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art in the 1970s and one of few to survive that decade. Its purpose from the beginning has been to change the image the neighborhood has in Mexico as well as provide cultural offering to local residents. Its main activity has been the creation of murals with social themes, not only in Tepito but in other marginalized neighborhoods in Mexico City. Since then it has branched out to other artistic activities such as theatre and programs to keep youth away from drugs and crime through cultural activities.
201:. This work was done from 1955 to 1957 and measures 243 meters square. He did the mural himself with no assistants except for those that worked the plaster. The mural is done with vinyl-based paint to withstand the humid climate of the city. The lower part of the mural features contemporary priests of the time and local residents including students and housewives and even a vendor selling pork rinds. He continued to live in Michoacán until 1960, painting and teaching classes at the Félix Parra School.
233:(IAA), so his contacts at UNESCO recommended that he start one. Asociación de Artistas Plásticos de México has its origins as far back as 1970, but was integrated in its current form in 1985. The organization, through IAA, collaborates with UNESCO to foment international cooperation among artists such as painters, sculptors, printmakers and others as well as safeguard their legal and other rights. Zenteno was president of the organization from 1995 to 2007.
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and others to present an exhibition called “Conozco México, visite Tepito” at the José María
Velasco Gallery in that marginalized neighborhood. One year later, the group decided to convert the effort into Tepito Arte Acá, one of the groups that would define the Los Grupos period of Mexican political
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The Last Danger, to remain forever unknown to my beloved illiterate brethren to whom I owe my time: and to fall under the control of some ferocious “cultured man” who will get to be my creditor… And in spite of everything that I have said, to agree upon the publication of this statement in all its
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Zenteno was born on March 26, 1933, in the city of Puebla, Mexico. He attended school growing up and lived there until 1951. In that year, through a connection with a local priest, he gained the opportunity to work and study at the Real
Academia de San Fernando in Madrid, Spain from 1951 to 1954.
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Zenteno worked as an illustrator for various magazines such as
Revista Umbral, and wrote about art as a critic in various newspapers and magazines. Starting in 1974, he taught newspaper illustration at the Carlos Septién García Journalism School.
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a, documenting artists of the 20th century. Instead of writing a typical biography, he chose to write eight “dangers” of writing one's autobiography, the last being:
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While living and working in
Michoacán, he met Berta Sonia Calderón Cerda in 1959, marrying her in 1961 at the parish of Cristo Rey. The couple had three children.
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Zenteno had exhibitions of his work both in Mexico and abroad. His best-known work is a mural of Christ the King painted in the apse of the Cristo Rey Parish in
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Starting in 1964 he began to work with encyclopedias and other books published in France and
Germany as well as Mexico. He also began teaching at the
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Zenteno also worked to promote legal protections for artists, especially in questions of copyright. There was not a Mexico affiliate of the
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There he worked as an assistant to artist Carlos P. de Lara as part of a team working to restore the mural in the apse of the sanctuary of
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172:. From 1968 to 1969 he was an art researcher with a grant from UNESCO working in Spain, France and the Netherlands.
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He began to publish cartoons and other drawings while still a middle school student in Puebla in magazines such as
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López, Rey (January 15, 1955). ""Y la pintura en España?" Entrevista a
Francisco Zenteno Bujáidar por López Rey".
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In the 1950s, he joined the Primer Grupo de
Grabadores Poblanos, an organization for graphic artists founded by
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De la mano por los derechos humanos: Catálogo iconográfico de la declaración universal de los derechos humanos
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Laughter has enabled the world to survive :Third
International Biennale of Cartoons and Small Satiric Statues
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of the
Instituto Oriente. Later he taught painting at the Instituto de Artes Visuales in the same city.
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Diccionario Biográfico
Enciclopédico de la Pintura Mexicana:Siglo XX Arte Contemporáneo 500 Años
345:. Toluca, Mexico: Comisión de los Derechos Humanos del Estado de México. 2010. pp. 74–76.
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He collaborated with the Mexican federal government (ISSSTE-Cultura) in art conferences.
524:"Hacienda no precisa el gravamen sobre las obras de artes plásticas: Zenteno Bujáidar"
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372:"Conaculta lamenta el fallecimiento del artista plástico Francisco Zenteno Bujáidar"
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117:) was a Mexican painter, illustrator, muralist and graphic artist. He co-founded
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453:. Gabrovo, Bulgaria: House of Humor and Satire. 2002. p. 169.
541:"Exposición en la Galería "Fro":20 dibujos de Zenteno Bujaidar".
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In the late 1970s, he was invited to write his biography in the
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Ponce, Gracia (June 21, 2010). "Zenteno y su obra monumental".
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He was the coordinator of the first Mexican museum abroad, in
505:"Generación de los Grupos: 10 colectivos de los 70 en México"
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308:"La pintura de la revolución, la revolución de la pintura".
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Diccionario Biográfico Enciclopédico de la Pintura Mexican
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movement. He also founded organizations such as the
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621:Maria Teresa Suarez de la Prida de Vaca (1980).
563:. Archived from the original on February 5, 2016
481:Edad de las discrepancias. Age of discrepancies
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466:Uruapan a través del tiempo y del espacio
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121:, one of the first organizations of the
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376:Presidency of Mexico (Felipe Calderón)
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92:Cristo Rey Mural in Uruapan, Michoacán
32:Image of the artist taken in the 1980s
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269:"La realización de una idea".
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84:Real Academia de San Fernando
205:Cultural and artist advocacy
129:(ARTAC, affiliated with the
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264:(11): 44–47. April 6, 1974.
113:, Mexico – May 7, 2010, in
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557:"Introduction to IAA/AIAP"
479:Debroise, Olivier (2006).
316:(4): 34–37. December 1982.
256:"Y el genio desapareció".
170:Universidad Iberoamericana
144:Nuestra Señora de Aranzazú
107:Francisco Zenteno Bujáidar
100:Berta Sonia Calderón Cerda
20:Francisco Zenteno Bujáidar
663:People from Puebla (city)
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303:(2): 16–18 August 1982.
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658:Mexican illustrators
277:(11). April 6, 1974.
211:Erasto Cortés Juárez
109:(March 26, 1933, in
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62:(2010-05-07)
648:2010 deaths
643:1933 births
606:January 23,
567:January 23,
115:Mexico City
73:Nationality
67:Mexico City
60:May 7, 2010
637:Categories
433:Continente
382:January 5,
322:References
245:integrity.
146:in Oñate (
123:Los Grupos
44:1933-03-26
199:Michoacán
81:Education
577:cite web
188:Bulgaria
148:Gipuzkoa
528:Proceso
195:Uruapan
184:Plovdiv
76:Mexican
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157:Career
111:Puebla
97:Spouse
51:Puebla
601:ARTAC
163:Forja
608:2019
583:link
569:2019
485:ISBN
384:2019
347:ISBN
217:and
137:Life
57:Died
38:Born
561:IAA
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