350:
songwriter watches a film and says, 'Oh right, I've got the song for that. I just went for it and I wrote songs and passed them back to
Virginia. She would go back and try to find footage that would fit it or she would reject things outright because they were too literal. So I had to hope that what I'd seen in these short films was worthy of writing a song about – and if I'd gone off piste a bit she'd be able to go back and find things that didn't make certain lyrics stand out like a sore thumb."
489:, stating: "My dad's in this album a lot. There are a lot of songs on it that have little jokes in them for me, or for my dad. , "Leaf Piece", that comes from my mum, that's what she always called it – 'Don't forget your leaf piece!' It's a bag of crisps, or an apple, or a cheese piece. It was a big thing, it was the first break in the day when you were . You couldn't wait to get your leaf piece. I think it's maybe meant to be 'leave piece' originally – I wonder if it got Anderson-ised."
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346:. Initially hesitant, Anderson noted "I'm traditionally pretty bad when there's a deadline. It's not that I wouldn't deliver something, it's just that I didn't think it would be any good. They kept the Commonwealth Games out of the conversation for a while. I think they thought that once I heard the C-word I would back out all together."
520:(2000). Anderson noted: "The original sentiment I had for "Harper's Dough" was really personal – it was just, you know, can you not pull yourself up by your own bootstraps. It was never a protest song, but now it is. It's one of the most powerful bits in the film. And of course, you can make these big sweeping sentiments –
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they'd have a sherry at New Year and that would be it. So I was thinking, big nights out must have been few and far between, and when you did go out, there would be no holding back. If your drunk character – because everyone's got one – could only come out once a year, it would be hugely exaggerated."
410:
Vignettes include miners smoking, couples skating on frozen rivers, a sandwich-board boy advertising
Auchtermuchty Flower Show, shipworkers, children being drilled in gasmask wearing, a bombed-out classroom, the old industrial banks of the Clyde, trams going to Scotstoun and Partick, milkmen, cranes,
349:
With
Anderson on board, he stated: "I haven't really worked with a director before, but I've had directors get in touch and ask if they can use certain songs. That's one thing when a director has their film made and they connect with something that you've written, but it's completely different when a
492:
Regarding the track "For One Night Only", Anderson stated: "It was originally called "Fighting and
Shagging". I found that one really hard to write. I knew we needed this upbeat, going-out song, but I can't do that. I'm sure people go out a lot more now than they used to. Even my gran's generation,
395:
Heath researched this material over several months, watching hundreds of films in the archive. "The themes are broadly love and loss, work and leisure, resistance and immigration, fighting for justice," she says. "The big themes of the 20th century, mixed with a bit of fun and lightheartedness. It’s
399:
Heath sent
Anderson a storyboard broken down into three-minute sections showing the different storylines she wanted to pursue. She created fragments of visual material, which he responded to with music. The visuals were returned to the editing room for further development and then sent back again.
306:
Regarding the album, and its film counterpart, Anderson stated: "It's basically just looking at ourselves in the past – it's like looking at your grandparents' or your great grandparents' generation goofing about, just doing what they're doing. But you have to remember that it wasn't the past for
391:
On choosing to work with King
Creosote, Heath said: "We came to Kenny because we felt he had a great storytelling ability in his lyrics. We knew that to get across some of the complexity of the sequences we wanted, we needed someone who could translate feelings and stories into song."
524:
does it all the time – but I don't. Before it was about how I felt like the worst person ever and had to do something about myself; now it's about changing the world. Wow. And I can't take credit for that, that's down to
Virginia – the footage she used and gave me to write from."
403:
It explores themes of love, loss, resistance, migration, work and play, referencing heavy industry, Scotland's shipbuilding past, the fishing industry, war, urbanisation and emigration. It also celebrates community, a good night out and a holiday by the seaside.
414:
The accompanying music is judged to go with the images on screen, for example a playground motif for girls rope-skipping down the street, jaunty music for trips to the seaside, and racier sounds for a sequence on dating and nightlife.
342:. Kenny Anderson was subsequently approached to craft its soundtrack, whilst recovering from a broken leg, looking forward to the birth of his child, and experiencing the potential collapse of his long-running record label,
358:
The film is a 75-minute documentary created entirely from archive film material from the
National Library of Scotland and Scottish Screen Archive. It is purely visual with no voiceover - only a musical soundtrack.
407:"I wanted to make a film about ordinary people," Heath said. "What really interested me was ordinary people's lives and the way people made things, were proud of making things, the sense of community."
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in response to an open call for submissions. The team took inspiration from the similar combination of archive footage and live scoring by contemporary musicians (in that case,
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The film premiered on BBC Scotland on Sunday 22 June 2014. There were a series of live open-air screenings during the
Commonwealth Games.
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The track "Miserable
Strangers" features a reprise of the chorus from "678"; a song which previously appeared on the studio album
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a universal story but with a strongly Scottish flavour, although we did try and avoid the usual clichés about the country."
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507:(2005). A full re-recording of "678" appears during the course of the film, and is included on the deluxe edition of
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Upon the album's release, Kenny Anderson noted that there are references to his mother and father throughout
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David McAulay – electric and acoustic guitar, keyboards, synths, banjo, mandolin, percussion, backing vocals
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the dead landmark of Ravenscraig steel works, tanks in George Square, and dancing at the Barrowlands.
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The song "Pauper's Dough" is a reworking of the song "Harper's Dough", which previously appeared on
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2001:
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1996:
1911:
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314:; Creosote's highest-charting album to date. The album also peaked at number one on the
1291:"Official Record Store Albums Top 40 - 1st September 2012 the UK Charts | Top 40"
1260:"Official Albums Chart UK Top 100 - 1st March 2014 | the UK Charts | Top 40"
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Released to widespread critical acclaim, the album reached number twenty-one in the
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442:, with producer David McAulay. The album also features additional production from
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rating out of 100 to reviews from mainstream critics, the album has received an
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The film was commissioned as part of the Cultural Festival accompanying the
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1235:"No tartan, no shortbread – King Creosote portrays a different Scotland"
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The album was produced by David McAulay and released on 21 July 2014 on
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1376:"Kenny's Loggin' The Past: King Creosote's Scots' History Soundtrack"
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them - they were right at the cutting edge of time like we are now."
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They Flock Like Vulcans to See Old Jupiter Eyes on His Home Craters
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Heath pitched for the project alongside her partner Grant Keir and
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score of 81, based on 9 reviews, indicating "universal acclaim".
1623:
450:, who had previously worked with Anderson on his studio albums,
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on 31 July 2014. It was produced by Faction North, Crossover,
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1035:– additional production, engineer, mixing (1, 3, 4, 6 and 10)
38:
1705:
1999: An Endless Round of Balls (Parties and Social Events)
521:
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received widespread critical acclaim upon its release. At
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David McAulay – producer, mixing (2, 5, 7, 8, 9 and 11)
1170:, Sheffield Hallam University, retrieved 4 August 2014
426:
After a composing session in a studio near Loch Fyne,
245:
is a documentary feature film produced by Grant Kier,
330:
Director Virginia Heath was commissioned to create a
276:. It was screened with live musical accompaniment on
465:The album also features musical contributions from
947:– vocals, accordion, wine glasses, acoustic guitar
473:'s Pete Harvey and Kate Miguda, and The Delgados'
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1988:
1327:‘’A Century in Film: From Scotland with Love’’
1761:King Creosote Says "Buy The Bazouki Hair Oil"
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1160:From Scotland With Love - feature documentary
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184:Grant Keir and Heather Croall and Mark Atkin
1191:Film/Album preview: From Scotland with Love
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1599:"Official Independent Albums Chart Top 50"
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1212:, Glasgow2014.com, retrieved 4 August 2014
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1473:"King Creosote – From Scotland with Love"
1450:"King Creosote – From Scotland with Love"
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1567:"Official Scottish Albums Chart Top 100"
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1198:, 13 July 2014, retrieved 4 August 2014
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992:Grant Keir – backing vocals, percussion
1989:
1965:My Nth Bit of Strange in Umpteen Years
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950:Derek O'Neil – piano, keyboards, organ
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1940:John Taylor's Month Away / Missionary
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2027:British documentary television films
1498:. dorwnedinsound.com. Archived from
1345:"TV review: From Scotland With Love"
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533:
1796:Kenny and Beth's Musakal Boat Rides
1373:
13:
2062:English-language documentary films
1424:
1147:
469:'s Louis Abbott and Kevin Brolly,
14:
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1612:
1404:"From Scotland with Love Reviews"
1019:Beatroute Street Singers – vocals
953:Andy Robinson – drums, percussion
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2047:Documentary films about Scotland
1546:"From Scotland with Love review"
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1343:McDowall, Julie (22 June 2014).
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2012:Domino Recording Company albums
1583:"Official Albums Chart Top 100"
1544:Carnwath, Ally (19 July 2014).
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1514:
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1464:
1441:
1418:
1233:Aitken, Stuart (23 June 2014).
995:Amy MacDougall – backing vocals
379:that had also been produced by
377:From the Sea to the Land Beyond
340:2014 Glasgow Commonwealth Games
274:2014 Glasgow Commonwealth Games
1859:That Might Well Be It, Darling
1448:James, Gareth (24 July 2014).
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1201:
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459:That Might Well Be It, Darling
265:by Scottish singer-songwriter
1:
1605:. Retrieved 4 November 2023.
1589:. Retrieved 4 November 2023.
1573:. Retrieved 4 November 2023.
1140:
496:
325:
318:, and at number three on the
2052:2010s English-language films
2022:BBC television documentaries
1521:Hewitt, Ben (20 July 2014).
1494:Peyton, Tim (18 July 2014).
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1118:
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1061:National Library of Scotland
1010:Jenny Reeve – backing vocals
971:– cello, string arrangements
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933:
879:"Bluebell, Cockleshell, 123"
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282:National Library of Scotland
7:
10:
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2032:Scottish documentary films
1684:Inner Crail to Outer Space
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1956:
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1852:That Might Be It, Darling
1754:Radge Weekend Starts Here
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1496:"From Scotland with Love"
1427:"From Scotland with Love"
1333:, retrieved 4 August 2014
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974:Asher Zaccardelli – viola
813:"Something to Believe In"
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1905:I Learned from the Gaels
1880:Astronaut Meets Appleman
301:Domino Recording Company
140:Astronaut Meets Appleman
1873:From Scotland with Love
1603:Official Charts Company
1587:Official Charts Company
1571:Official Charts Company
1209:From Scotland with Love
1078:From Scotland with Love
1064:Scottish Screen Archive
1051:Paul J. Street – design
1048:Matthew Cooper – design
790:From Scotland with Love
765:From Scotland with Love
509:From Scotland from Love
487:From Scotland with Love
481:Writing and composition
428:From Scotland with Love
353:
338:, to coincide with the
286:Scottish Screen Archive
242:From Scotland with Love
158:From Scotland with Love
131:From Scotland with Love
24:From Scotland with Love
2017:2014 documentary films
1076:Chart performance for
207:22 June 2014
16:Album by King Creosote
1733:12 O'Clock on the Dot
1670:Queen of Brush County
1619:Official film website
1166:8 August 2014 at the
1125:UK Independent Albums
1038:Guy Davie – mastering
846:"Miserable Strangers"
517:12 O'Clock on the Dot
334:, featuring Scottish
320:Scottish Albums Chart
316:UK Record Store Chart
2042:Films without speech
2037:Works about Scotland
2007:King Creosote albums
1866:Sure & Steadfast
977:Emma Peebles – viola
868:"For One Night Only"
574:Professional ratings
288:in association with
122:Sure & Steadfast
2057:2010s British films
1912:To Deal with Things
1272:on 23 February 2014
1080:
1024:Recording personnel
956:Pete Macleod – bass
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575:
1075:
788:
771:, which assigns a
573:
553:. You can help by
269:(Kenny Anderson).
1984:
1983:
1548:. theguardian.com
1425:Monger, Timothy.
1374:Meighan, Nicola.
1303:on 27 August 2012
1239:theguardian.co.uk
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534:Critical response
372:British Sea Power
294:Creative Scotland
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912:"Pauper’s Dough"
890:"One Floor Down"
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253:and directed by
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63:Chem19 Studios
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
15:
9:
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4:
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2020:
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2015:
2013:
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1998:
1995:
1994:
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1977:
1976:Fence Records
1974:
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1817:Vintage Quays
1814:
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1810:Rocket D.I.Y.
1807:
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1698:Gink Scootere
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1662:Studio albums
1660:
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1655:King Creosote
1649:
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1084:Chart (2014)
1082:
1079:
1066:– photographs
1065:
1062:
1059:
1057:– logo design
1056:
1055:Nick Phillips
1053:
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795:
792:track listing
791:
783:Track listing
780:
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602:Review scores
600:
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582:
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565:
562:November 2023
556:
552:
549:This section
547:
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397:
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333:
323:
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317:
313:
308:
304:
302:
297:
295:
291:
287:
283:
279:
278:Glasgow Green
275:
270:
268:
267:King Creosote
264:
260:
256:
252:
248:
244:
243:
233:
229:
225:
221:
206:
205:
203:
197:
194:
193:King Creosote
191:
187:
183:
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175:
171:
167:
162:
159:
155:
142:
141:
137:
133:
132:
128:
124:
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119:
118:
114:
110:
109:King Creosote
106:
103:David McAulay
102:
100:
96:
93:
90:
88:
84:
81:
78:
76:
72:
68:
64:
61:
57:
53:
49:
45:
44:King Creosote
40:
36:
32:
27:
22:
19:
1963:
1947:Honest Words
1945:
1933:Diamond Mine
1931:
1910:
1903:
1885:
1878:
1872:
1871:
1864:
1857:
1850:
1845:Flick the Vs
1843:
1836:
1829:
1822:
1815:
1808:
1801:
1794:
1787:
1780:
1773:
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1759:
1752:
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1731:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1677:Rain Weekend
1675:
1668:
1594:
1578:
1562:
1550:. Retrieved
1539:
1527:. Retrieved
1516:
1504:. Retrieved
1500:the original
1489:
1477:. Retrieved
1475:. diymag.com
1471:Moss, Will.
1466:
1454:. Retrieved
1443:
1431:. Retrieved
1420:
1408:. Retrieved
1383:. Retrieved
1379:
1352:. Retrieved
1348:
1338:
1330:
1305:. Retrieved
1301:the original
1294:
1285:
1274:. Retrieved
1270:the original
1263:
1254:
1242:. Retrieved
1238:
1208:
1203:
1196:The Scotsman
1195:
1190:
1159:
1077:
1014:Emma Pollock
999:Louis Abbott
963:Kevin Brolly
901:"Crystal 8s"
857:"Leaf Piece"
789:
764:
763:
727:The Observer
725:
713:
701:
663:
651:
559:
555:adding to it
550:
515:
513:
508:
502:
500:
491:
486:
484:
475:Emma Pollock
464:
457:
453:Flick the Vs
451:
444:The Delgados
427:
425:
417:
413:
409:
406:
402:
398:
394:
390:
375:
361:
357:
348:
329:
309:
305:
298:
290:BBC Scotland
271:
263:studio album
259:soundtracked
241:
240:
239:
200:Release date
157:
138:
130:
129:
120:
54:21 July 2014
39:Studio album
18:
2002:2014 albums
1924:Jon Hopkins
1824:KC Rules OK
1789:Psalm Clerk
1331:Radio Times
1033:Paul Savage
987:Paul Savage
981:Kate Miguda
969:Pete Harvey
504:KC Rules OK
456:(2009) and
448:Paul Savage
181:Produced by
173:Directed by
1997:2014 films
1991:Categories
1768:Disclaimer
1349:The Herald
1307:2012-09-01
1276:2014-02-23
1141:References
965:– clarinet
773:normalized
769:Metacritic
593:Metacritic
497:Reworkings
385:Mark Atkin
368:Mark Atkin
326:Background
251:Mark Atkin
211:2014-06-22
111:chronology
69:, Scotland
1831:Bombshell
1803:Sea Glass
1712:Wednesday
1691:Or Is It?
1525:. NME.com
1354:4 October
1110:UK Albums
1089:position
939:Musicians
934:Personnel
824:"Cargill"
529:Reception
471:Meursault
422:Recording
1552:8 August
1506:8 August
1479:8 August
1456:8 August
1164:Archived
983:– violin
616:AllMusic
462:(2013).
440:Scotland
436:Blantyre
231:Language
189:Music by
99:Producer
67:Blantyre
59:Recorded
51:Released
41: by
1529:22 July
1433:22 July
1410:22 July
1385:24 July
1244:24 July
1043:Artwork
989:– drums
835:"Largs"
777:average
234:English
223:Country
209: (
144:(2016)
135:(2014)
126:(2013)
1740:Stinks
1726:I Am 9
1071:Charts
805:Length
610:Rating
607:Source
597:81/100
587:Rating
584:Source
92:Domino
1922:With
1887:I Des
802:Title
653:Clash
434:, in
374:) on
344:Fence
87:Label
75:Genre
1554:2014
1531:2014
1508:2014
1481:2014
1458:2014
1435:2014
1412:2014
1387:2014
1356:2020
1246:2014
1087:Peak
926:1:36
915:5:05
904:2:12
893:3:05
882:2:08
871:4:09
860:5:32
849:4:47
838:3:53
827:3:16
816:3:14
720:6/10
708:8/10
658:8/10
522:Bono
383:and
366:and
354:Film
292:and
284:and
249:and
80:Folk
1897:EPs
1129:OCC
1119:21
1114:OCC
1099:OCC
920:11.
909:10.
798:No.
715:NME
665:DIY
557:.
1993::
1601:.
1585:.
1569:.
1395:^
1378:.
1364:^
1347:.
1329:,
1316:^
1293:.
1262:.
1237:.
1217:^
1194:,
1175:^
1149:^
1134:4
1131:)
1116:)
1104:3
1101:)
898:9.
887:8.
876:7.
865:6.
854:5.
843:4.
832:3.
821:2.
810:1.
511:.
477:.
446:'
438:,
322:.
303:.
296:.
257:,
65:;
1942:"
1938:"
1747:G
1647:e
1640:t
1633:v
1556:.
1533:.
1510:.
1483:.
1460:.
1437:.
1414:.
1389:.
1358:.
1310:.
1279:.
1248:.
1127:(
1112:(
1097:(
564:)
560:(
387:.
213:)
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