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343:, and wrote to the journalist Colin Simpson in Australia: "Now I am working on a show of my own which is being arranged for me by some terrific money bags". While preparing for this, his first solo exhibition, he was digging clay for sculpture and contracted tetanus from minerals under his fingernails. He was found by Garnett taken to Huntingdon Hospital, where he died two days later, on 22 February 1932, at the age of 26. The Garnetts arranged for him to be buried in the Hilton village churchyard.
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237:'s Communist politics, induced Weitzel to move to London. To raise funds he created bookplates and exhibited for sale sculptures, linocuts, and printed scarves and shawls at Macquarie Galleries and Dorrit Black's Modern Art Centre. He arrived in London in 1930 with an introduction to Claude Flight, who invited him to join the Grosvenor School circle on linocut artists, and create colourful multiple block prints, some in abstract designs. Weitzel exhibited his work at the
43:. By 1912 the family were living in Wellington, where Weitzel grew up. They were also socialists and political radicals: the family home on Buller Street was a meeting place for anti-militarists and communists. During World War One their German name and their anti-conscription sympathies led to the family being viewed with suspicion, and Weitzel's father was interned on
339:. Garnett described him as "small, thin, with frizzy hair which stood piled up on his head, blue-eyed, with a beaky nose. I guessed he was not eating enough…He was proletarian, rather helpless, very eager about art and also about communism". Weitzel set up a sculpture studio in
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as an enemy alien, despite being a naturalised New
Zealand citizen since 1902. After his father's death, Weitzel's mother took in boarders and became increasingly angry at the New Zealand authorities; she applied unsuccessfully to be repatriated to Germany, and in 1921 moved to
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Although
Weitzel was the subject of a moving tribute in the Sydney newspaper, his death went unnoticed by the New Zealand press. Weitzel was the subject of a retrospective exhibition organised by Dorrit Black at the Sydney Modern Art Centre, opened by
360:. There are now significant collections of Weitzel's linocuts and other works in the National Gallery of Australia and the Art Gallery of New South Wales, but in New Zealand collections he is mostly represented by works gifted to public galleries by
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on 7 June 1933. Weitzel's sister Mary had travelled to
England to bring back 41 works for the show, which included linocuts and sculpture as well as poster designs for Underground Railways and Shell Motor Spirit. Flight reproduced Weitzel's linocut
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printmaker and sculptor from New
Zealand, who studied in San Francisco and Munich before moving to Sydney and then London. A promising artist, he died of tetanus on the cusp of his first solo show at the age of 26.
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on 22 November 1905 to naturalised German parents Maria
Benninghoven and her husband Frederick Gustav Weitzel, a brass founder; his older sister was the teacher and Communist
63:. Weitzel began exhibiting his sculptures in 1925, and won an national art scholarship, competing against hundreds of older students, which allowed him to attend the
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at this time. He became a part of Sydney's art circle, creating monochrome linocuts of Sydney streets and building sites, more abstract than literal. One example is
214:. With Black's encouragement he joined a circle of Sydney artists known as the "Group of Seven" and in March 1930 had several sculptures in their first show at the
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in 1930 and 1931. Flight praised his work in a letter to Black: "It's original, strong, good of its kind & just the sort of work we want."
59:. He studied sculpture under Bert Mangard, textile design, and drawing (winning first and second prizes for all three), and was influenced by
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was unimpressed by
Weitzel's illustration, but so taken with his sculpture he let him live rent-free as a caretaker in
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71:. After travelling in Europe in 1928 he moved to Sydney that same year to join his family, who had relocated there.
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described him as "a sculptor accomplished and sincere". He worked from a studio over a butcher shop on
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Simpson, Colin (12 March 1932). "Fame --- Then Death. Weitzel and his Work. Artist, Sculptor".
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with Frank (was 16 and had just begun attending art classes) and another of her children.
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Weitzel enrolled in high school, and in 1923 won a three-year scholarship to attend the
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A lack of recognition from the
Australian public, and the controversy from his sister
87:(c. 1929) which depicted the geometry of construction girders used in the building of
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Zealand Biography / Te Ara - the Encyclopedia of New Zealand
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593:"Cities within cities: Australian and New Zealand art in the 20th century"
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style to the
Burdekin House exhibition of Antique and Modern Furniture.
91:. Weitzel's work brought him to the attention of the modernist artists
427:. Christchurch, New Zealand: Christchurch Art Gallery. p. 68.
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in
September 1929. In December he contributed wall hangings in the
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Ink on Paper: Aotearoa New Zealand Printmakers of the Modern Era
22:(22 November 1905 – 22 February 1932) was a
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in 1926, and to travel to Germany in 1927 to study at the
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The Familiar Faces: being volume three of the Golden Echo
471:"A Sullen Silence: Frank Weitzel, Modernist (1905–1932)"
364:, a New Zealander and director of the Redfern Gallery.
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who had recently returned from studying linocut with
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615:The Art and Craft of Lino Cutting and Printing
530:Colin Simpson, 'Six Painters and a Sculptor',
496:"The Contemporary Group of Australian Artists"
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591:Butler, Rex; Donaldson, Andrew (2011).
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534:(Sydney), 27 March 1930, p. 13.
239:Exhibitions of British Linocuts
228:Sydney Conservatorium Orchestra
65:Art Students League of New York
659:People from Levin, New Zealand
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212:Grosvenor School of Modern Art
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16:New Zealand artist (1905–1932)
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597:Journal of Art Historiography
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518:The Daily Telegraph (Sydney)
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550:"Frank Weitzel (1905–1932)"
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617:, London: Batsford, p. 64.
79:Wietzel began practising
423:Vangioni, Peter (2023).
31:Early life and education
634:New Zealand printmakers
574:David Garnett. (1962).
61:Pre-Columbian sculpture
392:Taylor, Kerry (1998).
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319:, his country home in
502:: 62. September 1929.
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300:Abstract Design No. 2
285:Abstract Design No. 1
89:Sydney Harbour Bridge
194:From September 1929
45:Matui / Somes Island
35:Weitzel was born in
613:C. Flight, (1934).
469:Ross, Gail (2005).
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532:The Daily Guardian
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644:1932 deaths
639:1905 births
317:Hilton Hall
180:Slum Street
628:Categories
554:Christie's
379:References
120:Tram Lines
333:John Nash
329:Paul Nash
372:Carnival
354:Carnival
182:(c.1930)
167:(c.1930)
152:(c.1929)
603:: 1–15.
311:member
210:at the
105:Bauhaus
81:linocut
24:linocut
560:19 May
556:. 2004
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403:18 May
374:(1930)
341:Hilton
335:, and
302:(1931)
287:(1931)
260:(1930)
235:Hettie
137:(1928)
135:Houses
122:(1928)
37:Levin
562:2024
429:ISBN
405:2024
95:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
