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File:Cole Thomas Expulsion from the Garden of Eden 1828.jpg

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been smoothed, and impetuous rivers had been turned from their courses. In contrast, Cole believed the American wilderness to embody a state of divine grace and lamented that the signs of progress were rapidly encroaching. In his Expulsion, Cole vividly portrays both Paradise and a hostile world replete with the consequences of earthly knowledge. These opposing realms meet near the center of the canvas. The profusion of flora and fauna evokes the beauty and harmony of Eden. Outside the gate to Paradise, Adam and Eve are cast into an abyss marked by blasted trees, desolate rocks, and an ominous wolf.
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it as one of the finest images on the English Knowledge, adding significantly to its accompanying article. If you have a different image of similar quality, be sure to
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This text was adapted from Davis, et al., MFA Highlights: American Painting (Boston, 2003) available at www.mfashop.com/mfa-publications.html.
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with Parke-Bernet Galleries, April 14-16, 1943, no. 533
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to MFA, 1947, gift of Martha C. (Mrs. Maxim) Karolik.
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with Arnold Seligmann, Rey, & Co., New York, 1943
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height: 100.9 cm (39.7 in); width: 138.4 cm (54.5 in)
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Color corrected version of previous file I uploaded
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File:Cole Thomas Expulsion from the Garden of Eden 1828.jpg
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Thomas Cole
Expulsion from the Garden of Eden
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