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Four in the Morning (1965 film)

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263:, written and directed by him and produced independently by a group formed expressly to make the film and handle its distribution, Simmons announces himself as a feature director of unusual sensitivity. The film was originally intended as a documentary attempt to capture the atmosphere of Thames-side life, but changed its character in the making and developed into a full-length feature. It still has the feel of a documentary about it, and apparently much of the dialogue was improvised as the scenes were shot. ... Though Simmons' direction just fails to keep the strands together, by the end of the film one begins to realise how the three stories are essentially a development from each other.  ... And in the final sequence, as the morning stream of officeworkers hurries across London Bridge while in the mortuary the dead girl is shut away as an iron door closes behind her body, one can see an echo of the end of 1415: 31: 288:
gave the film 4/5 stars, writing: "The title's a clever pun, since the film deals with the time of a young girl's drowning, and with the (unrelated) trials and tribulations of two unnamed couples. Acclaimed in its day as a sharp slice of British neorealism, talented director/writer Anthony Simmons
199:. The film follows the day experienced by two unconnected London couples: a young man and a club hostess; and a woman coping with a teething baby and a frustrated husband who has been on a drunken night out with his friend. 289:
has done nothing quite as good. Judi Dench won a Bafta award for her role, while Ann Lynn, Norman Rodway and Brian Phelan have seldom been better. The bleak score by John Barry is superb."
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is an uneven film, perhaps even a nihilistic film, but for the work of an independent British group it is an extraordinary achievement, and one waits to see more from Anthony Simmons.
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As dawn breaks, a young woman is found dead on the banks of the
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BAFTA Award for Most Promising Newcomer to Leading Film Roles
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This article related to a British film of the 1960s is a
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The film won several international awards including the
461:"Most Promising Newcomer To Leading Film Roles in 1966" 529: 438:. Locarno International Film Festival. Archived from 1463: 618: 396:(384): 15. 1 January 1966 – via ProQuest. 163:is a 1965 British film directed and written by 1446: 604: 515: 1453: 1439: 611: 597: 522: 508: 29: 338:British Film Institute Collections Search 326: 1110:Why Has Bodhi-Dharma Left for the East? 1464: 1369:Vengeance Is Mine, All Others Pay Cash 1502:Films scored by John Barry (composer) 592: 503: 245: 16:1965 British film by Anthony Simmons 1409: 1014:Antonio Gramsci: The Days of Prison 303:Locarno International Film Festival 13: 14: 1538: 1487:Films directed by Anthony Simmons 482: 1413: 1022:The Idlers of the Fertile Valley 667:When Willie Comes Marching Home 436:"Winners of the Golden Leopard" 1217:Off to the Revolution by a 2CV 453: 428: 400: 376: 351: 1: 1517:British black-and-white films 319: 1522:English-language drama films 1507:1960s English-language films 1425:. 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Index


Anthony Simmons
Ann Lynn
Judi Dench
Norman Rodway
Brian Phelan
Joe Melia
Fergus McDonell
John Barry
Anthony Simmons
Judi Dench
Ann Lynn
Brian Phelan
Norman Rodway
John Barry
River Thames
Ann Lynn
Judi Dench
Norman Rodway
Brian Phelan
Joe Melia
Patrick O'Connell
The Monthly Film Bulletin
Truffaut
Jules et Jim
Radio Times
Golden Leopard
Locarno International Film Festival
Judi Dench
BAFTA Award for Most Promising Newcomer to Leading Film Roles

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