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Auguste Lumière, his wife
Marguerite, and their daughter Andrée sit at a dining table in the garden outside a house. The scene connotes the culture of a bourgeois family, with a silver tea service, a bottle of cognac, and fine clothing. Papa twice spoon-feeds their baby while Mama prepares and drinks
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242:(catalogued as Vue no. 88) is an unedited, single take of less than a minute's duration. The company's catalog described it as "Un papa fait avaler son déjeuner à un bébé" (a father feeds lunch to a baby) and records that the scene was taken between March 22 and June 10, 1895.
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He describes it as ". . . an idyll of three. A young couple with its chubby first-born is seated at the breakfast table. The two are so much in love, and are so charming, gay and happy, and the baby is so amusing. The picture creates a fine, felicitous impression."
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380:(2000). In 2013, the British Film Institute copyrighted its reproduction, which streams via Alexander Street Press subscription service. Most definitively, in 2015 the Institut Lumière published it among the 114 films on the Blu-Ray and DVD set
423:
In 2005, the UNESCO Memory of the World
Register added the entry "Lumière Films," specifying this as a collection of all 1,405 extant works. By 1996, the CNC had preserved all of the original nitrate material on polyester safety film.
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Many historical and scholarly sources have described how some observers said they were captivated by the leaves on the trees moving in the wind. Pioneer filmmaker
Georges Méliès told G.-Michel Coissac – author of
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a cup of tea. Both dote on the child and talk to her throughout. He then gives the infant a biscuit (cookie), which she seemingly offers to someone off-camera. The film ends as
Auguste offers bébé a third spoonful.
44:
This undated photogram taken from a copy of the original film reverses the horizontal axis, putting
Auguste Lumière on the right side of the frame rather than the left. Tint added to the original black-and-white
420:(1925) – that he was at the first Paris screening in 1895, at which he and others were struck by the sensation of seeing the trees swaying in the wind. Gorky too said this in his 1896 article.
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The footage of the Lumière baby being fed has become an icon of early cinema. Resembling what would later be called a "home movie," it nevertheless made a memorable impression on its first audiences.
277:, a square box-like camera, which also served as a film projector and developer. The company's films had distinctive rounded corners, usually cropped out of video and still-image reproductions.
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According to
Archives françaises du film documentation of 2004: "Pecuniary rights are owned until 2039 by the Association Frères Lumière. Non-pecuniary rights are held by the Lumière estate."
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program outside of Moscow and published an account that mentioned the film. Translated into
English, Gorky's text ("Last night I was in the Kingdom of Shadows") refers to the film as
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These digital renderings were 4K scans of the best available 35mm film copies (two negatives and three positive prints in the CNC's
Archives françaises du film.
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on
December 28, 1895, at the Salon Indien, Grand Café, 14 Boulevard des Capucines, Paris. It was the seventh of ten films on the program, each 17 meters long.
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Memory of the World
Register, Lumière Films. Ref. No. 2004-25 (United Nations Educational, Scientific and Cultural Organization, 2004). Six-page PDF at
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6.3 (2009): 373–383. doi:10.3366/E1744185409000858; François Albera, “Le Cinématographe dans le movement: une métaphysique des feuilles” ,
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Luke McKernan's Picturegoing website reproduces the Gorky text, citing its source as ‘I.M. Pacatus’ (Maxim Gorky),
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https://alexanderstreet.com/sites/default/files/misc/Subscription%20Channels%20Brochure%20Printer%2010.16.14.pdf
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638:, edited by Michelle Aubert and Jean-Claude Seguin (Paris: Bibliothèque du film; Diffusion, CDE, 1996).
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Nico Baumbach, “Nature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema,”
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has been included in a number of film, videotape, DVD, and Blu-Ray compilations including
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646:(Dec. 2020), its reproduction of the Salon Indien du Grand Café debut program of 1895.
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directed by Louis Lumiere (1895); copyright British Film Institute (2013). See
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of 1.33:1. Louis Lumière photographed the family trio using the newly-invented
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Among the many online postings, Institut Lumière's YouTube channel published
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1895, Revue de l'association française de recherche sur l'histoire du cinema,
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and all other surviving Lumière films are housed and preserved at France's
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The film formed part of the first commercial presentation of the Lumière
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4 July 1896, translated (by Leda Swan) and reproduced in Jay Leyda,
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As with all Lumière movies (1895 to 1905), this film was made in a
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One of the earliest recordings made by the brothers Lumière,
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and Auguste's wife Marguerite feeding their infant daughter,
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1895 motion-picture recording, photographed by Louis Lumière
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appears as the seventh of ten movies (starting at 6:07 in).
585:(London: George Allen & Unwin, 1960), pp. 407-409. See
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https://en.unesco.org/sites/default/files/lumiere_films.pdf
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The Movies Begin: A Treasury of Early Cinema, 1894–1913
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https://lukemckernan.com/2015/11/15/lumiere-forever/
615:Memory of the World Register, Lumière Films, 2004.
671:Films by the Year YouTube channel, Sep. 24, 2020.
565:Luke McKernan, "Lumière Forever," Nov. 15, 2015,
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636:La production cinematographic des Frères Lumière
401:In July 1896, Russian writer Maxim Gorky saw a
583:Kino: A History of the Russian and Soviet Film
370:(2002). It also forms part of the documentary
847:Procession at Seville and bullfighting scenes
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669:Repas de bébé (1895) Baby's Dinner (Lumière),
632:L’œuvre cinématographique des frères Lumière
446:L’œuvre cinématographique des frères Lumière
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349:
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905:Films directed by Auguste and Louis Lumière
742:The Photographical Congress Arrives in Lyon
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354:shows around the world in 1896 and after.
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791:L'Arrivée d'un train en gare de La Ciotat
376:(1992) and Ann Hu's Chinese feature film
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630:Website by Manuel Schmalstieg (2013),
606:87 (2019): doi.org/10.4000/1895.6754.
456:Website by Manuel Schmalstieg (2013).
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342:Centre national de la cinématographie
348:The film was seen widely in Lumière
721:La Sortie de l'usine Lumière à Lyon
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920:Black-and-white documentary films
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467:"Salon Indien, Grand Café, Paris"
360:The Lumière Brothers' First Films
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364:Landmarks of Early Film volume 1
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587:https://picturegoing.com/?p=230
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735:La Pêche aux poissons rouges
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833:Carmaux, défournage du coke
812:Bataille de boules de neige
777:Place des Cordeliers à Lyon
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491:"Technical Specifications"
418:Histoire du cinematographe
125:20 February 1896
114:28 December 1895
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805:La Charcuterie mécanique
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227:and showing his brother
770:Le Saut à la couverture
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495:Internet Movie Database
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103:10 June 1895
579:Nizhegorodski listok,
409:The Family Breakfast.
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203:The Family Breakfast,
910:One-shot short films
527:"Alternative Titles"
442:"Repas de bébé]"
185:Le Déjeuner de bébé,
826:Démolition d'un mur
182:Le Repas (de bébé),
869:Autochrome Lumière
648:Le Repas (de bébé)
644:Demain, Le Cinéma!
317:as herself, 'Bébé'
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188:Baby’s First Meal,
146:approx. 40 seconds
81:Marguerite Lumière
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756:L'Arroseur Arrosé
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209:Feeding the Baby,
191:Baby’s Breakfast,
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142:Running time
122: (Paris)
111: (Lyon)
61:Produced by
51:Directed by
890:1895 films
884:Categories
857:Inventions
728:La Voltige
536:2007-04-08
500:2007-04-08
476:2007-04-08
451:2022-09-10
428:References
388:1895-1905.
323:as himself
257:Production
129:1896-02-20
118:1895-12-28
107:1895-06-10
345:(CNC).
133: (UK)
362:(1996),
281:Synopsis
265:with an
161:Language
69:Starring
219:silent
151:Country
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840:Naples
394:Legacy
300:(1895)
165:Silent
155:France
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661:IMDb
309:Cast
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
