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Francis Criss

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The work from his best-known years, the 1930s and 1940s, is characterized by imagery of the urban environment, such as elevated subway tracks, skyscrapers, streets, and bridges. Criss rendered these subjects with a streamlined, abstracted style, devoid of human figures, that led him to be associated
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A turn towards more commercial work later in his career—including a November 1942 cover for
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movement. With distorted perspectives and dream-like juxtapositions, as in
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to be Criss' finest work. The painting in the collection of the
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Index


Pennsylvania Academy of the Fine Arts
Art Students League of New York
Barnes Foundation
Painting
Precisionism
Guggenheim Fellowship

Precisionists
Charles Demuth
Charles Sheeler
"Francis Criss"
Precisionism
Surrealism
Fortune Magazine
Brooklyn Museum
Detroit Institute of Arts
Philadelphia Museum of Art
Smithsonian American Art Museum
Whitney Museum of American Art
Sebastian Smee
High Museum of Art


"Francis Criss"
"City Landscape"
"Waterfront"
"Words and Music of Two Hemispheres"
"Francis Criss | Astor Place"
"Francis Criss painted 'Alma Sewing' as a study of composure, and unruliness"

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