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945:"Scorsese is another director who has shot the film in his head before you’ve exposed a single frame of film. You can sometimes talk him into something, though. There was one scene with Bob De Niro where he’s talking on the phone, hanging upside-down from a bar strung across a doorway. I suggested that we start the shot upside down, tight on his face, and then rotate the camera as we tracked backwards so the room would become upside-down. We did that shot with a Panatate remote head, and Marty just fell madly in love with the thing."
909:
and others. The stark black-and-white images suggested a realistic approach devoid of filtration or sepia tones, relying instead on the credibility of the locations and production design to simulate the era. Photographically, Francis rendered Glory simply and honestly, with much of the intimate drama
661:
and narrowly aimed the lighting towards the centre of the screen. Francis and
Clayton framed the film in an unusually bold style, with characters prominent at the edge of the frame and their faces at the centre in profile in some sequences, which, again, created both a sense of intimacy and unease,
839:
dissected
Francis's work on the film, writing: "Francis takes advantage of opportunities for high contrast, but note how more subtle elements of Francis’s shading affect the storytelling. Lynch defers a full look at the deformed title character, John Merrick (John Hurt), to milk it for maximum
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based on the lack of balance in the image. For many of the interior night scenes, Francis painted the sides of the lenses with black paint to allow for a more intense, "elegiac" focus, and used candles custom-made with four to five wicks twined together to produce more light.
1060:
atmosphere. "He understands the obligatory scene of a young maiden with a candle walking down a long hall towards a door. 'Don't go in that door!' you yell, and she goes in! Every time, she goes in! So I say to him, 'This has to look like The Hall,' and he understands that."
448:, where he worked on many training films. About this, Francis said, "Most of the time I was with various film units within the service, so I got quite a bit of experience in all sorts of jobs, including being a cameraman and editing and generally being a jack of all trades."
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is a black comedy about an isolated, upper-class family whose relationships and behaviours lead to deadly consequences. The film was not very well received by mainstream critics but has gone on to become a minor cult favorite among fans. In 1985, Francis directed
3611:
627:, the magazine praised his work by stating that the film has "unusual visual beauty and is marked by photographic ingenuity throughout that easily makes it one of the finest monochrome photographic achievements to come along in some time." Cinematographer
910:
revealed in the light and shadow playing upon soldiers’ faces". Francis said of the experience "I’m a great believer in the futility of war and I believe we captured that idea quite well in several parts of Glory. That was always in the back of my mind."
3634:
213:
and film director whose filmmaking career spanned over 60 years, from the late 1930s until the late 2000s. One of the most celebrated
British cinematographers of his time, he received numerous accolades for his photography, including two
1043:, Francis said "I still photograph things in black and white, but the fact that it's colour stock means they come out in colour. I know that sounds rather facetious ... but I prefer to think in terms of light and shade than in colour."
674:
praised
Francis for his work, writing: "I don't know where this cinematographer Freddie Francis sprang from. You may recall that in the last year just about every time a British movie is something to look at, it turns out to be his".
764:(both 1975). Francis was more than competent as a director, and his horror films possessed an undeniable visual flair. He regretted that he was seldom able to move beyond genre material as a director. He directed the little-seen
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Francis' photography favoured black-and-white, though he did work in colour for much of his latter career, and emphasized lighting and framing over colour schemes. In an interview with
38:
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402:. He left school at the age of 16, becoming an apprentice to photographer Louis Prothero. Francis stayed with Prothero for six months. In this time they photographed stills for a
840:
impact. So
Francis shows Merrick in varying degrees of shadow for the first half-hour — until a nurse stumbles upon him, at last fully illuminated by a skylight, and screams."
697:(1962). For the next 20-plus years, Francis worked continuously as a director of low-budget films, most of them in the genres of horror or psycho-thriller. Beginning with
4124:
2805:
843:
Francis gained a new-found industry and critical respect as a cinematographer. During the 1980s he collaborated with Lynch two more times, with the science fiction film
825:, using Kodak's Plus X stock — the only monochrome emulsion that met Francis's standards and was available in sufficient quantities. He earned great acclaim for his
2106:
1659:
4567:
880:). Francis thought it was a bad picture owing to poor special effects and had his name taken off it. His name was substituted with the name Ken Barnett.
727:(1968). On his apparent typecasting as a director of these types of film, Francis said "Horror films have liked me more than I have liked horror films".
635:, and I was knocked out by the poetry and visual beauty of the film. The camerawork was unlike anything I had seen before in an English-language movie."
394:
in London, England, Francis originally planned to become an engineer. At school, a piece he wrote about films of the future won him a scholarship to the
284:(1962), but gained the most attention for his horror films and thrillers. During the 1960s he was a house director for Hammer Productions, where he made
461:
Following his return to civilian life, Francis spent the next ten years working as a camera operator. He quickly became the regular cameraman of
4572:
3603:
2798:
607:
Cinematographer
Freddie Francis painted the edges of the lenses for interior night scenes to allow for a more closed-in, claustrophobic view
278:
framing, and was regarded as one of the top cameraman in the
British film industry. He made his directorial debut with the romantic comedy
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995:
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657:. He used colour filters and used the lighting rig to create darkness consuming everything at the edge of the frame. Francis used
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734:, a company that, like Hammer, specialised in horror pictures. Most of the films he made for Amicus were anthologies, including
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1950:
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929:(both 1991). Francis' suggested that he earned the job working with Scorsese was a recommendation that came from director
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1990:
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2011:
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703:(1963), Francis made numerous films for Hammer throughout the 1960s and 1970s. These films included thrillers like
353:
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623:. The film depicts societal repression in a small coal-mining town during the early 1900s. In the 1961 article of
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306:(1968). In the 1970s he worked mainly for Amicus Productions, for which he notably directed the horror anthology
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855:(1999), which was shot on location in Iowa in 23 days. One of his favorite camera operators was Gordon Hayman.
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440:, where he would spend the next seven years. Eventually, he was assigned as cameraman and director to the
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1985:
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Francis received many industry awards, including, in 1997, an international achievement award from the
830:
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441:
370:
In addition to his Oscar and BAFTA wins, Francis received an international achievement award from the
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1901:
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in order to keep the audience anxiously searching the frame for the psychopathic Max Cady played by
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1996:
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1956:
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3635:
British
Society of Cinematographers Award for Best Cinematography in a Theatrical Feature Film
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2565:
2414:
2101:"Francis, Frederick William [Freddie] (1917–2007), cinematographer and film director"
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693:
691:, Francis began his career as director of feature films. His first feature as director was
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1971:
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Francis married Gladys
Dorrell in 1940, with whom he had a son; in 1963 he married
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866:
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752:(1972). He also did two films for the short-lived company Tyburn Films; these were
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as Merlin the
Magician. Of the films Francis directed, one of his favorites was
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After nearly two decades as a director, Francis returned to cinematography with
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wrote, "Francis and director Zwick studied period stills by famed photographer
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265:(1960) – which earned him his first Oscar – and the psychological horror film
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979:(2012) by David A Ellis and published by American publisher Scarecrow Press.
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Francis' final feature film as a director of photography was a reunion with
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941:. Francis spoke fondly of his working relationship with Scorsese saying,
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In 1980 he returned to work as a director of photography, this time for
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Freddie Francis: The Straight Story from Moby Dick to Glory, a Memoir
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982:
Freddie's final film work was as cinematographer on the music video "
391:
80:
61:
469:. Francis served as a cameraman on six of The Archers' productions:
245:
before becoming a cinematographer for notable British films such as
2950:
2878:
414:, camera loader and focus puller. He began his career in films at
1076:
Francis died, aged 89, from the lingering effects of a stroke.
576:
He subsequently worked on such prestige British dramas such as
975:'s special achievement award. Francis is featured in the book
913:
Francis provided the cinematography for the critical favorite
505:. He served as Challis' cameraman on two other films as well:
972:
379:
2407:- Freddie Francis (with Tony Dalton), Scarecrow Press, 2013.
600:(1961), which he regarded as one of the best films he shot.
4125:
New York Film Critics Circle Award for Best Cinematographer
2677:
1821:
562:
and shortly after became a full director of photography on
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As a cinematographer, Francis cited his three mentors as
730:
Also in the mid-1960s, Francis began an association with
96:
2328:"Do Cinematographers Have a Signature? Let's Try a Test"
2170:"Freddie Francis | British cinematographer and director"
558:. Francis was given a chance to lead the second unit of
4563:
Military personnel from the London Borough of Islington
962:
321:(1980). This established a collaboration with director
2543:
16:
English cinematographer and film director (1917–2007)
2268:
802:
2075:"BSC Members | British Society of Cinematographers"
870:(1988). Francis's last film as director was 1987's
406:picture made at Associated Talking Pictures (later
237:Francis started his film career as a cameraman for
2280:
2110:(online ed.). Oxford University Press. 2004.
2099:
876:(no relation to the 2004 book of the same name by
209:(22 December 1917 – 17 March 2007) was an English
4539:
1073:, with whom he had a daughter and a second son.
374:in 1997, a lifetime achievement award from the
347:(1989). He also earned acclaim for his work on
2775:
678:
226:, notably those made for production companies
4109:
3619:
2799:
2529:
410:). This led to his successively becoming a
4568:Best Cinematographer Academy Award winners
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4102:
3626:
3612:
2806:
2792:
2536:
2522:
2445:Dark Romance: Sexuality in the Horror Film
2325:
1639:Peter Cushing: One Way Ticket to Hollywood
631:also praised his work saying, "Then I saw
571:
520:Francis was also the regular cameraman of
271:(1961). He became well-known for his rich
222:. As a director he was best known for his
36:
2494:The British Entertainment History Project
2374:
1917:
715:(1965), as well as monster films such as
2149:The American Society of Cinematographers
602:
530:(1950). The two also worked together on
337:(1999). He won his second Oscar for the
2358:"Cinematic Glory: Freddie Francis, BSC"
2352:
2350:
2145:"Cinematic Glory: Freddie Francis, BSC"
2107:Oxford Dictionary of National Biography
1022:. His main influences as director were
1005:
4573:British Army personnel of World War II
4540:
2461:
2274:
456:
422:. His first film as a clapper boy was
382:'s special achievement award in 2004.
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3607:
2815:Academy Award for Best Cinematography
2787:
2774:
2517:
2442:
2375:Lindbergs, Kimberly (21 March 2007).
2286:
2226:"Freddie Francis: 10 essential films"
2198:"Freddie Francis: 10 essential films"
1084:
817:(1980). This was principally shot at
621:Academy Award for Best Cinematography
290:(1963; an early starring vehicle for
180:Academy Award for Best Cinematography
2347:
2192:
2190:
2069:
2067:
2065:
2063:
2061:
969:American Society of Cinematographers
963:2004–12: Recognition and final years
568:(1956), which was shot in Portugal.
524:. His first feature with Morris was
372:American Society of Cinematographers
2431:– Paul M. Jensen, published 1996 –
977:Conversations with Cinematographers
638:He next collaborated with director
376:British Society of Cinematographers
13:
2377:"R.I.P. Freddie Francis 1917–2007"
2300:"Freddie Francis on The Innocents"
933:. Francis again sought to utilize
14:
4609:
2484:
2187:
2058:
1256:Never Take Sweets from a Stranger
1224:Saturday Night and Sunday Morning
803:1980–91: Return to cinematography
642:for the psychological drama film
585:Saturday Night and Sunday Morning
4593:People from Islington (district)
2662:Dracula Has Risen from the Grave
2326:Kenigsberg, Ben (16 July 2020).
1814:Dracula Has Risen from the Grave
1064:
724:Dracula Has Risen from the Grave
303:Dracula Has Risen from the Grave
144:
2368:
2319:
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990:. It was directed by filmmaker
164:
140:
4583:German-language film directors
2243:
2218:
2162:
2137:
2092:
1690:
1079:
833:nomination. Ben Kenigsberg of
827:black-and-white cinematography
781:Mumsy, Nanny, Sonny, and Girly
431:
416:British International Pictures
241:and for the directing team of
107:Cinematographer, film director
1:
4588:British horror film directors
2670:Mumsy, Nanny, Sonny and Girly
2606:Dr. Terror's House of Horrors
2429:The Men Who Made The Monsters
2051:
2012:The French Lieutenant's Woman
1830:Mumsy, Nanny, Sonny and Girly
1758:Dr. Terror's House of Horrors
1311:The French Lieutenant's Woman
1050:, who worked with Francis on
737:Dr. Terror's House of Horrors
396:North West London Polytechnic
385:
354:The French Lieutenant's Woman
2411:The Films of Freddie Francis
2131:UK public library membership
572:1959–68 : British films
536:and three films directed by
436:In 1939, Francis joined the
7:
2646:They Came from Beyond Space
1986:British Academy Film Awards
1798:They Came from Beyond Space
1610:Episodes: The Horsemasters
1602:The Magical World of Disney
1056:, cited Francis's use of a
858:He worked on films such as
679:1963–70: Work as a director
465:and their cinematographer,
42:Historical photo of Francis
10:
4614:
4598:Film directors from London
2776:Awards for Freddie Francis
2710:Tales That Witness Madness
2398:
1862:Tales That Witness Madness
831:British Academy Film Award
650:. Francis worked with the
442:Army Kinematograph Service
4486:
4303:
4131:
3948:
3783:
3641:
3452:
3283:
3046:
2821:
2781:
2750:The Doctor and the Devils
2552:
2508:Freddie Francis biography
2417:, Scarecrow Press, 1991.
1989:
1984:
1949:
1944:
1902:The Doctor and the Devils
1484:
1429:
1374:
1341:
1218:
1164:
1129:
996:British Video of the Year
953:the small intimate drama
795:, based on the crimes of
792:The Doctor and the Devils
502:The Sorcerer's Apprentice
451:
202:Frederick William Francis
175:
119:
111:
103:
88:
69:
47:
35:
23:
4578:English cinematographers
2590:The Evil of Frankenstein
2443:Hogan, David J. (2016).
2362:American Cinematographer
2255:American Cinematographer
1734:The Evil of Frankenstein
903:American Cinematographer
718:The Evil of Frankenstein
625:American Cinematographer
325:, for whom he also shot
297:The Evil of Frankenstein
234:in the 1960s and 1970s.
2174:Encyclopedia Britannica
1718:The Day of the Triffids
1655:The Plot to Kill Hitler
901:. David E. Williams of
2734:Legend of the Werewolf
2510:on (re)Search my Trash
2467:Monsters in the Movies
2447:. McFarland Classics.
2116:10.1093/ref:odnb/98649
1918:Awards and nominations
1894:Legend of the Werewolf
1620:The Executioner's Song
947:
861:The Executioner's Song
774:in the title role and
761:Legend of the Werewolf
619:he received his first
608:
425:The Prisoner of Corbal
243:Powell and Pressburger
4558:British Army soldiers
2686:The Vampire Happening
2469:. New York: Penguin.
2415:Wheeler Winston Dixon
1838:The Vampire Happening
1674:A Life in the Theatre
994:. The video won best
943:
897:he earned his second
883:With his work on the
849:(1984) and the drama
811:in the British drama
606:
514:Affair in Monte Carlo
490:The Tales of Hoffmann
478:The Elusive Pimpernel
420:British and Dominions
3228:Pasqualino De Santis
2849:Willard Van der Veer
2694:Tales from the Crypt
2558:Two and Two Make Six
2305:Criterion Collection
1846:Tales from the Crypt
1698:Two and Two Make Six
1006:Style and influences
749:Tales from the Crypt
694:Two and Two Make Six
309:Tales from the Crypt
281:Two and Two Make Six
143: 1940;
93:Mortlake Crematorium
4216:Ernest R. Dickerson
4192:Tony Pierce-Roberts
4010:Guillaume Schiffman
3891:Tony Pierce-Roberts
3712:Skeets Kelly (1965)
3009:Joseph A. Valentine
2364:. 30 December 2021.
1991:Best Cinematography
1951:Best Cinematography
1506:The Man in the Moon
1457:Robert Ellis Miller
1071:Pamela Mann-Francis
916:The Man in the Moon
893:(1989) directed by
472:The Small Back Room
467:Christopher Challis
457:1950–56: Early work
378:the same year, and
4388:Anthony Dod Mantle
4064:Erik Messerschmidt
4022:Phedon Papamichael
3903:Philippe Rousselot
3861:Philippe Rousselot
3574:Erik Messerschmidt
3502:Anthony Dod Mantle
3395:Philippe Rousselot
2702:The Creeping Flesh
2544:Films directed by
2333:The New York Times
2206:. 22 December 2017
1854:The Creeping Flesh
1660:Lawrence Schriller
1561:The Straight Story
1397:Code Name: Emerald
1085:As cinematographer
956:The Straight Story
852:The Straight Story
836:The New York Times
732:Amicus Productions
609:
339:American Civil War
334:The Straight Story
4535:
4534:
4529:
4528:
4519:Hoyte van Hoytema
4404:Matthew Libatique
4372:Guillermo Navarro
4356:Christopher Doyle
4348:Christopher Doyle
4320:Christopher Doyle
4239:Jean LĂ©pin (1992)
4144:Geoffrey Unsworth
4091:
4090:
3797:Geoffrey Unsworth
3756:Geoffrey Unsworth
3707:Geoffrey Unsworth
3601:
3600:
3592:Hoyte van Hoytema
3520:Robert Richardson
3490:Guillermo Navarro
3478:Robert Richardson
3425:Russell Carpenter
3389:Robert Richardson
3315:Geoffrey Unsworth
3264:Fred J. Koenekamp
3252:Geoffrey Unsworth
3138:William C. Mellor
3132:Joseph Ruttenberg
3112:Joseph Ruttenberg
3096:Milton R. Krasner
3054:William C. Mellor
2937:Joseph Ruttenberg
2897:Joseph Ruttenberg
2768:
2767:
2476:978-0-756-68846-2
2454:978-0-786-46248-3
2251:"Cinematic Glory"
2129:(Subscription or
2049:
2048:
1688:
1687:
1626:Lawrence Schiller
1607:William Fairfield
1573:
1572:
1135:Time Without Pity
770:(1974), starring
527:Golden Salamander
496:Twice Upon a Time
199:
198:
112:Years active
99:, London, England
83:, London, England
64:, London, England
4605:
4522:
4514:
4506:
4498:
4495:Shabier Kirchner
4479:
4471:
4463:
4455:
4447:
4439:
4431:
4423:
4415:
4412:Emmanuel Lubezki
4407:
4399:
4396:Christian Berger
4391:
4383:
4375:
4367:
4351:
4343:
4335:
4327:
4315:
4296:
4288:
4280:
4272:
4264:
4256:
4248:
4240:
4235:
4227:
4224:Vittorio Storaro
4219:
4211:
4203:
4200:Vittorio Storaro
4195:
4187:
4179:
4171:
4163:
4160:NĂ©stor Almendros
4155:
4147:
4140:Ghislain Cloquet
4118:
4111:
4104:
4095:
4094:
3867:Vittorio Storaro
3803:Douglas Slocombe
3768:Douglas Slocombe
3762:Douglas Slocombe
3732:Douglas Slocombe
3701:Douglas Slocombe
3628:
3621:
3614:
3605:
3604:
3544:Emmanuel Lubezki
3538:Emmanuel Lubezki
3532:Emmanuel Lubezki
3365:Vittorio Storaro
3325:Vittorio Storaro
3319:Ghislain Cloquet
3309:Vittorio Storaro
3303:NĂ©stor Almendros
3013:William V. Skall
2977:Arthur C. Miller
2947:Arthur C. Miller
2927:Arthur C. Miller
2845:Joseph T. Rucker
2808:
2801:
2794:
2785:
2784:
2772:
2771:
2538:
2531:
2524:
2515:
2514:
2480:
2458:
2392:
2391:
2389:
2387:
2372:
2366:
2365:
2354:
2345:
2344:
2342:
2340:
2323:
2317:
2316:
2314:
2312:
2296:
2290:
2284:
2278:
2272:
2266:
2265:
2263:
2261:
2247:
2241:
2240:
2238:
2236:
2222:
2216:
2215:
2213:
2211:
2194:
2185:
2184:
2182:
2180:
2166:
2160:
2159:
2157:
2155:
2141:
2135:
2134:
2126:
2124:
2122:
2103:
2096:
2090:
2089:
2087:
2085:
2071:
1997:The Elephant Man
1922:
1921:
1580:
1579:
1511:Robert Mulligan
1292:The Elephant Man
1094:
1093:
1000:1998 Brit Awards
814:The Elephant Man
611:For his work on
418:, then moved to
318:The Elephant Man
208:
168:
166:
148:
146:
142:
76:
58:22 December 1917
57:
55:
40:
21:
20:
4613:
4612:
4608:
4607:
4606:
4604:
4603:
4602:
4538:
4537:
4536:
4531:
4530:
4525:
4517:
4511:Claudio Miranda
4509:
4503:Janusz Kamiński
4501:
4493:
4482:
4474:
4466:
4460:Rachel Morrison
4458:
4450:
4442:
4434:
4428:Bruno Delbonnel
4426:
4418:
4410:
4402:
4394:
4386:
4378:
4370:
4354:
4346:
4338:
4330:
4318:
4310:
4299:
4293:Freddie Francis
4291:
4283:
4275:
4267:
4259:
4251:
4245:Janusz Kamiński
4243:
4238:
4230:
4222:
4214:
4206:
4198:
4190:
4182:
4174:
4166:
4158:
4150:
4138:
4127:
4122:
4092:
4087:
4040:Seamus McGarvey
4016:Seamus McGarvey
3944:
3927:Remi Adefarasin
3897:Janusz Kamiński
3879:Freddie Francis
3821:Freddie Francis
3815:Freddie Francis
3779:
3679:Freddie Francis
3637:
3632:
3602:
3597:
3526:Claudio Miranda
3448:
3431:Janusz Kamiński
3401:Janusz Kamiński
3377:Freddie Francis
3297:Vilmos Zsigmond
3279:
3268:Joseph F. Biroc
3196:Harry Stradling
3192:Walter Lassally
3182:James Wong Howe
3158:Eugen SchĂĽfftan
3148:Freddie Francis
3102:James Wong Howe
3042:
3005:William Daniels
2967:Harry Stradling
2957:Joseph LaShelle
2817:
2812:
2777:
2769:
2764:
2638:The Deadly Bees
2548:
2546:Freddie Francis
2542:
2499:Freddie Francis
2491:Freddie Francis
2487:
2477:
2455:
2401:
2396:
2395:
2385:
2383:
2373:
2369:
2356:
2355:
2348:
2338:
2336:
2324:
2320:
2310:
2308:
2298:
2297:
2293:
2285:
2281:
2273:
2269:
2259:
2257:
2249:
2248:
2244:
2234:
2232:
2224:
2223:
2219:
2209:
2207:
2196:
2195:
2188:
2178:
2176:
2168:
2167:
2163:
2153:
2151:
2143:
2142:
2138:
2128:
2120:
2118:
2098:
2097:
2093:
2083:
2081:
2073:
2072:
2059:
2054:
1957:Sons and Lovers
1920:
1790:The Deadly Bees
1693:
1646:TV documentary
1496:Martin Scorsese
1441:Bruce Beresford
1422:Robert Mulligan
1403:Jonathan Sanger
1240:Sons and Lovers
1205:Room at the Top
1176:Henry Cornelius
1170:Next to No Time
1116:A Hill in Korea
1087:
1082:
1067:
1048:Martin Scorsese
1008:
971:, and in 2004,
965:
921:Martin Scorsese
819:Wembley Studios
805:
689:Sons and Lovers
681:
633:Sons and Lovers
617:Sons and Lovers
591:Sons and Lovers
579:Room at the Top
574:
565:A Hill in Korea
533:Knave of Hearts
508:Angels One Five
459:
454:
446:Wembley Studios
434:
388:
359:Martin Scorsese
273:black-and-white
262:Sons and Lovers
252:Room at the Top
211:cinematographer
204:
189:
186:Sons and Lovers
182:
171:
170:
167: 1963)
162:
158:
150:
147: 1961)
138:
134:
131:
84:
78:
74:
65:
59:
53:
51:
43:
31:
26:
25:Freddie Francis
17:
12:
11:
5:
4611:
4601:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4560:
4555:
4550:
4533:
4532:
4527:
4526:
4524:
4523:
4515:
4507:
4499:
4490:
4488:
4484:
4483:
4481:
4480:
4472:
4468:Alfonso CuarĂłn
4464:
4456:
4448:
4444:Edward Lachman
4440:
4436:Darius Khondji
4432:
4424:
4416:
4408:
4400:
4392:
4384:
4376:
4368:
4364:Kwan Pun Leung
4352:
4344:
4340:Harris Savides
4336:
4332:Edward Lachman
4328:
4316:
4307:
4305:
4301:
4300:
4298:
4297:
4289:
4281:
4273:
4265:
4257:
4253:Stefan Czapsky
4249:
4241:
4236:
4228:
4220:
4212:
4204:
4196:
4188:
4180:
4172:
4164:
4156:
4148:
4135:
4133:
4129:
4128:
4121:
4120:
4113:
4106:
4098:
4089:
4088:
4086:
4085:
4079:
4073:
4067:
4061:
4055:
4052:Alfonso CuarĂłn
4049:
4043:
4037:
4034:Edward Lachman
4031:
4025:
4019:
4013:
4007:
4001:
3995:
3989:
3983:
3977:
3974:John Mathieson
3971:
3965:
3962:Conrad L. Hall
3959:
3952:
3950:
3946:
3945:
3943:
3942:
3936:
3933:Conrad L. Hall
3930:
3924:
3921:Dante Spinotti
3918:
3912:
3906:
3900:
3894:
3888:
3882:
3876:
3870:
3864:
3858:
3852:
3846:
3840:
3834:
3827:Billy Williams
3824:
3818:
3812:
3809:Billy Williams
3806:
3800:
3794:
3787:
3785:
3781:
3780:
3778:
3777:
3771:
3765:
3759:
3753:
3747:
3741:
3735:
3729:
3723:
3713:
3710:
3704:
3694:
3688:
3685:Robert Krasker
3682:
3676:
3670:
3664:
3658:
3655:Robert Krasker
3652:
3645:
3643:
3639:
3638:
3631:
3630:
3623:
3616:
3608:
3599:
3598:
3596:
3595:
3589:
3583:
3577:
3571:
3565:
3562:Alfonso CuarĂłn
3559:
3553:
3550:Linus Sandgren
3547:
3541:
3535:
3529:
3523:
3517:
3511:
3505:
3499:
3493:
3487:
3481:
3475:
3469:
3463:
3456:
3454:
3450:
3449:
3447:
3446:
3440:
3434:
3428:
3422:
3416:
3410:
3404:
3398:
3392:
3386:
3380:
3374:
3368:
3362:
3356:
3350:
3344:
3338:
3331:Billy Williams
3328:
3322:
3312:
3306:
3300:
3294:
3291:Haskell Wexler
3287:
3285:
3281:
3280:
3278:
3277:
3271:
3261:
3255:
3249:
3243:
3237:
3234:Conrad L. Hall
3231:
3225:
3222:Burnett Guffey
3219:
3212:Haskell Wexler
3209:
3199:
3189:
3179:
3172:Walter Wottitz
3165:
3162:Daniel L. Fapp
3155:
3145:
3142:Robert Surtees
3135:
3125:
3119:
3109:
3099:
3089:
3082:Burnett Guffey
3079:
3072:Winton C. Hoch
3068:Robert Surtees
3065:
3050:
3048:
3044:
3043:
3041:
3040:
3037:Robert Surtees
3033:Robert Krasker
3030:
3027:Winton C. Hoch
3020:
3017:Winton C. Hoch
3002:
2992:
2981:Charles Rosher
2974:
2964:
2954:
2944:
2934:
2924:
2921:George Perinal
2914:
2900:
2894:
2888:
2882:
2876:
2870:
2864:
2858:
2852:
2842:
2839:Clyde De Vinna
2836:
2829:Charles Rosher
2825:
2823:
2819:
2818:
2811:
2810:
2803:
2796:
2788:
2782:
2779:
2778:
2766:
2765:
2763:
2762:
2754:
2746:
2738:
2730:
2722:
2718:Son of Dracula
2714:
2706:
2698:
2690:
2682:
2674:
2666:
2658:
2654:Torture Garden
2650:
2642:
2634:
2630:The Psychopath
2626:
2618:
2610:
2602:
2598:Traitor's Gate
2594:
2586:
2578:
2570:
2562:
2553:
2550:
2549:
2541:
2540:
2533:
2526:
2518:
2512:
2511:
2505:
2496:
2486:
2485:External links
2483:
2482:
2481:
2475:
2459:
2453:
2440:
2426:
2408:
2400:
2397:
2394:
2393:
2367:
2346:
2318:
2291:
2279:
2277:, p. 110.
2267:
2242:
2217:
2186:
2161:
2136:
2091:
2056:
2055:
2053:
2050:
2047:
2046:
2043:
2036:
2032:
2031:
2028:
2023:
2019:
2018:
2015:
2008:
2004:
2003:
2000:
1993:
1988:
1983:
1979:
1978:
1975:
1968:
1964:
1963:
1960:
1953:
1948:
1946:Academy Awards
1943:
1939:
1938:
1935:
1932:
1929:
1926:
1919:
1916:
1915:
1914:
1906:
1898:
1890:
1882:
1874:
1870:Son of Dracula
1866:
1858:
1850:
1842:
1834:
1826:
1818:
1810:
1806:Torture Garden
1802:
1794:
1786:
1782:The Psychopath
1778:
1770:
1762:
1754:
1746:
1742:Traitor's Gate
1738:
1730:
1722:
1714:
1702:
1692:
1689:
1686:
1685:
1682:
1680:Gregory Mosher
1677:
1670:
1666:
1665:
1662:
1657:
1652:
1648:
1647:
1644:
1643:Alan J.W. Bell
1641:
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1350:
1347:Memed, My Hawk
1343:
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1338:
1336:
1331:
1328:The Jigsaw Man
1324:
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1104:
1101:
1098:
1086:
1083:
1081:
1078:
1066:
1063:
1020:Michael Powell
1007:
1004:
964:
961:
939:Robert De Niro
931:Michael Powell
804:
801:
797:Burke and Hare
767:Son of Dracula
743:Torture Garden
683:Following his
680:
677:
667:The New Yorker
573:
570:
549:Beat the Devil
458:
455:
453:
450:
433:
430:
408:Ealing Studios
404:Stanley Lupino
387:
384:
216:Academy Awards
197:
196:
177:
173:
172:
160:
156:
155:
154:
153:
136:
132:
130:Gladys Dorrell
129:
128:
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126:
123:
121:
117:
116:
113:
109:
108:
105:
101:
100:
90:
86:
85:
79:
77:(aged 89)
71:
67:
66:
60:
49:
45:
44:
41:
33:
32:
27:
24:
15:
9:
6:
4:
3:
2:
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4520:
4516:
4512:
4508:
4504:
4500:
4496:
4492:
4491:
4489:
4485:
4477:
4476:Claire Mathon
4473:
4469:
4465:
4461:
4457:
4453:
4449:
4445:
4441:
4437:
4433:
4429:
4425:
4421:
4417:
4413:
4409:
4405:
4401:
4397:
4393:
4389:
4385:
4381:
4380:Robert Elswit
4377:
4373:
4369:
4365:
4361:
4357:
4353:
4349:
4345:
4341:
4337:
4333:
4329:
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4321:
4317:
4313:
4309:
4308:
4306:
4302:
4294:
4290:
4286:
4282:
4278:
4277:Roger Deakins
4274:
4270:
4266:
4262:
4258:
4254:
4250:
4246:
4242:
4237:
4233:
4232:Roger Deakins
4229:
4225:
4221:
4217:
4213:
4209:
4205:
4201:
4197:
4193:
4189:
4185:
4181:
4177:
4173:
4169:
4168:Gordon Willis
4165:
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4099:
4096:
4083:
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4077:
4074:
4071:
4068:
4065:
4062:
4059:
4058:Roger Deakins
4056:
4053:
4050:
4047:
4046:Roger Deakins
4044:
4041:
4038:
4035:
4032:
4029:
4026:
4023:
4020:
4017:
4014:
4011:
4008:
4005:
4004:Roger Deakins
4002:
3999:
3998:Barry Ackroyd
3996:
3993:
3992:Roger Deakins
3990:
3987:
3986:Roger Deakins
3984:
3981:
3978:
3975:
3972:
3969:
3966:
3963:
3960:
3957:
3956:Roger Deakins
3954:
3953:
3951:
3947:
3940:
3939:Roger Deakins
3937:
3934:
3931:
3928:
3925:
3922:
3919:
3916:
3913:
3910:
3907:
3904:
3901:
3898:
3895:
3892:
3889:
3886:
3885:Pierre Lhomme
3883:
3880:
3877:
3874:
3871:
3868:
3865:
3862:
3859:
3856:
3853:
3850:
3847:
3844:
3841:
3838:
3835:
3832:
3831:Ronnie Taylor
3828:
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3813:
3810:
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3804:
3801:
3798:
3795:
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3763:
3760:
3757:
3754:
3751:
3750:Oswald Morris
3748:
3745:
3744:Freddie Young
3742:
3739:
3736:
3733:
3730:
3727:
3726:Oswald Morris
3724:
3721:
3720:Oswald Morris
3717:
3716:Freddie Young
3714:
3711:
3708:
3705:
3702:
3698:
3695:
3692:
3691:Freddie Young
3689:
3686:
3683:
3680:
3677:
3674:
3671:
3668:
3667:Jack Hildyard
3665:
3662:
3659:
3656:
3653:
3650:
3649:Oswald Morris
3647:
3646:
3644:
3640:
3636:
3629:
3624:
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3617:
3615:
3610:
3609:
3606:
3593:
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3587:
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3581:
3578:
3575:
3572:
3569:
3568:Roger Deakins
3566:
3563:
3560:
3557:
3556:Roger Deakins
3554:
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3548:
3545:
3542:
3539:
3536:
3533:
3530:
3527:
3524:
3521:
3518:
3515:
3514:Wally Pfister
3512:
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3500:
3497:
3496:Robert Elswit
3494:
3491:
3488:
3485:
3482:
3479:
3476:
3473:
3470:
3467:
3464:
3461:
3460:Andrew Lesnie
3458:
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3335:Ronnie Taylor
3332:
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3259:
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3246:Oswald Morris
3244:
3241:
3240:Freddie Young
3238:
3235:
3232:
3229:
3226:
3223:
3220:
3217:
3213:
3210:
3207:
3206:Freddie Young
3203:
3202:Ernest Laszlo
3200:
3197:
3193:
3190:
3187:
3183:
3180:
3177:
3176:Freddie Young
3173:
3169:
3168:Jean Bourgoin
3166:
3163:
3159:
3156:
3153:
3152:Russell Metty
3149:
3146:
3143:
3139:
3136:
3133:
3129:
3126:
3123:
3122:Jack Hildyard
3120:
3117:
3116:Lionel Lindon
3113:
3110:
3107:
3103:
3100:
3097:
3093:
3092:Boris Kaufman
3090:
3087:
3083:
3080:
3077:
3073:
3069:
3066:
3063:
3059:
3055:
3052:
3051:
3049:
3045:
3038:
3034:
3031:
3028:
3024:
3023:Paul C. Vogel
3021:
3018:
3014:
3010:
3006:
3003:
3000:
2996:
2993:
2990:
2989:Arthur Arling
2986:
2985:Leonard Smith
2982:
2978:
2975:
2972:
2968:
2965:
2962:
2958:
2955:
2952:
2948:
2945:
2942:
2938:
2935:
2932:
2931:Ernest Palmer
2928:
2925:
2922:
2918:
2917:George Barnes
2915:
2912:
2908:
2907:Ernest Haller
2904:
2901:
2898:
2895:
2892:
2889:
2886:
2883:
2880:
2877:
2874:
2873:Victor Milner
2871:
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2437:0-8057-9338-0
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2423:0-8108-2358-6
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2301:
2295:
2289:, p. 87.
2288:
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2256:
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2016:
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1994:
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1987:
1981:
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1543:
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1535:
1532:
1530:
1529:Robert Mandel
1527:
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1517:
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1513:
1510:
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1507:
1503:
1502:
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1442:
1439:
1437:
1436:
1432:
1428:
1425:
1423:
1420:
1418:
1417:
1416:Clara's Heart
1413:
1410:
1409:
1406:
1404:
1401:
1399:
1398:
1394:
1393:
1389:
1387:
1384:
1382:
1381:
1377:
1373:
1370:
1367:
1365:
1364:
1360:
1359:
1356:
1354:
1353:Peter Ustinov
1351:
1349:
1348:
1344:
1340:
1337:
1335:
1334:Terence Young
1332:
1330:
1329:
1325:
1322:
1321:
1318:
1315:
1313:
1312:
1308:
1305:
1304:
1301:
1299:
1296:
1294:
1293:
1289:
1286:
1285:
1282:
1280:Jack Clayton
1279:
1277:
1276:
1275:The Innocents
1272:
1269:
1268:
1265:
1263:
1262:Cyril Frankel
1260:
1258:
1257:
1253:
1252:
1249:
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1212:
1209:
1207:
1206:
1202:
1199:
1198:
1195:
1193:
1190:
1188:
1187:
1186:Virgin Island
1183:
1182:
1179:
1177:
1174:
1172:
1171:
1167:
1163:
1160:
1158:
1155:
1153:
1152:
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1128:
1125:
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1120:
1118:
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1113:
1110:
1109:
1105:
1102:
1099:
1096:
1095:
1092:
1091:
1077:
1074:
1072:
1065:Personal life
1062:
1059:
1055:
1054:
1049:
1044:
1042:
1041:
1035:
1033:
1029:
1028:William Wyler
1025:
1021:
1017:
1013:
1012:Freddie Young
1003:
1001:
997:
993:
989:
985:
980:
978:
974:
970:
960:
958:
957:
952:
946:
942:
940:
936:
932:
928:
927:
923:'s remake of
922:
918:
917:
911:
908:
907:Matthew Brady
904:
900:
899:Academy Award
896:
892:
891:
886:
881:
879:
875:
874:
869:
868:
867:Clara's Heart
863:
862:
856:
854:
853:
848:
847:
841:
838:
837:
832:
828:
824:
820:
816:
815:
810:
800:
798:
794:
793:
787:
783:
782:
777:
773:
772:Harry Nilsson
769:
768:
763:
762:
757:
756:
751:
750:
745:
744:
739:
738:
733:
728:
726:
725:
720:
719:
714:
713:
708:
707:
702:
701:
696:
695:
690:
686:
685:Academy Award
676:
673:
669:
668:
663:
660:
656:
653:
649:
645:
644:The Innocents
641:
636:
634:
630:
626:
622:
618:
614:
605:
601:
599:
598:
597:The Innocents
593:
592:
587:
586:
581:
580:
569:
567:
566:
561:
557:
556:
551:
550:
545:
544:
539:
535:
534:
529:
528:
523:
522:Oswald Morris
518:
516:
515:
510:
509:
504:
503:
498:
497:
492:
491:
486:
485:
484:Gone to Earth
480:
479:
474:
473:
468:
464:
449:
447:
443:
439:
429:
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426:
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417:
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305:
304:
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293:
289:
288:
283:
282:
277:
274:
270:
269:
268:The Innocents
264:
263:
258:
254:
253:
248:
244:
240:
235:
233:
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225:
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188:
187:
181:
178:
174:
152:
151:
125:
124:
122:
118:
114:
110:
106:
104:Occupation(s)
102:
98:
94:
91:
89:Resting place
87:
82:
73:17 March 2007
72:
68:
63:
50:
46:
39:
34:
30:
22:
19:
4487:2020–present
4452:James Laxton
4420:Greig Fraser
4324:Pin Bing Lee
4292:
4269:Robby MĂĽller
4208:Henri Alekan
4184:David Watkin
4176:Chris Menges
4152:David Watkin
4076:James Friend
3968:Russell Boyd
3949:2001–present
3915:Alex Thomson
3878:
3873:Peter Biziou
3855:David Watkin
3849:Alex Thomson
3843:Chris Menges
3837:Sven Nykvist
3820:
3814:
3738:Gerry Turpin
3678:
3673:Harry Waxman
3661:Jack Cardiff
3586:James Friend
3580:Greig Fraser
3472:Russell Boyd
3453:2001–present
3376:
3371:Peter Biziou
3359:Chris Menges
3353:David Watkin
3347:Chris Menges
3341:Sven Nykvist
3258:Sven Nykvist
3186:Leon Shamroy
3147:
3106:Robert Burks
3086:Loyal Griggs
3076:Archie Stout
3058:Alfred Gilks
2999:Jack Cardiff
2971:Leon Shamroy
2961:Leon Shamroy
2941:Leon Shamroy
2911:Ray Rennahan
2903:Gregg Toland
2867:Charles Lang
2855:Floyd Crosby
2756:
2748:
2740:
2732:
2724:
2716:
2708:
2700:
2692:
2684:
2676:
2668:
2660:
2652:
2644:
2636:
2628:
2620:
2612:
2604:
2596:
2588:
2580:
2572:
2564:
2556:
2545:
2466:
2463:Landis, John
2444:
2428:
2410:
2404:
2384:. Retrieved
2380:
2370:
2361:
2337:. Retrieved
2331:
2321:
2309:. Retrieved
2303:
2294:
2282:
2270:
2258:. Retrieved
2254:
2245:
2233:. Retrieved
2229:
2220:
2208:. Retrieved
2201:
2177:. Retrieved
2173:
2164:
2152:. Retrieved
2148:
2139:
2119:. Retrieved
2105:
2094:
2082:. Retrieved
2078:
2038:
2025:
2010:
1995:
1970:
1955:
1908:
1900:
1892:
1884:
1876:
1868:
1860:
1852:
1844:
1836:
1828:
1820:
1812:
1804:
1796:
1788:
1780:
1772:
1764:
1756:
1748:
1740:
1732:
1724:
1716:
1710:
1704:
1696:
1672:
1654:
1638:
1618:
1600:
1575:
1574:
1566:David Lynch
1559:
1540:
1521:
1504:
1488:
1477:Edward Zwick
1469:
1451:Brenda Starr
1449:
1433:
1414:
1395:
1386:Walter Murch
1380:Return to Oz
1378:
1368:David Lynch
1361:
1345:
1326:
1316:Karel Reisz
1309:
1290:
1273:
1254:
1246:Jack Cardiff
1238:
1222:
1211:Jack Clayton
1203:
1184:
1168:
1149:
1141:Joseph Losey
1133:
1122:Julian Amyes
1114:
1089:
1088:
1075:
1068:
1051:
1045:
1040:The Guardian
1038:
1036:
1032:Tod Browning
1024:Billy Wilder
1009:
981:
976:
966:
954:
948:
944:
924:
914:
912:
902:
895:Edward Zwick
888:
882:
878:Stephen King
871:
865:
859:
857:
850:
844:
842:
834:
812:
806:
790:
785:
779:
765:
759:
753:
747:
741:
735:
729:
722:
716:
710:
704:
698:
692:
688:
682:
672:Pauline Kael
670:film critic
665:
664:
655:aspect ratio
648:Deborah Kerr
643:
640:Jack Clayton
637:
632:
624:
616:
613:Jack Cardiff
610:
595:
594:(1960), and
589:
583:
577:
575:
563:
559:
553:
547:
543:Moulin Rouge
541:
531:
525:
519:
512:
506:
500:
494:
488:
482:
476:
470:
460:
435:
423:
400:Kentish Town
389:
369:
362:
357:(1981), and
352:
342:
332:
331:(1984), and
326:
316:
314:
307:
301:
300:(1964), and
295:
285:
279:
266:
260:
257:Jack Cardiff
250:
247:Jack Clayton
236:
224:horror films
220:BAFTA Awards
201:
200:
191:
184:
75:(2007-03-17)
18:
4553:2007 deaths
4548:1917 births
4360:Lai Yiu-fai
4082:Robbie Ryan
3980:Phil MĂ©heux
3909:Andrew Dunn
3774:John Alcott
3508:Mauro Fiore
3466:Conrad Hall
3437:Conrad Hall
3383:Dean Semler
3274:John Alcott
3128:Sam Leavitt
2891:Karl Freund
2885:Tony Gaudio
2833:Karl Struss
2439:(paperback)
2425:(hardcover)
2339:30 December
2311:30 December
2275:Landis 2011
2260:30 December
2235:29 December
1691:As director
1569:Final film
1548:Bob Hoskins
1523:School Ties
1463:Peter Stein
1390:Uncredited
1298:David Lynch
1230:Karel Reisz
1192:Pat Jackson
1080:Filmography
1016:John Huston
951:David Lynch
919:as well as
809:David Lynch
776:Ringo Starr
746:(1967) and
721:(1964) and
709:(1964) and
652:CinemaScope
629:John Bailey
538:John Huston
463:The Archers
432:War service
412:clapper boy
349:Karel Reisz
323:David Lynch
292:Oliver Reed
276:CinemaScope
239:John Huston
157:Pamela Mann
4542:Categories
4070:Ari Wegner
3791:Gil Taylor
3484:Dion Beebe
3419:John Seale
3062:John Alton
2861:Lee Garmes
2758:Dark Tower
2287:Hogan 2016
2179:31 October
2133:required.)
2121:31 October
2079:bscine.com
2052:References
2045:Nominated
2030:Nominated
2017:Nominated
2002:Nominated
1910:Dark Tower
1576:Television
1157:Wolf Rilla
992:Sean Ellis
988:All Saints
984:Never Ever
935:deep focus
873:Dark Tower
829:earning a
823:Panavision
659:deep focus
386:Early life
54:1917-12-22
4312:Peter Pau
4304:2000–2019
4285:John Toll
4132:1980–1999
4028:Dick Pope
3784:1976–2000
3697:Ted Moore
3642:1953–1975
3443:Peter Pau
3413:John Toll
3407:John Toll
3284:1976–2000
3216:Ted Moore
3047:1951–1975
2995:Guy Green
2822:1928–1950
2742:The Ghoul
2622:The Skull
2582:Nightmare
2574:Paranoiac
2566:The Brain
2381:CINEBEATS
2040:Cape Fear
1931:Category
1886:The Ghoul
1766:The Skull
1750:Nightmare
1726:Paranoiac
1711:Vengeance
1706:The Brain
1684:TV movie
1664:TV movie
1630:TV movie
1589:Director
1490:Cape Fear
1435:Her Alibi
1151:The Scamp
1103:Director
1053:Cape Fear
1046:Director
926:Cape Fear
885:Civil War
755:The Ghoul
706:Nightmare
700:Paranoiac
646:starring
560:Moby Dick
555:Moby Dick
392:Islington
364:Cape Fear
287:Paranoiac
249:'s drama
218:and five
115:1937–1999
81:Isleworth
62:Islington
2951:Hal Mohr
2879:Hal Mohr
2614:Hysteria
2465:(2011).
1774:Hysteria
1713:) (1962)
1709:(a.k.a.
959:(1999).
864:(1982),
786:Mumsy...
784:(1970).
740:(1965),
712:Hysteria
687:win for
588:(1960),
582:(1959),
493:(1951),
481:(1950),
428:(1936).
390:Born in
367:(1991).
312:(1972).
255:(1959),
2399:Sources
1937:Result
1542:Rainbow
998:at the
169:
161:
149:
137:
133:
120:Spouses
4521:(2023)
4513:(2022)
4505:(2021)
4497:(2020)
4478:(2019)
4470:(2018)
4462:(2017)
4454:(2016)
4446:(2015)
4438:(2014)
4430:(2013)
4422:(2012)
4414:(2011)
4406:(2010)
4398:(2009)
4390:(2008)
4382:(2007)
4374:(2006)
4366:(2005)
4350:(2004)
4342:(2003)
4334:(2002)
4326:(2001)
4314:(2000)
4295:(1999)
4287:(1998)
4279:(1997)
4271:(1996)
4263:(1995)
4261:LĂĽ Yue
4255:(1994)
4247:(1993)
4234:(1991)
4226:(1990)
4218:(1989)
4210:(1988)
4202:(1987)
4194:(1986)
4186:(1985)
4178:(1984)
4170:(1983)
4162:(1982)
4154:(1981)
4146:(1980)
4084:(2023)
4078:(2022)
4072:(2021)
4066:(2020)
4060:(2019)
4054:(2018)
4048:(2017)
4042:(2016)
4036:(2015)
4030:(2014)
4024:(2013)
4018:(2012)
4012:(2011)
4006:(2010)
4000:(2009)
3994:(2008)
3988:(2007)
3982:(2006)
3976:(2005)
3970:(2003)
3964:(2002)
3958:(2001)
3941:(2000)
3935:(1999)
3929:(1998)
3923:(1997)
3917:(1996)
3911:(1995)
3905:(1994)
3899:(1993)
3893:(1992)
3887:(1991)
3881:(1990)
3875:(1989)
3869:(1988)
3863:(1987)
3857:(1986)
3851:(1985)
3845:(1984)
3839:(1983)
3833:(1982)
3823:(1981)
3817:(1980)
3811:(1979)
3805:(1978)
3799:(1977)
3793:(1976)
3776:(1975)
3770:(1974)
3764:(1973)
3758:(1972)
3752:(1971)
3746:(1970)
3740:(1969)
3734:(1968)
3728:(1967)
3722:(1966)
3709:(1964)
3703:(1963)
3693:(1962)
3687:(1961)
3681:(1960)
3675:(1959)
3669:(1958)
3663:(1956)
3657:(1954)
3651:(1953)
3594:(2023)
3588:(2022)
3582:(2021)
3576:(2020)
3570:(2019)
3564:(2018)
3558:(2017)
3552:(2016)
3546:(2015)
3540:(2014)
3534:(2013)
3528:(2012)
3522:(2011)
3516:(2010)
3510:(2009)
3504:(2008)
3498:(2007)
3492:(2006)
3486:(2005)
3480:(2004)
3474:(2003)
3468:(2002)
3462:(2001)
3445:(2000)
3439:(1999)
3433:(1998)
3427:(1997)
3421:(1996)
3415:(1995)
3409:(1994)
3403:(1993)
3397:(1992)
3391:(1991)
3385:(1990)
3379:(1989)
3373:(1988)
3367:(1987)
3361:(1986)
3355:(1985)
3349:(1984)
3343:(1983)
3337:(1982)
3327:(1981)
3321:(1980)
3311:(1979)
3305:(1978)
3299:(1977)
3293:(1976)
3276:(1975)
3270:(1974)
3260:(1973)
3254:(1972)
3248:(1971)
3242:(1970)
3236:(1969)
3230:(1968)
3224:(1967)
3218:(1966)
3208:(1965)
3198:(1964)
3188:(1963)
3178:(1962)
3164:(1961)
3154:(1960)
3144:(1959)
3134:(1958)
3124:(1957)
3118:(1956)
3108:(1955)
3098:(1954)
3088:(1953)
3078:(1952)
3064:(1951)
3039:(1950)
3029:(1949)
3019:(1948)
3015:, and
3001:(1947)
2991:(1946)
2987:, and
2973:(1945)
2963:(1944)
2953:(1943)
2943:(1942)
2933:(1941)
2923:(1940)
2913:(1939)
2899:(1938)
2893:(1937)
2887:(1936)
2881:(1935)
2875:(1934)
2869:(1933)
2863:(1932)
2857:(1931)
2851:(1930)
2841:(1929)
2835:(1928)
2761:(1987)
2753:(1985)
2745:(1975)
2737:(1975)
2729:(1974)
2721:(1974)
2713:(1973)
2705:(1973)
2697:(1972)
2689:(1971)
2681:(1970)
2673:(1970)
2665:(1968)
2657:(1967)
2649:(1967)
2641:(1967)
2633:(1966)
2625:(1965)
2617:(1965)
2609:(1965)
2601:(1964)
2593:(1964)
2585:(1964)
2577:(1963)
2569:(1962)
2561:(1962)
2473:
2451:
2435:
2421:
2386:2 July
2210:2 July
2154:2 July
2127:
2084:2 July
1928:Award
1913:(1989)
1905:(1985)
1897:(1975)
1889:(1975)
1881:(1974)
1873:(1974)
1865:(1973)
1857:(1973)
1849:(1972)
1841:(1971)
1833:(1970)
1825:(1970)
1817:(1968)
1809:(1967)
1801:(1967)
1793:(1967)
1785:(1966)
1777:(1965)
1769:(1965)
1761:(1965)
1753:(1964)
1745:(1964)
1737:(1964)
1729:(1963)
1721:(1963)
1701:(1962)
1592:Notes
1586:Title
1106:Notes
1100:Title
1058:gothic
1030:, and
1018:, and
887:drama
552:, and
499:, and
452:Career
232:Hammer
228:Amicus
176:Awards
2726:Craze
2026:Glory
1972:Glory
1934:Work
1925:Year
1878:Craze
1583:Year
1556:1999
1537:1996
1518:1992
1485:1991
1471:Glory
1461:With
1430:1989
1411:1988
1375:1985
1342:1984
1323:1983
1306:1981
1287:1980
1270:1961
1219:1960
1200:1959
1165:1958
1130:1957
1111:1956
1097:Year
986:" by
973:BAFTA
890:Glory
380:BAFTA
344:Glory
341:film
193:Glory
190:1989
183:1960
163:(
159:
139:(
135:
4362:and
4358:and
4322:and
4142:and
3829:and
3333:and
3317:and
3266:and
3170:and
3074:and
3060:and
2909:and
2847:and
2831:and
2678:Trog
2503:IMDb
2471:ISBN
2449:ISBN
2433:ISBN
2419:ISBN
2388:2024
2341:2021
2313:2021
2262:2021
2237:2021
2212:2024
2181:2020
2156:2024
2123:2020
2086:2024
2035:1991
2022:1990
2007:1981
1982:1980
1977:Won
1967:1989
1962:Won
1942:1960
1822:Trog
1669:1993
1651:1990
1635:1989
1615:1982
1597:1961
1363:Dune
1090:Film
846:Dune
758:and
511:and
438:Army
328:Dune
230:and
145:div.
70:Died
48:Born
2501:at
2230:BFI
2203:BFI
2112:doi
821:in
615:'s
444:at
398:in
361:'s
351:'s
294:),
259:'s
206:BSC
97:Kew
29:BSC
4544::
3718:/
3699:/
3214:/
3204:/
3194:/
3184:/
3174:/
3160:/
3150:/
3140:/
3130:/
3114:/
3104:/
3094:/
3084:/
3070:/
3056:/
3035:/
3025:/
3011:,
3007:/
2997:/
2983:,
2979:/
2969:/
2959:/
2949:/
2939:/
2929:/
2919:/
2905:/
2413:–
2379:.
2360:.
2349:^
2330:.
2302:.
2253:.
2228:.
2200:.
2189:^
2172:.
2147:.
2104:.
2077:.
2060:^
1034:.
1026:,
1014:,
1002:.
799:.
546:,
540::
517:.
487:,
475:,
165:m.
141:m.
95:,
4117:e
4110:t
4103:v
3627:e
3620:t
3613:v
2807:e
2800:t
2793:v
2537:e
2530:t
2523:v
2479:.
2457:.
2390:.
2343:.
2315:.
2264:.
2239:.
2214:.
2183:.
2158:.
2125:.
2114::
2088:.
56:)
52:(
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