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Future Science Fiction and Science Fiction Stories

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1551:, a literary agent who was a friend of his; this gave him access to stories by the writers Schwartz represented, but Schwartz would not allow his authors' real names to be used unless they were paid at least one cent per word. Hornig could not afford to pay the one cent rate for everything he bought, so he paid half a cent a word for much of what he acquired through Schwartz, and ran those stories under pseudonyms. Unsurprisingly, given the low rates, the stories sent to Hornig had usually already been rejected by the better-paying markets. The result was mediocre fiction, even from the better-known writers that Hornig was able to attract. The magazines paid on publication, rather than acceptance, and this slower payment also discouraged some authors from submitting material. 1507: 1755: 1656:. Lowndes knew many successful writers in the field, and was able to call on them for stories, but the expanding sf magazine market of the mid-1950s meant that the best material was spread thinly. To attract readers, Lowndes established a friendly and personal style for the magazine, with letter columns and departments aimed at science fiction fans. Blish, writing as William Atheling, Jr., commented in 1953 that Lowndes was doing a "surprisingly good job" with 22: 3190: 2133:; this ran from October 1957 to May 1960, for 12 undated issues, in digest format, 128 pages, priced at 2/-. The first 11 of these reprints were cut versions of the U.S. originals, corresponding to 11 of the U.S. issues between September 1957 and May 1959β€”the omitted issues were January, March, and September 1958. The final issue was the U.S. issue for May 1960, overprinted with the British price. 589:
presently out, but particularly with Hornig's". Lowndes relates that Silberkleit took the bait and hired him in November 1940; Hornig recalls the separation as being by mutual consent because of his move to California. Lowndes subsequently agreed that this was likely to be the real reason Silberkleit replaced Hornig. The first issues Lowndes was responsible for were the Spring 1941 issue of
643:, but before sales figures could be tallied to determine the impact of the title change, Silberkleit made the decision to cease publication. The June 1943 issue was the last for some years: Silberkleit was forced to cut some of his titles because of wartime paper shortages, and he decided to retain his western and detective magazines instead. 307:
select what he wanted to publish; he reported to Silberkleit's chief editor, Abner J. Sundell, but Sundell knew little about sf and did not get involved with running the magazine. The first issue was dated March 1939. The schedule was intended to be bimonthly, but it began to slip immediately, with the second issue dated June 1939.
1733:, commented "I don't believe I have ever read a more successful attempt to imagine an utterly alien way of thought." Lowndes did what he could to provide interesting non-fiction departments: a book review column was started in the early 1950s, and the end of the decade saw a series of science articles written by 2104:
ran for 6 pulp-sized issues of 64 pages from October 1941 to June 1942, priced at 25 cents; it was intended to be monthly but there were no issues in December 1941, or in April or May 1942. The publisher was Superior Magazines of Toronto for the first two issues, and Duchess Printing of Toronto for
588:
to write to Silberkleit. Lowndes later recalled Wollheim's idea: "In the letter, I'd suggest that it might be a good idea to add a science fiction title to the list, offering my services as editor at a slightly lower price than Hornig was being paid, and also find fault with all the other sf titles
306:
for Gernsback from 1933 to 1936. Silberkleit took the recommendation and Hornig was hired in October 1938. Hornig had no office; he worked from home, coming into the office as needed to drop off manuscripts and dummy materials, and pick up typeset materials to proof. He was given broad freedom to
86:
The fiction was generally unremarkable, with few memorable stories being published, particularly in the earlier versions of the magazines. Lowndes spent much effort to set a friendly and engaging tone in both magazines, with letter columns and reader departments that interested fans. He was more
1802:
raised its price to 20 cents for the July 1943 issue, the last of its first run, but dropped to 15 cents again when it was relaunched in 1950. With the November 1950 issue the price went back to 20 cents, and it rose to 25 cents with the January 1953 issue and 35 cents in June 1954. When
2125:(7.5p). In 1957 Strato Publications reprinted another 11 issues, again undated, from November 1957 to February 1960, corresponding to the U.S. issues from Summer 1957 to August 1959, skipping the February 1958 issue. These were in digest format, and were 128 pages; they were priced at 1745:
in the January 1960 issue, shortly before the magazine was closed down. The budget for both magazines, never very great, shrank even further towards the end, so that Lowndes had to fill space with reprints and re-use old illustrations to avoid paying for new stories and artwork.
1607:
was relaunched in early 1950, the sf magazine field was not particularly crowded, and Lowndes was able to attract moderately good stories from writers who were either well-known or on their way up in the field. The first issue included stories by
572:, and decided to move to California and register as a conscientious objector. He continued to edit the magazines from the west coast, but Silberkleit was unhappy with the arrangement. Silberkleit allowed Hornig to retain his post as editor of 1128:. Another issue with the same format and title followed in the spring of 1954, also unnumbered. Silberkleit decided that the digest format was partly responsible for the good sales of these experimental issues, so he changed the format of 2105:
the remaining four. A different editor, William Brown-Forbes, was listed, but the fiction was all reprinted from Silberkleit's U.S. magazines. The artwork was new, however, with covers by John Hilkert and Edwin Shaw, among others.
1530:
showed the continuing influence of Hugo Gernsback in the American science fiction magazine field: in addition to an editor who had worked for him, the magazine featured a guest editorial by Gernsback, and the cover was painted by
1480:
No. 28. To this I reply that you may have it either way, or in this instance, both ways! Really, I don't see why science fictionists, who can absorb alternate time tracks etc. with the utmost aplomb, should be
2112:
were reprinted in the UK by Atlas Publications; these were abridged versions of the October and December 1939 issues. They were 96 pages, in pulp format. There were no British reprints of the first series of
1485:
In 1960 Silberkleit's distributor stopped carrying his magazines, and both titles ceased publication, with no notice given in their final issues that this was the end. The last issues were the April 1960
2121:
reprinted 14 numbered and undated issues from November 1951 to June 1954, corresponding roughly to the U.S. issues from March 1951 to March 1954. They were 96 pages in pulp format, and were priced at
613:, to which Lowndes belonged. Initially Silberkleit kept tighter control on Lowndes' editorial selections than he had on Hornig's, vetoing five of the seven stories Lowndes proposed for the April 1941 3760: 2065:
Louis Silberkleit was the publisher of both magazines throughout their existence, but he changed the imprint he used for them twice. Both were initially published by Blue Ribbon Magazines,
87:
successful than Hornig in obtaining good stories, partly because he had good relationships with several well-known and emerging writers. Among the better-known stories he published were "
83:. Silberkleit kept both magazines on very slim budgets throughout the 1950s. In 1960 both titles ceased publication when their distributor suddenly dropped all of Silberkleit's titles. 3194: 288:, became a publisher in his own right in 1934 when he founded the Winford Publishing Company. Towards the end of the 1930s Silberkleit decided to launch an sf pulp magazine under his 3227: 635:
was dated September 1941, and the first merged issue was dated October 1941. The final two issues of the combined magazine, dated April and June 1943, were, confusingly, titled
1596:, all of whom had been more active some years earlier, and Ashley suggests that Hornig may have obtained some of the many stories that Palmer threw out when he became editor of 617:, but by the August 1941 issue, Lowndes later recalled, Silberkleit "was satisfied that I knew what I was doing, and ... didn't need to oversee any story I had accepted". 2311:
Lowndes later regretted his partisanship, commenting that he should "have just made a few corrections in Taurasi's somewhat sloppy writing and run the sheet he prepared".
3785: 3724: 3496: 1580:, but Ashley points out that the authors Hornig relied on, concealed behind pseudonyms, were generally the same authors that were selling to Palmer. The first issue of 1460:, but it led to additional confusion, with some readers believing that this was an entirely new magazine. Lowndes addressed the confusion in the letter column of 546:
To spread his costs over more magazines, Silberkleit soon decided to launch two additional titles. When he had worked for Gernsback, Silberkleit had suggested "
270:
Although science fiction (sf) had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of
601:, dated September 1941, but he used material that Hornig had already selected for the magazine, with minor exceptions. The changes included the replacement of 2145: 1562:, encouraging Hornig to publish sophisticated stories; in response, Hornig wrote "I'm trying to give the magazine an appeal to mature minds", but sf historian 1498:
title from Silberkleit and produced three semi-professional issues in 1961, 1962, and 1963, but the venture was not successful enough for Taurasi to continue.
71:, the publisher, decided to focus his resources on his mystery and western magazine titles. In 1950, with the market improving again, Silberkleit relaunched 3220: 1652:
described as "the funniest story ever written". He also bought work by some of the women writers active in the 1950s, including several early stories by
3755: 3729: 1589: 1156:, Silberkleit switched to an issue number format, with no volume. The first issue was numbered 28, counting forward from the May/June 1950 issue as 1. 1112:; this allowed Silberkleit to keep the rights to both the titles. The first issue was dated May/June 1950. In January 1952 the title changed to just 3750: 2272: 1445:
began with three undated issues, then switched to a quarterly schedule in 1956, and finally to a regular bimonthly schedule from the start of 1958.
3213: 1636:. Some of the better-known stories Lowndes published in the early 1950s were "And There Was Light" by del Rey, "If I Forget Thee, Oh Earth" by 1519: 1585: 1132:
from pulp to digest. The first issue in the new format was dated January 1955, and in response to reader feedback the title was changed to
3079:
Edwards, Malcolm; Parnell, Frank; Nicholls, Peter (1993). "The Original Science Fiction Stories". In Clute, John; Nicholls, Peter (eds.).
1144:, the earlier magazine. Complicating matters, Silberkleit decided later in 1955 that the market could support both titles, so he revived 3765: 3580: 3335: 554:" instead, and Silberkleit now decided to use his original suggestion for one of the new magazines. In November 1939 the first issue of 59:
took over in late 1941 and remained editor until the end. The initial launch of the magazines came as part of a boom in science fiction
51:
magazines that were published under various names between 1939 and 1943 and again from 1950 to 1960. Both publications were edited by
3770: 3412: 1441:
was bimonthly throughout, except for a brief period from mid-1958 to early 1959 when it patchily adhered to a monthly schedule.
3775: 3679: 3663: 3151:
Moskowitz, Sam (March 1990). "Canada's Pioneer Science-Fantasy Magazine (La première revue canadienne de science fantaisie)".
2302:
Ashley says that Moskowitz declined "because of his friendship with Hornig", but Davin says that the two men were not friends.
3608: 3650: 3461: 3141: 3113: 3090: 3069: 3048: 3018: 2971: 2948: 2925: 2906: 2883: 2860: 565: 3286: 3300: 3236: 3790: 3594: 1807:
reappeared in 1953, it was priced at 35 cents, and stayed at that price throughout the remainder of its run.
3538: 3503: 1715:
towards the end of the decade, including "Vulcan's Hammer", an early novella version of Philip K. Dick's
3657: 3615: 3587: 3377: 2086: 1725: 96: 550:" as a possible title for the magazine Gernsback was planning to launch. Gernsback eventually chose " 3531: 3482: 3440: 3398: 3307: 3279: 1566:
comments that "this never became evident". Hornig's comment was probably intended as a criticism of
560: 3433: 3240: 48: 3058:
Edwards, Malcolm; Nicholls, Peter (1993). "SF magazines". In Clute, John; Nicholls, Peter (eds.).
1456:. This was intended to make it clear that the magazine was a continuation of the 1939 version of 3780: 3643: 3426: 3405: 3370: 3363: 3349: 3321: 3153: 2078: 1817:
was 112 pages when it was launched in November of that year, and shortly afterwards, March 1940,
1641: 88: 2279:
in 1970, published by Mayflower Books, which contains six stories from the August 1942 issue of
1667:
in 1953 and 1954 were competent but unremarkable, with stories by some popular writers, such as
3447: 3272: 2066: 63:
publishing at the end of the 1930s. In 1941 the two magazines were combined into one, titled
3601: 3566: 3468: 3454: 3342: 3205: 2918:
The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
2082: 1116:. Payment rates at that time were one to three cents per word. In the summer of 1953, with 564:. Hornig was editor for all three magazines. In October 1940, Hornig received his military 289: 3693: 3524: 3384: 1798:
followed suit in late 1955 with issue 28. Both titles were initially priced at 15 cents.
1779: 1576: 1563: 8: 3707: 3293: 1836:
was relaunched, still as a pulp, in 1950, the page count had dropped again, to 96. Both
3672: 3545: 3475: 3162: 2937: 2118: 1716: 1633: 1723:'s "Worlds Without End"; and Judith Merril's "Homecalling", reprinted in the 1960s in 3573: 3137: 3109: 3102: 3086: 3080: 3065: 3059: 3044: 3038: 3014: 3008: 2995: 2967: 2944: 2921: 2902: 2879: 2856: 1730: 1720: 1708: 1567: 1506: 585: 285: 68: 56: 2325: 1754: 580:. Moskowitz declined, saying afterwards "I would never strike at a man's job", but 3622: 3489: 3391: 3328: 1653: 1637: 100: 3636: 3314: 3265: 1737:, and critical articles on science fiction history, written by Lowndes himself. 1617: 1593: 1548: 581: 284:. By the end of the 1930s the field was booming. One of Gernsback's employees, 272: 1437:
were able to maintain a fairly regular schedule through the rest of the 1950s.
3700: 3552: 3510: 1676: 1613: 302: 297: 281: 52: 1855:
The sequence of title changes for the two magazines is summarized below. For
534:(yellow, April 1941 – July 1943). Note that the last two issues were actually 3744: 3559: 3243: 2999: 2939:
Transformations: The Story of the Science-Fiction Magazines from 1950 to 1970
2323:
See the individual issues. For convenience, an online index is available at
2149: 1738: 1668: 1629: 1625: 1532: 577: 277: 60: 30: 21: 2152:, with contents drawn solely from Silberkleit's magazines. These included: 1152:
was using the volume numbering from the previous pulp-format incarnation of
1094:
issue was titled as a quarterly (e.g. "Fall 1957") rather than as a monthly.
3356: 1770:
Charles Hornig was the editor of all 12 issues of the first incarnation of
1734: 1672: 1649: 1645: 1621: 1555: 92: 3686: 3258: 1691:
tended to publish the better stories of the two. During the period when
1609: 1121: 1096:
Note that issues 28, 29, and 30 were not dated on the masthead; the dates
1472:
October 1954 Volume 5 Number 3 should be followed by Volume 5 Number 4 (
532:
and indicating editors: Hornig (blue, 1939 – November 1940), and Lowndes
3166: 1700: 1092:
numbers. Lowndes was editor throughout. Underlining indicates that an
3010:
Pioneers of Wonder: Conversations with the Founders of Science Fiction
1852:
switched to 144 pages for nine issues, from January 1956 to May 1957.
3629: 1558:, who was a friend of Hornig's, was published in the second issue of 623:
was not selling well, and later that year Silberkleit merged it with
610: 3040:
The World of Science Fiction: 1926–1976: The History of a Subculture
300:
to Silberkleit for the post of editor; Hornig had previously edited
569: 67:, but in 1943 wartime paper shortages ended the magazine's run, as 1920:", though some reference books index the magazine under "O". For 1707:. It also published "Genius Loci", described by Ashley as one of 2148:
edited several anthologies for Silberkleit's publishing imprint,
1711:'s best short stories. Some well-received stories did appear in 1514:, usually indexed under that title although this issue is titled 1140:
volume numbering, despite the fact that the title was taken from
75:, still in the pulp format. In the mid-1950s he also relaunched 3761:
Defunct science fiction magazines published in the United States
3189: 1695:
was monthly, it carried serialized novels, including de Camp's
3235: 2853:
The History of the Science Fiction Magazine: Vol. 2: 1936–1945
2129:(10p). Strato Publications also produced a reprint series of 2126: 2122: 1782:
was the editor of all subsequent issues of both titles. Both
2136:
There are no anthologies of stories drawn solely from either
639:
this was an attempt to improve sales by reminding readers of
3030:
Science-Fiction Handbook: The Writing of Imaginative Fiction
2990:
Boston, John; Broderick, Damien (2012). "Strange Highways".
3725:
History of US science fiction and fantasy magazines to 1950
1763: 1539:'s covers for the first series were painted by Paul. Both 1423:
issues from 1953 and 1954. Lowndes was editor throughout.
2326:"Future/Future Combined with Science Fiction – Issue Grid" 1547:
began life with very limited budgets. Hornig worked with
2089:
and Holyoke, Massachusetts, with the March 1941 issue of
1660:, despite the low rates and the slow payment to authors. 2897:(Canadian)". In Tymn, Marshall B.; Ashley, Mike (eds.). 1844:
were 128 pages long when they changed to digest format;
1790:
began as pulp magazines; the 1953 experimental issue of
1136:. The volume numbering was continued from the existing 576:, and offered the editorship of the other two titles to 609:, a similar department from a rival group of fans, the 597:. He completed the preparations for the last issue of 2319: 2317: 1620:; other authors featured in the early issues included 1535:, a stalwart of the Gernsback daysβ€”in fact, all 12 of 3104:
In Search of Wonder: Essays on Modern Science Fiction
2964:
Science Fiction, Fantasy, and Weird Fiction Magazines
2899:
Science Fiction, Fantasy, and Weird Fiction Magazines
2876:
Science Fiction, Fantasy, and Weird Fiction Magazines
1124:
magazine with no number and no date, under the title
3108:(2nd (1967) ed.). Chicago: Advent: Publishers. 1916:" for much of the second run, the title was always " 1448:
With the September 1955 issue, the title graphic of
3730:
George Kelley Paperback and Pulp Fiction Collection
2314: 3786:Science fiction magazines established in the 1930s 3101: 2966:. Westport CT: Greenwood Press. pp. 511–519. 2936: 2901:. Westport CT: Greenwood Press. pp. 519–520. 2878:. Westport CT: Greenwood Press. pp. 277–284. 2355:Edwards & Nicholls (1993), pp. 1066–1068. 1794:saw a change to digest format for that title, and 1120:still in pulp format, Silberkleit issued a single 3742: 2701:Edwards, Parnell, & Nicholls (1993), p. 894. 2473: 2471: 2283:, plus one story from the Winter 1942 issue of 530:from 1939 to 1943, showing volume/issue number, 262:from 1939 to 1941, showing volume/issue number. 2962:". In Tymn, Marshall B.; Ashley, Mike (eds.). 2874:". In Tymn, Marshall B.; Ashley, Mike (eds.). 1821:dropped to 116 pages. The combined magazine, 3221: 2468: 16:Two related US pulp science fiction magazines 2958:Ashley, Mike; Thompson, Raymond H. (1985). " 2494: 2492: 2081:, with offices in Chicago. This changed to 1110:Future Combined with Science Fiction Stories 318:Future Fiction combined with Science Fiction 65:Future Fiction combined with Science Fiction 3756:1960 disestablishments in the United States 2506: 2504: 2461: 2459: 2457: 2455: 3228: 3214: 3176:A Complete History of American Comic Books 2710:Ashley & Thompson (1985), pp. 517–518. 2405:Ashley & Thompson (1985), pp. 518–519. 605:, a fan department by James Taurasi, with 558:appeared; it was followed in July 1940 by 2943:. Liverpool: Liverpool University Press. 2920:. Liverpool: Liverpool University Press. 2489: 2401: 2399: 2397: 2069:. Starting with the March 1940 issue of 1501: 3751:1939 establishments in the United States 2541: 2539: 2501: 2452: 2395: 2393: 2391: 2389: 2387: 2385: 2383: 2381: 2379: 2377: 1753: 1749: 1505: 1494:. James Taurasi acquired rights to the 20: 3413:Flash Gordon Strange Adventure Magazine 1090:from 1950 to 1960, showing volume/issue 646: 29:, dated March 1939. The artwork is by 3743: 3680:Vargo Statten Science Fiction Magazine 3134:A Pictorial History of Science Fiction 2811:Boston & Broderick (2012), p. 296. 2688: 2686: 2684: 2682: 2680: 2661: 2659: 1687:was relegated to the junior role, and 264:Charles Hornig was editor throughout. 3209: 3085:. New York: St. Martin's Press, Inc. 3064:. New York: St. Martin's Press, Inc. 2789: 2787: 2768: 2766: 2764: 2736: 2734: 2665:Ashley & Thompson (1985), p. 517. 2653:Ashley & Thompson (1985), p. 515. 2635:Ashley & Thompson (1985), p. 514. 2622: 2620: 2618: 2599: 2597: 2595: 2593: 2591: 2589: 2587: 2568: 2566: 2564: 2562: 2560: 2536: 2529: 2527: 2525: 2374: 2371:Ashley & Thompson (1985), p. 512. 629:Future Combined with Science Fiction. 106: 3651:Two Complete Science-Adventure Books 2436: 2434: 2432: 2422: 2420: 2367: 2365: 2363: 2361: 1914:The Original Science Fiction Stories 1823:Future Combined with Science Fiction 1454:The Original Science Fiction Stories 1452:was modified so that the cover read 1421:, not including the two experimental 3462:Miracle Science and Fantasy Stories 3136:. London: Hamlyn Publishing Group. 3082:The Encyclopedia of Science Fiction 3061:The Encyclopedia of Science Fiction 2677: 2656: 1912:Note that although the cover read " 1813:began in March 1939 at 132 pages. 13: 3766:Defunct English-language magazines 2855:. Chicago: Henry Regnery Company. 2784: 2761: 2731: 2615: 2584: 2557: 2522: 2077:, the magazines were published by 1987:Future Fantasy and Science Fiction 1774:, and of the first five issues of 1104:In 1950, Silberkleit brought back 14: 3802: 3183: 2429: 2417: 2358: 1758:Cover of the March 1957 issue of 1510:Cover of the April 1943 issue of 3771:Magazines disestablished in 1960 3357:Dusty Ayres and His Battle Birds 3188: 3013:. Amherst NY: Prometheus Books. 2981:Atheling, Jr., William (1967) . 584:heard of the offer and prompted 292:imprint; the title he chose was 2832: 2823: 2814: 2805: 2796: 2775: 2752: 2743: 2722: 2713: 2704: 2695: 2668: 2647: 2638: 2629: 2606: 2575: 2548: 2513: 2480: 2305: 2296: 3630:Terence X. O'Leary's War Birds 2985:. Chicago: Advent: Publishers. 2443: 2408: 2349: 2073:, and the March 1940 issue of 2039:Future Science Fiction Stories 1114:Future Science Fiction Stories 631:The last independent issue of 1: 3776:Magazines established in 1939 3287:A. Merritt's Fantasy Magazine 2343: 1848:remained at that length, but 3539:Scientific Detective Monthly 3504:Out of This World Adventures 3032:. New York: Hermitage House. 3028:de Camp, L. Sprague (1953). 2820:Ashley (1985b), pp. 519–520. 2772:Ashley (1985a), pp. 281–282. 2093:and the April 1941 issue of 1683:became established in 1955, 593:and the April 1941 issue of 79:, this time under the title 25:Cover of the first issue of 7: 3043:. New York: Del Rey Books. 2740:Ashley (2000), pp. 147–148. 2692:Ashley (2005), pp. 194–195. 2465:Ashley (2000), pp. 147–149. 2275:edited an anthology titled 2201:Novelets of Science Fiction 1741:'s first story appeared in 10: 3807: 3609:Tales of Magic and Mystery 3378:Famous Fantastic Mysteries 2844: 2510:Davin (1999), pp. 122–123. 2440:Davin (1999), pp. 111–112. 2257:. New York: Belmont Books. 2253:Howard, Ivan, ed. (1965). 2243:. New York: Belmont Books. 2239:Howard, Ivan, ed. (1964). 2229:. New York: Belmont Books. 2227:Masters of Science Fiction 2225:Howard, Ivan, ed. (1964). 2216:. New York: Belmont Books. 2212:Howard, Ivan, ed. (1963). 2203:. New York: Belmont Books. 2199:Howard, Ivan, ed. (1963). 2189:. New York: Belmont Books. 2185:Howard, Ivan, ed. (1963). 2175:. New York: Belmont Books. 2171:Howard, Ivan, ed. (1962). 2161:. New York: Belmont Books. 2157:Howard, Ivan, ed. (1962). 1832:s page count of 112; when 1416: 1085: 525: 257: 97:If I Forget Thee, Oh Earth 55:for the first few issues; 3717: 3532:Science Fiction Quarterly 3399:Fantastic Story Quarterly 3280:Amazing Stories Quarterly 3250: 3174:Rhoades, Shirrel (2008). 3007:Davin, Eric Leif (1999). 2626:Ashley (2005), pp. 60–61. 2285:Science Fiction Quarterly 1570:'s editorial approach at 1468:I am often asked whether 733: 730: 727: 671: 668: 665: 662: 591:Science Fiction Quarterly 561:Science Fiction Quarterly 3581:Stirring Science Stories 3037:del Rey, Lester (1979). 2829:Moskowitz (1990), p. 89. 2290: 637:Science Fiction Stories; 3644:Tops in Science Fiction 3427:G-8 and His Battle Aces 3371:Dynamic Science Stories 3364:Dynamic Science Fiction 3200:Science Fiction Stories 3178:. New York: Peter Lang. 3154:Science Fiction Studies 3100:Knight, Damon (1974) . 2893:Ashley, Mike (1985b). " 2870:Ashley, Mike (1985a). " 2802:Atheling (1967), p. 47. 2749:del Rey (1979), p. 123. 2674:Ashley (1985a), p. 282. 2644:Ashley (1985a), p. 281. 2612:de Camp (1953), p. 112. 2603:Ashley (1985a), p. 283. 2572:Ashley (1985a), p. 280. 2533:Ashley (1985a), p. 284. 2498:Ashley (1985a), p. 278. 2214:6 and the Silent Scream 2079:Double Action Magazines 2023:Science Fiction Stories 2003:Science Fiction Stories 1918:Science Fiction Stories 1902:Science Fiction Stories 1850:Science Fiction Stories 1842:Science Fiction Stories 1805:Science Fiction Stories 1792:Science Fiction Stories 1743:Science Fiction Stories 1693:Science Fiction Stories 1689:Science Fiction Stories 1681:Science Fiction Stories 1665:Science Fiction Stories 1642:The Liberation of Earth 1516:Science Fiction Stories 1496:Science Fiction Stories 1492:Science Fiction Stories 1474:Science Fiction Stories 1462:Science Fiction Stories 1450:Science Fiction Stories 1439:Science Fiction Stories 1431:Science Fiction Stories 1419:Science Fiction Stories 1161:Science Fiction Stories 1150:Science Fiction Stories 1134:Science Fiction Stories 1126:Science Fiction Stories 1098:given are approximate. 538:Science Fiction Stories 89:The Liberation of Earth 81:Science Fiction Stories 44:Science Fiction Stories 3448:Marvel Science Stories 3420:Future Science Fiction 3273:Amazing Stories Annual 3196:Future Science Fiction 3123:Knight, Damon (1977). 2851:Ashley, Mike (1976) . 2838:Rhoades (2008), p. 72. 2781:Knight (1974), p. 120. 2728:Ashley (2000), p. 276. 2414:Ashley (2000), p. 260. 2100:A Canadian edition of 2067:Holyoke, Massachusetts 2055:Future Science Fiction 1767: 1760:Future Science Fiction 1717:novel of the same name 1703:and Robert Bradford's 1523: 1502:Contents and reception 1488:Future Science Fiction 1483: 1088:Future Science Fiction 296:Gernsback recommended 38:Future Science Fiction 33: 3791:Columbia Publications 3602:Super Science Stories 3203:at Wikimedia Commons 3132:Kyle, David (1977) . 3127:. New York: John Day. 2992:Borgo Literary Guides 2935:Ashley, Mike (2005). 2916:Ashley, Mike (2000). 2793:Ashley (1975), p. 51. 2758:Ashley (1976), p. 42. 2581:Ashley (1975), p. 55. 2554:Davin (1999), p. 119. 2545:Davin (1999), p. 118. 2519:Davin (1999), p. 115. 2486:Knight (1977), p. 64. 2477:Ashley (1975), p. 44. 2449:Davin (1999), p. 121. 2426:Davin (1999), p. 102. 2083:Columbia Publications 1762:. The artwork is by 1757: 1750:Bibliographic details 1518:. The artwork is by 1509: 1466: 290:Blue Ribbon Magazines 24: 3525:Science-Fiction Plus 3385:Fantastic Adventures 2719:Kyle (1977), p. 108. 2187:Rare Science Fiction 1663:The trial issues of 1584:included stories by 1577:Fantastic Adventures 1476:January 1955) or by 647:Revival in the 1950s 3708:Wonder Story Annual 3294:Astonishing Stories 2245:Three stories from 2218:Three stories from 2177:Three stories from 2163:Three stories from 2144:, but in the 1960s 2119:Thorpe & Porter 1526:The first issue of 1163: 655: 320: 115: 3301:Astounding Stories 2994:. Wildside Press. 2259:Four stories from 2231:Four stories from 2205:Four stories from 2191:Four stories from 2085:, with offices in 1768: 1697:The Tower of Zanid 1634:L. 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Dick 1614:Lester del Rey 1568:Raymond Palmer 1554:A letter from 1541:Future Fiction 1512:Future Fiction 1503: 1500: 1443:Future Fiction 1435:Future Fiction 1425: 1424: 1414: 1413: 1411: 1409: 1407: 1405: 1403: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1382: 1381: 1379: 1376: 1374: 1371: 1369: 1366: 1364: 1361: 1359: 1356: 1353: 1350: 1346: 1345: 1343: 1340: 1338: 1335: 1332: 1329: 1326: 1323: 1321: 1318: 1316: 1313: 1309: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1274: 1273: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1253: 1251: 1248: 1246: 1243: 1239: 1238: 1236: 1233: 1231: 1228: 1226: 1223: 1221: 1218: 1216: 1213: 1211: 1208: 1204: 1203: 1200: 1197: 1194: 1191: 1188: 1185: 1182: 1179: 1176: 1173: 1170: 1167: 1148:again. Since 1100: 1099: 1083: 1082: 1080: 1078: 1076: 1074: 1072: 1070: 1068: 1066: 1063: 1061: 1058: 1056: 1052: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1017: 1016: 1013: 1011: 1008: 1006: 1003: 1001: 998: 996: 993: 991: 988: 986: 982: 981: 979: 977: 975: 973: 968: 966: 964: 959: 957: 955: 950: 948: 944: 943: 941: 936: 934: 932: 930: 928: 926: 923: 921: 919: 916: 914: 910: 909: 907: 904: 902: 900: 898: 896: 894: 892: 890: 888: 886: 884: 880: 879: 877: 875: 872: 870: 867: 865: 862: 860: 858: 855: 853: 850: 846: 845: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 811: 810: 808: 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 776: 775: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 741: 740: 738: 735: 732: 729: 726: 724: 722: 720: 718: 714: 713: 710: 707: 704: 701: 698: 695: 692: 689: 686: 683: 680: 677: 674: 673: 670: 667: 664: 661: 659: 653:Future Fiction 648: 645: 625:Future Fiction 607:Futurian Times 595:Future Fiction 556:Future Fiction 548:Future Fiction 542: 541: 528:Future Fiction 523: 522: 520: 518: 516: 514: 512: 509: 507: 505: 502: 500: 497: 495: 491: 490: 487: 485: 482: 480: 477: 475: 472: 470: 467: 465: 462: 460: 456: 455: 452: 450: 447: 445: 442: 440: 438: 436: 433: 431: 429: 427: 423: 422: 420: 417: 415: 413: 411: 408: 406: 404: 402: 399: 397: 395: 391: 390: 388: 385: 383: 381: 379: 377: 375: 373: 371: 369: 367: 365: 361: 360: 357: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 312:Future Fiction 303:Wonder Stories 298:Charles Hornig 282:Hugo Gernsback 266: 265: 255: 254: 252: 250: 248: 245: 243: 241: 238: 236: 234: 231: 229: 226: 222: 221: 219: 217: 214: 212: 210: 208: 205: 203: 201: 198: 196: 194: 190: 189: 186: 184: 181: 179: 176: 174: 171: 169: 167: 164: 162: 160: 156: 155: 152: 149: 146: 143: 140: 137: 134: 131: 128: 125: 122: 119: 108: 105: 73:Future Fiction 53:Charles Hornig 15: 9: 6: 4: 3: 2: 3803: 3792: 3789: 3787: 3784: 3782: 3779: 3777: 3774: 3772: 3769: 3767: 3764: 3762: 3759: 3757: 3754: 3752: 3749: 3748: 3746: 3731: 3728: 3726: 3723: 3722: 3720: 3716: 3710: 3709: 3705: 3703: 3702: 3698: 3696: 3695: 3691: 3689: 3688: 3684: 3682: 3681: 3677: 3675: 3674: 3670: 3668: 3666: 3665:Uncanny Tales 3662: 3660: 3659: 3655: 3653: 3652: 3648: 3646: 3645: 3641: 3639: 3638: 3634: 3632: 3631: 3627: 3625: 3624: 3620: 3618: 3617: 3613: 3611: 3610: 3606: 3604: 3603: 3599: 3597: 3596: 3595:Strange Tales 3592: 3590: 3589: 3585: 3583: 3582: 3578: 3576: 3575: 3571: 3569: 3568: 3564: 3562: 3561: 3560:Space Stories 3557: 3555: 3554: 3550: 3548: 3547: 3543: 3541: 3540: 3536: 3534: 3533: 3529: 3527: 3526: 3522: 3520: 3519: 3515: 3513: 3512: 3508: 3506: 3505: 3501: 3499: 3498: 3494: 3492: 3491: 3487: 3485: 3484: 3480: 3478: 3477: 3473: 3471: 3470: 3466: 3464: 3463: 3459: 3457: 3456: 3452: 3450: 3449: 3445: 3443: 3442: 3438: 3436: 3435: 3434:Ghost Stories 3431: 3429: 3428: 3424: 3422: 3421: 3417: 3415: 3414: 3410: 3408: 3407: 3403: 3401: 3400: 3396: 3394: 3393: 3389: 3387: 3386: 3382: 3380: 3379: 3375: 3373: 3372: 3368: 3366: 3365: 3361: 3359: 3358: 3354: 3352: 3351: 3347: 3345: 3344: 3340: 3338: 3337: 3333: 3331: 3330: 3326: 3324: 3323: 3319: 3317: 3316: 3312: 3310: 3309: 3305: 3303: 3302: 3298: 3296: 3295: 3291: 3289: 3288: 3284: 3282: 3281: 3277: 3275: 3274: 3270: 3268: 3267: 3263: 3261: 3260: 3256: 3255: 3253: 3249: 3245: 3242: 3238: 3231: 3226: 3224: 3219: 3217: 3212: 3211: 3208: 3204: 3202: 3201: 3197: 3191: 3177: 3172: 3168: 3164: 3160: 3156: 3155: 3149: 3145: 3143:0-600-38193-5 3139: 3135: 3130: 3126: 3125:The Futurians 3121: 3117: 3115:0-911682-15-5 3111: 3106: 3105: 3098: 3094: 3092:0-312-09618-6 3088: 3084: 3083: 3077: 3073: 3071:0-312-09618-6 3067: 3063: 3062: 3056: 3052: 3050:0-345-25452-X 3046: 3042: 3041: 3035: 3031: 3026: 3022: 3020:1-57392-702-3 3016: 3012: 3011: 3005: 3001: 2997: 2993: 2988: 2984: 2979: 2975: 2973:0-313-21221-X 2969: 2965: 2961: 2956: 2952: 2950:0-85323-779-4 2946: 2941: 2940: 2933: 2929: 2927:0-85323-865-0 2923: 2919: 2914: 2910: 2908:0-313-21221-X 2904: 2900: 2896: 2891: 2887: 2885:0-313-21221-X 2881: 2877: 2873: 2868: 2864: 2862:0-8092-8002-7 2858: 2854: 2849: 2848: 2835: 2826: 2817: 2808: 2799: 2790: 2788: 2778: 2769: 2767: 2765: 2755: 2746: 2737: 2735: 2725: 2716: 2707: 2698: 2689: 2687: 2685: 2683: 2681: 2671: 2662: 2660: 2650: 2641: 2632: 2623: 2621: 2619: 2609: 2600: 2598: 2596: 2594: 2592: 2590: 2588: 2578: 2569: 2567: 2565: 2563: 2561: 2551: 2542: 2540: 2530: 2528: 2526: 2516: 2507: 2505: 2495: 2493: 2483: 2474: 2472: 2462: 2460: 2458: 2456: 2446: 2437: 2435: 2433: 2423: 2421: 2411: 2402: 2400: 2398: 2396: 2394: 2392: 2390: 2388: 2386: 2384: 2382: 2380: 2378: 2368: 2366: 2364: 2362: 2352: 2348: 2328:. Al von Ruff 2327: 2320: 2318: 2308: 2299: 2295: 2288: 2286: 2282: 2278: 2274: 2271:In addition, 2266: 2262: 2256: 2251: 2248: 2242: 2237: 2234: 2228: 2223: 2221: 2215: 2210: 2208: 2202: 2197: 2194: 2188: 2183: 2180: 2174: 2169: 2166: 2160: 2155: 2154: 2153: 2151: 2150:Belmont Books 2147: 2143: 2139: 2134: 2132: 2128: 2124: 2120: 2116: 2111: 2106: 2103: 2098: 2096: 2092: 2088: 2084: 2080: 2076: 2072: 2068: 2058: 2056: 2053: 2050: 2047: 2046: 2042: 2040: 2037: 2034: 2031: 2030: 2026: 2024: 2020: 2017: 2014: 2011: 2010: 2006: 2004: 2001: 1998: 1995: 1994: 1990: 1988: 1985: 1982: 1979: 1978: 1974: 1972: 1968: 1965: 1962: 1959: 1958: 1954: 1952: 1949: 1946: 1943: 1942: 1938: 1935: 1932: 1929: 1928: 1925: 1923: 1919: 1915: 1905: 1903: 1900: 1897: 1894: 1893: 1889: 1887: 1884: 1881: 1878: 1877: 1873: 1870: 1867: 1864: 1863: 1860: 1858: 1853: 1851: 1847: 1843: 1839: 1835: 1828: 1824: 1820: 1816: 1812: 1808: 1806: 1801: 1797: 1793: 1789: 1785: 1781: 1777: 1773: 1765: 1761: 1756: 1747: 1744: 1740: 1739:R.A. Lafferty 1736: 1732: 1728: 1727: 1722: 1718: 1714: 1710: 1706: 1705:Caduceus Wild 1702: 1698: 1694: 1690: 1686: 1682: 1678: 1674: 1670: 1669:Poul Anderson 1666: 1661: 1659: 1655: 1651: 1647: 1643: 1639: 1635: 1631: 1630:H. Beam Piper 1627: 1626:Judith Merril 1623: 1619: 1615: 1611: 1606: 1601: 1599: 1595: 1591: 1587: 1583: 1579: 1578: 1573: 1569: 1565: 1561: 1557: 1552: 1550: 1546: 1542: 1538: 1534: 1533:Frank R. Paul 1529: 1521: 1517: 1513: 1508: 1499: 1497: 1493: 1489: 1482: 1479: 1475: 1471: 1465: 1463: 1459: 1455: 1451: 1446: 1444: 1440: 1436: 1432: 1420: 1415: 1412: 1410: 1408: 1406: 1404: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1384: 1383: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1354: 1351: 1348: 1347: 1344: 1341: 1339: 1336: 1333: 1330: 1327: 1324: 1322: 1319: 1317: 1314: 1311: 1310: 1307: 1304: 1302: 1299: 1297: 1294: 1292: 1289: 1287: 1284: 1282: 1279: 1276: 1275: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1247: 1244: 1241: 1240: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1206: 1205: 1201: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1177: 1174: 1171: 1168: 1166: 1165: 1162: 1157: 1155: 1151: 1147: 1143: 1139: 1135: 1131: 1127: 1123: 1119: 1115: 1111: 1107: 1089: 1084: 1081: 1079: 1077: 1075: 1073: 1071: 1069: 1067: 1064: 1062: 1059: 1057: 1054: 1053: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1018: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 987: 984: 983: 980: 978: 976: 974: 972: 969: 967: 965: 963: 960: 958: 956: 954: 951: 949: 946: 945: 942: 940: 937: 935: 933: 931: 929: 927: 924: 922: 920: 917: 915: 912: 911: 908: 905: 903: 901: 899: 897: 895: 893: 891: 889: 887: 885: 882: 881: 878: 876: 873: 871: 868: 866: 863: 861: 859: 856: 854: 851: 848: 847: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 813: 812: 809: 806: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 778: 777: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 743: 742: 739: 736: 725: 723: 721: 719: 716: 715: 711: 708: 705: 702: 699: 696: 693: 690: 687: 684: 681: 678: 676: 675: 660: 658: 657: 654: 644: 642: 638: 634: 630: 626: 622: 618: 616: 612: 608: 604: 603:Fantasy Times 600: 596: 592: 587: 583: 579: 578:Sam Moskowitz 575: 571: 567: 563: 562: 557: 553: 549: 539: 529: 524: 521: 519: 517: 515: 513: 510: 508: 506: 503: 501: 498: 496: 493: 492: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 461: 458: 457: 453: 451: 448: 446: 443: 441: 439: 437: 434: 432: 430: 428: 425: 424: 421: 418: 416: 414: 412: 409: 407: 405: 403: 400: 398: 396: 393: 392: 389: 386: 384: 382: 380: 378: 376: 374: 372: 370: 368: 366: 363: 362: 358: 355: 352: 349: 346: 343: 340: 337: 334: 331: 328: 325: 323: 322: 319: 313: 308: 305: 304: 299: 295: 291: 287: 283: 280:published by 279: 278:pulp magazine 275: 274: 261: 256: 253: 251: 249: 246: 244: 242: 239: 237: 235: 232: 230: 227: 224: 223: 220: 218: 215: 213: 211: 209: 206: 204: 202: 199: 197: 195: 192: 191: 187: 185: 182: 180: 177: 175: 172: 170: 168: 165: 163: 161: 158: 157: 153: 150: 147: 144: 141: 138: 135: 132: 129: 126: 123: 120: 118: 117: 114: 104: 102: 98: 94: 90: 84: 82: 78: 74: 70: 66: 62: 61:pulp magazine 58: 54: 50: 46: 45: 40: 39: 32: 31:Frank R. Paul 28: 23: 19: 3706: 3699: 3692: 3685: 3678: 3671: 3664: 3656: 3649: 3642: 3635: 3628: 3621: 3614: 3607: 3600: 3593: 3586: 3579: 3572: 3565: 3558: 3551: 3546:The Scorpion 3544: 3537: 3530: 3523: 3517: 3516: 3509: 3502: 3497:Other Worlds 3495: 3488: 3481: 3474: 3467: 3460: 3453: 3446: 3439: 3432: 3425: 3419: 3418: 3411: 3404: 3397: 3390: 3383: 3376: 3369: 3362: 3355: 3350:Doctor Death 3348: 3341: 3334: 3327: 3322:Captain Zero 3320: 3313: 3306: 3299: 3292: 3285: 3278: 3271: 3264: 3257: 3199: 3195: 3187: 3175: 3161:(1): 84–92. 3158: 3152: 3133: 3124: 3103: 3081: 3060: 3039: 3029: 3009: 2991: 2982: 2963: 2959: 2938: 2917: 2898: 2894: 2875: 2871: 2852: 2834: 2825: 2816: 2807: 2798: 2777: 2754: 2745: 2724: 2715: 2706: 2697: 2670: 2649: 2640: 2631: 2608: 2577: 2550: 2515: 2482: 2445: 2410: 2351: 2330:. 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Index


Frank R. Paul
science fiction
Charles Hornig
Robert W. Lowndes
pulp magazine
Louis Silberkleit
The Liberation of Earth
William Tenn
If I Forget Thee, Oh Earth
Arthur C. Clarke
Amazing Stories
pulp magazine
Hugo Gernsback
Louis Silberkleit
Blue Ribbon Magazines
Charles Hornig
Wonder Stories
Science Fiction Quarterly
draft notice
pacifist
Sam Moskowitz
Donald Wollheim
Robert W. Lowndes
Futurians
digest-sized

Milton Luros
Frank R. Paul
Julius Schwartz

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