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Freestyle rap

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204:" their opponent through clever lyrics and wordplay, with heavy emphasis being placed upon the rapper's improvisational ability. Many battles also include metaphorically violent imagery, complementing the "battling" atmosphere. It is considered dishonorable or shameful to recite pre-written or memorized raps during a freestyle battle, because it shows the rapper to be incapable of "spitting" spur-of-the-moment lyrics. A live audience is key, as a large part of "winning" a battle is how an audience responds to each rapper. Appointed judges may be used in formal contests, but in most cases, the rapper who receives the largest audience response is viewed as the victor. 154:. Reasons for freestyling include entertainment, as a therapeutic activity, to discover different ways of rapping, promoting oneself, increasing versatility, or as a spiritual activity. Improvised freestyling can also be used in live performances, to do things such as giving something extra to the crowd and to cover up mistakes. To prove that a freestyle is being made up on the spot (as opposed to something pre-written or memorized), rappers will often refer to places and objects in their immediate setting, or will take suggestions on what to rhyme about. 2531: 34:, where a lead instrumentalist acts as an improviser with a supporting band providing a beat. Freestyle originally was simply verse that is free of style, written rhymes that do not follow a specific subject matter, or predetermined cadence. The newer style with the improvisation grew popular starting in the early 1990s. It is now mainly associated with 236:
is known for "making or breaking reputations in the Hip Hop community; if you are able to step into the cypher and tell your story, demonstrating your uniqueness, you might be more accepted". These groups also serve as a way for messages about Hip Hop styles and knowledge to be spread, through word-of-mouth and encouraging trends in other battles.
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in a circle, in order to jam musically together. The term has also in recent years come to mean the crowd that forms around freestyle battles, consisting of spectators and onlookers. This group serves partly to encourage competition and partly to enhance the communal aspect of rap battles. The cypher
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and Myka 9 note that originally a freestyle was a spit on no particular subject – Big Daddy Kane said, "in the '80s, when we said we wrote a freestyle rap, that meant that it was a rhyme that you wrote that was free of style... it's basically a rhyme just bragging about yourself." Myka 9 adds, "back
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Myka 9 explains that Freestyle Fellowship helped redefine the term – "that's what they say I helped do – I helped get the world to freestyle, me and the Freestyle Fellowship, by inventing the Freestyle Fellowship and by redefining what freestyle is... We have redefined
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Kool Moe Dee suggests the change in how the term is used happened somewhere in the mid to late 1980s, saying, "until 1986, all freestyles were written", and "before the 1990s, it was about how hard you could come with a written rhyme with no particular subject matter and no real purpose other than
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Since the early 1990s onwards, with the popularization of improvisational rapping from groups and artists such as Freestyle Fellowship through to fresh fest competitions, "freestyle" has come to be the widely used term for rap lyrics that are improvised on the spot. This type of freestyle is the
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are usually more relaxed than in conventional rapping. Many artists base their freestyle on their current situation or mental state, but have a ready supply of prepared lyrics and rhyme patterns they can use as filler. Freestyling can also be used as a songwriting method for albums or mixtapes.
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As hip-hop evolved in the early 1980s, many rappers gained their fame through freestyle battles. Battles can take place anywhere: informally on street corners, on stage at a concert, at a school, or at events specifically meant for battling (such as Scribble Jam or the Blaze Battle).
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Referring to this earlier definition (a written rhyme on non-specific subject matter), Big Daddy Kane stated, "that's really what a freestyle is" and Kool Moe Dee refers to it as "true" freestyle, and "the real old-school freestyle". Kool Moe Dee suggests that
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There are two types of freestyle. There's an old-school freestyle that's basically rhymes that you've written that may not have anything to do with any subject or that goes all over the place. Then there's freestyle where you come off the top of the
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In modern times, with the rise of leagues such as King of the Dot and Ultimate Rap League, most battles are written, with some freestyling incorporated into the verses. This allows for more intricate rhymes and insults.
248:, best known for his rapid delivery, set the world record for longest freestyle at 33 hours, 33 minutes and 19 seconds. He held this record for 3 years until Japanese rapper PONEY beat it in April 2023 at 48 hours. 138:
coming off the top of the head wasn't really respected. The sentiment was emcees only did that if they couldn't write. The coming off the top of the head rhymer had a built-in excuse to not be critiqued as
171:), or over instrumental versions of songs. Freestyling is often done in a group setting called a "cypher" (or "cipher") or as part of a "freestyle battle". Due to the improvised nature of freestyle, 148:
Many rappers learn to rap through improvised freestyling, and by making freestyling into a conversation or a rhyming game which they play frequently as a way to practice, as described in the book
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where an artist improvises an unwritten verse from the head, with or without instrumental beats, in which lyrics are recited with no particular subject or structure. It is similar to other
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says: "in the school I come from, freestyling was a non-conceptual written rhyme... and now they call freestyling off the top of the head, so the era I come from, it's a lot different".
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Blow, Kurtis. Kurtis Blow Presents: The History of Rap, Vol. 1: The Genesis (liner notes). Kurtis Blow Presents: The History Of Rap, Vol. 1: The Genesis.
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stated, "off-the-top-of-the-head , we just called that 'off the dome' – when you don't write it and say whatever comes to mind".
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is a contest in which two or more rappers or MCs compete or "battle" each other using improvised lyrics. It is a prominent part of contemporary
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Although this kind of freestyling is very well respected today, Kool Moe Dee states that this was not the case previously:
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in the day, freestyle was bust a rhyme about any random thing, and it was a written rhyme or something memorized".
2397: 2197: 1597: 1586: 1347: 1336: 677:"Japanese rapper finally claims longest rap marathon after two failed attempts | Guinness World Records" 84:, Kool Moe Dee claimed that improvisational rapping was instead called "coming off the top of the head", and 2516: 2491: 910: 431: 2506: 2236: 1700: 760: 748: 724: 315: 167: 111: 67: 2226: 1156: 2372: 983: 922: 2243: 2564: 2324: 2221: 2569: 2419: 2314: 2132: 1317: 1004: 993: 942: 2172: 1803: 1786: 1684: 963: 810: 272: 134:
A lot of the old-school artists didn't even respect what's being called freestyle now... any
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Divine Styler, in Kevin Fitzgerald (director), Freestyle: The Art of Rhyme, Bowery, 2000.
262: 115:, where the term is used throughout by numerous artists to mean improvisational rapping. 2412: 2382: 2361: 2297: 2268: 2211: 2057: 1925: 1880: 1823: 1798: 1382: 1312: 1085: 978: 973: 968: 932: 81: 2407: 2263: 2122: 2102: 2067: 2042: 2037: 1992: 1930: 1920: 1910: 1900: 1895: 1808: 1766: 1412: 1228: 1171: 1151: 734: 705: 613: 197: 593: 2559: 2535: 2336: 2275: 2177: 2162: 2147: 2077: 1997: 1985: 1960: 1955: 1945: 1905: 1885: 1813: 1793: 1781: 1776: 1771: 1761: 1746: 1736: 1731: 1721: 1532: 1208: 1188: 905: 900: 803: 605: 2486: 2356: 2351: 2307: 2280: 2248: 2182: 2157: 2152: 2112: 2107: 2092: 2087: 2052: 2012: 1965: 1863: 1858: 1818: 1751: 1741: 1726: 1711: 1651: 1402: 1362: 1163: 937: 895: 658: 193: 1447: 2216: 2187: 2142: 2097: 2082: 2072: 2022: 2017: 1980: 1890: 1868: 1756: 1617: 1612: 1562: 1542: 1497: 1392: 1275: 1265: 1176: 1068: 96:'s track "Men At Work" is an "excellent example" of true freestyle, along with 85: 53: 2553: 2341: 2319: 2117: 2047: 2027: 2007: 2002: 1915: 1833: 1656: 1567: 1537: 1112: 1058: 1048: 927: 890: 766: 617: 455: 267: 245: 172: 58: 23: 594:"Bigger By the Dozens: The Prevalence of Afro-Based Tradition in Battle Rap" 2481: 2476: 2032: 1935: 1873: 1674: 1624: 1482: 1372: 1124: 1031: 917: 839: 719: 62: 1322: 2501: 2496: 2469: 2454: 2285: 1641: 1572: 1547: 1477: 1357: 1307: 1270: 1245: 1223: 1193: 1117: 1019: 846: 232: 1041: 2464: 2290: 1636: 1629: 1487: 1297: 1255: 1240: 1183: 1134: 1129: 1100: 885: 867: 701: 695: 609: 257: 189: 162: 158: 150: 93: 48: 2444: 1679: 1607: 1472: 1437: 1417: 1377: 1218: 1078: 1063: 228: 2459: 1646: 1552: 1527: 1512: 1452: 1427: 1422: 1407: 1387: 1290: 1144: 1139: 1026: 860: 853: 1557: 1522: 1507: 1397: 1367: 826: 123:
what freestyle is by saying that it's improvisational rap like a
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community. In a freestyle battle, each competitor's goal is to "
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also refers to this earlier definition in his book,
763:: The True 50 Greatest MCs, Thunder's Mouth Press. 2551: 244:On May 6, 2020, American rapper and slam poet 811: 718: 519: 504: 492: 480: 461: 449: 437: 818: 804: 343: 341: 769:. Dir. Curtis Hanson. DVD. March 18, 2003 698:: The Art & Science of the Hip-Hop MC 650: 109:focus of Kevin Fitzgerald's documentary, 375: 373: 363:Murray Forman, Mark Anthony Neil, 2004, 278:Stream of consciousness (narrative mode) 692: 579: 567: 555: 543: 531: 416: 399: 359: 357: 338: 2552: 591: 183: 41: 16:Form of rap that relies on improvising 2512:LGBT representations in hip hop music 799: 630: 381:New York Ricans From The Hip-Hop Zone 370: 354: 283:Stream of consciousness (psychology) 239: 331:, "The Freestyle", in Brian Cross, 144:Methodology of improvised freestyle 103: 13: 704:(foreword). Chicago Review Press. 686: 656: 14: 2581: 792:. London; New York: Verso, 1993 . 729:. Thunder's Mouth Press. p.  2530: 2529: 464:, p. 22, 23, 201, 292, 306. 722:; et al. (November 2003). 693:Edwards, Paul (December 2009). 669: 631:Chang, Jeff (12 October 2009). 624: 585: 119:showing your lyrical prowess." 422: 322: 1: 592:Mavima, Shingi (2016-01-01). 313:Kevin Fitzgerald (director), 288: 2517:Feminist activism in hip hop 223:is an informal gathering of 7: 2507:Partner violence in hip hop 825: 774:The Vibe History of Hip Hop 749:Freestyle: The Art of Rhyme 383:, Palgrave Macmillan, p. 88 316:Freestyle: The Art of Rhyme 251: 112:Freestyle: The Art of Rhyme 10: 2586: 727:: The True 50 Greatest MCs 598:Journal of Hip Hop Studies 347:Gwendolyn D. Pough, 2004, 333:It's Not About A Salary... 2525: 2437: 2396: 2371: 2196: 2131: 1971:Bosnian and Herzegovinian 1944: 1832: 1710: 1699: 1665: 1596: 1585: 1461: 1436: 1346: 1335: 1254: 1207: 1003: 992: 984:Bristol underground scene 951: 878: 835: 349:Check It While I Wreck It 157:Freestyles are performed 761:There's A God On The Mic 725:There's A God On The Mic 379:Raquel Z. Rivera, 2003, 335:, New York: Verso, 1993. 68:There's A God On The Mic 790:It's Not About a Salary 633:"It's a Hip-hop World" 196:and originated in the 141: 78: 1685:Alternative reggaeton 964:Universal Zulu Nation 273:Musical improvisation 132: 100:'s "Lyrics of Fury". 73: 28:improvisational music 2450:Contemporary R&B 2259:Minneapolis/St. Paul 759:Kool Moe Dee, 2003, 1054:Chopped and screwed 959:Five-Percent Nation 772:Alan Light, et al. 263:Dance improvisation 184:Types of freestyles 42:Original definition 610:10.34718/gcxd-h910 570:, p. 301-302. 546:, p. 183-184. 534:, p. 182-183. 419:, p. 181-182. 367:, Routledge, p.196 82:old school hip-hop 2547: 2546: 2433: 2432: 1695: 1694: 1581: 1580: 1331: 1330: 911:Feminist activism 711:978-1-55652-816-3 520:Kool Moe Dee 2003 505:Kool Moe Dee 2003 493:Kool Moe Dee 2003 481:Kool Moe Dee 2003 462:Kool Moe Dee 2003 450:Kool Moe Dee 2003 438:Kool Moe Dee 2003 365:That's The Joint! 240:Longest freestyle 2577: 2538: 2533: 2532: 2400: 2375: 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Index

hip hop music
improvisational music
jazz
hip hop
How to Rap
Big Daddy Kane
Divine Styler
Kool Moe Dee
There's A God On The Mic
old school hip-hop
Big Daddy Kane
Kool G Rap
Rakim
Freestyle: The Art of Rhyme
jazz
emcee
How to Rap
a cappella
beatboxing
Freestyle
meter
rhythm
freestyle battle
Hip Hop culture
African-American
diss
rappers
beatboxers
breakdancers
George Watsky

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