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Babs to fetch his belongings from the pub, so he can flee. While there, Babs runs into Rusk, who offers to let her use his flat for the night. After taking Babs there, he rapes and murders her. He hides her body in a sack and, late that night, stows it in the back of a lorry hauling potatoes. Back in his room, Rusk discovers that his distinctive jewelled tie pin (with the initial R) is missing, and realises that Babs must have torn it off while he was strangling her. Knowing the tie pin will incriminate him, Rusk goes to retrieve it, but the lorry starts off on its journey while he is still inside. In spite of the bumpy ride, he retrieves the pin that is still clutched in Babs's hand. Dishevelled and covered in potato-dust, he gets out at a roadside café, then returns to his Covent Garden flat. When Babs's body is discovered, Blaney is suspected of her murder as well as Brenda's.
789:" After an enigmatic, behind-the-scenes melodrama, the composer was fired. He never understood the experience, insisting that his score sounded nothing like Herrmann's work. Mancini had to pay all transportation and accommodation costs himself. In his autobiography, Mancini reports that the discussions between himself and Hitchcock seemed clear, and he thought he understood what was wanted; but he was replaced and flew back home to Hollywood. The irony was that Mancini was being second-guessed for being too dark and symphonic after having been criticised for being too light before. Mancini's experience with
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where Rusk lived (and Babs met her untimely demise). Oxford Street, which had the back alley (Dryden
Chambers, now demolished) leading to Brenda Blaney's matrimonial agency, is the busiest shopping area in Britain. Nell of Old Drury, which is the public house where the doctor and solicitor had their frank, plot-assisting discussion on sex killers, is still a thriving bar. The lanes where merchants and workers once carried their produce, as seen in the film, are now occupied by tourists and street performers.
395:. He laments his loss with his friend Bob Rusk, who runs a fruit and vegetable stall in Covent Garden. Rusk consoles him and gives a tip on a forthcoming horse-race, but Blaney has no money to bet. He visits his ex-wife Brenda, who runs a successful matchmaking agency, and complains loudly about his situation. They briefly argue, but she invites him to dinner. Broke, Blaney ends up spending the night at a Salvation Army shelter, where he discovers that Brenda has slipped money into his coat pocket.
411:
revealed that that was not Rusk but a woman already dead in Rusk's bed, strangled with Rusk's necktie. Inspector Oxford, who has anticipated that Blaney would go after Rusk, arrives to find Blaney with the dead woman. Just as Blaney begins to protest his innocence, the two hear a loud banging noise coming from the stairwell. Rusk enters, dragging a large trunk into the flat, and is confronted by Blaney and Oxford. Realising that his game is well and truly up, Rusk drops the trunk in defeat.
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street, where the usual activity in the market district goes on with patrons unaware that a murder is occurring in the building. A second sequence set in the back of a delivery truck full of potatoes increases the suspense, as the murderer Rusk attempts to retrieve his tie pin from the corpse of Babs. Rusk struggles with the hand and has to break the fingers of the corpse in order to retrieve his tie pin and try to escape unseen from the truck.
407:
away to prison, Blaney loudly protests that he is innocent and that Rusk is the real killer. Chief
Inspector Oxford reconsiders the evidence and quietly investigates Rusk. He discusses the case with his wife while trying to avoid eating the unappetising food she has learned to prepare in an "exotic cooking" course.
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was unsure what to make of the picture, noting an "old-fashioned air" to it that seemed to suggest that
Hitchcock's return to England "signalled a regression to an almost pre-war style of filmmaking". It concluded: "For all its apparent awkwardness of script and characterisation (Jon Finch especially
406:
Blaney, unaware that Rusk is the actual murderer, turns to him for help. Rusk offers to hide Blaney at his flat and then tips off the police. In the face of this treachery, Blaney realises that Rusk must be the murderer. At the trial, the jury finds Blaney guilty. During the trial and while being led
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On the following day, Rusk, whom the agency has turned away because of his creepy sexual proclivities, arrives at Brenda's office. Finding her alone, he rapes her, then strangles her with his necktie, revealing that he is the serial killer whom the newspapers have dubbed the "Necktie
Murderer". After
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and was an homage to the London of
Hitchcock's childhood. The son of a Covent Garden merchant himself, Hitchcock filmed several key scenes showing the area as the working produce market it was. Aware that the area's days as a market were numbered, Hitchcock wanted to record the area as he remembered
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Blaney, now in prison, vows to escape and avenge himself on Rusk. He deliberately injures himself and is taken to the hospital, where his fellow inmate patients help him escape. He goes to Rusk's flat; Rusk is not there, but Blaney, thinking that Rusk is sleeping, hits that person on the head. It is
402:
Blaney meets up with Babs
Milligan, his former pub co-worker, and convinces her that he is innocent. The two stay at a hotel, where they make love, then narrowly dodge the police. They appeal to one of Blaney's RAF buddies for help, but the man's wife refuses to harbour a fugitive. Blaney persuades
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The part of London shown in the film still exists more or less intact, but the fruit and vegetable market no longer operates from that site, having relocated in 1974. The buildings seen in the film are now occupied by banks and legal offices, restaurants and nightclubs, such as
Henrietta Street,
737:
in the film, particularly the long tracking shot down the stairs when Babs is murdered. The camera moves down the stairs, out of the doorway (with a rather clever edit just after the camera exits the door which marks where the scene moves from the studio to the location footage) and across the
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gave the film his highest grade of four stars, calling it "a return to old forms by the master of suspense, whose newer forms have pleased movie critics but not his public. This is the kind of thriller
Hitchcock was making in the 1940s, filled with macabre details, incongruous humor, and the
38:
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also posted a rave review, declaring: "Ingeniously fresh story-telling ideas, stamped with the same mischievous, audacious and often outrageous mixture of humor and suspense that first made him and later sustained him, make the
Universal release one of Hitchcock's major achievements."
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After a pair of unsuccessful films depicting political intrigue and espionage, Hitchcock returned to the murder genre with this film. The narrative makes use of the familiar
Hitchcock theme of an innocent man overwhelmed by circumstantial evidence and wrongly assumed to be guilty.
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as a new classic and the triumphant return of the master of suspense are, to put it kindly, exaggerating the occasion ... If this picture had been made by anyone else, it would be described, justly, as a mildly diverting attempt to imitate Hitchcock."
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was Hitchcock's first choice for the role of Rusk, the main antagonist, but as Caine later said, "He offered me the part of a sadist who murdered women and I won't play that. I have a sort of moral thing and I refused to play it and he never spoke to me
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is the dazzling proof. It is not at the level of his greatest work, but it is smooth and shrewd and dexterous, a reminder that anyone who makes a suspense film is still an apprentice to this old master." In its 2012 review,
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it. According to the 'making-of' feature on the DVD, an elderly man who remembered Hitchcock's father as a dealer in the vegetable market came to visit the set during the filming and was treated to lunch by the director.
399:
Rusk leaves, Blaney arrives, hoping to talk to Brenda again, but he finds her office locked. Brenda's secretary, returning from lunch, sees Blaney leaving. When the murder is discovered, Blaney becomes the prime suspect.
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appearance can be seen three minutes into the film in the centre of a crowd scene, wearing a bowler hat. Teaser trailers show a Hitchcock-like dummy floating in the River Thames and Hitchcock introducing the audience to
800:
to write the score after being impressed with some of his earlier work. He had Goodwin rescore the opening titles in the style of a London travelogue - the director had heard his score for the Peter Sellers sketch
635:, met with the director to discuss the role of Babs Milligan. "I didn't like Hitchcock very much," Mirren said years later, "and he didn't like me very much either ... I didn't really want to be in the movie."
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s sly screenplay, not to speak of a cast of first-rate, well-equated actors pretty much unknown outside England, so that audiences have no preconceptions about who are the stars and therefore unkillable."
751:, novelist La Bern said he found Hitchcock's production and Shaffer's adaptation of his book "appalling", concluding: "Finally, I wish to dissociate myself with Mr Shaffer's grotesque misrepresentation of
720:
During shooting for the film, Hitchcock's wife and long-time collaborator Alma had a stroke. As a result, some sequences were shot without Hitchcock on the set so he could tend to his wife.
781:, for organ and an orchestra of strings and brass, and was intended to express the formality of the grey London landmarks, but Hitchcock thought it sounded too much like
729:). The nude scenes used body doubles in place of Barbara Leigh-Hunt and Anna Massey. The nude scene which shows the first victim being raped and strangled was called by
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1953:
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wrote that the film "has a promising opening sequence and a witty curtain line, but the material in between is decidedly pedestrian. The reviewers who've been hailing
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called it "a passionately entertaining film" with "a marvelously funny script" and a "superb" cast. He put it on his year-end list of the ten best films of 1972.
996:
1503:
807:. Goodwin's music had a lighter tone in the opening scenes, and scenes featuring London scenery, while there were darker undertones in certain other scenes.
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wrote of Hitchcock that "we are nearly back in the days of his great English films", adding "He is lucky to have been able to draw on Anthony Shaffer to do
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1216:
1160:
1127:
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958:, based on 44 reviews. The critical consensus reads: "Marking Alfred Hitchcock's return to England and first foray into viscerally explicit carnage,
785:'s scores. According to Mancini, "Hitchcock came to the recording session, listened awhile and said: 'Look, if I want Herrmann, I'd ask for Herrmann.
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was originally hired as the film's composer. "If the same film was made ten years ago it would've had twice the amount of music in it", he said.
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1948:
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called the film "Alfred Hitchcock's best picture in years", with "all the marks of work by a master at his craft and at his most assured".
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murders in 1888. Barry Foster has said that, in order to prepare for his role, he was asked by Hitchcock to study two books about
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serviceman he implicates. In a very early scene there is dialogue that mentions two actual London serial murder cases: the
733:"one of the most repellent examples of a detailed murder in the history of film". There are a number of classic Hitchcock
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was the third and final film that Hitchcock made in Britain after he moved to Hollywood in 1939. The other two were
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In 2023, Quartet Records issued a soundtrack album featuring both the Goodwin score and the unused Mancini score.
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to write the script, but the author turned him down because he was busy on a book. He then hired Anthony Shaffer.
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1984:
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finds the master of horror regaining his grip on the audience's pulse -- and making their blood run cold." On
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in London after many years making films in the United States. The film opens with a sweeping shot along the
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THE EYEHOLE OF KNOWLEDGE. Appel, Alfred, Jr. Film Comment; New York Vol. 9, Iss. 3 (May/June 1973): 20-26.
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a "complex and gripping thriller" praising the film as "a rich tapestry of suspense, and a masterpiece".
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The film was the first Hitchcock film to have nudity (with the arguable exception of the shower scene in
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s list of the Big Rental Films of 1972, with rentals of $ 6.3 million in the United States and Canada.
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No. 31, Ennismore Gardens Mews, was used as the home of Brenda Margaret Blaney during the filming of
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359:, but it was not entered into the main competition. Some critics – such as Raymond Foery, author of
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printed a very positive review of the film: "In case there was any doubt, back in the dim days of
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in 1950. (There were some interior and exterior scenes filmed in London for the 1956 remake of
1243:"Helen Mirren recalls the 'Frenzy' of auditioning as a young actress for the real 'Hitchcock'"
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2016:
2008:
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to suggest that, after the routine critical dismissals, it will repay serious assessment."
577:
433:
271:
104:
1504:"Quartet Records Is In a "Frenzy" With Mancini and Goodwin's Scores for Hitchcock Classic"
1217:"'Never spoke to me again' Alfred Hitchcock's fury at British star over 'disgusting' film"
8:
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The film starred relative newcomers in the lead roles. "I prefer a fresh face", he said.
317:, an English double murderer who would often pass himself off as an officer in the RAF.
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the last great Hitchcock film, and a return to form after his two previous works:
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1460:"Henry Mancini: 'people who regard film composers as whores are merely snobs'".
248:. It is the penultimate feature film of his extensive career. The screenplay by
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squadron leader Richard Blaney is fired from his job as a barman in a pub near
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Canby, Vincent (31 December 1972). "Critic's Choice — Ten Best Films of '72".
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706:
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341:.) The last film he made in Britain before his move to the United States was
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was the only Hitchcock film given an R rating during its initial release.
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can make little of Shaffer's anemically written hero) there is enough in
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Canby, Vincent (22 June 1972). "'Frenzy,' Hitchcock in Dazzling Form".
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The plot centres on a serial killer in contemporary London and the ex-
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1622:(25 June 1972). "Hitchcock's Best Picture in Years -- 'Frenzy'".
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1305:'I Tried to Be Discreet With That Nude Corpse'. By Guy Flatley.
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615:
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Arnold, Gary (23 June 1972). "'Frenzy': The Thrill Is Gone".
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desperation of a man convicted of a crime he didn't commit."
770:
1803:
Evans, Peter William (2004). "Hitchcock, Alfred Joseph".
1603:
Gilliatt, Penelope (24 June 1972). "The Current Cinema".
1404:"Frenzy at 50: The most violent film Hitchcock ever made"
388:
1372:
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was a painful topic for the composer for years to come.
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It's Psycho Time Again for Hitchcock. By A.H. Weiler.
705:, much of the location filming was done in and around
1835:
The Dark Side of Genius: The Life of Alfred Hitchcock
661:
was the flat of the 'Necktie Strangler', Robert Rusk
1337:
Published winter 2011. Retrieved 13 September 2013.
1351:
1153:
1475:
1384:
1290:"What's It All About, Alfie?" Champlin, Charles.
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1129:Hitchcock and Adaptation: On the Page and Screen
1067:Final Cuts: The Last Films of 50 Great Directors
1729:Alfred Hitchcock's Frenzy: The Last Masterpiece
1192:Alfred Hitchcock's Frenzy: The Last Masterpiece
948:Alfred Hitchcock's Frenzy: The Last Masterpiece
701:; and while the interior scenes were filmed at
675:"It will be done comedically", said Hitchcock.
665:Hitchcock announced the project in March 1968.
600:reportedly turned down the role of Brenda, and
361:Alfred Hitchcock's Frenzy: The Last Masterpiece
1354:Alfred Hitchcock: A Life in Darkness and Light
1125:
2737:
1907:
908:Some reviews were more mixed. Gary Arnold of
255:Goodbye Piccadilly, Farewell Leicester Square
73:Goodbye Piccadilly, Farewell Leicester Square
1809:(online ed.). Oxford University Press.
1318:"Beth Brickell in Star Role". Murphy, Mary.
625:, who later in life played Hitchcock's wife
294:. The original music score was composed by
2744:
2730:
2631:Alfred Hitchcock: The Art of Making Movies
1914:
1900:
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946:The film was the subject of the 2012 book
36:
3047:Films with screenplays by Anthony Shaffer
2638:Alfred Hitchcock and the Making of Psycho
2593:German Concentration Camps Factual Survey
1132:. Rowman & Littlefield. p. 169.
1106:British Film Institute Collections Search
745:In a 29 May 1972 letter to the editor of
532:as Jim, Rusk's friend in pub (uncredited)
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1501:
1214:
1094:
826:received positive reviews from critics.
652:
1806:Oxford Dictionary of National Biography
1429:
3002:Films about rape in the United Kingdom
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3067:English-language crime thriller films
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2001:The Lodger: A Story of the London Fog
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1476:Alexander Gleason (11 January 2003).
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1126:Osteen, Mark; Williams, Tony (2014).
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613:(who had co-starred with Redgrave in
16:1972 British film by Alfred Hitchcock
2651:Remakes of films by Alfred Hitchcock
1921:
580:was cast after Hitchcock saw him in
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2600:Alfred Hitchcock's Mystery Magazine
1215:Kyriazis, Stefan (7 October 2022).
890:, Hitchcock is still in fine form.
544:as Rusk's final victim (uncredited)
13:
3062:English-language independent films
3022:Films produced by Alfred Hitchcock
3017:Films directed by Alfred Hitchcock
2997:Films about miscarriage of justice
2967:1970s psychological thriller films
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14:
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1420:. Columbia University Press, 2002
1241:Sacks, Ethan (23 November 2012).
769:His opening theme was written in
430:as Chief Inspector Timothy Oxford
2706:
2705:
1657:"My favourite Hitchcock: Frenzy"
1080:"Frenzy, Box Office Information"
619:) was considered to play Blaney.
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1502:Marchese, Joe (27 March 2023).
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3037:Films shot at Pinewood Studios
2886:How Doth the Little Crocodile?
1450:– via Hitchcockwiki.com.
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1234:
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1183:
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796:Hitchcock then hired composer
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1:
3012:Films based on mystery novels
3007:Films based on British novels
1069:, Bear Manor Media 2013 p 131
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758:
639:
2992:1970s English-language films
2977:British crime thriller films
2768:Mr. Forbush and the Penguins
2607:Alfred Hitchcock's Anthology
1823:UK public library membership
1716:. 3 January 1973. p. 7.
1712:"Big Rental Films of 1972".
1161:"Festival de Cannes: Frenzy"
969:
813:
804:Balham, Gateway to the South
686:Filming began in July 1971.
538:as Truck Driver (uncredited)
252:was based on the 1966 novel
7:
3027:Films scored by Ron Goodwin
2987:British serial killer films
1837:. New York: Da Capo Press.
1418:Hitchcock's Films Revisited
997:Best Motion Picture – Drama
681:
309:in the 1940s-1950s and the
10:
3083:
2957:1970s crime thriller films
1796:
1637:"Cinema: Still the Master"
18:
2982:British independent films
2972:1970s serial killer films
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2877:
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2759:
2701:
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2537:Alfred Hitchcock Presents
2517:Alfred Hitchcock Presents
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2457:
2363:The Man Who Knew Too Much
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2142:The Man Who Knew Too Much
2059:
1974:
1967:
1929:
1694:The Monthly Film Bulletin
1437:. Letters to the Editor.
1000:
990:
922:The Monthly Film Bulletin
689:Hitchcock set and filmed
357:1972 Cannes Film Festival
338:The Man Who Knew Too Much
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42:Theatrical release poster
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3052:Universal Pictures films
2693:Pat Hitchcock (daughter)
556:Alfred Hitchcock's cameo
526:as Mrs Rusk (uncredited)
2498:The Fighting Generation
1944:Themes and plot devices
1727:Foery, Raymond (2012).
1478:"Obituary: Ron Goodwin"
1190:Foery, Raymond (2012).
414:
382:
21:Frenzy (disambiguation)
2962:1972 independent films
2824:Appointment with Death
2618:Transatlantic Pictures
2355:The Trouble with Harry
1815:10.1093/ref:odnb/31239
1701:(461): 113. June 1972.
1466:, 29 December 1971: 9.
1435:"Hitchcock's 'Frenzy'"
954:holds a 91% rating on
662:
657:3 Henrietta Street in
177:21 June 1972
2466:Always Tell Your Wife
2219:Foreign Correspondent
1350:(30 September 2003).
1272:, 31 March 1968: D15.
668:Hitchcock approached
656:
3042:Films shot in London
2586:Lord Camber's Ladies
2529:Incident at a Corner
2315:Strangers on a Train
2227:Mr. & Mrs. Smith
2078:Juno and the Paycock
1886:Dial H for Hitchcock
1332:Mews News. Issue 32.
1309:, 18 June 1972: D13.
472:as Sergeant Spearman
355:was screened at the
19:For other uses, see
3057:1970s British films
3032:Films set in London
2688:Alma Reville (wife)
2613:Three Investigators
2134:Waltzes from Vienna
1985:The Pleasure Garden
1939:Unproduced projects
1731:. Scarecrow Press.
1677:The Washington Post
1381:, pp. 513–514.
1348:McGilligan, Patrick
1322:, 24 July 1971: a7.
1247:New York Daily News
1194:. Scarecrow Press.
1165:festival-cannes.com
1037:Best Original Score
992:Golden Globe Awards
911:The Washington Post
514:as Solicitor in Pub
2816:Evil Under the Sun
2664:Hitchcock/Truffaut
2387:North by Northwest
2174:Young and Innocent
1993:The Mountain Eagle
1626:. Calendar, p. 22.
1545:The New York Times
1530:The New York Times
1307:The New York Times
1296:, 2 June 1971: f1.
1269:The New York Times
1171:on 18 January 2012
950:by Raymond Foery.
819:Critical reception
663:
452:Barbara Leigh-Hunt
284:Barbara Leigh-Hunt
240:is a 1972 British
163:Universal Pictures
117:Barbara Leigh-Hunt
2939:
2938:
2800:Death on the Nile
2719:
2718:
2482:Aventure Malgache
2474:An Elastic Affair
2453:
2452:
2331:Dial M for Murder
2283:The Paradine Case
2251:Shadow of a Doubt
2182:The Lady Vanishes
2025:The Farmer's Wife
1954:Awards and honors
1844:978-0-306-80932-3
1821:(Subscription or
1738:978-0-8108-7756-6
1663:. 17 August 2012.
1624:Los Angeles Times
1564:: 6. 31 May 1972.
1320:Los Angeles Times
1293:Los Angeles Times
1050:
1049:
873:Los Angeles Times
850:Penelope Gilliatt
478:as Monica Barling
460:as Felix Forsythe
424:as Richard Blaney
262:. The film stars
233:
232:
3074:
2746:
2739:
2732:
2723:
2722:
2709:
2708:
2347:To Catch a Thief
2126:Number Seventeen
2118:Rich and Strange
1972:
1971:
1923:Alfred Hitchcock
1916:
1909:
1902:
1893:
1892:
1848:
1826:
1818:
1790:
1789:
1776:
1770:
1769:
1767:
1765:
1749:
1743:
1742:
1724:
1718:
1717:
1709:
1703:
1702:
1688:
1682:
1681:
1671:
1665:
1664:
1653:
1647:
1646:
1633:
1627:
1617:
1611:
1610:
1600:
1594:
1593:
1591:
1589:
1572:
1566:
1565:
1555:
1549:
1548:
1540:
1534:
1533:
1525:
1519:
1518:
1516:
1514:
1499:
1493:
1492:
1490:
1488:
1473:
1467:
1458:
1452:
1451:
1449:
1447:
1427:
1421:
1414:
1408:
1407:
1400:
1394:
1388:
1382:
1376:
1370:
1369:
1357:
1344:
1338:
1329:
1323:
1316:
1310:
1303:
1297:
1288:
1282:
1279:
1273:
1264:
1258:
1257:
1255:
1253:
1238:
1232:
1231:
1229:
1227:
1212:
1206:
1205:
1187:
1181:
1180:
1178:
1176:
1167:. Archived from
1157:
1151:
1150:
1148:
1146:
1123:
1117:
1116:
1114:
1112:
1098:
1092:
1091:
1089:
1087:
1076:
1070:
1063:
1002:Alfred Hitchcock
974:
973:
942:
864:
788:
783:Bernard Herrmann
703:Pinewood Studios
670:Vladimir Nabokov
608:
598:Vanessa Redgrave
586:(which featured
520:as Doctor in Pub
484:as Johnny Porter
458:Bernard Cribbins
454:as Brenda Blaney
448:as Babs Milligan
307:Christie murders
288:Bernard Cribbins
246:Alfred Hitchcock
184:
182:
134:Leonard J. South
121:Bernard Cribbins
88:Alfred Hitchcock
52:Alfred Hitchcock
40:
28:
27:
3082:
3081:
3077:
3076:
3075:
3073:
3072:
3071:
2942:
2941:
2940:
2935:
2908:
2894:Withered Murder
2873:
2838:
2755:
2753:Anthony Shaffer
2750:
2720:
2715:
2697:
2676:
2572:The Short Night
2547:
2504:
2449:
2299:Under Capricorn
2202:
2196:
2094:Elstree Calling
2061:
2055:
1976:
1963:
1925:
1920:
1855:
1845:
1820:
1799:
1794:
1793:
1778:
1777:
1773:
1763:
1761:
1758:Rotten Tomatoes
1753:"Frenzy (1972)"
1751:
1750:
1746:
1739:
1725:
1721:
1711:
1710:
1706:
1690:
1689:
1685:
1672:
1668:
1655:
1654:
1650:
1645:. 19 June 1972.
1635:
1634:
1630:
1618:
1614:
1601:
1597:
1587:
1585:
1573:
1569:
1557:
1556:
1552:
1541:
1537:
1526:
1522:
1512:
1510:
1508:The Second Disc
1500:
1496:
1486:
1484:
1474:
1470:
1459:
1455:
1445:
1443:
1433:(29 May 1972).
1431:La Bern, Arthur
1428:
1424:
1415:
1411:
1402:
1401:
1397:
1389:
1385:
1377:
1373:
1366:
1358:. Regan Books.
1345:
1341:
1330:
1326:
1317:
1313:
1304:
1300:
1289:
1285:
1280:
1276:
1265:
1261:
1251:
1249:
1239:
1235:
1225:
1223:
1213:
1209:
1202:
1188:
1184:
1174:
1172:
1159:
1158:
1154:
1144:
1142:
1140:
1124:
1120:
1110:
1108:
1100:
1099:
1095:
1085:
1083:
1078:
1077:
1073:
1064:
1060:
1055:
1027:Anthony Shaffer
1022:Best Screenplay
972:
956:Rotten Tomatoes
940:
936:ranked 14th on
862:
821:
816:
786:
761:
684:
647:
642:
606:
592:Billie Whitelaw
547:
536:Richard Stapley
508:as Hotel Porter
464:Vivien Merchant
442:as Hetty Porter
440:Billie Whitelaw
417:
385:
326:Under Capricorn
311:Jack the Ripper
292:Vivien Merchant
276:Billie Whitelaw
250:Anthony Shaffer
194:
187:
180:
178:
171:
133:
119:
115:
111:
109:Billie Whitelaw
107:
103:
99:
76:
62:Anthony Shaffer
43:
24:
17:
12:
11:
5:
3080:
3070:
3069:
3064:
3059:
3054:
3049:
3044:
3039:
3034:
3029:
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2937:
2936:
2934:
2933:
2925:
2921:The Wicker Man
2916:
2914:
2910:
2909:
2907:
2906:
2902:The Wicker Man
2898:
2890:
2881:
2879:
2875:
2874:
2872:
2871:
2863:
2855:
2846:
2844:
2840:
2839:
2837:
2836:
2828:
2820:
2812:
2804:
2796:
2792:The Wicker Man
2788:
2780:
2772:
2763:
2761:
2757:
2756:
2749:
2748:
2741:
2734:
2726:
2717:
2716:
2714:
2713:
2702:
2699:
2698:
2696:
2695:
2690:
2684:
2682:
2678:
2677:
2675:
2674:
2673:
2672:
2660:
2653:
2648:
2641:
2634:
2627:
2620:
2615:
2610:
2603:
2596:
2589:
2582:
2579:The Blackguard
2575:
2568:
2561:
2555:
2553:
2549:
2548:
2546:
2545:
2533:
2525:
2512:
2510:
2506:
2505:
2503:
2502:
2494:
2486:
2478:
2470:
2461:
2459:
2455:
2454:
2451:
2450:
2448:
2447:
2439:
2431:
2423:
2415:
2407:
2399:
2391:
2383:
2375:
2367:
2359:
2351:
2343:
2335:
2327:
2319:
2311:
2303:
2295:
2287:
2279:
2271:
2263:
2255:
2247:
2239:
2231:
2223:
2215:
2206:
2204:
2198:
2197:
2195:
2194:
2186:
2178:
2170:
2162:
2154:
2146:
2138:
2130:
2122:
2114:
2106:
2098:
2090:
2082:
2074:
2065:
2063:
2057:
2056:
2054:
2053:
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1980:
1978:
1969:
1965:
1964:
1962:
1961:
1956:
1951:
1946:
1941:
1936:
1930:
1927:
1926:
1919:
1918:
1911:
1904:
1896:
1890:
1889:
1878:
1867:
1854:
1853:External links
1851:
1850:
1849:
1843:
1827:
1798:
1795:
1792:
1791:
1771:
1744:
1737:
1719:
1704:
1683:
1666:
1648:
1628:
1612:
1606:The New Yorker
1595:
1582:RogerEbert.com
1575:Ebert, Roger.
1567:
1550:
1535:
1520:
1494:
1468:
1453:
1422:
1409:
1395:
1383:
1371:
1364:
1339:
1324:
1311:
1298:
1283:
1274:
1259:
1233:
1207:
1200:
1182:
1152:
1138:
1118:
1093:
1071:
1065:Nat Segaloff,
1057:
1056:
1054:
1051:
1048:
1047:
1044:
1039:
1033:
1032:
1029:
1024:
1018:
1017:
1014:
1008:
1007:
1004:
999:
994:
988:
987:
984:
981:
978:
971:
968:
855:The New Yorker
833:New York Times
820:
817:
815:
812:
760:
757:
683:
680:
646:
643:
641:
638:
637:
636:
620:
611:David Hemmings
595:
575:
568:
546:
545:
539:
533:
530:Michael Sheard
527:
521:
515:
509:
503:
497:
494:Elsie Randolph
491:
490:as Mrs Davison
485:
479:
473:
467:
466:as Mrs. Oxford
461:
455:
449:
443:
437:
431:
425:
418:
416:
413:
384:
381:
260:Arthur La Bern
231:
230:
229:$ 12.6 million
227:
223:
222:
219:
215:
214:
211:
207:
206:
205:United Kingdom
203:
199:
198:
195:
192:
189:
188:
186:
185:
174:
172:
169:
166:
165:
160:
159:Distributed by
156:
155:
150:
146:
145:
140:
136:
135:
131:Gilbert Taylor
128:
127:Cinematography
124:
123:
94:
90:
89:
86:
82:
81:
79:Arthur La Bern
69:
65:
64:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
3079:
3068:
3065:
3063:
3060:
3058:
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2949:
2947:
2931:
2930:
2926:
2923:
2922:
2918:
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2911:
2904:
2903:
2899:
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2891:
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2887:
2883:
2882:
2880:
2876:
2869:
2868:
2864:
2861:
2860:
2856:
2853:
2852:
2848:
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2841:
2834:
2833:
2829:
2826:
2825:
2821:
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2817:
2813:
2810:
2809:
2805:
2802:
2801:
2797:
2794:
2793:
2789:
2786:
2785:
2781:
2778:
2777:
2773:
2770:
2769:
2765:
2764:
2762:
2760:Films written
2758:
2754:
2747:
2742:
2740:
2735:
2733:
2728:
2727:
2724:
2712:
2704:
2703:
2700:
2694:
2691:
2689:
2686:
2685:
2683:
2679:
2671:
2668:
2667:
2666:
2665:
2661:
2659:
2658:
2654:
2652:
2649:
2647:
2646:
2642:
2640:
2639:
2635:
2633:
2632:
2628:
2626:
2625:
2621:
2619:
2616:
2614:
2611:
2609:
2608:
2604:
2602:
2601:
2597:
2595:
2594:
2590:
2588:
2587:
2583:
2581:
2580:
2576:
2574:
2573:
2569:
2567:
2566:
2562:
2560:
2557:
2556:
2554:
2550:
2543:
2539:
2538:
2534:
2531:
2530:
2526:
2523:
2519:
2518:
2514:
2513:
2511:
2507:
2500:
2499:
2495:
2492:
2491:
2487:
2484:
2483:
2479:
2476:
2475:
2471:
2468:
2467:
2463:
2462:
2460:
2456:
2445:
2444:
2440:
2437:
2436:
2432:
2429:
2428:
2424:
2421:
2420:
2416:
2413:
2412:
2408:
2405:
2404:
2400:
2397:
2396:
2392:
2389:
2388:
2384:
2381:
2380:
2376:
2373:
2372:
2371:The Wrong Man
2368:
2365:
2364:
2360:
2357:
2356:
2352:
2349:
2348:
2344:
2341:
2340:
2336:
2333:
2332:
2328:
2325:
2324:
2320:
2317:
2316:
2312:
2309:
2308:
2304:
2301:
2300:
2296:
2293:
2292:
2288:
2285:
2284:
2280:
2277:
2276:
2272:
2269:
2268:
2264:
2261:
2260:
2256:
2253:
2252:
2248:
2245:
2244:
2240:
2237:
2236:
2232:
2229:
2228:
2224:
2221:
2220:
2216:
2213:
2212:
2208:
2207:
2205:
2199:
2192:
2191:
2187:
2184:
2183:
2179:
2176:
2175:
2171:
2168:
2167:
2163:
2160:
2159:
2155:
2152:
2151:
2147:
2144:
2143:
2139:
2136:
2135:
2131:
2128:
2127:
2123:
2120:
2119:
2115:
2112:
2111:
2107:
2104:
2103:
2102:The Skin Game
2099:
2096:
2095:
2091:
2088:
2087:
2083:
2080:
2079:
2075:
2072:
2071:
2067:
2066:
2064:
2058:
2051:
2050:
2046:
2043:
2042:
2038:
2035:
2034:
2030:
2027:
2026:
2022:
2019:
2018:
2014:
2011:
2010:
2006:
2003:
2002:
1998:
1995:
1994:
1990:
1987:
1986:
1982:
1981:
1979:
1973:
1970:
1968:Feature films
1966:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1931:
1928:
1924:
1917:
1912:
1910:
1905:
1903:
1898:
1897:
1894:
1888:
1887:
1883:
1879:
1877:
1873:
1872:
1868:
1866:
1862:
1861:
1857:
1856:
1846:
1840:
1836:
1832:
1831:Spoto, Donald
1828:
1824:
1816:
1812:
1808:
1807:
1801:
1800:
1787:
1786:
1781:
1775:
1760:
1759:
1754:
1748:
1740:
1734:
1730:
1723:
1715:
1708:
1700:
1696:
1695:
1687:
1680:. p. B1.
1679:
1678:
1670:
1662:
1658:
1652:
1644:
1643:
1638:
1632:
1625:
1621:
1620:Thomas, Kevin
1616:
1609:. p. 52.
1608:
1607:
1599:
1584:
1583:
1578:
1571:
1563:
1562:
1554:
1546:
1539:
1531:
1524:
1509:
1505:
1498:
1483:
1479:
1472:
1465:
1464:
1457:
1442:
1441:
1436:
1432:
1426:
1419:
1416:Wood, Robin,
1413:
1405:
1399:
1392:
1387:
1380:
1375:
1367:
1365:9780060393229
1361:
1356:
1355:
1349:
1343:
1336:
1335:Lurot Brand.
1333:
1328:
1321:
1315:
1308:
1302:
1295:
1294:
1287:
1278:
1271:
1270:
1263:
1248:
1244:
1237:
1222:
1218:
1211:
1203:
1201:9780810877559
1197:
1193:
1186:
1170:
1166:
1162:
1156:
1141:
1139:9781442230880
1135:
1131:
1130:
1122:
1107:
1103:
1097:
1082:. The Numbers
1081:
1075:
1068:
1062:
1058:
1045:
1043:
1040:
1038:
1035:
1034:
1030:
1028:
1025:
1023:
1020:
1019:
1015:
1013:
1012:Best Director
1010:
1009:
1005:
1003:
998:
995:
993:
989:
985:
982:
979:
976:
975:
967:
965:
961:
957:
953:
949:
944:
939:
935:
931:
929:
924:
923:
917:
913:
912:
906:
904:
900:
899:
893:
889:
885:
881:
880:
875:
874:
869:
861:
857:
856:
851:
846:
841:
840:
835:
834:
829:
828:Vincent Canby
825:
811:
808:
806:
805:
799:
794:
792:
784:
780:
777:, opening in
776:
772:
767:
765:
764:Henry Mancini
756:
754:
753:Scotland Yard
750:
749:
743:
739:
736:
732:
728:
727:
721:
718:
716:
711:
708:
707:Covent Garden
704:
700:
696:
692:
687:
679:
676:
673:
671:
666:
660:
659:Covent Garden
655:
651:
634:
633:
628:
624:
621:
618:
617:
612:
605:
604:
599:
596:
593:
589:
585:
584:
583:Twisted Nerve
579:
576:
572:
571:Michael Caine
569:
566:
562:
561:Covent Garden
557:
554:
553:
552:
551:
543:
542:Susan Travers
540:
537:
534:
531:
528:
525:
522:
519:
516:
513:
510:
507:
506:Jimmy Gardner
504:
502:as Sir George
501:
498:
495:
492:
489:
486:
483:
480:
477:
474:
471:
470:Michael Bates
468:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
419:
412:
408:
404:
400:
396:
394:
393:Covent Garden
390:
380:
378:
377:
372:
371:
366:
362:
358:
354:
350:
346:
345:
340:
339:
334:
333:
328:
327:
322:
318:
316:
315:Neville Heath
312:
308:
304:
299:
297:
293:
289:
285:
281:
277:
274:and features
273:
269:
265:
261:
257:
256:
251:
247:
243:
242:thriller film
239:
238:
228:
224:
220:
216:
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2624:High Anxiety
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2559:Hitchcockian
2536:
2527:
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2419:Torn Curtain
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2307:Stage Fright
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2158:Secret Agent
2156:
2150:The 39 Steps
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2015:
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1999:
1991:
1983:
1959:Bibliography
1885:
1881:
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1783:
1774:
1762:. Retrieved
1756:
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1661:The Guardian
1660:
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1598:
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1507:
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1482:The Guardian
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1463:The Guardian
1461:
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1444:. Retrieved
1438:
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1250:. Retrieved
1246:
1236:
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1220:
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1191:
1185:
1173:. Retrieved
1169:the original
1164:
1155:
1143:. Retrieved
1128:
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627:Alma Reville
623:Helen Mirren
614:
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581:
578:Barry Foster
549:
548:
518:Noel Johnson
434:Barry Foster
428:Alec McCowen
409:
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376:Torn Curtain
374:
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332:Stage Fright
330:
329:in 1949 and
324:
320:
319:
300:
272:Barry Foster
268:Alec McCowen
253:
244:directed by
236:
235:
234:
193:Running time
170:Release date
143:John Jympson
105:Barry Foster
101:Alec McCowen
71:
25:
2913:Adaptations
2458:Short films
2443:Family Plot
2339:Rear Window
2190:Jamaica Inn
2062:sound films
2049:The Manxman
2033:Easy Virtue
1934:Filmography
1042:Ron Goodwin
845:Roger Ebert
798:Ron Goodwin
645:Development
565:fourth wall
482:Clive Swift
446:Anna Massey
436:as Bob Rusk
363:– consider
344:Jamaica Inn
296:Ron Goodwin
280:Anna Massey
221:$ 2 million
197:116 minutes
153:Ron Goodwin
113:Anna Massey
85:Produced by
48:Directed by
2952:1972 films
2946:Categories
2808:Absolution
2509:Television
2490:Bon Voyage
2267:Spellbound
1825:required.)
1785:Metacritic
1764:23 January
1691:"Frenzy".
1558:"Frenzy".
1391:Evans 2004
1379:Spoto 1999
1145:30 January
1053:References
1046:Nominated
1031:Nominated
1016:Nominated
1006:Nominated
964:Metacritic
759:Soundtrack
755:offices."
735:set pieces
640:Production
550:Cast notes
512:Gerald Sim
500:John Boxer
488:Madge Ryan
476:Jean Marsh
226:Box office
181:1972-06-21
58:Written by
2867:Whodunnit
2832:Sommersby
2645:Hitchcock
2565:Number 13
2403:The Birds
2323:I Confess
2275:Notorious
2235:Suspicion
2203:and later
2201:Hollywood
2070:Blackmail
2041:Champagne
1440:The Times
1111:26 August
980:Category
970:Accolades
814:Reception
748:The Times
632:Hitchcock
524:Rita Webb
496:as Gladys
422:Jon Finch
264:Jon Finch
139:Edited by
97:Jon Finch
2859:Murderer
2711:Category
2657:The Girl
2542:episodes
2522:episodes
2259:Lifeboat
2243:Saboteur
2166:Sabotage
2017:Downhill
2009:The Ring
1876:AllMovie
1833:(1999).
1780:"Frenzy"
1577:"Frenzy"
1175:17 April
1102:"Frenzy"
983:Subject
682:Shooting
603:Deep Red
590:co-star
563:via the
347:(1939).
210:Language
149:Music by
93:Starring
68:Based on
2552:Related
2540:(1985,
2520:(1955,
2379:Vertigo
2211:Rebecca
2086:Murder!
2060:British
1797:Sources
1714:Variety
1588:30 July
1561:Variety
1513:18 June
1487:6 March
1252:18 June
1226:18 June
1221:Express
986:Result
938:Variety
901:called
870:of the
839:Variety
830:of the
779:D minor
775:andante
771:Bachian
574:again."
387:Former
213:English
202:Country
179: (
2932:(2007)
2929:Sleuth
2924:(2006)
2905:(1978)
2897:(1955)
2889:(1952)
2878:Novels
2870:(1977)
2862:(1975)
2854:(1970)
2851:Sleuth
2835:(1993)
2827:(1988)
2819:(1982)
2811:(1978)
2803:(1978)
2795:(1973)
2787:(1972)
2784:Sleuth
2779:(1972)
2776:Frenzy
2771:(1971)
2681:Family
2532:(1960)
2501:(1944)
2493:(1944)
2485:(1944)
2477:(1930)
2469:(1923)
2446:(1976)
2438:(1972)
2435:Frenzy
2430:(1969)
2422:(1966)
2414:(1964)
2411:Marnie
2406:(1963)
2398:(1960)
2395:Psycho
2390:(1959)
2382:(1958)
2374:(1956)
2366:(1956)
2358:(1955)
2350:(1955)
2342:(1954)
2334:(1954)
2326:(1953)
2318:(1951)
2310:(1950)
2302:(1949)
2294:(1948)
2286:(1947)
2278:(1946)
2270:(1945)
2262:(1944)
2254:(1943)
2246:(1942)
2238:(1941)
2230:(1941)
2222:(1940)
2214:(1940)
2193:(1939)
2185:(1938)
2177:(1937)
2169:(1936)
2161:(1936)
2153:(1935)
2145:(1934)
2137:(1934)
2129:(1932)
2121:(1931)
2113:(1931)
2105:(1931)
2097:(1930)
2089:(1930)
2081:(1930)
2073:(1929)
2052:(1929)
2044:(1928)
2036:(1928)
2028:(1928)
2020:(1927)
2012:(1927)
2004:(1927)
1996:(1926)
1988:(1925)
1975:Silent
1949:Cameos
1882:Frenzy
1871:Frenzy
1860:Frenzy
1841:
1819:
1735:
1446:23 May
1362:
1198:
1136:
1086:22 May
977:Award
960:Frenzy
952:Frenzy
934:Frenzy
928:Frenzy
916:Frenzy
903:Frenzy
892:Frenzy
884:Marnie
860:Frenzy
824:Frenzy
791:Frenzy
773:organ
726:Psycho
715:Frenzy
695:Thames
691:Frenzy
616:Blowup
588:Frenzy
365:Frenzy
353:Frenzy
349:Frenzy
321:Frenzy
237:Frenzy
218:Budget
31:Frenzy
2843:Plays
2427:Topaz
1977:films
1547:: D1.
1532:: 48.
941:'
888:Topaz
863:'
607:'
370:Topaz
2670:film
2291:Rope
2110:Mary
1865:IMDb
1839:ISBN
1766:2024
1733:ISBN
1642:Time
1590:2018
1515:2023
1489:2018
1448:2013
1360:ISBN
1254:2023
1228:2023
1196:ISBN
1177:2009
1147:2017
1134:ISBN
1113:2024
1088:2012
886:and
879:Time
415:Cast
383:Plot
373:and
290:and
270:and
1884:at
1874:at
1863:at
1811:doi
852:of
697:to
629:in
389:RAF
303:RAF
258:by
77:by
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183:)
23:.
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