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209:. Created mostly for wealthy patrons, Massot would paint the figures while his associates would fill in the backgrounds with various props that symbolized the sitter. Perhaps because of this, very few of his paintings are signed and attribution is often difficult. It is believed that approximately 250 works are authentically his.
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In 1799, he was named
Director of the "Écoles de dessin de la ville de Genève" and, the following year, became a member of the art society. From 1807 to 1813, he travelled throughout France, making contacts with fellow artists. From 1828 to 1829, he toured England and Scotland, receiving many
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After 1820, he eschewed detailed backgrounds in favor of simple tones that emphasized the face. Until then, however, many of his portraits were done in collaboration with the landscape painter
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His father was a master watchmaker. He began his studies in 1778 at the "School of
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369:: "Les peintres genevois entre le 18ème et le 20ème siècle Part VII: Firmin Massot (L’art à l’ancienne)"
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was also a painter and engraver and is sometimes cited as his first teacher.
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Peintres genevois: 1766–1849 (deuxième série) Töppfer, Massot, Agasse
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commissions along the way and becoming enamored of the
English "
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Many prominent women were among his sitters, including
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136:Portrait of a Lady (believed to be Madame Marbon)
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155:) was a Swiss portrait painter.
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362:ArtNet: More works by Massot
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151:– 16 May 1849, in Geneva,
349:Firmin Massot (1766–1849)
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299:A nude at her bath, 1849
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403:Swiss male painters
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