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537:, the additional pair doubling an octave higher. An instrument spans two octaves with a pentatonic (five-tone) scale. Each pair consists of a male and female instrument, the female being slightly larger and slightly lower in pitch. Mallets are slender and radially symmetrical with wooden disc heads and conical bead-like horn rattles. Their shape allows players to fit mallets between the second and third fingers of loosely open hands and strike and dampen keys simultaneously with minute, rotating motions of the forearms. Because of this technique, the relative exposure of two instrumental parts, and the execution of syncopated, dynamic compositions in precise synchronicity,
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608:(waver); due to our logarithmically scaled sense of hearing, the lowest notes need to be paired further apart in absolute pitches than the highest to achieve the same, ideal rate of “shimmer” at unison. Further, octave intervals are stretched to be slightly more than double the hertz to achieve a similar “shimmer” at octaves.
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are only approximately standardized in relative pitch, though instruments of each group are precisely tuned with masterful pitch pairing and register stretching. Absolute pitch varies according to the bronzesmith's preference. As a result, individual instruments are rarely exchangeable with those
489:(shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. Like other gamelan genres, it incorporates delicate
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instruments are each constructed from a wood frame and ten rectangular, bronze keys suspended by string and composite hide and wood bridges over upright, tuned bamboo resonators. A complete set has two pairs of
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509:, one of the most ancient musical ensembles existing in Bali, accompanies shadow theatre as well as tooth filings, cremations, and other religious ceremonies." He describes repertoire from
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The ensemble is ubiquitous in Bali, however, due to its ritual importance, and distinct regional styles feature divergent repertoire.
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from any group other than its original. One instrument in the each pitch register,
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Gamelan gender Wayang ensemble accompanying
Balinese Wayang puppetry
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movement, yet poses unique challenges in technique and composition.
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pentatonic tuning, approximately C D E G A on the
Western scale.
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is considered one of the most complex genres of
Balinese music.
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Loceng, I Wayan. Southworth, Christine; Ziporyn, Evan (eds.).
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604:(sucker), are tuned a hair higher than their mates,
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31:Gamelan gender wayang music ensemble with players
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696:. Translated by Maria Bodmann. Archived from
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16:Indonesian traditional musical instruments
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61:(gong ageng, gong suwukan, kempul) of
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586:Problems playing this file? See
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723:Balinese Gender Wayang Sukawati
1038:List of U.S. gamelan ensembles
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501:Religious and cultural context
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595:Like other Balinese gamelan,
505:I Wayan Loceng reports that "
1353:Gamelan ensembles and genres
733:Complete sample music Munduk
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937:Joged bumbung gamelan
912:Gender wayang gamelan
563:Gamelan gender Wayang
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539:gamelan gender wayang
491:interlocking melodies
483:. It is required for
468:Gamelan gender wayang
20:Gamelan gender wayang
1033:Gamelan Son of Lion
922:Gong kebyar gamelan
832:Gendhing structures
728:Sample music Munduk
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1028:Gamelan Sekar Jaya
993:K. P. H. Notoprojo
977:Surakartan gamelan
892:Beleganjur gamelan
887:Bebonangan gamelan
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75:Music of Indonesia
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917:Gong gede gamelan
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1273:Kendang ketipung
1133:Bonang panembung
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952:Salendro gamelan
947:Munggang gamelan
882:Angklung gamelan
877:American gamelan
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700:on 23 April 2008
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1023:Evan Ziporyn
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868:Genres &
702:. Retrieved
698:the original
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636:Music portal
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134:Langgam jawa
1186:elaborating
1052:Instruments
668:Gong kebyar
524:Instruments
517:tradition.
493:and active
403:Minangkabau
230:Gong kebyar
139:Celempungan
1342:Categories
1289:Vocals and
1076:Gong ageng
998:Nartosabdo
704:1 November
606:pengumbang
588:media help
325:Tarawangsa
190:Beleganjur
124:Campursari
1318:Senggakan
1236:Unpitched
1220:Celempung
1182:Panerusan
1111:or melody
1060:Colotomic
986:Musicians
870:ensembles
673:Gong gede
481:Indonesia
393:Sundanese
320:Talempong
295:Surakarta
285:Selunding
265:Kulintang
260:Kolintang
250:Karinding
225:Gong gede
159:Pop Sunda
154:Jaipongan
89:Classical
67:Indonesia
41:Indonesia
37:Developed
1308:Pesinden
1303:Sindenan
1298:Gerongan
1291:clapping
1108:Balungan
1088:Kempyang
1013:Sumarsam
827:Colotomy
622:See also
602:pengisup
511:Sukawati
428:Acehnese
423:Buginese
418:Ambonese
383:Sulawesi
280:Salendro
270:Kuriding
185:Angklung
149:Tanjidor
129:Kroncong
109:Pop Indo
1258:Kendang
1253:Kemanak
1193:Gambang
1172:Slentho
1167:Slentem
817:kotekan
808:Sekaran
798:Cengkok
788:Slendro
769:Gamelan
658:Gamelan
616:slendro
614:are in
473:gamelan
388:Sumatra
310:Saluang
255:Kendang
215:Gambang
210:Gamelan
119:Dangdut
114:Hip hop
63:Gamelan
1323:Keplok
1280:Kepyak
1227:Suling
1198:Gender
1118:Bonang
1093:Kenong
1083:Kempul
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793:Pathet
776:Theory
545:Tuning
535:gender
486:wayang
413:Dayaks
408:Bataks
363:Borneo
315:Suling
245:Melayu
205:Degung
200:Gambus
195:Calung
81:Genres
1248:Kecer
1243:Bedug
1215:Siter
1210:Rebab
1140:Saron
1098:Ketuk
839:Irama
822:Gatra
813:Imbal
803:Seleh
783:Pelog
679:Notes
663:Jegog
398:Malay
378:Papua
235:Jegog
104:Kecak
59:Gongs
1313:Alok
1071:Gong
706:2011
477:Bali
368:Java
358:Bali
164:Rock
65:in
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