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Geneviève-Aimé-Zoë Prévost

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20: 82:, and others. Considered one of the major stars of the lyric stage of her day, Prévost was esteemed for her unaffected stage presence, her charm of person and manner, her skills as a comic actress, and her excellent singing technique. She created the leading soprano roles in two opéras comiques still performed today, Zerlina in " 70:, Paris, in 1821. The Opéra-Comique at that time presented operas light in tone and with spoken dialogue between the musical numbers. She created leading roles in many opéras comiques including the title role in " 90:" by Adam in 1836, the most successful works of those two composers. In the latter work, as in others, she appeared opposite her husband, leading tenor 210: 62:
Geneviève-Aimé-Zoë Prévost, also known as Zoé Prévost, had a younger brother, Eugene, who was a composer and conductor. Zoé studied singing at the
200: 71: 168: 205: 94:, by whom she had one daughter, Caroline, who also achieved success as a singer under the stage name 87: 47: 91: 195: 190: 115: 95: 19: 8: 83: 63: 39: 75: 164: 98:. Geneviève-Aimé-Zoë Prévost also appeared in other French and Belgian opera houses. 67: 35: 79: 184: 51: 43: 30:(15 April 1802, Paris – 10 April 1861, Paris) was a French operatic 31: 74:", a collaborative work between nine composers, and in works by 34:. She created leading roles in some of the most notable French 38:
of the first half of the nineteenth century, including "
161:
Music, Theater, and Cultural Transfer: Paris, 1830–1914
182: 139: 137: 18: 211:19th-century French women opera singers 183: 158: 143: 134: 86:" by Auber in 1830 and Madeleine in " 13: 122:. Bibliothèque nationale de France 14: 222: 163:. University of Chicago Press. 152: 108: 1: 201:Conservatoire de Paris alumni 116:"Geneviève-Aimée-Zoë Prévost" 23:Zoé Prévost by Henri Grevedon 7: 72:La marquise de Brinvilliers 10: 227: 66:and made her debut at the 28:Geneviève-Aimé-Zoë Prévost 159:Fauser, Annegret (2009). 88:Le postillon de Lonjumeau 57: 48:Le postillon de Lonjumeau 206:French operatic sopranos 148:. London: John Mitchell. 144:Hervey, Charles (1847). 101: 16:French operatic soprano 24: 146:The Theatres of Paris 92:Jean-Baptiste Chollet 22: 96:Mademoiselle Monrose 64:Paris Conservatoire 25: 218: 175: 174: 156: 150: 149: 141: 132: 131: 129: 127: 112: 76:Fromental Halévy 226: 225: 221: 220: 219: 217: 216: 215: 181: 180: 179: 178: 171: 157: 153: 142: 135: 125: 123: 114: 113: 109: 104: 80:Ambroise Thomas 60: 36:opéras comiques 17: 12: 11: 5: 224: 214: 213: 208: 203: 198: 193: 177: 176: 170:978-0226239262 169: 151: 133: 106: 105: 103: 100: 59: 56: 15: 9: 6: 4: 3: 2: 223: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 188: 186: 172: 166: 162: 155: 147: 140: 138: 121: 117: 111: 107: 99: 97: 93: 89: 85: 81: 77: 73: 69: 68:Opéra-Comique 65: 55: 53: 49: 45: 41: 37: 33: 29: 21: 160: 154: 145: 124:. Retrieved 119: 110: 61: 52:Adolphe Adam 44:Daniel Auber 27: 26: 196:1861 deaths 191:1802 births 126:22 December 120:data.bnf.fr 84:Fra Diavolo 40:Fra Diavolo 185:Categories 32:soprano 167:  58:Career 102:Notes 50:" by 46:and " 42:" by 165:ISBN 128:2016 187:: 136:^ 118:. 78:, 54:. 173:. 130:.

Index


soprano
opéras comiques
Fra Diavolo
Daniel Auber
Le postillon de Lonjumeau
Adolphe Adam
Paris Conservatoire
Opéra-Comique
La marquise de Brinvilliers
Fromental Halévy
Ambroise Thomas
Fra Diavolo
Le postillon de Lonjumeau
Jean-Baptiste Chollet
Mademoiselle Monrose
"Geneviève-Aimée-Zoë Prévost"


ISBN
978-0226239262
Categories
1802 births
1861 deaths
Conservatoire de Paris alumni
French operatic sopranos
19th-century French women opera singers

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