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Fred Hopkins

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In 1997, he moved back to Chicago, stating that he "got tired of the stress" of living in New York, and reuniting with "ten brothers and sisters and 35 nieces and nephews". He continued to perform, tour, and record with a wide variety of musicians. He died in 1999 at age 51 of heart disease at the
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on television, but was told by Dyett that because the school didn't have a cello, he would have to play bass. After graduating from high school, he worked at a grocery store, but was encouraged by Dyett and other friends to pursue music more seriously. He soon began playing with the
85:, stated that "many connoisseurs considered the most accomplished jazz bassist of his generation" and praised him for "the extraordinarily fluid technique, sumptuous tone and innovative methods he brought to his instrument." 172:. In 1975, he, like many other Chicago free-jazz musicians, left and moved to New York, where he soon regrouped with Threadgill and McCall, who also moved there at around the same time. They renamed their trio 157:: "it really changed my whole outlook on music. I knew then that I could do anything I wanted to do... And from that point on, I just got more involved, and started meeting more people over the years." 543: 126: 66: 242: 258: 1814: 896:
Testament: A Conduction Collection - Conduction 38, In Freud's Garden / Conduction 39, Thread Waxing Space / Conduction 40, Thread Waxing Space
2037: 118:, where he was the first recipient of the Charles Clark Memorial Scholarship, and studying with Joseph Gustafeste, principal bassist for the 1970: 1403: 348: 109:, who became well-known for mentoring and training musicians. He was originally inspired to learn the cello after seeing a performance by 1257: 1104: 2022: 1066: 920: 391: 2017: 1695: 1412:
The Young Lions - A Concert Of New Music Played By Seventeen Exceptional Young Musicians - The Kool Jazz Festival June 30, 1982
940: 479: 2032: 2027: 1715: 1494: 1807: 1249: 1179: 101:, United States, and grew up in a musical family, listening to a wide variety of music from an early age. He attended 2012: 1050: 435: 20: 1010: 1002: 487: 147:'s Experimental Band and other related groups. Hopkins stated that a major inspiration at that time was hearing 1273: 1596: 1800: 791: 994: 964: 956: 839: 705: 134: 1018: 589: 81:
wrote that Hopkins' playing "fused audacious power with mercuric reflexes." Howard Reich, writing in the
2042: 1386: 1330: 904: 209: 119: 115: 62: 1461: 176:, and went on to tour and record extensively. He also joined the AACM, immersed himself in New York's 1746: 823: 1547: 1581: 1446: 1372: 1322: 736: 1849: 695: 659: 635: 625: 409: 169: 49:, and for his numerous performances and extensive recordings with major jazz musicians such as 46: 1522: 1171: 1042: 980: 521: 1707: 2007: 2002: 1823: 1352: 912: 401: 268: 185: 144: 50: 8: 1265: 847: 783: 250: 153: 139: 102: 1927: 340: 1499: 1299: 1197: 1058: 513: 417: 130: 553: 531: 180:
scene, and, over the following decades, increasingly gained recognition, gigging with
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scene of the 1970s. He also co-led a number of albums with the composer and cellist
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Years given are for the recording(s), not first release, unless stated otherwise.
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A Power Stronger Than Itself: The AACM and American Experimental Music
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A Power Stronger Than Itself: The AACM and American Experimental Music
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Feather, Leonard; Gitler, Ira (1999). "Hopkins, Fred (Frederick)".
1131: 324: 300: 284: 276: 98: 94: 1597:"Fred Hopkins, 51, Jazz Bassist with Unique, 'Creative' Style" 1408:(reissue of the 5 discs above on 3 CDs; Knit Classics, 1999) 1634:"Interview: Fred Hopkins August 2, 1987, WCKR-FM New York" 137:, with whom he would make his first recording in 1970 ( 1792: 37:. He was best known for his association with the trio 19:
For the suspected mass shooter in South Carolina, see
29:(October 11, 1947 – January 7, 1999) was an American 1578:
Weather Bird: Jazz at the Dawn of its Second Century
220:, as well as with various groups led by Threadgill. 122:at the time, as well as picking up piano duo gigs. 232: 184:and performing and recording with artists such as 33:who played a major role in the development of the 1994: 125:In the mid-1960s, Hopkins attended a concert by 457:...If You Have to Ask... You Don't Need to Know 1665:. University of Chicago Press. pp. 12–13. 1393:Wildflowers 5: The New York Loft Jazz Sessions 1379:Wildflowers 4: The New York Loft Jazz Sessions 1369:Wildflowers 3: The New York Loft Jazz Sessions 1359:Wildflowers 2: The New York Loft Jazz Sessions 1345:Wildflowers 1: The New York Loft Jazz Sessions 1808: 1495:"Fred Hopkins, Experimental Jazz Bassist, 51" 1440: 1971:Live at Montreal International Jazz Festival 1747:"Home Bass: Fred Hopkins / New York Got Old" 1404:Wildflowers: The New York Loft Jazz Sessions 349:Live at Montreal International Jazz Festival 160:In the early 1970s, he formed a trio called 1683:. University of Chicago Press. p. 482. 1815: 1801: 1399:and The Untouchable Factor; Douglas, 1977) 1740: 1738: 1736: 1734: 1488: 1486: 1484: 1482: 1436: 1434: 1432: 1430: 1428: 1105:Dark Star: The Music of the Grateful Dead 133:and was intrigued. He began playing with 105:, where he studied music under "Captain" 1744: 921:Flowers for Albert: The Complete Concert 760:Tonal Weights and Blue Fire (Tutu, 1990) 392:Ahmed Abdullah and the Solomonic Quintet 1572: 1492: 88: 1995: 1731: 1631: 1627: 1625: 1623: 1621: 1619: 1617: 1479: 1425: 941:Live at the Lower Manhattan Ocean Club 1796: 1708:10.1093/acref/9780195301731.013.39501 1693: 1675: 1657: 1594: 1443:The Biographical Encyclopedia of Jazz 2038:20th-century American male musicians 69:, and a frequent participant in the 1745:Margasak, Peter (January 9, 1997). 1614: 1520: 1308:With the World Bass Violin Ensemble 815:The Musical Railism of Anne LeBaron 13: 1595:Reich, Howard (January 10, 1999). 1250:Just the Facts and Pass the Bucket 14: 2054: 1493:Ratliff, Ben (January 18, 1999). 1459: 1051:David Murray/James Newton Quintet 21:Florence, South Carolina shooting 1523:"AACM: Together We Are Stronger" 1462:"Fred Hopkins: Artist Biography" 224:University of Chicago Hospital. 2023:20th-century American musicians 1764: 1700:African American Studies Center 1687: 1669: 1351:and The Untouchable Factor and 1651: 1632:Panken, Ted (August 2, 1987). 1588: 1566: 1540: 1514: 1453: 1274:Easily Slip Into Another World 227: 1: 2018:American male double-bassists 1521:May, Chris (April 24, 2020). 1418: 934:Vol. 2:Holy Siege On Intrigue 376: 2033:20th-century double-bassists 2028:Air (free jazz trio) members 965:Live at Sweet Basil Volume 2 957:Live at Sweet Basil Volume 1 840:Kalaparusha Maurice McIntyre 135:Kalaparusha Maurice McIntyre 16:American jazz double bassist 7: 1100:(Sound Hills Records, 1994) 10: 2059: 699:(NoBusiness Records, 2012) 120:Chicago Symphony Orchestra 116:Civic Orchestra of Chicago 18: 1981: 1946: 1871: 1830: 1548:"Fred Hopkins: Biography" 1098:Live '93 Acoustic Octfunk 898:(New World Records, 1995) 246:(Les Disques Victo, 1992) 65:. He was a member of the 35:avant-garde jazz movement 2013:American double-bassists 1334:(Elektra/Nonesuch, 1992) 944:(India Navigation, 1978) 924:(India Navigation, 1976) 597:Dance of the Love Ghosts 465:(India Navigation, 1996) 1822: 1582:Oxford University Press 1447:Oxford University Press 1373:Michael Gregory Jackson 1323:World Saxophone Quartet 737:Michael Gregory Jackson 730:(Konnex Records, 2000) 660:Love Outside of Dreams 626:Ode to the Living Tree 410:Colors in Thirty-Third 1694:Yanow, Scott (2013). 1139:Alarms and Excursions 1117:'s Untouchable Factor 1043:David Murray Big Band 981:Recording N.Y.C. 1986 928:Vol. 1:Penthouse Jazz 722:With Tyrone Henderson 645:(Alpha Phonics, 1991) 522:Worshippers Come Nigh 1339:With Various artists 1237:(Arista/Novus, 1979) 1201:(Nimbus West, 1984 ) 1046:(DIW/Columbia, 1991) 1038:(DIW/Columbia, 1990) 913:Low Class Conspiracy 806:Performing music of 746:(Arista Novus, 1979) 728:Not So Unusual Blues 459:(Tutu Records, 1991) 402:Muhal Richard Abrams 372:; Black Saint, 1986) 356:; Black Saint, 1983) 328:(Arista Novus, 1979) 320:(Arista Novus, 1978) 312:(Arista Novus, 1978) 186:Muhal Richard Abrams 145:Muhal Richard Abrams 93:Hopkins was born in 89:Biography and career 51:Muhal Richard Abrams 1316:(Black Saint, 1984) 1266:You Know the Number 1183:(Black Saint, 1985) 1175:(Black Saint, 1979) 1125:(Philly Jazz, 1980) 1067:South of the Border 988:The People's Choice 968:(Black Saint, 1985) 960:(Black Saint, 1985) 952:(Black Saint, 1979) 864:(Black Saint, 1978) 856:With Marcello Melis 848:Forces and Feelings 801:(Gramavision, 1989) 795:(Gramavision, 1988) 787:(Black Saint, 1984) 784:Expandable Language 779:(Black Saint, 1976) 611:(Gramavision, 1989) 605:(Gramavision, 1988) 599:(Gramavision, 1987) 565:The Atlanta Concert 463:Im/possible To Keep 453:(Black Saint, 1987) 451:The Clarinet Family 439:(Black Saint, 1977) 336:(Black Saint, 1980) 288:(Black Saint, 1976) 254:(Black Saint, 1994) 140:Forces and Feelings 103:DuSable High School 1601:ChicagoTribune.com 1500:The New York Times 1300:Tom Varner Quartet 1261:(About Time, 1984) 1253:(About Time, 1983) 1245:(About Time, 1981) 1198:Dissent or Descent 1059:Death of a Sideman 418:The Hearinga Suite 262:(About Time, 1998) 233:As co-leader with 2043:Okka Disk artists 1990: 1989: 1958:(1976 & 1977) 1772:"Air Discography" 1751:ChicagoReader.com 1717:978-0-19-530173-1 1395:(performing with 1381:(performing with 1371:(performing with 1361:(performing with 1347:(performing with 1303:(Soul Note, 1980) 1285:(RCA/Novus, 1988) 1282:Rag, Bush and All 1277:(RCA/Novus, 1987) 1269:(RCA/Novus, 1986) 1258:Subject to Change 1155:Children Of Ibeji 1141:(New World, 1993) 1094:(Red Baron, 1993) 882:(Soul Note, 1982) 833:(Soul Note, 1993) 717:(Soul Note, 1983) 609:Shadows on a Wall 583:(Discomate, 1976) 567:(Okka Disk, 2001) 525:(Silkheart, 1987) 517:(Silkheart, 1987) 447:(Soul Note, 1984) 421:(Soul Note, 1989) 413:(Soul Note, 1987) 395:(Silkheart, 1988) 164:with saxophonist 2050: 1836:Henry Threadgill 1817: 1810: 1803: 1794: 1793: 1787: 1786: 1784: 1782: 1768: 1762: 1761: 1759: 1757: 1742: 1729: 1728: 1726: 1724: 1691: 1685: 1684: 1677:Lewis, George E. 1673: 1667: 1666: 1659:Lewis, George E. 1655: 1649: 1648: 1646: 1644: 1629: 1612: 1611: 1609: 1607: 1592: 1586: 1585: 1570: 1564: 1563: 1561: 1559: 1552:AllAboutJazz.com 1544: 1538: 1537: 1535: 1533: 1527:AllAboutJazz.com 1518: 1512: 1511: 1509: 1507: 1490: 1477: 1476: 1474: 1472: 1457: 1451: 1450: 1438: 1389:; Douglas, 1977) 1375:; Douglas, 1977) 1365:; Douglas, 1977) 1355:; Douglas, 1977) 1314:Bassically Yours 1226:Henry Threadgill 1219:(Delmark, 1997 ) 1208:Malachi Thompson 776:Holding Together 506:Charles Brackeen 499:(Columbia, 1981) 491:(Columbia, 1980) 483:(Columbia, 1979) 480:In the Tradition 370:Cassandra Wilson 344:(Antilles, 1982) 166:Henry Threadgill 154:Coltrane's Sound 43:Henry Threadgill 2058: 2057: 2053: 2052: 2051: 2049: 2048: 2047: 1993: 1992: 1991: 1986: 1977: 1963:Montreux Suisse 1942: 1867: 1863:Pheeroan akLaff 1826: 1821: 1791: 1790: 1780: 1778: 1770: 1769: 1765: 1755: 1753: 1743: 1732: 1722: 1720: 1718: 1696:"Hopkins, Fred" 1692: 1688: 1674: 1670: 1656: 1652: 1642: 1640: 1630: 1615: 1605: 1603: 1593: 1589: 1571: 1567: 1557: 1555: 1546: 1545: 1541: 1531: 1529: 1519: 1515: 1505: 1503: 1491: 1480: 1470: 1468: 1458: 1454: 1439: 1426: 1421: 1414:(Elektra, 1983) 1363:Anthony Braxton 1190:Horace Tapscott 1180:The Sixth Sense 1083:Love and Sorrow 1075:For Aunt Louise 1035:Special Quartet 916:(Adelphi, 1976) 851:(Delmark, 1970) 663:(Delmark, 2002) 554:Peter Brötzmann 532:Peter Brötzmann 379: 317:Montreux Suisse 296:(Why Not, 1976) 280:(Why Not, 1975) 238: 230: 194:Anthony Braxton 91: 83:Chicago Tribune 24: 17: 12: 11: 5: 2056: 2046: 2045: 2040: 2035: 2030: 2025: 2020: 2015: 2010: 2005: 1988: 1987: 1982: 1979: 1978: 1976: 1975: 1967: 1959: 1950: 1948: 1944: 1943: 1941: 1940: 1936:Air Show No. 1 1932: 1924: 1916: 1908: 1900: 1892: 1884: 1875: 1873: 1869: 1868: 1866: 1865: 1860: 1858:Andrew Cyrille 1854: 1853: 1846: 1839: 1831: 1828: 1827: 1820: 1819: 1812: 1805: 1797: 1789: 1788: 1763: 1730: 1716: 1686: 1668: 1650: 1613: 1587: 1584:. p. 481. 1565: 1554:. June 7, 2015 1539: 1513: 1478: 1460:Yanow, Scott. 1452: 1449:. p. 329. 1423: 1422: 1420: 1417: 1416: 1415: 1409: 1400: 1390: 1376: 1366: 1356: 1336: 1335: 1331:Breath of Life 1318: 1317: 1305: 1304: 1287: 1286: 1278: 1270: 1262: 1254: 1246: 1242:When Was That? 1238: 1221: 1220: 1216:Rising Daystar 1203: 1202: 1185: 1184: 1176: 1159: 1158: 1143: 1142: 1127: 1126: 1110: 1109: 1101: 1095: 1087: 1079: 1071: 1063: 1055: 1047: 1039: 1031: 1023: 1015: 1007: 999: 991: 985: 977: 969: 961: 953: 945: 937: 936:(Circle, 1977) 931: 930:(Circle, 1977) 925: 917: 900: 899: 884: 883: 871:Jemeel Moondoc 866: 865: 853: 852: 835: 834: 824:Michael Marcus 819: 818: 803: 802: 796: 788: 780: 763: 762: 748: 747: 732: 731: 719: 718: 701: 700: 688:Andrew Cyrille 672:Ahmed Abdullah 668:With The Group 665: 664: 652:Kahil El'Zabar 647: 646: 631: 630: 618:Andrew Cyrille 613: 612: 606: 600: 585: 584: 569: 568: 549: 548: 527: 526: 518: 501: 500: 492: 484: 467: 466: 460: 454: 448: 440: 428:Hamiet Bluiett 423: 422: 414: 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Index

Florence, South Carolina shooting
double bassist
avant-garde jazz movement
Air
Henry Threadgill
Steve McCall
Muhal Richard Abrams
Arthur Blythe
Oliver Lake
David Murray
AACM
loft jazz
Diedre Murray
Gary Giddins
Chicago Tribune
Chicago
Illinois
DuSable High School
Walter Dyett
Pablo Casals
Civic Orchestra of Chicago
Chicago Symphony Orchestra
AACM
Hyde Park
Kalaparusha Maurice McIntyre
Forces and Feelings
Muhal Richard Abrams
John Coltrane
Coltrane's Sound
Henry Threadgill

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