974:
4664:
4663:
4056:PaulSteinbeck.com
4047:Steinbeck, Paul.
3776:Lewis, George E.
3570:. 24 October 2016
3568:The HistoryMakers
3564:"George E. Lewis"
3513:978-0-19-530173-1
3462:"George E. Lewis"
3372:"George E. Lewis"
3313:"George E. Lewis"
2821:978-0-19-971593-0
2698:978-0-19-022699-2
2519:978-0-19-084091-4
2329:"Triangle" (2009)
2317:"Fractals" (2007)
2077:1988: Schweizer,
1979:1981: John Zorn,
1938:Budding of a Rose
1930:Summer Music 1970
1832:Nine to Get Ready
1544:News from the 70s
1394:New World Records
1368:The Will to Adorn
1320:& G. Lewis –
1262:/ George Lewis /
1096:
1095:
923:Jerome Rothenberg
784:Lewis (trombone)
679:Honors and awards
612:Lewis, circa 2003
165:
164:
5130:
5103:RogueArt artists
4968:
4960:
4952:
4947:
4939:
4931:
4923:
4915:
4907:
4899:
4891:
4883:
4875:
4867:
4859:
4851:
4843:
4835:
4827:
4819:
4811:
4803:
4800:Pauline Oliveros
4795:
4792:Morton Subotnick
4787:
4779:
4771:
4763:
4755:
4747:
4739:
4731:
4728:Mario Davidovsky
4723:
4715:
4691:
4684:
4677:
4668:
4667:
4600:Wadada Leo Smith
4488:
4481:
4474:
4465:
4464:
4421:
4420:
4418:
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4112:
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3986:
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3966:
3960:
3959:
3957:
3956:
3946:
3940:
3939:
3936:News.harvard.edu
3928:
3922:
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3918:
3903:
3897:
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3705:
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3688:
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3679:
3678:
3663:
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3586:
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3487:
3478:
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3445:
3444:
3424:
3387:
3386:
3384:
3382:
3368:
3359:
3358:
3356:
3354:
3348:San Diego Reader
3339:
3328:
3327:
3325:
3323:
3309:
3284:
3282:
3280:
3251:
3241:
3239:
3237:
3222:
3220:
3218:
3174:
3172:
3170:
3146:
3137:
3135:
3133:
3112:
3110:
3108:
3093:
3091:
3089:
3069:(5/6): 429–434.
3053:
3051:
3049:
3013:
3011:
3009:
2988:
2986:
2984:
2960:
2958:
2956:
2920:
2918:
2916:
2895:
2893:
2891:
2867:
2857:
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2828:
2804:
2802:
2800:
2779:
2777:
2775:
2753:
2751:
2749:
2734:
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2730:
2709:
2707:
2705:
2681:
2679:
2677:
2662:
2660:
2658:
2638:
2636:
2634:
2608:Critical Inquiry
2598:
2596:
2571:
2569:
2567:
2550:
2548:
2546:
2530:
2528:
2526:
2502:
2500:
2498:
2466:
2445:
2424:
2396:
2320:"Shuffle" (2007)
2092:Music & Arts
1966:1981: Material,
1839:; recorded 1997)
1791:; recorded 1975)
1695:; recorded 1986)
1689:20th Anniversary
1646:India Navigation
1585:Trio (Pisa) 1982
1419:Pauline Oliveros
1351:Wadada Leo Smith
1344:Metamorphic Rock
1289:; recorded 1997)
1287:Music & Arts
1264:Bertram Turetzky
1121:; recorded 1976)
1017:, DJ Mutamassik
999:Buchla Lightning
927:Jeannie Cheatham
807:Moog synthesizer
751:
750:
699:(1999), and the
528:Frederic Rzewski
524:Wadada Leo Smith
492:Misha Mengelberg
484:Marina Rosenfeld
440:Frederic Rzewski
400:Bertram Turetzky
359:Wadada Leo Smith
335:William Warfield
161:
158:
156:
154:
152:
124:Music & Arts
82:avant-garde jazz
63:
59:
57:
33:
19:
18:
5138:
5137:
5133:
5132:
5131:
5129:
5128:
5127:
4978:
4977:
4976:
4971:
4963:
4955:
4950:
4942:
4934:
4926:
4918:
4910:
4904:George E. Lewis
4902:
4896:Laurie Anderson
4894:
4886:
4878:
4872:Miller Puckette
4870:
4862:
4854:
4846:
4838:
4830:
4822:
4814:
4806:
4798:
4790:
4782:
4774:
4766:
4758:
4750:
4742:
4734:
4726:
4718:
4710:
4702:
4701:
4695:
4665:
4660:
4639:Anthony Braxton
4627:Anthony Braxton
4609:
4588:Roscoe Mitchell
4506:
4497:
4492:
4445:Wayback Machine
4430:
4425:
4424:
4415:
4413:
4403:
4399:
4390:
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4376:
4372:
4362:
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4029:
4019:
4015:
4005:
4003:
3993:
3989:
3979:
3977:
3967:
3963:
3954:
3952:
3948:
3947:
3943:
3938:. May 24, 2018.
3930:
3929:
3925:
3916:
3914:
3904:
3900:
3890:
3888:
3878:
3874:
3864:
3862:
3852:
3848:
3838:
3836:
3828:
3827:
3823:
3813:
3811:
3810:. December 2005
3802:
3801:
3797:
3787:
3785:
3774:
3770:
3760:
3758:
3748:
3744:
3729:
3713:
3709:
3700:
3698:
3690:
3689:
3685:
3676:
3674:
3672:NewMusicBox.org
3664:
3660:
3651:
3649:
3643:"ICP Orchestra"
3641:Layne, Joslyn.
3639:
3635:
3625:
3623:
3613:
3609:
3599:
3597:
3587:
3583:
3573:
3571:
3562:
3561:
3554:
3544:
3542:
3532:
3528:
3518:
3516:
3514:
3492:"Lewis, George"
3488:
3481:
3471:
3469:
3468:. 22 April 2016
3460:
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2492:
2473:
2463:
2442:
2421:
2403:
2393:
2375:
2370:
2160:
2145:Paul Rutherford
2067:(Jazzwerkstatt)
2057:Live at Taktlos
2052:Irene Schweizer
1882:Concerto Grosso
1775:Roscoe Mitchell
1477:Anthony Braxton
1432:
1226:Anthony Braxton
1135:1980: Company (
1109:Anthony Braxton
1101:
823:Roscoe Mitchell
809:, sound-tube),
749:
744:
709:British Academy
681:
645:), produced by
512:Roscoe Mitchell
504:Nicole Mitchell
476:Laurie Anderson
452:Irène Schweizer
392:Anthony Braxton
370:
347:Marion Williams
331:Dizzy Gillespie
292:Roscoe Mitchell
264:Yale University
260:
220:Benjamin Willis
211:
193:, and his book
168:
159:/george-e-lewis
149:
64:
61:
55:
53:
40:
24:
23:George E. Lewis
17:
12:
11:
5:
5136:
5126:
5125:
5120:
5115:
5110:
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5080:
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5055:
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5025:
5020:
5015:
5010:
5005:
5000:
4995:
4990:
4973:
4972:
4970:
4969:
4965:Annea Lockwood
4961:
4953:
4948:
4944:Carla Scaletti
4940:
4932:
4924:
4920:Barry Schrader
4916:
4912:Laurie Spiegel
4908:
4900:
4892:
4884:
4876:
4868:
4860:
4852:
4844:
4836:
4828:
4820:
4812:
4804:
4796:
4788:
4780:
4772:
4768:Milton Babbitt
4764:
4756:
4748:
4740:
4732:
4724:
4716:
4707:
4704:
4703:
4697:
4694:
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4608:
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4507:
4502:
4499:
4498:
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4490:
4483:
4476:
4468:
4462:
4461:
4448:
4437:
4429:
4428:External links
4426:
4423:
4422:
4397:
4370:
4344:
4317:
4291:
4265:
4240:
4214:(4): 493–494.
4194:
4182:All About Jazz
4169:
4143:
4118:
4093:
4068:
4039:
4013:
3987:
3975:Chicago Reader
3961:
3941:
3923:
3898:
3872:
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3821:
3795:
3768:
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3707:
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3266:10.2307/779379
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3175:
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3138:
3113:
3094:
3054:
3014:
2989:
2976:
2961:
2936:(4): 108–122.
2921:
2896:
2883:
2868:
2848:(2): 139–153.
2833:
2820:
2805:
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2735:
2710:
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2682:
2663:
2639:
2620:10.1086/700996
2614:(2): 434–447.
2599:
2587:(3): 607–611.
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2095:
2084:
2075:
2068:
2061:
2048:
2041:
2038:Les Douze Sons
2034:
2019:
2012:
2003:
1990:
1977:
1964:
1955:
1942:
1933:
1932:(Lovely/Vital)
1926:
1919:
1900:
1899:
1892:
1885:
1869:
1868:
1859:
1841:
1840:
1827:
1814:
1805:
1792:
1770:
1769:
1762:
1759:The Beat Suite
1755:
1748:
1726:
1725:
1723:ICP Plays Monk
1719:
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1490:
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1471:
1462:
1458:Mama and Daddy
1453:
1431:
1428:
1427:
1426:
1423:Play As You Go
1415:
1404:
1397:
1382:
1371:
1360:
1353:/ John Zorn –
1347:
1340:
1329:
1314:
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1290:
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1100:
1097:
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1080:
1075:
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1057:Joëlle Léandre
1053:
1050:
1045:
1041:
1040:
1037:
1034:
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1026:
1022:
1021:
1018:
1011:Kaffe Matthews
995:
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987:
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785:
782:
777:
772:
768:
767:
764:
761:
758:
755:
748:
747:As sole leader
745:
743:
740:
734:His monograph
680:
677:
643:Bridge Records
576:Albert Ayler's
532:Alvin Curran's
526:, as well as
464:Joëlle Léandre
369:
366:
323:Charles Mingus
319:Duke Ellington
296:Malachi Favors
259:
256:
210:
207:
183:computer music
167:Musical artist
166:
163:
162:
147:
143:
142:
139:
138:
101:
97:
96:
93:
89:
88:
86:computer music
71:
67:
66:
51:
47:
46:
42:
41:
37:Moers Festival
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
5135:
5124:
5121:
5119:
5116:
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5039:
5036:
5034:
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5029:
5026:
5024:
5021:
5019:
5016:
5014:
5013:Living people
5011:
5009:
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5004:
5001:
4999:
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4991:
4989:
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4825:
4821:
4817:
4813:
4809:
4805:
4801:
4797:
4793:
4789:
4785:
4781:
4777:
4776:Charles Dodge
4773:
4769:
4765:
4761:
4757:
4753:
4752:John Chowning
4749:
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4741:
4737:
4733:
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4709:
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4549:
4545:
4544:
4543:News for Lulu
4540:
4537:
4533:
4529:
4528:
4524:
4521:
4520:
4516:
4515:
4513:
4511:Studio albums
4509:
4505:
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4489:
4484:
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4459:
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4408:
4401:
4387:
4386:
4381:
4378:Scott Yanow.
4374:
4358:
4354:
4348:
4333:
4332:
4327:
4321:
4306:
4302:
4295:
4280:
4279:The WholeNote
4276:
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4213:
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4198:
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3497:
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3442:
3440:9780226477039
3436:
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3407:
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3345:
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3314:
3308:
3306:
3304:
3302:
3300:
3295:
3275:
3271:
3267:
3263:
3260:(1): 91–122.
3259:
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3243:
3231:
3230:
3224:
3213:
3209:
3205:
3201:
3197:
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3176:
3165:
3163:9780819566829
3159:
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2977:9780976503637
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2902:
2897:
2886:
2884:9783775720212
2880:
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2504:
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2491:9789461663603
2487:
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2462:9780190627973
2458:
2454:
2453:
2447:
2443:
2441:9780195370935
2437:
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2432:
2426:
2422:
2420:9783955932626
2416:
2412:
2411:
2405:
2404:
2394:
2392:9780226477039
2388:
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2362:
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2334:
2333:Minds in Flux
2331:
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2316:
2313:
2310:
2307:
2306:
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2290:Music Theatre
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2237:
2236:
2235:
2234:Installations
2228:
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2053:
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2042:
2039:
2035:
2032:
2028:
2024:
2020:
2017:
2013:
2011:(Black Saint)
2010:
2009:
2008:Give and Take
2004:
2001:
1997:
1996:
1991:
1988:
1984:
1983:
1978:
1975:
1971:
1970:
1969:Memory Serves
1965:
1962:
1961:
1956:
1953:
1949:
1948:
1943:
1940:
1939:
1934:
1931:
1927:
1924:
1923:Another Place
1920:
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1904:
1897:
1893:
1890:
1886:
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1860:
1858:(Black Saint)
1857:
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1734:
1733:
1732:
1724:
1720:
1718:
1714:
1713:
1712:
1711:
1710:
1709:ICP Orchestra
1701:
1697:
1694:
1690:
1686:
1685:
1684:
1683:
1682:
1673:
1672:Lunar Eclypse
1669:
1666:
1665:
1660:
1659:
1658:
1657:
1656:
1647:
1643:
1642:
1641:Hidden Voices
1638:
1636:(Gramavision)
1635:
1632:
1630:(Gramavision)
1629:
1626:
1623:
1619:
1616:
1615:
1614:
1613:
1612:
1611:Anthony Davis
1603:
1602:
1598:
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1594:
1590:
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1586:
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1579:
1578:
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1545:
1540:
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1531:
1528:
1527:
1522:
1519:
1518:
1513:
1511:(Black Saint)
1510:
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1504:
1501:
1497:
1496:
1491:
1488:
1487:
1482:
1481:
1480:
1479:
1478:
1469:
1468:
1463:
1461:(Black Saint)
1460:
1459:
1454:
1451:
1450:
1445:
1444:
1443:
1442:
1441:
1435:
1424:
1420:
1416:
1413:
1409:
1405:
1403:(ezz-thetics)
1402:
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1330:
1327:
1323:
1319:
1315:
1312:
1308:
1307:
1302:
1299:
1295:
1294:Conversations
1291:
1288:
1284:
1280:
1276:
1273:
1269:
1268:Triangulation
1265:
1261:
1257:
1254:
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1240:
1236:
1233:
1232:
1227:
1223:
1220:
1219:
1214:
1211:
1207:
1206:
1205:News for Lulu
1201:
1198:
1197:Dutch Masters
1194:
1191:
1187:
1183:
1180:
1176:
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1170:
1167:
1163:
1162:
1157:
1154:
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1131:
1127:
1126:Douglas Ewart
1123:
1120:
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1110:
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967:
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963:
959:
956:
954:
951:
949:
948:Endless Shout
946:
943:
942:
938:
936:
935:Quincy Troupe
932:
928:
924:
920:
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915:
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902:
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879:, Teitelbaum
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847:
846:
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839:
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834:
832:
828:
824:
820:
819:Leroy Jenkins
816:
815:Douglas Ewart
812:
811:Anthony Davis
808:
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580:Douglas Ewart
577:
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557:
555:
551:
546:
544:
543:ICP Orchestra
540:
536:
533:
529:
525:
521:
517:
513:
509:
505:
501:
497:
493:
489:
488:Michel Portal
485:
481:
480:Leroy Jenkins
477:
473:
469:
465:
462:, Joel Ryan,
461:
457:
453:
449:
445:
441:
437:
436:Fred Anderson
433:
429:
425:
424:Douglas Ewart
421:
417:
413:
412:David Behrman
409:
405:
401:
397:
396:Anthony Davis
393:
388:
385:
383:
374:
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362:
360:
356:
352:
351:Tony Williams
348:
344:
340:
339:Papa Jo Jones
336:
332:
328:
324:
320:
316:
311:
309:
305:
304:Douglas Ewart
301:
300:Sabu Toyozumi
297:
293:
289:
285:
281:
280:Joseph Jarman
277:
273:
268:
265:
255:
253:
249:
245:
244:Fred Anderson
241:
237:
231:
229:
225:
221:
215:
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204:
200:
197:received the
196:
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188:
184:
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144:
140:
137:
133:
129:
125:
121:
117:
113:
109:
105:
102:
98:
94:
92:Occupation(s)
90:
87:
83:
79:
75:
72:
68:
62:(age 72)
60:July 14, 1952
52:
48:
43:
38:
32:
27:
20:
4957:Gordon Mumma
4903:
4888:Curtis Roads
4880:Larry Austin
4864:Joel Chadabe
4856:Alvin Lucier
4848:Wendy Carlos
4840:Barry Vercoe
4832:Jon Appleton
4816:Herbert Brün
4736:Otto Luening
4655:Bill Frisell
4644:
4632:
4620:
4595:Sonic Rivers
4593:
4577:
4572:Gary Valente
4568:Craig Harris
4564:Ray Anderson
4557:
4552:Bill Frisell
4541:
4532:Derek Bailey
4525:
4517:
4503:
4495:George Lewis
4494:
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4414:. Retrieved
4411:The Guardian
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4106:AllMusic.com
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2740:
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2260:
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2198:
2162:
2161:
2158:Compositions
2148:
2137:
2133:(Nine Winds)
2130:
2123:
2116:
2109:
2098:
2087:
2078:
2071:
2065:Berlin Tango
2064:
2055:
2044:
2037:
2030:
2015:
2006:
2000:Warner Bros.
1993:
1980:
1967:
1958:
1945:
1936:
1929:
1922:
1909:
1902:
1901:
1895:
1888:
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1871:
1870:
1862:
1853:
1846:David Murray
1843:
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1449:Spihumonesty
1447:
1437:
1436:
1433:
1422:
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1400:
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1374:
1367:
1356:Sonic Rivers
1354:
1343:
1332:
1321:
1304:
1293:
1282:
1279:Miya Masaoka
1267:
1250:
1245:, G. Lewis,
1229:
1216:
1203:
1196:
1185:
1172:
1159:
1148:
1141:Dave Holland
1137:Derek Bailey
1129:
1112:
1102:
1099:As co-leader
1087:Claire Chase
1077:
1061:Derek Bailey
1047:
1028:
1015:Miya Masaoka
989:
968:
947:
911:
890:
867:
850:Black Saint
843:
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774:
735:
733:
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670:
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657:
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636:
634:
617:
615:
596:
571:
568:Stan Douglas
565:
558:
550:Rhys Chatham
547:
496:Miya Masaoka
460:James Newton
456:J. D. Parran
428:Alfred Harth
420:Derek Bailey
416:David Murray
389:
386:
381:
379:
363:
355:Slam Stewart
312:
288:Steve McCall
269:
261:
240:Ray Anderson
232:
216:
212:
194:
170:
169:
74:Experimental
5008:1952 births
4808:Paul Lansky
4760:Max Mathews
4744:Robert Moog
4614:Live albums
4156:NOW Society
2905:E-misférica
2795:(3): 691–95
2200:Electronics
2140:(New World)
2112:(Black Pot)
2027:Paul Lytton
1995:Big Science
1903:With others
1761:(Sunnyside)
1628:Hemispheres
1622:Gramavision
1260:Vinny Golia
1239:R. Anderson
1199:(Soul Note)
1145:Evan Parker
1007:Jeff Parker
931:Mary Oliver
877:J.D. Parran
827:Adbul Wadud
801:Black Saint
757:Album Title
742:Discography
594:, Germany.
588:documenta 9
584:Kent Carter
572:Hors-champs
554:The Kitchen
448:Han Bennink
432:Evan Parker
408:Count Basie
404:Conny Bauer
284:Kalaparusha
112:Black Saint
4982:Categories
4928:Dave Smith
4824:Don Buchla
4416:2022-04-18
4391:2014-07-26
4363:7 February
4337:10 January
4284:7 February
3955:2022-05-30
3917:2022-04-18
3891:7 February
3886:Musicworks
3728:0920956378
3701:2014-07-26
3677:2014-07-26
3652:2007-10-03
3290:References
2373:Monographs
2103:RCA Victor
1752:Futurities
1740:Prospectus
1731:Steve Lacy
1467:SoundDance
1430:As sideman
1390:Assemblage
1318:J. Léandre
1272:Nine Winds
1247:G. Valente
1092:2016–2020
1082:New Focus
1065:Steve Lacy
1039:2008–2010
960:1995–1997
691:(2015), a
561:Don Ritter
520:Steve Lacy
516:Sam Rivers
276:Pete Cosey
209:Early life
56:1952-07-14
4651:John Zorn
4604:John Zorn
4579:Streaming
4559:Slideride
4548:John Zorn
4536:John Zorn
4228:193098793
4006:26 August
3980:26 August
3190:: 33–39.
3083:194029038
3043:194105202
2950:143489398
2864:194949189
2628:165901758
2150:Tetralogy
2088:RedHanded
2045:Go Where?
2023:Barry Guy
1987:Parachute
1974:Celluloid
1960:Contrasts
1889:Cyberband
1884:(hat Hut)
1789:Sackville
1766:Last Tour
1754:(hat Hut)
1655:Gil Evans
1333:Sour Mash
1306:Streaming
1255:(hat Hut)
1252:Slideride
1243:C. Harris
1190:Soul Note
1147:) –
1143:, Lewis,
925:, Ewart,
917:New World
780:Sackville
763:Personnel
731:in 2022.
668:in 2015.
468:John Zorn
444:Gil Evans
327:Max Roach
153:.columbia
116:Soul Note
104:Sackville
4936:Pamela Z
4720:Les Paul
4385:AllMusic
4331:AllMusic
4310:23 March
4258:23 March
4233:23 March
4187:23 March
4162:23 March
4136:23 March
4111:23 March
4086:23 March
4061:23 March
4032:23 March
3737:35330872
3647:Allmusic
3545:22 March
3519:22 March
3279:23 March
3236:23 March
3217:23 March
3212:57566736
3169:23 March
3132:23 March
3107:23 March
3088:23 March
3048:23 March
3008:23 March
2983:23 March
2955:23 March
2930:Parallax
2915:23 March
2890:23 March
2827:23 March
2799:23 March
2774:23 March
2748:23 March
2729:23 March
2704:23 March
2676:23 March
2657:23 March
2633:23 March
2566:23 March
2545:23 March
2525:23 March
2497:23 March
2153:(Emanem)
2083:(Intakt)
2060:(Intakt)
2047:(Victor)
2016:Factor X
1898:(Tzadik)
1768:(Emanem)
1702:(Intakt)
1618:Episteme
1489:(Arista)
1412:RogueArt
1379:Mikroton
1370:(Tundra)
1359:(Tzadik)
1346:(Iorram)
1326:RogueArt
1052:Carrier
754:Released
541:and the
537:and the
4657:, 1989)
4641:, 1976)
4629:, 1976)
4606:, 2013)
4590:, 2005)
4574:, 1994)
4554:, 1987)
4538:, 1983)
4527:Yankees
4443:at the
3204:1513376
2126:(Spool)
2119:(Victo)
2033:(Incus)
2018:(Moers)
1982:Archery
1941:(Moers)
1925:(Moers)
1891:(Moers)
1813:(Nessa)
1745:Cliches
1366:–
1281:–
1266:–
1249:–
1210:hat Hut
1174:Yankees
1128:–
1033:Tzadik
994:Intakt
891:Voyager
872:Lovely
656:titled
146:Website
39:in 2009
4967:(2020)
4959:(2019)
4946:(2017)
4938:(2016)
4930:(2015)
4922:(2014)
4914:(2013)
4906:(2012)
4898:(2011)
4890:(2010)
4882:(2009)
4874:(2008)
4866:(2007)
4858:(2006)
4850:(2005)
4842:(2004)
4834:(2003)
4826:(2002)
4818:(2001)
4810:(2000)
4802:(1999)
4794:(1998)
4786:(1997)
4778:(1996)
4770:(1995)
4762:(1994)
4754:(1993)
4746:(1991)
4738:(1990)
4730:(1989)
4722:(1988)
4714:(1987)
4649:(with
4637:(with
4625:(with
4598:(with
4582:(with
4570:, and
4562:(with
4546:(with
4530:(with
4522:(1979)
4253:Tzadik
4226:
4131:Tzadik
3865:4 July
3839:4 July
3814:4 July
3788:4 July
3761:4 July
3735:
3725:
3626:4 July
3600:4 July
3574:4 July
3510:
3472:4 July
3437:
3381:4 July
3353:4 July
3322:4 July
3274:779379
3272:
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2626:
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2143:2009:
2138:MEV 40
2050:1986:
2040:(NATO)
1952:Tomato
1894:1995:
1887:1993:
1880:1988:
1861:1982:
1852:1980:
1829:1999:
1816:1979:
1807:1978:
1797:Nonaah
1794:1977:
1781:1976:
1764:2004:
1757:2001:
1750:1985:
1737:1983:
1721:1986:
1715:1986:
1698:2007:
1687:1993:
1670:1993:
1661:1981:
1550:2000:
1541:1999:
1532:1995:
1523:1992:
1514:1991:
1505:1983:
1500:Arista
1492:1977:
1483:1976:
1464:2011:
1455:1980:
1446:1979:
1384:2017:
1337:Innova
1316:2009:
1258:1996:
1237:1994:
1224:1994:
1179:Charly
1149:Fables
1107:1978:
953:Tzadik
592:Kassel
522:, and
368:Career
353:, and
286:, and
246:at an
189:and a
136:Tzadik
108:Charly
100:Labels
70:Genres
4224:S2CID
4052:(PDF)
3782:Herri
3270:JSTOR
3250:(PDF)
3208:S2CID
3200:JSTOR
3079:S2CID
3039:S2CID
2946:S2CID
2860:S2CID
2624:S2CID
2124:WOWOW
2101:(BMG/
2074:(ECM)
1963:(ECM)
1896:Golem
1872:With
1844:With
1824:Moers
1802:Nessa
1773:With
1729:With
1707:With
1679:With
1653:With
1609:With
1475:With
1438:With
1298:Incus
1153:Incus
1119:Moers
1074:2021
1069:1984
1044:2020
1025:2011
1020:2004
986:2006
981:1999
974:Spool
965:2001
944:2000
939:1993
908:1993
903:1993
896:Avant
887:1993
882:1977
864:1981
859:1979
840:1979
835:1977
792:1978
787:1976
771:1976
766:Rec.
760:Label
630:IRCAM
157:/bios
151:music
132:Incus
120:Avant
4653:and
4602:and
4586:and
4550:and
4534:and
4365:2023
4339:2017
4312:2023
4286:2023
4260:2023
4235:2023
4189:2023
4164:2023
4138:2023
4113:2023
4088:2023
4081:DRAM
4063:2023
4034:2023
4008:2021
3982:2021
3893:2023
3867:2021
3841:2021
3834:NIME
3816:2021
3790:2021
3763:2021
3733:OCLC
3723:ISBN
3628:2021
3602:2021
3576:2021
3547:2023
3521:2023
3508:ISBN
3474:2021
3435:ISBN
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3355:2021
3324:2021
3281:2023
3238:2023
3219:2023
3171:2023
3158:ISBN
3134:2023
3109:2023
3090:2023
3050:2023
3010:2023
2985:2023
2972:ISBN
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2917:2023
2892:2023
2879:ISBN
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2816:ISBN
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2776:2023
2750:2023
2731:2023
2706:2023
2693:ISBN
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2659:2023
2635:2023
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2527:2023
2514:ISBN
2499:2023
2486:ISBN
2457:ISBN
2436:ISBN
2415:ISBN
2387:ISBN
1916:Muse
1864:Home
1855:Ming
654:AACM
530:and
248:AACM
179:AACM
155:.edu
50:Born
4458:CEC
4216:doi
3500:doi
3262:doi
3192:doi
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3031:doi
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