451:(1973), the women share a distinct characteristic; they are nurturers. In each film, the plot surrounds justice for a loved one who was a victim of drug abuse, violence, and gang activity. Foxy wants revenge for her late boyfriend, Michael, and she also wants to shut down the drug and prostitute operation so they can no longer harm her community. Director Jack Hill made an obvious reference to
530:"Burn, Coffy, Burn!" However, AIP decided at the last minute it did not want to do a sequel. Therefore, it is never said exactly what kind of job Foxy Brown has – "Coffy" was a nurse, and since this was no longer to be a sequel, they could not give Foxy Brown that job and did not have time to rewrite the script to establish just what kind of job she had.
557:, among others. Hill, by his own account, though, initially felt that the outfits were too trendy and specific to the time period, and within a few years would cause the film to look dated and obsolete. In the years since the film's release, however, Hill has reversed his opinion on Foxy's clothes, particularly in the wake of not only
459:, Grier was seeking revenge against the drug underworld for her younger sister getting hooked on drugs, and now has to live in a rehabilitation home. In both films, the women risk their lives carrying out vigilant missions to make the streets a better place, but also, and more importantly, to avenge their family.
432:"Why would people think I would ever demean the Black woman? I was tried and convicted without being asked to testify in my defense. Sure, a lot of those films were junk. But they were what was being offered. They provided work for me and jobs for hundreds of Blacks. We all needed to work. We all needed to eat."
292:
her being worth some money in the sex-slave trade. They give her a shot of heroin and then send her to a drug manufacturing plant with two of Miss
Kathryn's henchmen. After she tries to escape her captors, one of the henchmen ties her to the bed and the other gives her another shot of heroin and rapes her.
36:
492:
show that women can stand up for themselves and for what they believe. The image of Foxy in an evening gown, well-equipped with a gun, is a visual representation of that idea that one does not have to be masculine to have power. "Female power," according to Grier, is "very different male power, and
421:
is a genre of exploitation films that usually targets the black audience in urban communities. Blaxploitation was very popular at the time this film was made after parts of the film industry saw untapped box-office potential in the black audience. The reputation of the blaxploitation film genre has
291:
Not long after she infiltrates the company, her relationship to her late boyfriend and her brother, Lincoln 'Link' Brown, who ratted her boyfriend out, is exposed. She is caught before she can escape. After an exchange of words and heated death threats, Kathryn decides to keep her alive in hopes of
467:
This movie spoke directly to the women's power movement and struggle in the 1970s. Despite criticism, Foxy was the poster child for a new type of heroine who was subsequently appropriated by the blaxploitation genre. She redefined
African-American beauty, sexuality, and womanhood, which led to the
300:
brothers for help; they kill Stevie's partners in crime, capture Stevie, and castrate him. Foxy comes to
Kathryn's house and shows her the jar containing Stevie's genitals. After killing Kathryn's guards and shooting her in the arm with a hidden pistol, Foxy says that death is too easy for her and
422:
shifted from low-budget black exploitation films to
American classics worthy of deeper analysis. Although criticized for exploiting African-American culture, at the time, it provided one of the few ways for African-Americans to get into the film industry. Grier addressed this in an interview with
405:
s heroine contradicted the image they were creating for themselves in society. Though Foxy is considered a heroine in this film, her role as vengeful black woman willing to pose as a prostitute and exposing herself throughout the film goes against some of the characteristics one would expect in a
288:" run by Stevie Elias and Kathryn Wall that services local judges, congressmen, and police in the area. Foxy decides to pose as a prostitute to infiltrate the company, and helps save a fellow black woman from a life of drugs and sexual exploitation, and reunites her with her husband and child.
594:
wrote that even by blaxploitation standards, the film is "something of a mess. Hill's screenplay has peculiar narrative gaps that are not concealed by heaps on 'right on, brother' dialog, while his direction is frenzied without being exciting." The review concluded that Grier was "reasonably
480:. They were independent, fighting to save their families not accepting rape or being victimized... This was going on all across the country. I just happened to do it on film. I don't think it took any great genius or great imagination. I just exemplified it, reflecting it to society."
564:
s ascent into pop culture icon, but also the '70s nostalgia movement that started in the mid-1990s. Hill also mentioned that the character of Foxy Brown became something of a female empowerment symbol that seemed to transcend the time period of the film.
295:
Using her quick thinking, Foxy uses a razor to get free and escapes her captors by setting the farm on fire. Kathryn orders Stevie to kill Foxy; he vainly attempts to scare information out of Link, and then kills him and his girlfriend. Foxy asks her
773:
It is often noted by film historians as one of the first blaxploitation films to provide a portrayal of a strong and independent woman; until Grier, women often existed exclusively to support their men for a small part of the film.
701:
released a region B/2 (UK only) restored Blu-ray that featured extras including a director's audio commentary track, new interviews with the cast, and a collector's booklet featuring new writing on the film by Josiah Howard, author
507:
until last minute. Tensions arose at a screening of a different film on which AIP had been working, which they were eager to show to Hill. Hill walked out, unimpressed, and AIP made a vow to never hire him again. AIP founder
541:, an impetus existed to present the actress as even more stylish than she had appeared in the previous film. The 14 costumes were designed by a California couturier named Ruthie West, who was also the stylist for the
472:"The 1970s was a time of freedom and women saying that they needed empowerment. There was more empowerment and self-discovery than any other decade I remember. All across the country, a lot of women were
605:
gave the film one star out of four and wrote, "Some critics have found meaning in recent black films featuring large, well-endowed women as heroic figures. I find nothing ground-breaking about that. '
1388:"MOVIES : She's Back and Badder Than Ever : Pam Grier's '70s blaxploitation films are a big kick again, making the star a hot retro hero. (And you thought Foxy Brown was finished.)"
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was heavily criticized, not only for its "disturbing" portrayal of black womanhood, but also for its controversial stereotypes about violence and drug abuse in black culture. In a time when
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Foxy Brown seeks revenge when her government-agent boyfriend is shot down at her doorstep by members of a drug syndicate. She links her boyfriend's murderers to a "
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release, Hill mentions that he was initially against the outfits that the wardrobe department chose for Foxy Brown. Since Pam Grier had become a star in
725:
of the genre. The film and the character of Foxy Brown have directly influenced or were referenced in multiple films in subsequent years, including
501:
According to director Jack Hill, due to tension between
American International Pictures (AIP) and him, he was not invited to direct the sequel for
609:' is selling Pam Grier's body just like it was sold a couple years ago in a half-dozen Philippine women-in-prison pictures." Linda Gross of the
1883:
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639:... Hill's colourless script does little for an actress who unmistakably has, regardless of her material, all the strength and resilience of a
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heroine. It also addresses the stereotype of the objectification of black women. Nelson George states that Pam Grier has been embraced by many
1848:
654:
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619:' is just another movie about vengeance, vigilantes, dope, call girls and violence — interspersed with sex, vulgarity and hatred." The
1858:
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for her roles that not only display her beauty, but also her fearlessness and ability to exact retribution on men who challenge her.
898:
1828:
1868:
1555:
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455:, the American activist, when she was talking to Black Caesar, and she demands they get justice for "all of the people." In
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with a commentary track by director Jack Hill. In 2010, the film was digitized in High
Definition (1080i) and broadcast on
1359:
1838:
1651:
1843:
1518:"'Foxy Brown' TV Series Reboot Starring Meagan Good In the Works At Hulu From DeVon Franklin, Tony Krantz & MGM TV"
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While not prosecuted for obscenity, the film was seized and confiscated in the United
Kingdom under section 3 of the
789:. Before these films, the blaxploitation genre often espoused empathy for the social positions of such individuals.
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is considered to be one of the most influential blaxploitation films, with Pam Grier's character seen as the female
1853:
588:
wrote that Grier was "in a rut" and "fast becoming a bore despite all the sex, brawls and gore in 'Foxy Brown'".
248:
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references in clothing and hair. Grier starred in six blaxploitation films for
American International Pictures.
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as the title character who takes on a gang of drug dealers who killed her boyfriend. The film was released by
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In
December 2016, a television series based on the film was reported as being developed by streaming service
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is in every way a far less interesting work than writer-director Jack Hill's previous film with Pam Grier,
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wrote that Grier had the star caliber to "carry a film and to have the title role." Verina
Glaessner of
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930:
670:
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Women of Blaxploitation: How the Black Action Film Heroine Changed American Popular Culture
368:
359:
8:
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323:
297:
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1498:
1279:
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Peters, Ida (October 6, 1973). "Designer for "Foxy Brown"". The Baltimore Afro-American.
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was a financial success. Produced on a budget of $ 500,000, it grossed $ 2,460,000.
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899:"Pam Grier looks back on blaxploitation: 'At the time some people were horrified'"
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competent and self-assured" and would be interesting to see in a different role.
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starring as Foxy Brown. As of October, 2022, the TV series has yet to appear.
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In 2003, the character Foxy Brown was one of 400 characters nominated in
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diversification of African-American actresses onscreen. Grier said:
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Weiler, A. H. (April 6, 1974). "Pam Grier Typed as 'Foxy Brown'".
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were making progress politically, socially, and culturally,
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are unique for their establishment of pushers and pimps as
1114:"Pam Grier, New Star". Atlanta Daily World. April 7, 1974.
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Gross, Linda (April 15, 1974). "Pam on Way Up in 'Foxy'".
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American film distribution : the changing marketplace
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wants her to suffer the way that Kathryn made her suffer.
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Reflections on Blaxploitation: Actors and Directors Speak
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wrote, "For all its additional heavyweight violence ...
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film starring Grier in the title role, is an homage to
1170:"AFI's 100 Years...100 Heroes & Villains Nominees"
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1360:"The Revolutionary Power of Pam Grier's 'Foxy Brown'"
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Walker, David; Rausch, Andrew; Watson, Chris (2009).
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In 2015, Olive Films released a region A/1 (US only)
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Blaxploitation Cinema: The Essential Reference Guide.
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Please note figures are for rentals in US and Canada
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reconciled with Hill, however, after the success of
996:. Plymouth, UK: Scarecrow Press, Inc. p. 237.
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526:, also starring Pam Grier, and originally used the
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1083:Siskel, Gene (April 17, 1974). "The Super Cops".
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858:Flying Through Hollywood By the Seat of My Pants
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665:The film's songs were written and performed by
1125:Glaessner, Verina (March 1975). "Foxy Brown".
522:was originally intended to be a sequel to his
1645:
1332:"The Best Blaxploitation Movies of All Time"
1499:"Pam Grier's Collection of Lessons Learned"
1445:"Actress Grier makes no 'Bones' about film"
770:Grier references her Foxy Brown character.
655:AFI's 100 Years...100 Heroes & Villains
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1638:
1201:"Foxy Brown [Original Soundtrack]"
34:
1358:Kim, Kristen Yoonsoo (January 18, 2018).
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389:According to Yvonne D. Sims in her book
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646:The film holds a 64% "Fresh" rating on
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533:On the audio commentary on the film's
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1884:English-language crime thriller films
1819:American International Pictures films
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1516:Andreeva, Nellie (13 December 2016).
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856:Samuel Z Arkoff & Richard Turbo,
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876:. UMI Research Press. p. 300.
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329:Kathryn Loder as Miss Kathryn Wall
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1443:Davis, Sandi (October 26, 2001).
1386:Braxton, Greg (August 27, 1995).
796:(2010), influenced by this film.
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335:as Dalton Ford / Michael Anderson
1859:Films produced by Buzz Feitshans
1255:"Foxy Brown (UK Blu-Ray Review)"
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907:. June 4, 2010. Archived from
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870:Donahue, Suzanne Mary (1987).
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860:, Birch Lane Press, 1992 p 202
830:List of American films of 1974
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1:
1829:American crime thriller films
1550:. North Carolina: McFarland.
1306:"Foxy Brown (Blu-ray Review)"
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615:stated, "For the most part, '
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270:Obscene Publications Act 1959
239:film written and directed by
1869:1970s English-language films
1612:AFI Catalog of Feature Films
1413:"12 Fascinating Facts About
1068:"Film Reviews: Foxy Brown".
1018:"Classic Corner: Foxy Brown"
835:List of female action heroes
792:Pam Grier titled her memoir
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374:Boyd "Red" Morgan as Slauson
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1814:Films directed by Jack Hill
1280:"Foxy Brown Blu-ray Review"
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794:Foxy: My Life in Three Acts
746:Austin Powers in Goldmember
553:, the Curtis Brothers, and
21:Foxy Brown (disambiguation)
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1839:1970s crime thriller films
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763:. In the 2001 horror film
710:with no special features.
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1844:Female characters in film
1770:The Swinging Cheerleaders
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1128:The Monthly Film Bulletin
816:executive producing, and
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1706:Isle of the Snake People
931:"Video Nasties Seizures"
350:Juanita Brown as Claudia
1854:American neo-noir films
1714:The Incredible Invasion
781:and the preceding film
391:Women of Blaxploitation
320:as Lincoln "Link" Brown
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169:April 5, 1974
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463:Women's power movement
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16:1974 film by Jack Hill
1834:Girls with guns films
1546:Sims, Yvonne (2006).
1074:. April 17, 1974. 16.
904:The Los Angeles Times
650:based on 22 reviews.
470:
430:
365:Fred Lerner as Bunyon
1874:1970s American films
1864:1970s feminist films
1824:Blaxploitation films
19:For other uses, see
1778:Switchblade Sisters
1259:Diabolique Magazine
622:Atlanta Daily World
380:Themes and analysis
232:is a 1974 American
1722:The Big Doll House
1660:Films directed by
1625:Trailers From Hell
1600:TCM Movie Database
1503:The New York Times
1089:. Section 2, p. 8.
1056:The New York Times
935:melonfarmers.co.uk
740:Undercover Brother
585:The New York Times
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1795:
1738:The Big Bird Cage
1557:978-0-7864-2744-4
1392:Los Angeles Times
1104:. Part IV, p. 19.
1101:Los Angeles Times
1003:978-0-8108-6706-2
800:Television series
757:Quentin Tarantino
612:Los Angeles Times
399:African Americans
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1024:. March 4, 2022
1022:Crooked Marquee
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1425:. 2016-01-28
1422:Mental Floss
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1415:Jackie Brown
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1395:. Retrieved
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1237:. Retrieved
1231:
1228:"Foxy Brown"
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1210:. Retrieved
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1184:. Retrieved
1177:the original
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1147:"Foxy Brown"
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743:(2002), and
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734:Urban Legend
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360:Tony Giorgio
333:Terry Carter
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258:Truck Turner
256:
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185:Running time
162:Release date
131:Willie Hutch
94:Terry Carter
1690:Spider Baby
1527:19 November
1310:Why So Blu?
940:October 26,
818:Meagan Good
814:Tony Krantz
699:Arrow Video
697:. In 2013,
597:Gene Siskel
437:Maternalism
403:Foxy Brown'
385:Stereotypes
324:Peter Brown
274:video nasty
272:during the
263:Afrocentric
243:. It stars
89:Peter Brown
67:Produced by
49:Directed by
42:film poster
1809:1974 films
1803:Categories
1762:Foxy Brown
1682:Blood Bath
1620:Foxy Brown
1606:Foxy Brown
1595:Foxy Brown
1584:Foxy Brown
1573:Foxy Brown
1429:2017-12-14
1341:2022-10-26
1239:2011-01-30
1186:2016-08-05
1156:2024-09-11
1135:(494): 56.
841:References
779:Foxy Brown
761:Foxy Brown
719:Foxy Brown
687:Foxy Brown
681:Home media
661:Soundtrack
633:Foxy Brown
617:Foxy Brown
607:Foxy Brown
574:Foxy Brown
559:Foxy Brown
520:Foxy Brown
497:Production
486:Foxy Brown
474:Foxy Brown
443:Foxy Brown
395:Foxy Brown
229:Foxy Brown
218:Box office
189:91 minutes
173:1974-04-05
138:Production
59:Written by
29:Foxy Brown
1786:Sorceress
1662:Jack Hill
1482:April 21,
1456:April 20,
1397:April 21,
1371:April 20,
1316:April 20,
1290:April 21,
1264:April 20,
1212:April 20,
1028:April 20,
977:Sims 2006
962:Sims 2006
915:April 21,
723:archetype
714:Influence
685:In 2001,
677:in 1974.
569:Reception
543:Jackson 5
428:in 1979:
408:feminists
371:as Brandi
354:Bob Minor
312:Pam Grier
245:Pam Grier
241:Jack Hill
213:$ 500,000
119:Edited by
84:Pam Grier
62:Jack Hill
53:Jack Hill
1698:Pit Stop
1589:AllMovie
1522:Deadline
1233:DVD Talk
1206:AllMusic
824:See also
787:villains
749:(2002).
737:(1998),
731:(1996),
669:, and a
362:as Eddie
356:as Oscar
345:Sid Haig
202:Language
127:Music by
77:Starring
1609:at the
1598:at the
1540:Sources
1472:"Coffy"
1336:Complex
1071:Variety
808:, with
708:Blu-ray
599:of the
591:Variety
425:Essence
347:as Hays
276:panic.
205:English
194:Country
171: (
140:company
1789:(1982)
1781:(1975)
1773:(1974)
1765:(1974)
1757:(1973)
1749:(1972)
1741:(1972)
1733:(1971)
1725:(1971)
1717:(1971)
1709:(1971)
1701:(1969)
1693:(1967)
1685:(1966)
1677:(1966)
1554:
1000:
880:
755:, the
728:Girl 6
695:MGM HD
657:list.
637:Coffy.
237:action
210:Budget
1754:Coffy
1180:(PDF)
1173:(PDF)
1059:. 16.
783:Coffy
766:Bones
562:'
539:Coffy
524:Coffy
514:Coffy
504:Coffy
490:Coffy
478:Coffy
457:Coffy
448:Coffy
255:with
251:as a
1578:IMDb
1552:ISBN
1529:2017
1484:2022
1458:2022
1399:2022
1373:2022
1365:Vice
1318:2022
1292:2022
1266:2022
1214:2022
1030:2022
998:ISBN
942:2022
917:2022
878:ISBN
812:and
806:Hulu
488:and
476:and
445:and
305:Cast
280:Plot
1623:at
1587:at
1576:at
691:DVD
643:."
582:of
535:DVD
441:In
40:US
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1350:^
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1020:.
984:^
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886:.
768:,
175:)
23:.
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