275:, Bourke wrote that it is not "flashy fantasy" – it has a "folkloric, mythic quality", and the fantasy elements have a "deftly understated flair". She described the book's characterization as "admirably adroit" that emphasizes "character and community" and "grief and guilt and consequences". Bourke felt that while
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At a storytelling festival, Janet tells a story of Kera Rogers, a Tufa youngster who is killed in the woods by a huge wild boar. Members of the Tufa community, including Duncan Gowen, Kera's boyfriend, and Duncan's friend, Adam
Procure, search the woods for the beast. Duncan discovers that Adam is
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as "gruesome", "psychologically intense" and "the darkest and most disturbing TUFA story yet". She added that
Bledsoe's use of music in the novel is more pronounced here than in the previous Tufa books as it adds to the story's "fear and dread". Hooper found several of the new characters
245:
also Kera's boyfriend, and finds he not only wants to avenge Kera's death, but also her betrayal. When Adam goes missing, it is unclear whether the boar took him, or Duncan. As the search continues, the beast starts to take on supernatural proportions.
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interesting, particularly the way
Bledsoe explains its purpose in the last chapter. de Lint said that as with the previous Tufa books in the series, this novel is full of "eautiful prose, hillbilly faerie ... and a sense of wonder that never quits".
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described the book as a "beautiful ... atmospheric tale". It stated that
Bledsoe continues to "adeptly blend fairy tales and folklore" and delves deeper into the Tufa's origins as exiled fairies. The reviewer's only complaint was the
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Bledsoe has emphasized the importance of songs to the Tufa, saying that they "manifest their faerie magic via music, and use its power to influence the world at large". The song lyrics used in
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generally received positive reviews from critics. The book's name was taken from the title of a song by South
Carolina singer-songwriter Jennifer Goree that was released on her 1996
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band the Lucky Nows. The song the pair wrote was "Against the Black", which
Bledsoe used in the book. It was later released as the lead song on the band's debut album,
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where the book's narrative is largely being told by a storyteller. They felt that while it was "solidly executed, draws away some of the tension."
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and were found in the area when the first
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does not "reach the emotional heights or graceful prose" of
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367:"Tufa tunes: Author Alex Bledsoe uses music to make a mood"
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an "elegantly constructed murder ballad". In a review in
171:, first published in the United States in March 2017 by
587:"The Lucky Nows celebrate their debut album at The Ark"
781:(1/2). Hoboken, New Jersey: Spilogale, Inc.: 70–72.
690:(673). Oakland, California: Locus Publications: 18.
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were sourced from traditional ballads, for example "
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486:Teitelbaum, Ilana (March 26, 2017).
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767:(January–February 2018). "Review:
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320:giant killer hog reminded him of
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864:On Themes and the Tufa, Part 1
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1:
641:Hooper, Kat (April 6, 2017).
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518:Burns, Jane (June 1, 2017).
445:"Alex Bledsoe: Fantasy Noir"
365:Burns, Jane (June 7, 2015).
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404:Fitz (September 24, 2011).
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591:Ann Arbor District Library
415:Seattle Post-Intelligencer
220:At one point when writing
16:2017 novel by Alex Bledsoe
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520:"Folk-inspired fantasy"
372:Wisconsin State Journal
257:, Kat Hooper described
215:The Dead Brother's Song
923:The Hum and the Shiver
647:: A TUFA horror story"
408:The Hum and the Shiver
282:The Hum and the Shiver
849:title listing at the
336:intensity". He found
1010:2017 American novels
995:Novels about fairies
990:Urban fantasy novels
733:. January 30, 2017.
555:. September 11, 1996
301:story within a story
980:2017 fantasy novels
860:at FantasticFiction
33:First edition cover
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872:at AlexBledsoe.com
866:at AlexBledsoe.com
771:by Alex Bledsoe".
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651:Fantasy Literature
453:. September 2011.
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249:Critical reception
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349:References
179:valley in
90:March 2017
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429:March 11,
424:0745-970X
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333:Moby-Dick
230:Americana
195:eponymous
173:Tor Books
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656:April 8,
531:March 8,
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327:The Boar
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