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Baker said "the theme was a bit corny, about the white girl who falls in love with the black man. I thought we did rather well with it actually. But there again it wasn’t really a popular picture because nobody wanted to know. You see it wasn’t a comic in any way. If you make a picture about blacks
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is always obvious. However, by staging the film on Guy Fawkes’ Night, the director is able to get his cameras out into well-filled streets for atmosphere. The street riot between the two factions is curiously anticlimactic, mainly because the film’s appeal is largely the quietness of its direction
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John Mills makes a convincing figure as the father who has neglected his family because of his dedication to union work. Brenda de Banzie, his wife, bitter and intolerant about colored people, has two telling scenes, one with her husband and one with her daughter. Sylvia Syms, the schoolmistress
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of post-war
Britain. Trade union leader Jacko Palmer fights for the rights of a black worker but struggles with the news that his own daughter, Kathie, is planning to marry a West Indian, much against his own logic and the hysterical prejudice of his wife Nell.
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and whites, there’s got to be something more controversial about it, and there wasn’t really anything in it that was seriously going to provoke an audience into an attitude." The movie marked the end of his contract with Rank.
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daughter who outrages her parents by her determination to marry a young Negro schoolteacher, contributes a neat performance in a role which is not developed fully. ... The fact that
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Isabel
Quigley observed that "its impact is mild" while conceding that "the obvious visual comparison between the outward and inward flames and fireworks" was effectively handled.
366:, with Willis moving the action from the "hot summer night" of his original play to Guy Fawkes Night. Filming began on 5 November 1960. The new title recalled Willis's earlier play
399:, bringing Caribbeans to work here. ... Some of the older ones testified that it was a true picture of the conditions the incomers faced and in some areas still do face."
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393:(2000), Roy Ward Baker noted that the film had recently been shown at a Brixton cinema "to mark the 50th anniversary of the arrival in Britain of the steamer
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The film depicts an interracial romance in post-war
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opened in London on 22 June 1961, with general release following on 9 July.
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It was one of a number of "girlfriend" parts Syms played around this time.
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Willis's script was nominated for a 'Best
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manifest themselves at home, work and on the streets during
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1022:Films with screenplays by Ted Willis, Baron Willis
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511:"The Surprisingly Saucy Cinema of Sylvia Syms"
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427:called it a "terrifying and ferocious film".
228:for Four Square Books. The film was made in
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489:British Film Institute Collections Search
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378:Baker says the title was changed from
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547:British Entertainment History Project
538:Fowler, Roy (October–November 1989).
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508:
933:The Legend of the 7 Golden Vampires
202:is a 1961 British film directed by
16:1961 British film by Roy Ward Baker
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509:Vagg, Stephen (22 February 2023).
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987:Films directed by Roy Ward Baker
599:Variety Staff (1 January 1961).
382:because they shot it in Winter.
128:J. Arthur Rank Film Distributors
1007:Films about interracial romance
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925:And Now the Screaming Starts!
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563:, Reynolds & Hearn 2000
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214:. The screenplay was by
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797:The Singer Not the Song
442:is derived from a play
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218:based on his 1958 play
829:Quatermass and the Pit
601:"Flame in the Streets"
485:"Flame in the Streets"
389:In his autobiography,
369:No Trees in the Street
328:Dan Jackson as Jubilee
316:Newton Blick as Visser
143:22 June 1961
781:The One That Got Away
733:Don't Bother to Knock
725:I'll Never Forget You
574:Film Review 1962-1963
256:West Indian community
224:and was novelised by
805:Flame in the Streets
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440:Flame in the Streets
408:Flame in the Streets
356:Flame in the Streets
325:Michael Wynne as Les
307:as Mr. Palmer senior
199:Flame in the Streets
24:Flame in the Streets
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1017:British drama films
1002:Black British films
917:The Vault of Horror
893:Journey to Midnight
789:A Night to Remember
741:Night Without Sleep
100:Christopher Challis
949:The Masks of Death
877:The Vampire Lovers
845:The Fiction Makers
773:Tiger in the Smoke
671:Films directed by
613:Isabel Quigley in
561:The Director's Cut
391:The Director's Cut
1027:CinemaScope films
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869:Foreign Exchange
709:Morning Departure
572:F Maurice Speed,
380:Hot Summer Nights
364:Rank Organisation
338:Gretchen Franklin
332:Cyril Chamberlain
313:as Harry Mitchell
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977:1961 drama films
941:The Monster Club
885:Scars of Dracula
717:Highly Dangerous
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444:Hot Summer Night
360:Pinewood Studios
358:was produced at
311:Meredith Edwards
305:Wilfrid Brambell
295:as Peter Lincoln
289:as Gabriel Gomez
281:Brenda De Banzie
277:as Kathie Palmer
237:Guy Fawkes Night
221:Hot Summer Night
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447:and playing."
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518:. Retrieved
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293:Johnny Sekka
287:Earl Cameron
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171:Running time
118:Philip Green
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813:The Valiant
520:23 February
344:Harry Baird
275:Sylvia Syms
230:CinemaScope
212:Sylvia Syms
82:Sylvia Syms
60:Produced by
38:Directed by
972:1961 films
966:Categories
765:Jacqueline
472:References
351:Production
269:John Mills
226:John Burke
216:Ted Willis
208:John Mills
158:1962-09-12
147:1961-06-22
77:John Mills
54:Ted Willis
50:Written by
460:Accolades
425:Paul Dehn
414:Reception
334:as Dowell
162: (US)
151: (UK)
106:Edited by
396:Windrush
346:as Billy
299:Ann Lynn
243:Synopsis
188:Language
114:Music by
70:Starring
749:Inferno
515:Filmink
494:12 June
468:award.
433:wrote:
431:Variety
423:critic
403:Release
362:by the
191:English
180:Country
175:93 mins
156: (
145: (
952:(1984)
944:(1981)
936:(1974)
928:(1973)
920:(1973)
912:(1972)
909:Asylum
904:(1971)
896:(1971)
888:(1970)
880:(1970)
872:(1970)
864:(1969)
856:(1969)
848:(1968)
840:(1968)
832:(1967)
824:(1963)
816:(1962)
808:(1961)
800:(1961)
792:(1958)
784:(1957)
776:(1956)
768:(1956)
760:(1955)
752:(1953)
744:(1952)
736:(1952)
728:(1951)
720:(1950)
712:(1950)
704:(1949)
696:(1948)
688:(1947)
543:(PDF)
466:BAFTA
636:IMDb
522:2023
496:2024
263:Cast
210:and
130:(UK)
634:at
450:In
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545:.
530:^
513:.
487:.
232:.
664:e
657:t
650:v
603:.
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160:)
149:)
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