Knowledge

Future Science Fiction and Science Fiction Stories

Source πŸ“

1562:, a literary agent who was a friend of his; this gave him access to stories by the writers Schwartz represented, but Schwartz would not allow his authors' real names to be used unless they were paid at least one cent per word. Hornig could not afford to pay the one cent rate for everything he bought, so he paid half a cent a word for much of what he acquired through Schwartz, and ran those stories under pseudonyms. Unsurprisingly, given the low rates, the stories sent to Hornig had usually already been rejected by the better-paying markets. The result was mediocre fiction, even from the better-known writers that Hornig was able to attract. The magazines paid on publication, rather than acceptance, and this slower payment also discouraged some authors from submitting material. 1518: 1766: 1667:. Lowndes knew many successful writers in the field, and was able to call on them for stories, but the expanding sf magazine market of the mid-1950s meant that the best material was spread thinly. To attract readers, Lowndes established a friendly and personal style for the magazine, with letter columns and departments aimed at science fiction fans. Blish, writing as William Atheling, Jr., commented in 1953 that Lowndes was doing a "surprisingly good job" with 33: 3201: 2144:; this ran from October 1957 to May 1960, for 12 undated issues, in digest format, 128 pages, priced at 2/-. The first 11 of these reprints were cut versions of the U.S. originals, corresponding to 11 of the U.S. issues between September 1957 and May 1959β€”the omitted issues were January, March, and September 1958. The final issue was the U.S. issue for May 1960, overprinted with the British price. 600:
presently out, but particularly with Hornig's". Lowndes relates that Silberkleit took the bait and hired him in November 1940; Hornig recalls the separation as being by mutual consent because of his move to California. Lowndes subsequently agreed that this was likely to be the real reason Silberkleit replaced Hornig. The first issues Lowndes was responsible for were the Spring 1941 issue of
654:, but before sales figures could be tallied to determine the impact of the title change, Silberkleit made the decision to cease publication. The June 1943 issue was the last for some years: Silberkleit was forced to cut some of his titles because of wartime paper shortages, and he decided to retain his western and detective magazines instead. 318:
select what he wanted to publish; he reported to Silberkleit's chief editor, Abner J. Sundell, but Sundell knew little about sf and did not get involved with running the magazine. The first issue was dated March 1939. The schedule was intended to be bimonthly, but it began to slip immediately, with the second issue dated June 1939.
1744:, commented "I don't believe I have ever read a more successful attempt to imagine an utterly alien way of thought." Lowndes did what he could to provide interesting non-fiction departments: a book review column was started in the early 1950s, and the end of the decade saw a series of science articles written by 2115:
ran for 6 pulp-sized issues of 64 pages from October 1941 to June 1942, priced at 25 cents; it was intended to be monthly but there were no issues in December 1941, or in April or May 1942. The publisher was Superior Magazines of Toronto for the first two issues, and Duchess Printing of Toronto for
599:
to write to Silberkleit. Lowndes later recalled Wollheim's idea: "In the letter, I'd suggest that it might be a good idea to add a science fiction title to the list, offering my services as editor at a slightly lower price than Hornig was being paid, and also find fault with all the other sf titles
317:
for Gernsback from 1933 to 1936. Silberkleit took the recommendation and Hornig was hired in October 1938. Hornig had no office; he worked from home, coming into the office as needed to drop off manuscripts and dummy materials, and pick up typeset materials to proof. He was given broad freedom to
97:
The fiction was generally unremarkable, with few memorable stories being published, particularly in the earlier versions of the magazines. Lowndes spent much effort to set a friendly and engaging tone in both magazines, with letter columns and reader departments that interested fans. He was more
1813:
raised its price to 20 cents for the July 1943 issue, the last of its first run, but dropped to 15 cents again when it was relaunched in 1950. With the November 1950 issue the price went back to 20 cents, and it rose to 25 cents with the January 1953 issue and 35 cents in June 1954. When
2136:(7.5p). In 1957 Strato Publications reprinted another 11 issues, again undated, from November 1957 to February 1960, corresponding to the U.S. issues from Summer 1957 to August 1959, skipping the February 1958 issue. These were in digest format, and were 128 pages; they were priced at 1756:
in the January 1960 issue, shortly before the magazine was closed down. The budget for both magazines, never very great, shrank even further towards the end, so that Lowndes had to fill space with reprints and re-use old illustrations to avoid paying for new stories and artwork.
1618:
was relaunched in early 1950, the sf magazine field was not particularly crowded, and Lowndes was able to attract moderately good stories from writers who were either well-known or on their way up in the field. The first issue included stories by
583:, and decided to move to California and register as a conscientious objector. He continued to edit the magazines from the west coast, but Silberkleit was unhappy with the arrangement. Silberkleit allowed Hornig to retain his post as editor of 1139:. Another issue with the same format and title followed in the spring of 1954, also unnumbered. Silberkleit decided that the digest format was partly responsible for the good sales of these experimental issues, so he changed the format of 2116:
the remaining four. A different editor, William Brown-Forbes, was listed, but the fiction was all reprinted from Silberkleit's U.S. magazines. The artwork was new, however, with covers by John Hilkert and Edwin Shaw, among others.
1541:
showed the continuing influence of Hugo Gernsback in the American science fiction magazine field: in addition to an editor who had worked for him, the magazine featured a guest editorial by Gernsback, and the cover was painted by
1491:
No. 28. To this I reply that you may have it either way, or in this instance, both ways! Really, I don't see why science fictionists, who can absorb alternate time tracks etc. with the utmost aplomb, should be
2123:
were reprinted in the UK by Atlas Publications; these were abridged versions of the October and December 1939 issues. They were 96 pages, in pulp format. There were no British reprints of the first series of
1496:
In 1960 Silberkleit's distributor stopped carrying his magazines, and both titles ceased publication, with no notice given in their final issues that this was the end. The last issues were the April 1960
2132:
reprinted 14 numbered and undated issues from November 1951 to June 1954, corresponding roughly to the U.S. issues from March 1951 to March 1954. They were 96 pages in pulp format, and were priced at
624:, to which Lowndes belonged. Initially Silberkleit kept tighter control on Lowndes' editorial selections than he had on Hornig's, vetoing five of the seven stories Lowndes proposed for the April 1941 3771: 2076:
Louis Silberkleit was the publisher of both magazines throughout their existence, but he changed the imprint he used for them twice. Both were initially published by Blue Ribbon Magazines,
98:
successful than Hornig in obtaining good stories, partly because he had good relationships with several well-known and emerging writers. Among the better-known stories he published were "
94:. Silberkleit kept both magazines on very slim budgets throughout the 1950s. In 1960 both titles ceased publication when their distributor suddenly dropped all of Silberkleit's titles. 3205: 299:, became a publisher in his own right in 1934 when he founded the Winford Publishing Company. Towards the end of the 1930s Silberkleit decided to launch an sf pulp magazine under his 3238: 646:
was dated September 1941, and the first merged issue was dated October 1941. The final two issues of the combined magazine, dated April and June 1943, were, confusingly, titled
1607:, all of whom had been more active some years earlier, and Ashley suggests that Hornig may have obtained some of the many stories that Palmer threw out when he became editor of 628:, but by the August 1941 issue, Lowndes later recalled, Silberkleit "was satisfied that I knew what I was doing, and ... didn't need to oversee any story I had accepted". 2322:
Lowndes later regretted his partisanship, commenting that he should "have just made a few corrections in Taurasi's somewhat sloppy writing and run the sheet he prepared".
3796: 3735: 3507: 1591:, but Ashley points out that the authors Hornig relied on, concealed behind pseudonyms, were generally the same authors that were selling to Palmer. The first issue of 1471:, but it led to additional confusion, with some readers believing that this was an entirely new magazine. Lowndes addressed the confusion in the letter column of 557:
To spread his costs over more magazines, Silberkleit soon decided to launch two additional titles. When he had worked for Gernsback, Silberkleit had suggested "
281:
Although science fiction (sf) had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of
612:, dated September 1941, but he used material that Hornig had already selected for the magazine, with minor exceptions. The changes included the replacement of 2156: 1573:, encouraging Hornig to publish sophisticated stories; in response, Hornig wrote "I'm trying to give the magazine an appeal to mature minds", but sf historian 1509:
title from Silberkleit and produced three semi-professional issues in 1961, 1962, and 1963, but the venture was not successful enough for Taurasi to continue.
82:, the publisher, decided to focus his resources on his mystery and western magazine titles. In 1950, with the market improving again, Silberkleit relaunched 3231: 1663:
described as "the funniest story ever written". He also bought work by some of the women writers active in the 1950s, including several early stories by
3766: 17: 3740: 1600: 1167:, Silberkleit switched to an issue number format, with no volume. The first issue was numbered 28, counting forward from the May/June 1950 issue as 1. 1123:; this allowed Silberkleit to keep the rights to both the titles. The first issue was dated May/June 1950. In January 1952 the title changed to just 3761: 2283: 1456:
began with three undated issues, then switched to a quarterly schedule in 1956, and finally to a regular bimonthly schedule from the start of 1958.
3224: 1647:. Some of the better-known stories Lowndes published in the early 1950s were "And There Was Light" by del Rey, "If I Forget Thee, Oh Earth" by 1530: 1596: 1143:
from pulp to digest. The first issue in the new format was dated January 1955, and in response to reader feedback the title was changed to
3090:
Edwards, Malcolm; Parnell, Frank; Nicholls, Peter (1993). "The Original Science Fiction Stories". In Clute, John; Nicholls, Peter (eds.).
1155:, the earlier magazine. Complicating matters, Silberkleit decided later in 1955 that the market could support both titles, so he revived 3776: 3591: 3346: 565:" instead, and Silberkleit now decided to use his original suggestion for one of the new magazines. In November 1939 the first issue of 70:
took over in late 1941 and remained editor until the end. The initial launch of the magazines came as part of a boom in science fiction
62:
magazines that were published under various names between 1939 and 1943 and again from 1950 to 1960. Both publications were edited by
3781: 3423: 1452:
was bimonthly throughout, except for a brief period from mid-1958 to early 1959 when it patchily adhered to a monthly schedule.
3786: 3690: 3674: 3162:
Moskowitz, Sam (March 1990). "Canada's Pioneer Science-Fantasy Magazine (La première revue canadienne de science fantaisie)".
2313:
Ashley says that Moskowitz declined "because of his friendship with Hornig", but Davin says that the two men were not friends.
3619: 3661: 3472: 3152: 3124: 3101: 3080: 3059: 3029: 2982: 2959: 2936: 2917: 2894: 2871: 576: 3297: 3311: 3247: 3801: 3605: 1818:
reappeared in 1953, it was priced at 35 cents, and stayed at that price throughout the remainder of its run.
3549: 3514: 1726:
towards the end of the decade, including "Vulcan's Hammer", an early novella version of Philip K. Dick's
3668: 3626: 3598: 3388: 2097: 1736: 107: 561:" as a possible title for the magazine Gernsback was planning to launch. Gernsback eventually chose " 3542: 3493: 3451: 3409: 3318: 3290: 1577:
comments that "this never became evident". Hornig's comment was probably intended as a criticism of
571: 3444: 3251: 59: 3069:
Edwards, Malcolm; Nicholls, Peter (1993). "SF magazines". In Clute, John; Nicholls, Peter (eds.).
1467:. This was intended to make it clear that the magazine was a continuation of the 1939 version of 3791: 3654: 3437: 3416: 3381: 3374: 3360: 3332: 3164: 2089: 1828:
was 112 pages when it was launched in November of that year, and shortly afterwards, March 1940,
1652: 99: 2290:
in 1970, published by Mayflower Books, which contains six stories from the August 1942 issue of
1678:
in 1953 and 1954 were competent but unremarkable, with stories by some popular writers, such as
3458: 3283: 2077: 74:
publishing at the end of the 1930s. In 1941 the two magazines were combined into one, titled
3612: 3577: 3479: 3465: 3353: 3216: 2929:
The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
2093: 1127:. Payment rates at that time were one to three cents per word. In the summer of 1953, with 575:. Hornig was editor for all three magazines. In October 1940, Hornig received his military 300: 3704: 3535: 3395: 1809:
followed suit in late 1955 with issue 28. Both titles were initially priced at 15 cents.
1790: 1587: 1574: 8: 3718: 3304: 1847:
was relaunched, still as a pulp, in 1950, the page count had dropped again, to 96. Both
3683: 3556: 3486: 3173: 2948: 2129: 1727: 1644: 1734:'s "Worlds Without End"; and Judith Merril's "Homecalling", reprinted in the 1960s in 3584: 3148: 3120: 3113: 3097: 3091: 3076: 3070: 3055: 3049: 3025: 3019: 3006: 2978: 2955: 2932: 2913: 2890: 2867: 1741: 1731: 1719: 1578: 1517: 596: 296: 79: 67: 2336: 1765: 591:. Moskowitz declined, saying afterwards "I would never strike at a man's job", but 3633: 3500: 3402: 3339: 1664: 1648: 111: 3647: 3325: 3276: 1748:, and critical articles on science fiction history, written by Lowndes himself. 1628: 1604: 1559: 592: 295:. By the end of the 1930s the field was booming. One of Gernsback's employees, 283: 1448:
were able to maintain a fairly regular schedule through the rest of the 1950s.
3711: 3563: 3521: 1687: 1624: 313: 308: 292: 63: 1866:
The sequence of title changes for the two magazines is summarized below. For
545:(yellow, April 1941 – July 1943). Note that the last two issues were actually 3755: 3570: 3254: 3010: 2950:
Transformations: The Story of the Science-Fiction Magazines from 1950 to 1970
2334:
See the individual issues. For convenience, an online index is available at
2160: 1749: 1679: 1640: 1636: 1543: 588: 288: 71: 41: 32: 2163:, with contents drawn solely from Silberkleit's magazines. These included: 1163:
was using the volume numbering from the previous pulp-format incarnation of
1105:
issue was titled as a quarterly (e.g. "Fall 1957") rather than as a monthly.
3367: 1781:
Charles Hornig was the editor of all 12 issues of the first incarnation of
1745: 1683: 1660: 1656: 1632: 1566: 103: 3697: 3269: 1702:
tended to publish the better stories of the two. During the period when
1620: 1132: 1107:
Note that issues 28, 29, and 30 were not dated on the masthead; the dates
1483:
October 1954 Volume 5 Number 3 should be followed by Volume 5 Number 4 (
543:
and indicating editors: Hornig (blue, 1939 – November 1940), and Lowndes
3177: 1711: 1103:
numbers. Lowndes was editor throughout. Underlining indicates that an
3021:
Pioneers of Wonder: Conversations with the Founders of Science Fiction
1863:
switched to 144 pages for nine issues, from January 1956 to May 1957.
3640: 1569:, who was a friend of Hornig's, was published in the second issue of 634:
was not selling well, and later that year Silberkleit merged it with
621: 3051:
The World of Science Fiction: 1926–1976: The History of a Subculture
311:
to Silberkleit for the post of editor; Hornig had previously edited
580: 78:, but in 1943 wartime paper shortages ended the magazine's run, as 1931:", though some reference books index the magazine under "O". For 1718:. It also published "Genius Loci", described by Ashley as one of 2159:
edited several anthologies for Silberkleit's publishing imprint,
1722:'s best short stories. Some well-received stories did appear in 1525:, usually indexed under that title although this issue is titled 1151:
volume numbering, despite the fact that the title was taken from
86:, still in the pulp format. In the mid-1950s he also relaunched 3772:
Defunct science fiction magazines published in the United States
3200: 1706:
was monthly, it carried serialized novels, including de Camp's
3246: 2864:
The History of the Science Fiction Magazine: Vol. 2: 1936–1945
2140:(10p). Strato Publications also produced a reprint series of 2137: 2133: 1793:
was the editor of all subsequent issues of both titles. Both
2147:
There are no anthologies of stories drawn solely from either
650:
this was an attempt to improve sales by reminding readers of
3041:
Science-Fiction Handbook: The Writing of Imaginative Fiction
3001:
Boston, John; Broderick, Damien (2012). "Strange Highways".
3736:
History of US science fiction and fantasy magazines to 1950
1774: 1550:'s covers for the first series were painted by Paul. Both 1434:
issues from 1953 and 1954. Lowndes was editor throughout.
2337:"Future/Future Combined with Science Fiction – Issue Grid" 1558:
began life with very limited budgets. Hornig worked with
2100:
and Holyoke, Massachusetts, with the March 1941 issue of
1671:, despite the low rates and the slow payment to authors. 2908:(Canadian)". In Tymn, Marshall B.; Ashley, Mike (eds.). 1855:
were 128 pages long when they changed to digest format;
1801:
began as pulp magazines; the 1953 experimental issue of
1147:. The volume numbering was continued from the existing 587:, and offered the editorship of the other two titles to 620:, a similar department from a rival group of fans, the 608:. He completed the preparations for the last issue of 2330: 2328: 1631:; other authors featured in the early issues included 1546:, a stalwart of the Gernsback daysβ€”in fact, all 12 of 3115:
In Search of Wonder: Essays on Modern Science Fiction
2975:
Science Fiction, Fantasy, and Weird Fiction Magazines
2910:
Science Fiction, Fantasy, and Weird Fiction Magazines
2887:
Science Fiction, Fantasy, and Weird Fiction Magazines
1135:
magazine with no number and no date, under the title
3119:(2nd (1967) ed.). Chicago: Advent: Publishers. 1927:" for much of the second run, the title was always " 1459:
With the September 1955 issue, the title graphic of
3741:
George Kelley Paperback and Pulp Fiction Collection
2325: 3797:Science fiction magazines established in the 1930s 3112: 2977:. Westport CT: Greenwood Press. pp. 511–519. 2947: 2912:. Westport CT: Greenwood Press. pp. 519–520. 2889:. Westport CT: Greenwood Press. pp. 277–284. 2366:Edwards & Nicholls (1993), pp. 1066–1068. 1805:saw a change to digest format for that title, and 1131:still in pulp format, Silberkleit issued a single 3753: 2712:Edwards, Parnell, & Nicholls (1993), p. 894. 2484: 2482: 2294:, plus one story from the Winter 1942 issue of 541:from 1939 to 1943, showing volume/issue number, 273:from 1939 to 1941, showing volume/issue number. 2973:". In Tymn, Marshall B.; Ashley, Mike (eds.). 2885:". In Tymn, Marshall B.; Ashley, Mike (eds.). 1832:dropped to 116 pages. The combined magazine, 3232: 2479: 27:Two related US pulp science fiction magazines 2969:Ashley, Mike; Thompson, Raymond H. (1985). " 2505: 2503: 2092:, with offices in Chicago. This changed to 1121:Future Combined with Science Fiction Stories 329:Future Fiction combined with Science Fiction 76:Future Fiction combined with Science Fiction 3767:1960 disestablishments in the United States 2517: 2515: 2472: 2470: 2468: 2466: 3239: 3225: 3187:A Complete History of American Comic Books 2721:Ashley & Thompson (1985), pp. 517–518. 2416:Ashley & Thompson (1985), pp. 518–519. 616:, a fan department by James Taurasi, with 569:appeared; it was followed in July 1940 by 2954:. Liverpool: Liverpool University Press. 2931:. Liverpool: Liverpool University Press. 2500: 2412: 2410: 2408: 2080:. Starting with the March 1940 issue of 1512: 3762:1939 establishments in the United States 2552: 2550: 2512: 2463: 2406: 2404: 2402: 2400: 2398: 2396: 2394: 2392: 2390: 2388: 1764: 1760: 1516: 1505:. James Taurasi acquired rights to the 31: 3424:Flash Gordon Strange Adventure Magazine 1101:from 1950 to 1960, showing volume/issue 657: 40:, dated March 1939. The artwork is by 14: 3754: 3691:Vargo Statten Science Fiction Magazine 3145:A Pictorial History of Science Fiction 2822:Boston & Broderick (2012), p. 296. 2699: 2697: 2695: 2693: 2691: 2672: 2670: 1698:was relegated to the junior role, and 275:Charles Hornig was editor throughout. 3220: 3096:. New York: St. Martin's Press, Inc. 3075:. New York: St. Martin's Press, Inc. 2800: 2798: 2779: 2777: 2775: 2747: 2745: 2676:Ashley & Thompson (1985), p. 517. 2664:Ashley & Thompson (1985), p. 515. 2646:Ashley & Thompson (1985), p. 514. 2633: 2631: 2629: 2610: 2608: 2606: 2604: 2602: 2600: 2598: 2579: 2577: 2575: 2573: 2571: 2547: 2540: 2538: 2536: 2385: 2382:Ashley & Thompson (1985), p. 512. 640:Future Combined with Science Fiction. 117: 3662:Two Complete Science-Adventure Books 2447: 2445: 2443: 2433: 2431: 2378: 2376: 2374: 2372: 1925:The Original Science Fiction Stories 1834:Future Combined with Science Fiction 1465:The Original Science Fiction Stories 1463:was modified so that the cover read 1432:, not including the two experimental 18:Future Combined with Science Fiction 3473:Miracle Science and Fantasy Stories 3147:. London: Hamlyn Publishing Group. 3093:The Encyclopedia of Science Fiction 3072:The Encyclopedia of Science Fiction 2688: 2667: 1923:Note that although the cover read " 1824:began in March 1939 at 132 pages. 24: 3777:Defunct English-language magazines 2866:. Chicago: Henry Regnery Company. 2795: 2772: 2742: 2626: 2595: 2568: 2533: 2088:, the magazines were published by 1998:Future Fantasy and Science Fiction 1785:, and of the first five issues of 1115:In 1950, Silberkleit brought back 25: 3813: 3194: 2440: 2428: 2369: 1769:Cover of the March 1957 issue of 1521:Cover of the April 1943 issue of 3782:Magazines disestablished in 1960 3368:Dusty Ayres and His Battle Birds 3199: 3024:. Amherst NY: Prometheus Books. 2992:Atheling, Jr., William (1967) . 595:heard of the offer and prompted 303:imprint; the title he chose was 2843: 2834: 2825: 2816: 2807: 2786: 2763: 2754: 2733: 2724: 2715: 2706: 2679: 2658: 2649: 2640: 2617: 2586: 2559: 2524: 2491: 2316: 2307: 3641:Terence X. O'Leary's War Birds 2996:. Chicago: Advent: Publishers. 2454: 2419: 2360: 2084:, and the March 1940 issue of 2050:Future Science Fiction Stories 1125:Future Science Fiction Stories 642:The last independent issue of 13: 1: 3787:Magazines established in 1939 3298:A. Merritt's Fantasy Magazine 2354: 1859:remained at that length, but 3550:Scientific Detective Monthly 3515:Out of This World Adventures 3043:. New York: Hermitage House. 3039:de Camp, L. Sprague (1953). 2831:Ashley (1985b), pp. 519–520. 2783:Ashley (1985a), pp. 281–282. 2104:and the April 1941 issue of 1694:became established in 1955, 604:and the April 1941 issue of 90:, this time under the title 36:Cover of the first issue of 7: 3054:. New York: Del Rey Books. 2751:Ashley (2000), pp. 147–148. 2703:Ashley (2005), pp. 194–195. 2476:Ashley (2000), pp. 147–149. 2286:edited an anthology titled 2212:Novelets of Science Fiction 1752:'s first story appeared in 10: 3818: 3620:Tales of Magic and Mystery 3389:Famous Fantastic Mysteries 2855: 2521:Davin (1999), pp. 122–123. 2451:Davin (1999), pp. 111–112. 2268:. New York: Belmont Books. 2264:Howard, Ivan, ed. (1965). 2254:. New York: Belmont Books. 2250:Howard, Ivan, ed. (1964). 2240:. New York: Belmont Books. 2238:Masters of Science Fiction 2236:Howard, Ivan, ed. (1964). 2227:. New York: Belmont Books. 2223:Howard, Ivan, ed. (1963). 2214:. New York: Belmont Books. 2210:Howard, Ivan, ed. (1963). 2200:. New York: Belmont Books. 2196:Howard, Ivan, ed. (1963). 2186:. New York: Belmont Books. 2182:Howard, Ivan, ed. (1962). 2172:. New York: Belmont Books. 2168:Howard, Ivan, ed. (1962). 1843:s page count of 112; when 1427: 1096: 536: 268: 108:If I Forget Thee, Oh Earth 66:for the first few issues; 3728: 3543:Science Fiction Quarterly 3410:Fantastic Story Quarterly 3291:Amazing Stories Quarterly 3261: 3185:Rhoades, Shirrel (2008). 3018:Davin, Eric Leif (1999). 2637:Ashley (2005), pp. 60–61. 2296:Science Fiction Quarterly 1581:'s editorial approach at 1479:I am often asked whether 744: 741: 738: 682: 679: 676: 673: 602:Science Fiction Quarterly 572:Science Fiction Quarterly 3592:Stirring Science Stories 3048:del Rey, Lester (1979). 2840:Moskowitz (1990), p. 89. 2301: 648:Science Fiction Stories; 3655:Tops in Science Fiction 3438:G-8 and His Battle Aces 3382:Dynamic Science Stories 3375:Dynamic Science Fiction 3211:Science Fiction Stories 3189:. New York: Peter Lang. 3165:Science Fiction Studies 3111:Knight, Damon (1974) . 2904:Ashley, Mike (1985b). " 2881:Ashley, Mike (1985a). " 2813:Atheling (1967), p. 47. 2760:del Rey (1979), p. 123. 2685:Ashley (1985a), p. 282. 2655:Ashley (1985a), p. 281. 2623:de Camp (1953), p. 112. 2614:Ashley (1985a), p. 283. 2583:Ashley (1985a), p. 280. 2544:Ashley (1985a), p. 284. 2509:Ashley (1985a), p. 278. 2225:6 and the Silent Scream 2090:Double Action Magazines 2034:Science Fiction Stories 2014:Science Fiction Stories 1929:Science Fiction Stories 1913:Science Fiction Stories 1861:Science Fiction Stories 1853:Science Fiction Stories 1816:Science Fiction Stories 1803:Science Fiction Stories 1754:Science Fiction Stories 1704:Science Fiction Stories 1700:Science Fiction Stories 1692:Science Fiction Stories 1676:Science Fiction Stories 1653:The Liberation of Earth 1527:Science Fiction Stories 1507:Science Fiction Stories 1503:Science Fiction Stories 1485:Science Fiction Stories 1473:Science Fiction Stories 1461:Science Fiction Stories 1450:Science Fiction Stories 1442:Science Fiction Stories 1430:Science Fiction Stories 1172:Science Fiction Stories 1161:Science Fiction Stories 1145:Science Fiction Stories 1137:Science Fiction Stories 1109:given are approximate. 549:Science Fiction Stories 100:The Liberation of Earth 92:Science Fiction Stories 55:Science Fiction Stories 3459:Marvel Science Stories 3431:Future Science Fiction 3284:Amazing Stories Annual 3207:Future Science Fiction 3134:Knight, Damon (1977). 2862:Ashley, Mike (1976) . 2849:Rhoades (2008), p. 72. 2792:Knight (1974), p. 120. 2739:Ashley (2000), p. 276. 2425:Ashley (2000), p. 260. 2111:A Canadian edition of 2078:Holyoke, Massachusetts 2066:Future Science Fiction 1778: 1771:Future Science Fiction 1728:novel of the same name 1714:and Robert Bradford's 1534: 1513:Contents and reception 1499:Future Science Fiction 1494: 1099:Future Science Fiction 307:Gernsback recommended 49:Future Science Fiction 44: 3802:Columbia Publications 3613:Super Science Stories 3214:at Wikimedia Commons 3143:Kyle, David (1977) . 3138:. New York: John Day. 3003:Borgo Literary Guides 2946:Ashley, Mike (2005). 2927:Ashley, Mike (2000). 2804:Ashley (1975), p. 51. 2769:Ashley (1976), p. 42. 2592:Ashley (1975), p. 55. 2565:Davin (1999), p. 119. 2556:Davin (1999), p. 118. 2530:Davin (1999), p. 115. 2497:Knight (1977), p. 64. 2488:Ashley (1975), p. 44. 2460:Davin (1999), p. 121. 2437:Davin (1999), p. 102. 2094:Columbia Publications 1773:. The artwork is by 1768: 1761:Bibliographic details 1529:. The artwork is by 1520: 1477: 301:Blue Ribbon Magazines 35: 3536:Science-Fiction Plus 3396:Fantastic Adventures 2730:Kyle (1977), p. 108. 2198:Rare Science Fiction 1674:The trial issues of 1595:included stories by 1588:Fantastic Adventures 1487:January 1955) or by 658:Revival in the 1950s 3719:Wonder Story Annual 3305:Astonishing Stories 2256:Three stories from 2229:Three stories from 2188:Three stories from 2174:Three stories from 2155:, but in the 1960s 2130:Thorpe & Porter 1537:The first issue of 1174: 666: 331: 126: 3312:Astounding Stories 3005:. Wildside Press. 2270:Four stories from 2242:Four stories from 2216:Four stories from 2202:Four stories from 2096:, with offices in 1779: 1708:The Tower of Zanid 1645:L. Sprague de Camp 1535: 1170: 1119:, under the title 662: 638:, under the title 321: 122: 118:Publishing history 58:were two American 45: 3749: 3748: 3705:The Witch's Tales 3585:Startling Stories 3204:Media related to 2994:The Issue at Hand 2074: 2073: 1950:Number of issues 1921: 1920: 1885:Number of issues 1791:Robert W. Lowndes 1742:Kyril Bonfiglioli 1732:Clifford D. Simak 1720:Thomas N. Scortia 1601:J. Harvey Haggard 1501:and the May 1960 1438: 1437: 1113: 1112: 597:Robert W. Lowndes 555: 554: 297:Louis Silberkleit 279: 278: 80:Louis Silberkleit 68:Robert W. Lowndes 16:(Redirected from 3809: 3634:10 Story Fantasy 3501:Oriental Stories 3403:Fantastic Novels 3241: 3234: 3227: 3218: 3217: 3203: 3190: 3181: 3158: 3139: 3130: 3118: 3107: 3086: 3065: 3044: 3035: 3014: 2997: 2988: 2965: 2953: 2942: 2923: 2900: 2877: 2850: 2847: 2841: 2838: 2832: 2829: 2823: 2820: 2814: 2811: 2805: 2802: 2793: 2790: 2784: 2781: 2770: 2767: 2761: 2758: 2752: 2749: 2740: 2737: 2731: 2728: 2722: 2719: 2713: 2710: 2704: 2701: 2686: 2683: 2677: 2674: 2665: 2662: 2656: 2653: 2647: 2644: 2638: 2635: 2624: 2621: 2615: 2612: 2593: 2590: 2584: 2581: 2566: 2563: 2557: 2554: 2545: 2542: 2531: 2528: 2522: 2519: 2510: 2507: 2498: 2495: 2489: 2486: 2477: 2474: 2461: 2458: 2452: 2449: 2438: 2435: 2426: 2423: 2417: 2414: 2383: 2380: 2367: 2364: 2349: 2348: 2346: 2344: 2332: 2323: 2320: 2314: 2311: 2274:, and four from 2269: 2255: 2241: 2228: 2215: 2201: 2187: 2173: 1938: 1937: 1873: 1872: 1842: 1799:Science Fiction 1740:, whose editor, 1665:Carol Emshwiller 1649:Arthur C. Clarke 1175: 1169: 667: 661: 332: 320: 305:Science Fiction. 127: 121: 112:Arthur C. Clarke 21: 3817: 3816: 3812: 3811: 3810: 3808: 3807: 3806: 3752: 3751: 3750: 3745: 3724: 3669:Uncanny Stories 3648:The Thrill Book 3627:Tales of Wonder 3599:Strange Stories 3529:Science Fiction 3326:Captain Hazzard 3277:Amazing Stories 3257: 3248:Science fiction 3245: 3197: 3184: 3161: 3155: 3142: 3133: 3127: 3110: 3104: 3089: 3083: 3068: 3062: 3047: 3038: 3032: 3017: 3000: 2991: 2985: 2971:Science Fiction 2968: 2962: 2945: 2939: 2926: 2920: 2906:Science Fiction 2903: 2897: 2880: 2874: 2861: 2858: 2853: 2848: 2844: 2839: 2835: 2830: 2826: 2821: 2817: 2812: 2808: 2803: 2796: 2791: 2787: 2782: 2773: 2768: 2764: 2759: 2755: 2750: 2743: 2738: 2734: 2729: 2725: 2720: 2716: 2711: 2707: 2702: 2689: 2684: 2680: 2675: 2668: 2663: 2659: 2654: 2650: 2645: 2641: 2636: 2627: 2622: 2618: 2613: 2596: 2591: 2587: 2582: 2569: 2564: 2560: 2555: 2548: 2543: 2534: 2529: 2525: 2520: 2513: 2508: 2501: 2496: 2492: 2487: 2480: 2475: 2464: 2459: 2455: 2450: 2441: 2436: 2429: 2424: 2420: 2415: 2386: 2381: 2370: 2365: 2361: 2357: 2352: 2342: 2340: 2335: 2333: 2326: 2321: 2317: 2312: 2308: 2304: 2284:Douglas Lindsay 2272:Science Fiction 2263: 2249: 2244:Science Fiction 2235: 2231:Science Fiction 2222: 2209: 2204:Science Fiction 2195: 2184:Escape to Earth 2181: 2167: 2149:Science Fiction 2142:Science Fiction 2121:Science Fiction 2113:Science Fiction 2102:Science Fiction 2086:Science Fiction 1982:Science Fiction 1897:Science Fiction 1868:Science Fiction 1840: 1830:Science Fiction 1822:Science Fiction 1783:Science Fiction 1763: 1629:Murray Leinster 1609:Amazing Stories 1605:Miles J. Breuer 1583:Amazing Stories 1571:Science Fiction 1560:Julius Schwartz 1556:Science Fiction 1548:Science Fiction 1539:Science Fiction 1515: 1469:Science Fiction 1433: 1153:Science Fiction 1108: 1106: 1104: 1102: 660: 652:Science Fiction 644:Science Fiction 632:Science Fiction 610:Science Fiction 593:Donald Wollheim 585:Science Fiction 563:Amazing Stories 546: 544: 542: 327: 325: 284:Amazing Stories 274: 271:Science Fiction 124:Science Fiction 120: 88:Science Fiction 60:science fiction 38:Science Fiction 28: 23: 22: 15: 12: 11: 5: 3815: 3805: 3804: 3799: 3794: 3792:Pulp magazines 3789: 3784: 3779: 3774: 3769: 3764: 3747: 3746: 3744: 3743: 3738: 3732: 3730: 3726: 3725: 3723: 3722: 3715: 3712:Wonder Stories 3708: 3701: 3694: 3687: 3680: 3672: 3665: 3658: 3651: 3644: 3637: 3630: 3623: 3616: 3609: 3602: 3595: 3588: 3581: 3574: 3567: 3564:Secret Agent X 3560: 3553: 3546: 3539: 3532: 3525: 3522:Planet Stories 3518: 3511: 3504: 3497: 3490: 3483: 3476: 3469: 3462: 3455: 3452:Jungle Stories 3448: 3441: 3434: 3427: 3420: 3413: 3406: 3399: 3392: 3385: 3378: 3371: 3364: 3357: 3350: 3347:Cosmic Stories 3343: 3336: 3329: 3322: 3319:Captain Future 3315: 3308: 3301: 3294: 3287: 3280: 3273: 3265: 3263: 3259: 3258: 3255:pulp magazines 3244: 3243: 3236: 3229: 3221: 3196: 3195:External links 3193: 3192: 3191: 3182: 3159: 3153: 3140: 3131: 3125: 3108: 3102: 3087: 3081: 3066: 3060: 3045: 3036: 3030: 3015: 2998: 2989: 2983: 2966: 2960: 2943: 2937: 2924: 2918: 2901: 2895: 2883:Future Fiction 2878: 2872: 2857: 2854: 2852: 2851: 2842: 2833: 2824: 2815: 2806: 2794: 2785: 2771: 2762: 2753: 2741: 2732: 2723: 2714: 2705: 2687: 2678: 2666: 2657: 2648: 2639: 2625: 2616: 2594: 2585: 2567: 2558: 2546: 2532: 2523: 2511: 2499: 2490: 2478: 2462: 2453: 2439: 2427: 2418: 2384: 2368: 2358: 2356: 2353: 2351: 2350: 2324: 2315: 2305: 2303: 2300: 2280: 2279: 2276:Future Fiction 2266:Now and Beyond 2261: 2258:Future Fiction 2247: 2233: 2220: 2218:Future Fiction 2207: 2193: 2190:Future Fiction 2179: 2176:Future Fiction 2170:The Weird Ones 2119:Two issues of 2072: 2071: 2068: 2063: 2060: 2056: 2055: 2052: 2047: 2044: 2040: 2039: 2036: 2032:Combined with 2027: 2024: 2020: 2019: 2016: 2011: 2008: 2004: 2003: 2000: 1995: 1992: 1988: 1987: 1984: 1980:Combined with 1975: 1972: 1968: 1967: 1964: 1962:Future Fiction 1959: 1956: 1952: 1951: 1948: 1945: 1942: 1919: 1918: 1915: 1910: 1907: 1903: 1902: 1899: 1894: 1891: 1887: 1886: 1883: 1880: 1877: 1826:Future Fiction 1787:Future Fiction 1762: 1759: 1688:Philip K. Dick 1625:Lester del Rey 1579:Raymond Palmer 1565:A letter from 1552:Future Fiction 1523:Future Fiction 1514: 1511: 1454:Future Fiction 1446:Future Fiction 1436: 1435: 1425: 1424: 1422: 1420: 1418: 1416: 1414: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1393: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1367: 1364: 1361: 1357: 1356: 1354: 1351: 1349: 1346: 1343: 1340: 1337: 1334: 1332: 1329: 1327: 1324: 1320: 1319: 1317: 1314: 1312: 1309: 1307: 1304: 1302: 1299: 1297: 1294: 1292: 1289: 1285: 1284: 1282: 1279: 1277: 1274: 1272: 1269: 1267: 1264: 1262: 1259: 1257: 1254: 1250: 1249: 1247: 1244: 1242: 1239: 1237: 1234: 1232: 1229: 1227: 1224: 1222: 1219: 1215: 1214: 1211: 1208: 1205: 1202: 1199: 1196: 1193: 1190: 1187: 1184: 1181: 1178: 1159:again. Since 1111: 1110: 1094: 1093: 1091: 1089: 1087: 1085: 1083: 1081: 1079: 1077: 1074: 1072: 1069: 1067: 1063: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1039: 1037: 1034: 1032: 1028: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 993: 992: 990: 988: 986: 984: 979: 977: 975: 970: 968: 966: 961: 959: 955: 954: 952: 947: 945: 943: 941: 939: 937: 934: 932: 930: 927: 925: 921: 920: 918: 915: 913: 911: 909: 907: 905: 903: 901: 899: 897: 895: 891: 890: 888: 886: 883: 881: 878: 876: 873: 871: 869: 866: 864: 861: 857: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 822: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 794: 791: 787: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 752: 751: 749: 746: 743: 740: 737: 735: 733: 731: 729: 725: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 684: 681: 678: 675: 672: 670: 664:Future Fiction 659: 656: 636:Future Fiction 618:Futurian Times 606:Future Fiction 567:Future Fiction 559:Future Fiction 553: 552: 539:Future Fiction 534: 533: 531: 529: 527: 525: 523: 520: 518: 516: 513: 511: 508: 506: 502: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 467: 466: 463: 461: 458: 456: 453: 451: 449: 447: 444: 442: 440: 438: 434: 433: 431: 428: 426: 424: 422: 419: 417: 415: 413: 410: 408: 406: 402: 401: 399: 396: 394: 392: 390: 388: 386: 384: 382: 380: 378: 376: 372: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 341: 338: 335: 323:Future Fiction 314:Wonder Stories 309:Charles Hornig 293:Hugo Gernsback 277: 276: 266: 265: 263: 261: 259: 256: 254: 252: 249: 247: 245: 242: 240: 237: 233: 232: 230: 228: 225: 223: 221: 219: 216: 214: 212: 209: 207: 205: 201: 200: 197: 195: 192: 190: 187: 185: 182: 180: 178: 175: 173: 171: 167: 166: 163: 160: 157: 154: 151: 148: 145: 142: 139: 136: 133: 130: 119: 116: 84:Future Fiction 64:Charles Hornig 26: 9: 6: 4: 3: 2: 3814: 3803: 3800: 3798: 3795: 3793: 3790: 3788: 3785: 3783: 3780: 3778: 3775: 3773: 3770: 3768: 3765: 3763: 3760: 3759: 3757: 3742: 3739: 3737: 3734: 3733: 3731: 3727: 3721: 3720: 3716: 3714: 3713: 3709: 3707: 3706: 3702: 3700: 3699: 3695: 3693: 3692: 3688: 3686: 3685: 3681: 3679: 3677: 3676:Uncanny Tales 3673: 3671: 3670: 3666: 3664: 3663: 3659: 3657: 3656: 3652: 3650: 3649: 3645: 3643: 3642: 3638: 3636: 3635: 3631: 3629: 3628: 3624: 3622: 3621: 3617: 3615: 3614: 3610: 3608: 3607: 3606:Strange Tales 3603: 3601: 3600: 3596: 3594: 3593: 3589: 3587: 3586: 3582: 3580: 3579: 3575: 3573: 3572: 3571:Space Stories 3568: 3566: 3565: 3561: 3559: 3558: 3554: 3552: 3551: 3547: 3545: 3544: 3540: 3538: 3537: 3533: 3531: 3530: 3526: 3524: 3523: 3519: 3517: 3516: 3512: 3510: 3509: 3505: 3503: 3502: 3498: 3496: 3495: 3491: 3489: 3488: 3484: 3482: 3481: 3477: 3475: 3474: 3470: 3468: 3467: 3463: 3461: 3460: 3456: 3454: 3453: 3449: 3447: 3446: 3445:Ghost Stories 3442: 3440: 3439: 3435: 3433: 3432: 3428: 3426: 3425: 3421: 3419: 3418: 3414: 3412: 3411: 3407: 3405: 3404: 3400: 3398: 3397: 3393: 3391: 3390: 3386: 3384: 3383: 3379: 3377: 3376: 3372: 3370: 3369: 3365: 3363: 3362: 3358: 3356: 3355: 3351: 3349: 3348: 3344: 3342: 3341: 3337: 3335: 3334: 3330: 3328: 3327: 3323: 3321: 3320: 3316: 3314: 3313: 3309: 3307: 3306: 3302: 3300: 3299: 3295: 3293: 3292: 3288: 3286: 3285: 3281: 3279: 3278: 3274: 3272: 3271: 3267: 3266: 3264: 3260: 3256: 3253: 3249: 3242: 3237: 3235: 3230: 3228: 3223: 3222: 3219: 3215: 3213: 3212: 3208: 3202: 3188: 3183: 3179: 3175: 3171: 3167: 3166: 3160: 3156: 3154:0-600-38193-5 3150: 3146: 3141: 3137: 3136:The Futurians 3132: 3128: 3126:0-911682-15-5 3122: 3117: 3116: 3109: 3105: 3103:0-312-09618-6 3099: 3095: 3094: 3088: 3084: 3082:0-312-09618-6 3078: 3074: 3073: 3067: 3063: 3061:0-345-25452-X 3057: 3053: 3052: 3046: 3042: 3037: 3033: 3031:1-57392-702-3 3027: 3023: 3022: 3016: 3012: 3008: 3004: 2999: 2995: 2990: 2986: 2984:0-313-21221-X 2980: 2976: 2972: 2967: 2963: 2961:0-85323-779-4 2957: 2952: 2951: 2944: 2940: 2938:0-85323-865-0 2934: 2930: 2925: 2921: 2919:0-313-21221-X 2915: 2911: 2907: 2902: 2898: 2896:0-313-21221-X 2892: 2888: 2884: 2879: 2875: 2873:0-8092-8002-7 2869: 2865: 2860: 2859: 2846: 2837: 2828: 2819: 2810: 2801: 2799: 2789: 2780: 2778: 2776: 2766: 2757: 2748: 2746: 2736: 2727: 2718: 2709: 2700: 2698: 2696: 2694: 2692: 2682: 2673: 2671: 2661: 2652: 2643: 2634: 2632: 2630: 2620: 2611: 2609: 2607: 2605: 2603: 2601: 2599: 2589: 2580: 2578: 2576: 2574: 2572: 2562: 2553: 2551: 2541: 2539: 2537: 2527: 2518: 2516: 2506: 2504: 2494: 2485: 2483: 2473: 2471: 2469: 2467: 2457: 2448: 2446: 2444: 2434: 2432: 2422: 2413: 2411: 2409: 2407: 2405: 2403: 2401: 2399: 2397: 2395: 2393: 2391: 2389: 2379: 2377: 2375: 2373: 2363: 2359: 2339:. Al von Ruff 2338: 2331: 2329: 2319: 2310: 2306: 2299: 2297: 2293: 2289: 2285: 2282:In addition, 2277: 2273: 2267: 2262: 2259: 2253: 2248: 2245: 2239: 2234: 2232: 2226: 2221: 2219: 2213: 2208: 2205: 2199: 2194: 2191: 2185: 2180: 2177: 2171: 2166: 2165: 2164: 2162: 2161:Belmont Books 2158: 2154: 2150: 2145: 2143: 2139: 2135: 2131: 2127: 2122: 2117: 2114: 2109: 2107: 2103: 2099: 2095: 2091: 2087: 2083: 2079: 2069: 2067: 2064: 2061: 2058: 2057: 2053: 2051: 2048: 2045: 2042: 2041: 2037: 2035: 2031: 2028: 2025: 2022: 2021: 2017: 2015: 2012: 2009: 2006: 2005: 2001: 1999: 1996: 1993: 1990: 1989: 1985: 1983: 1979: 1976: 1973: 1970: 1969: 1965: 1963: 1960: 1957: 1954: 1953: 1949: 1946: 1943: 1940: 1939: 1936: 1934: 1930: 1926: 1916: 1914: 1911: 1908: 1905: 1904: 1900: 1898: 1895: 1892: 1889: 1888: 1884: 1881: 1878: 1875: 1874: 1871: 1869: 1864: 1862: 1858: 1854: 1850: 1846: 1839: 1835: 1831: 1827: 1823: 1819: 1817: 1812: 1808: 1804: 1800: 1796: 1792: 1788: 1784: 1776: 1772: 1767: 1758: 1755: 1751: 1750:R.A. Lafferty 1747: 1743: 1739: 1738: 1733: 1729: 1725: 1721: 1717: 1716:Caduceus Wild 1713: 1709: 1705: 1701: 1697: 1693: 1689: 1685: 1681: 1680:Poul Anderson 1677: 1672: 1670: 1666: 1662: 1658: 1654: 1650: 1646: 1642: 1641:H. Beam Piper 1638: 1637:Judith Merril 1634: 1630: 1626: 1622: 1617: 1612: 1610: 1606: 1602: 1598: 1594: 1590: 1589: 1584: 1580: 1576: 1572: 1568: 1563: 1561: 1557: 1553: 1549: 1545: 1544:Frank R. Paul 1540: 1532: 1528: 1524: 1519: 1510: 1508: 1504: 1500: 1493: 1490: 1486: 1482: 1476: 1474: 1470: 1466: 1462: 1457: 1455: 1451: 1447: 1443: 1431: 1426: 1423: 1421: 1419: 1417: 1415: 1413: 1411: 1408: 1406: 1403: 1401: 1398: 1395: 1394: 1391: 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1365: 1362: 1359: 1358: 1355: 1352: 1350: 1347: 1344: 1341: 1338: 1335: 1333: 1330: 1328: 1325: 1322: 1321: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1298: 1295: 1293: 1290: 1287: 1286: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1252: 1251: 1248: 1245: 1243: 1240: 1238: 1235: 1233: 1230: 1228: 1225: 1223: 1220: 1217: 1216: 1212: 1209: 1206: 1203: 1200: 1197: 1194: 1191: 1188: 1185: 1182: 1179: 1177: 1176: 1173: 1168: 1166: 1162: 1158: 1154: 1150: 1146: 1142: 1138: 1134: 1130: 1126: 1122: 1118: 1100: 1095: 1092: 1090: 1088: 1086: 1084: 1082: 1080: 1078: 1075: 1073: 1070: 1068: 1065: 1064: 1060: 1058: 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1029: 1025: 1023: 1020: 1018: 1015: 1013: 1010: 1008: 1005: 1003: 1000: 998: 995: 994: 991: 989: 987: 985: 983: 980: 978: 976: 974: 971: 969: 967: 965: 962: 960: 957: 956: 953: 951: 948: 946: 944: 942: 940: 938: 935: 933: 931: 928: 926: 923: 922: 919: 916: 914: 912: 910: 908: 906: 904: 902: 900: 898: 896: 893: 892: 889: 887: 884: 882: 879: 877: 874: 872: 870: 867: 865: 862: 859: 858: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 824: 823: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 789: 788: 785: 782: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 754: 753: 750: 747: 736: 734: 732: 730: 727: 726: 722: 719: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 687: 686: 671: 669: 668: 665: 655: 653: 649: 645: 641: 637: 633: 629: 627: 623: 619: 615: 614:Fantasy Times 611: 607: 603: 598: 594: 590: 589:Sam Moskowitz 586: 582: 578: 574: 573: 568: 564: 560: 550: 540: 535: 532: 530: 528: 526: 524: 521: 519: 517: 514: 512: 509: 507: 504: 503: 499: 497: 494: 492: 489: 487: 484: 482: 479: 477: 474: 472: 469: 468: 464: 462: 459: 457: 454: 452: 450: 448: 445: 443: 441: 439: 436: 435: 432: 429: 427: 425: 423: 420: 418: 416: 414: 411: 409: 407: 404: 403: 400: 397: 395: 393: 391: 389: 387: 385: 383: 381: 379: 377: 374: 373: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 336: 334: 333: 330: 324: 319: 316: 315: 310: 306: 302: 298: 294: 291:published by 290: 289:pulp magazine 286: 285: 272: 267: 264: 262: 260: 257: 255: 253: 250: 248: 246: 243: 241: 238: 235: 234: 231: 229: 226: 224: 222: 220: 217: 215: 213: 210: 208: 206: 203: 202: 198: 196: 193: 191: 188: 186: 183: 181: 179: 176: 174: 172: 169: 168: 164: 161: 158: 155: 152: 149: 146: 143: 140: 137: 134: 131: 129: 128: 125: 115: 113: 109: 105: 101: 95: 93: 89: 85: 81: 77: 73: 72:pulp magazine 69: 65: 61: 57: 56: 51: 50: 43: 42:Frank R. Paul 39: 34: 30: 19: 3717: 3710: 3703: 3696: 3689: 3682: 3675: 3667: 3660: 3653: 3646: 3639: 3632: 3625: 3618: 3611: 3604: 3597: 3590: 3583: 3576: 3569: 3562: 3557:The Scorpion 3555: 3548: 3541: 3534: 3528: 3527: 3520: 3513: 3508:Other Worlds 3506: 3499: 3492: 3485: 3478: 3471: 3464: 3457: 3450: 3443: 3436: 3430: 3429: 3422: 3415: 3408: 3401: 3394: 3387: 3380: 3373: 3366: 3361:Doctor Death 3359: 3352: 3345: 3338: 3333:Captain Zero 3331: 3324: 3317: 3310: 3303: 3296: 3289: 3282: 3275: 3268: 3210: 3206: 3198: 3186: 3172:(1): 84–92. 3169: 3163: 3144: 3135: 3114: 3092: 3071: 3050: 3040: 3020: 3002: 2993: 2974: 2970: 2949: 2928: 2909: 2905: 2886: 2882: 2863: 2845: 2836: 2827: 2818: 2809: 2788: 2765: 2756: 2735: 2726: 2717: 2708: 2681: 2660: 2651: 2642: 2619: 2588: 2561: 2526: 2493: 2456: 2421: 2362: 2341:. Retrieved 2318: 2309: 2295: 2291: 2287: 2281: 2275: 2271: 2265: 2257: 2251: 2243: 2237: 2230: 2224: 2217: 2211: 2203: 2197: 2189: 2183: 2175: 2169: 2152: 2148: 2146: 2141: 2125: 2120: 2118: 2112: 2110: 2105: 2101: 2085: 2081: 2075: 2065: 2049: 2033: 2029: 2013: 1997: 1981: 1977: 1961: 1941:Start month 1932: 1928: 1924: 1922: 1912: 1896: 1876:Start month 1867: 1865: 1860: 1856: 1852: 1848: 1844: 1837: 1833: 1829: 1825: 1821: 1820: 1815: 1810: 1806: 1802: 1798: 1794: 1786: 1782: 1780: 1770: 1753: 1746:Isaac Asimov 1735: 1723: 1715: 1707: 1703: 1699: 1695: 1691: 1684:Algis Budrys 1675: 1673: 1668: 1661:Damon Knight 1657:William Tenn 1633:Fritz Leiber 1615: 1613: 1608: 1592: 1586: 1582: 1570: 1567:Ray Bradbury 1564: 1555: 1551: 1547: 1538: 1536: 1531:Milton Luros 1526: 1522: 1506: 1502: 1498: 1495: 1488: 1484: 1480: 1478: 1472: 1468: 1464: 1460: 1458: 1453: 1449: 1445: 1441: 1439: 1429: 1171: 1164: 1160: 1156: 1152: 1148: 1144: 1140: 1136: 1133:digest-sized 1128: 1124: 1120: 1116: 1114: 1098: 981: 972: 963: 949: 663: 651: 647: 643: 639: 635: 631: 630: 625: 617: 613: 609: 605: 601: 584: 577:draft notice 570: 566: 562: 558: 556: 548: 538: 328: 322: 312: 304: 282: 280: 270: 123: 104:William Tenn 96: 91: 87: 83: 75: 54: 53: 48: 47: 46: 37: 29: 3698:Weird Tales 3494:Operator #5 3487:The Octopus 3270:Ace Mystery 2157:Ivan Howard 2098:Springfield 1836:, retained 1621:James Blish 1597:M.M. Kaplan 1575:Mike Ashley 579:; he was a 3756:Categories 3678:(Canadian) 3578:The Spider 3480:New Worlds 3466:Mind Magic 3354:Doc Savage 2355:References 1944:End month 1879:End month 1737:SF Impulse 1712:Ward Moore 1428:Issues of 1097:Issues of 537:Issues of 269:Issues of 3262:Magazines 3011:0891-9623 2288:Blue Moon 1611:in 1938. 1492:confused. 1489:Future SF 1481:Future SF 1475:, saying 622:Futurians 1690:. Once 1659:, which 581:pacifist 3729:Related 3684:Unknown 3417:Fantasy 3252:fantasy 3178:4239976 2856:Sources 2343:19 July 2062:Apr-60 2059:Jul-52 2046:May-52 2043:Jan-52 2026:Nov-51 2023:May-50 2010:Jul-43 2007:Apr-43 1994:Feb-43 1991:Oct-42 1974:Aug-42 1971:Oct-41 1958:Aug-41 1955:Nov-39 1909:May-60 1893:Sep-41 1890:Mar-39 1651:, and " 683:Winter 547:titled 106:, and " 3176:  3151:  3123:  3100:  3079:  3058:  3028:  3009:  2981:  2958:  2935:  2916:  2893:  2870:  2292:Future 2252:Things 2153:Future 2128:, but 2126:Future 2106:Future 2082:Future 2030:Future 1978:Future 1947:Title 1933:Future 1882:Title 1857:Future 1849:Future 1845:Future 1838:Future 1811:Future 1807:Future 1795:Future 1724:Future 1696:Future 1686:, and 1669:Future 1643:, and 1616:Future 1603:, and 1593:Future 1165:Future 1157:Future 1149:Future 1141:Future 1129:Future 1117:Future 677:Summer 674:Spring 626:Future 3340:Comet 3174:JSTOR 2302:Notes 1906:1953 1841:' 1655:" by 1614:When 1440:Both 1396:1960 1360:1959 1323:1958 1288:1957 1253:1956 1218:1955 1066:1960 1031:1959 996:1958 958:1957 924:1956 894:1955 860:1954 825:1953 790:1952 755:1951 728:1950 505:1943 470:1942 437:1941 405:1940 375:1939 236:1941 204:1940 170:1939 110:" by 102:" by 3250:and 3209:and 3149:ISBN 3121:ISBN 3098:ISBN 3077:ISBN 3056:ISBN 3026:ISBN 3007:ISSN 2979:ISBN 2956:ISBN 2933:ISBN 2914:ISBN 2891:ISBN 2868:ISBN 2345:2014 1851:and 1797:and 1775:Emsh 1710:and 1627:and 1585:and 1554:and 1444:and 1409:11/2 1404:11/1 1399:10/6 1389:10/5 1384:10/4 1379:10/3 1374:10/2 1369:10/1 1213:Dec 723:Dec 680:Fall 500:3/2 465:2/2 370:Dec 287:, a 199:1/5 165:Dec 52:and 2151:or 2138:2/- 2134:1/6 2070:35 2038:10 1917:38 1901:12 1789:. 1366:9/6 1363:9/5 1353:9/4 1348:9/3 1345:9/2 1342:9/1 1339:8/7 1336:8/6 1331:8/5 1326:8/4 1316:8/3 1311:8/2 1306:8/1 1301:7/6 1296:7/5 1291:7/4 1281:7/3 1276:7/2 1271:7/1 1266:6/6 1261:6/5 1256:6/4 1246:6/3 1241:6/2 1236:6/1 1231:5/6 1226:5/5 1221:5/4 1210:Nov 1207:Oct 1204:Sep 1201:Aug 1198:Jul 1195:Jun 1192:May 1189:Apr 1186:Mar 1183:Feb 1180:Jan 1061:46 1026:40 885:5/3 880:5/2 875:5/1 868:4/6 863:4/5 853:4/4 848:4/3 843:4/2 838:4/1 833:3/6 828:3/5 818:3/4 813:3/3 808:3/2 803:3/1 798:2/6 793:2/5 783:2/4 778:2/3 773:2/2 768:2/1 763:1/6 758:1/5 748:1/4 745:1/3 742:1/2 739:1/1 720:Nov 717:Oct 714:Sep 711:Aug 708:Jul 705:Jun 702:May 699:Apr 696:Mar 693:Feb 690:Jan 522:3/5 515:3/4 510:3/3 495:3/1 490:2/6 485:2/5 480:2/4 475:2/3 460:2/1 455:1/6 446:1/5 430:1/4 421:1/3 412:1/2 398:1/1 367:Nov 364:Oct 361:Sep 358:Aug 355:Jul 352:Jun 349:May 346:Apr 343:Mar 340:Feb 337:Jan 326:and 258:2/6 251:2/5 244:2/4 239:2/3 227:2/2 218:2/1 211:1/6 194:1/4 189:1/3 184:1/2 177:1/1 162:Nov 159:Oct 156:Sep 153:Aug 150:Jul 147:Jun 144:May 141:Apr 138:Mar 135:Feb 132:Jan 3758:: 3170:17 3168:. 2797:^ 2774:^ 2744:^ 2690:^ 2669:^ 2628:^ 2597:^ 2570:^ 2549:^ 2535:^ 2514:^ 2502:^ 2481:^ 2465:^ 2442:^ 2430:^ 2387:^ 2371:^ 2327:^ 2298:. 2108:. 2054:3 2018:2 2002:3 1986:6 1966:6 1935:: 1870:: 1730:; 1682:, 1639:, 1635:, 1623:, 1599:, 1076:48 1071:47 1056:45 1051:44 1046:43 1041:42 1036:41 1021:39 1016:38 1011:37 1006:36 1001:35 982:34 973:33 964:32 950:31 936:30 929:29 917:28 551:. 114:. 3240:e 3233:t 3226:v 3180:. 3157:. 3129:. 3106:. 3085:. 3064:. 3034:. 3013:. 2987:. 2964:. 2941:. 2922:. 2899:. 2876:. 2347:. 2278:. 2260:. 2246:. 2206:. 2192:. 2178:. 1777:. 1533:. 20:)

Index

Future Combined with Science Fiction

Frank R. Paul
science fiction
Charles Hornig
Robert W. Lowndes
pulp magazine
Louis Silberkleit
The Liberation of Earth
William Tenn
If I Forget Thee, Oh Earth
Arthur C. Clarke
Amazing Stories
pulp magazine
Hugo Gernsback
Louis Silberkleit
Blue Ribbon Magazines
Charles Hornig
Wonder Stories
Science Fiction Quarterly
draft notice
pacifist
Sam Moskowitz
Donald Wollheim
Robert W. Lowndes
Futurians
digest-sized

Milton Luros
Frank R. Paul

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑