881:(WGA) would not allow Cox and Davies to be removed from the credits even though none of their material was used in the production of the film. According to WGA rules, Gilliam and Grisoni had to prove that they wrote 60% of their script. The director said, "But there have been at least five previous attempts at adapting the book, and they all come from the book. They all use the same scenes." Gilliam remarked in an interview, "The end result was we didn't exist. As a director, I was automatically deemed a 'production executive' by the guild and, by definition, discriminated against. But for Tony to go without any credit would be really unfair." David Kanter, agent for Cox and Davies, argued, "About 60 percent of the decisions they made on what stays in from the book are in the film – as well as their attitude of wide-eyed anarchy." According to the audio commentary by Gilliam on the Criterion Collection DVD, during the period where it appeared that only Cox and Davies would be credited for the screenplay, the film was to begin with a short scene in which it is explained that no matter what is said in the credits, no writers were involved in the making of the film. When this changed in early May 1998 after the WGA revised its decision and gave credit to Gilliam and Grisoni first and Cox and Davies second, the short was not needed. Angered over having to share credit, Gilliam publicly burned his WGA card at a 22 May book signing on
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everybody's laughing and having a great time. But then, ever so slowly, the walls start closing in and it's like you're never going to get out of this fucking place. It's an ugly nightmare and there's no escape." To convey the effects of the various drugs, Gilliam and
Pecorini assembled a list of "phases" that detailed the "cinematic qualities" of each drug consumed. For
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Farm home and lived there for four months, doing research for the role as well as studying
Thompson's habits and mannerisms. The actor went through Thompson's original manuscript, mementos and notebooks that he kept during the actual trip. Depp remembers, "He saved it all. Not only is true, but there's more. And it was worse." Depp even traded his car for Thompson's red
1679:, writing "What elevates the tale from being a mere drug chronicle is the same thing that lifted the book into the realm of literature. It's the sense that Gilliam, like Thompson, is always totally in command of the medium, while abandoning himself utterly to unpredictable forces beyond his control."
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According to
Gilliam, there was no firm budget in place when filming started. He felt that it was not a well-organized film and said, "Certain people didn't... I'm not going to name names but it was a strange film, like one leg was shorter than the other. There was all sorts of chaos." While Depp was
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Initially, the studio wanted
Gilliam to update the book for the 1990s, which he considered, "And then I looked at the film and said, 'No, that's apologizing. I don't want to apologize for this thing. It is what it is.' It's an artifact. If it's an accurate representation of that book, which I thought
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and they wrote the script at
Gilliam's home in May 1997. Grisoni remembers, "I'd sit at the keyboard, and we'd talk and talk and I'd keep typing." One of the most important scenes from the book that Gilliam wanted to put in the film was the confrontation between Duke and Dr. Gonzo and the waitress of
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The lead actors undertook extraordinary preparations for their respective roles. Del Toro gained more than 45 pounds (18 kg) in nine weeks before filming began, eating 16 donuts a day, and extensively researched Acosta's life. In the spring of 1997, Depp moved into the basement of
Thompson's Owl
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and was granted an extension from
Thompson but only with the stipulation that the director made the film. Rhino did not want to commit to Gilliam in case he didn't work out. Thompson remembers, "They just kept asking for more . I got kind of agitated about it because I thought they were trying to put
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track in the
Criterion edition of the DVD, Gilliam expresses great pride in the film and says it was one of the few times where he did not have to fight extensively with the studio during the filming. Gilliam chalks this up to the fact that many of the studio executives read Thompson's book in their
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Thompson scholar. During pre-production, Cox and producer Laila
Nabulsi had "creative differences" and she forced Rhino to choose between her and Cox. She had an arrangement with Thompson to produce the film and the studio fired Cox and paid him $ 60,000 in script fees. Thompson's disapproval of the
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Gonzo accompanies Duke to the convention, and the pair discreetly snort cocaine as the guest speaker delivers a comically out-of-touch speech about "marijuana addicts" before showing a brief film. Unable to take it, Duke and Gonzo flee back to their room, only to discover that Lucy has called. Their
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a horrible mess of a movie, without shape, trajectory or purpose–a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a
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For the desert scenes, Pecorini wanted a specific, undefined quality without a real horizon to convey the notion that the landscape never ended and to emphasize "a certain kind of unreality outside the characters' car, because everything that matters to them is within the Red Shark." For the scene
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After an unspecified amount of time passes, Duke wakes up to a complete ruin of the once pristine suite. After discovering his tape recorder, he attempts to remember what has happened. As he listens, he has brief memories of the general mayhem that has taken place, including Gonzo threatening a
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Shooting on location in Las Vegas began on 3 August 1997 and lasted 56 days. The production ran into problems when they wanted to shoot in a casino. They were only allowed to film between two and six in the morning, given only six tables to put extras around and insisted that the extras really
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During production, it was
Gilliam's intention that it should feel like a drug trip from beginning to end. He said in an interview, "We start out at full speed and it's WOOOO! The drug kicks in and you're on speed! Whoah! You get the buzz – it's crazy, it's outrageous, the carpet's moving and
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The decision was made to not use the Cox/Davies script, which gave Gilliam only ten days to write another. Gilliam has stated in an interview "When we were writing the script, we really tried not to invent anything. We sort of cannibalized the book." The director enlisted the help of
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The next day, Duke arrives at the race and heads out with his photographer, Lacerda. Duke becomes irrational and believes that they are in the middle of a battlefield, so he fires Lacerda and returns to the hotel. After consuming more mescaline, as well as huffing
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off doing it. So I began to charge them more... I wanted to see the movie done, once it got started." The studio threatened to make the film with Cox and without Depp and del Toro. The two actors were upset when producer Laila Nabulsi told them of Rhino's plans.
404:. When Duke returns he finds that Gonzo, high on LSD, has trashed the room, and is in the bathtub clothed, attempting to pull the tape player in with him as he wants to hear the song better. He pleads with Duke to throw the machine into the water when the song "
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that are "very hallucinatory: the paintings use all kinds of neon colors, and the light sources don't necessarily make sense." According to Gilliam, they used him as a guide "While mixing our palette of deeply disturbing fluorescent colors."
380:), then informs him that there is little chance of making it before the drug kicks in. By the time they reach the strip, Duke is in the full throes of his trip and barely makes it through the hotel check-in, hallucinating that the clerk is a
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youth and understood it could not be made into a conventional Hollywood film. He expressses frustration with the advertising campaign used during its initial release, which he says tried to sell it as wacky comedy. The film was released by
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is really a Rorschach test of a movie – some people will see a godawful mess, rendered inaccessible by the stumbling handheld camera and Depp's nearly incomprehensible narration. Others will see a freewheeling comedy, a thinking person's
773:, with his brother playing Duke). After Hunter S. Thompson met with Johnny Depp he became convinced that no one else could play him. When Cox and Davies started writing the screenplay, Depp and del Toro committed to starring in the film.
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to direct, but he was "unavailable... by choice". Rhino appealed to Thompson for an extension on the film rights but the author and his lawyers denied the extension. Under pressure, Rhino countered by green-lighting the film and hiring
1612:, the film holds an approval rating of 50% based on 70 reviews, with an average score of 5.90/10. The website's critical consensus reads, "Visually creative, but also aimless, repetitive, and devoid of character development." On
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the North Star Coffee Lounge. The director said, "This is two guys who have gone beyond the pale, this is unforgivable – that scene, it's ugly. My approach, rather than to throw it out, was to make that scene the low point."
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was hired based on an audition reel he sent Gilliam that made fun of the fact that he had only one eye (he lost the other to retinal cancer). According to Pecorini, the look of the film was influenced by the paintings of
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during his preparation for the role. Many of the costumes that Depp wears in the film are genuine articles of clothing that Depp borrowed from Thompson, and the writer himself shaved Depp's head to match his own natural
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on 22 May 1998 and grossed $ 3.3 million in 1,126 theaters on its first weekend. The film went on to gross $ 10.6 million, well below its budget of $ 18.5 million. The movie reignited interest in Thompson's novel.
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stepped in to distribute the film. Depp and Gilliam were paid $ 500,000 each but the director still did not have a firm deal in place. In retaliation, Depp and Gilliam locked Rhino out of the set during filming.
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so he can cover a district attorney's convention on narcotics. Duke checks into his suite, only to be met by an LSD-tripping Gonzo and a young girl called Lucy, who Gonzo explains has come to Las Vegas to meet
408:" peaks. Duke agrees, but instead throws a grapefruit at Gonzo's head before running outside and locking Gonzo in the bathroom. Duke attempts to type his reminiscences on hippie culture, and flashes back to
1510:– a process that Gilliam does not enjoy. "I always get very tense in those (test screenings), because I'm ready to fight. I know the pressure from the studio is, 'somebody didn't like that, change it!
322:, respectively. The film details the duo's journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances.
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convertible. The hitchhiker flees on foot at their behavior. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke part of a sheet of "Sunshine Acid" (ultra-purified
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Gilliam wanted to provoke strong reactions to his film as he said in an interview, "I want it to be seen as one of the great movies of all time, and one of the most hated movies of all time."
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wrote: "After a while, though, the ups and downs don't come frequently enough even for the audience, and there's an element of the tedium usually found in someone else's druggy experiences."
419:, a patrolman stops him for speeding, and advises him to sleep at a nearby rest stop. Duke instead heads to a payphone and calls Gonzo, learning that he has a suite in his name at the
364:, complains of a swarm of giant bats, and inventories their drug stash. They pick up a young hitchhiker and explain their mission: Duke has been assigned by a magazine to cover the
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reported an initial reprint of 100,000 copies to tie in with the film's release, but demand was higher than expected and forced the novel to go back to print a further five times.
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Pecorini and Gilliam decided they wanted the film to be shot wide-angle but because of the small budget they couldn't afford the downfalls of anamorphic lenses so they paired the
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The next morning, Duke awakens to an exorbitant room service bill and no sign of Gonzo (who has returned to Los Angeles while Duke slept), and attempts to leave town. As he nears
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magazine, highlighted if he had updated the movie to the 1990s it would just "be a story about two people going to excess". Keeping it set in the 70's, using the backdrop of the
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trips mostly over, Gonzo deals with Lucy over the phone (pretending that he is being savagely beaten by thugs) as Duke attempts to mellow out by trying some of Gonzo's stash of
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Duke drops Gonzo off at the airport, driving right up to the airplane, before returning to the hotel one last time to finish his article. He then speeds back to Los Angeles.
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where Duke hallucinates a lounge full of lizards, the production was supposed to have 25 animatronic reptiles but they only received seven or eight. The production used
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techniques to make it look like they had a whole room of them and made multiple passes with the cameras outfitting the lizards with different costumes each time.
819:(a TarGard Permanent Filter System), Hawaiian shirts, hats, a patchwork jacket, a silver medallion (given to him by Oscar Acosta) and IDs, belonged to Thompson.
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and Gilliam said, "I'm curious about the reaction ... If I'm going to be disappointed, it's because it doesn't make any waves, that people are not outraged."
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casino but leave shortly afterwards, the chaotic atmosphere frightening Gonzo. Back in the hotel room, Duke leaves Gonzo unattended, and tries his luck at
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908:. He warned Depp, "Be careful or you'll find yourself ten years from now still doing him… Make sure your next role is some drastically different guy."
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waitress at a diner, himself convincing a distraught cleaning woman that they are police officers investigating a drug ring, and attempting to buy an
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wrote, "Even the most precise cinematic realizations of Mr. Thompson's images don't begin to match the surreal ferocity of the author's language."
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to direct within a few days. According to Nemeth, Cox could "do it for a price, could do it quickly and could get this movie going in four months."
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is hyper realistic but truthful: "I am interested in real people in bizarre, twisted environments that force them to act... to react against."
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for Worst On-Screen Couple, and during the same awards Del Toro's portrayal of Dr. Gonzo was also nominated for the Worst Supporting Actor.
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The increased attention for the film has also led some news outlets to reconsider the mixed original reception of the film; Scott Tobias of
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film. It all depends on your mood, expectations and state of mind (for the record, I was stone sober and basically enjoyed myself)."
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argued in his more recent review of the film that it "would have had a greater impact had it been produced at the time, when
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began work on a film version as early as 1992. Head of Production and the film's producer Stephen Nemeth originally wanted
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proved that anything was possible, but short of a time machine, Gilliam does what he can to bring the era back to life."
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A red 1973 Chevrolet Caprice Convertible. Depp drove Thompson's red 1973 Caprice Convertible in preparation for the role
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The film was nominated for a variety of awards that both praised and condemned it. Terry Gilliam was nominated for the
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was simulated by having "colors melt into each other, flares with no sources, play with color temperatures"; for
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Kirkland, Bruce (May 17, 1998). "The Gonzo Dream: The Long, Strange Trip of Filming Hunter S. Thompson's
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Gilliam said in an interview that his films are actor-led, and the performance of the two characters in
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1945:"Fear And Loathing In Las Vegas: 5 Things The Movie Changed From The Book (And 5 Things Kept The Same)"
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was an accurate representation of a particular time and place and people." Gilliam, while speaking to
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of the film before each song. Most of the music is present in the soundtrack with a few exceptions:
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2212:"'Melania knew what she was putting on': Benicio Del Toro on drugs, Sicario and Trump's border war"
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while Johnny Depp won the Best Foreign Actor award from the Russian Guild of Film Critics in 1998.
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were originally considered for the roles of Duke and Gonzo but they both grew too old. Afterward,
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magazine voted the film the 469th greatest film in their "500 Greatest Movies of All Time" list.
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Hollywood soundstage. To get the period look of Vegas in the 1970s, Gilliam and Pecorini used
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Rowe, Douglas J. (May 29, 1998). "Terry Gilliam Can Fly Without Acid". Associated Press.
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in 2003, Thompson showed his approval of the Gilliam version by recording a full-length
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to direct, but he wasn't available until after the January 1997 start date. Depp wanted
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was later considered for the role of Duke, but he grew too old as well. At one point
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Gale, David (June 1998). "Cardboard Castles and Chaos". Icon. pp. 102–105.
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each tried to get the film off the ground, but were unsuccessful and moved on.
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Fear and Loathing in Las Vegas: A Pint of Raw Ether and Three Reels of Film
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found the film disgraceful, giving it one star out of four and calling it:
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gamble. Exterior shots of the Bazooko Casino were filmed in front of the
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certain point, you don't have an attitude, you simply inhabit a state.
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The music belongs to the psychedelic rock and classic rock genre. The
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was almost cast (Cusack had previously directed the play version of
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were considered for the duo, but that fell apart when Belushi died.
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Johnston, Andrew (May 28, 1998). "Fear and Loathing in Las Vegas".
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had signed a contract to write a screenplay for a film adaptation.
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Elias, Justine (June 1998). "Behind the Scenes: Terry Gilliam".
2052:"Fear and Bleating in Las Vegas: Hunter Thompson Goes Hollywood"
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for the film and participating in several DVD special features.
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372:. They bought excessive drugs for the trip, and rented a red
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gave the film an average grade of "C+" on an A+ to F scale.
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2846:"'Fear and Loathing in Las Vegas': The Attitude Is Missing"
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Holden, Michael John Perry, Bill Borrows (December 1998). "
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When the film approached release, Gilliam learned that the
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Buy the Ticket, Take the Ride: Hunter S. Thompson on Film
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1401:"A Drug Score – Part 2 (Adrenochrome, the Devil's Dance)"
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332:. The film received mixed reviews from critics and was a
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Wood, Gaby (November 13, 1998). "Night of the Hunter".
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Brinkley, Douglas (June 1998). "Johnny, Get Your Gun".
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However, Depp and Del Toro were also nominated by the
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Cox/Davies script treatment is documented in the film
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During the initial development to get the film made,
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2618:"Festival de Cannes: Fear and Loathing in Las Vegas"
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Stuck Inside of Mobile with the Memphis Blues Again
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3941:Gonzo: The Life and Work of Dr. Hunter S. Thompson
2401:: 6–8 – via Sight and Sound digital archive.
2300:
2298:
2296:
2294:
872:
496:as The Highway Patrolman (H. Sulliven by name tag)
2986:
2695:
2281:McCracken, Elizabeth (June 1998). "Depp Charge".
2247:
412:where a hippie licks spilled LSD off his sleeve.
4005:
2422:
3676:
2865:
2640:
2486:Houpt, Simon (May 21, 1998). "Going Gonzo with
2356:
2354:
2352:
2291:
2178:
2176:
2159:"Terry Gilliam Interview - Fear & Loathing"
2142:Fear and Loathing in Las Vegas audio commentary
384:and that his fellow bar patrons are draconians
2992:
2597:Johnston, Ian (December 1998). "Just Say No".
2340:
2338:
2336:
2334:
2230:
2045:
1123:'s "My Love, Forgive Me", and a recording of "
869:, offers reasoning to the characters actions.
3588:
3282:
3127:"The 1998 Stinkers Bad Movie Awards Nominees"
2590:
2375:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2029:
2027:
2025:
1077:which plays at the beginning of the picture,
2957:
2479:
2349:
2323:: CS1 maint: multiple names: authors list (
2173:
1963:
1020:
3777:The Kentucky Derby Is Decadent and Depraved
3725:Fear and Loathing on the Campaign Trail '72
2964:Siskel, Gene; Ebert, Roger (May 30, 1998).
2963:
2893:
2412:McCabe, Bob (December 1998). "One on One".
2405:
2331:
1910:
1908:
1906:
4049:Films based on works by Hunter S. Thompson
3595:
3581:
3289:
3275:
3234:
2914:
2821:"FEAR AND LOATHING IN LAS VEGAS (1998) C+"
2725:"Fear and Loathing in Las Vegas (Blu-ray)"
2153:
2151:
2022:
1649:, found the film "simply unwatchable." In
29:
2661:
2500:
2280:
3159:
3056:
2790:"Fear and Loathing in Las Vegas Reviews"
2751:"A second helping for fear and loathing"
2646:
2596:
2584:
2550:
2538:
2506:
2393:McCabe, Bob (1998). "Chemical Warfare".
2258:
1903:
827:Cox started writing the screenplay with
789:
783:Dr. Gonzo is based on Thompson's friend
4124:Films with screenplays by Terry Gilliam
2837:
2748:
2431:
2185:"The Lost Legend of the Real Dr. Gonzo"
2148:
4006:
3602:
2871:
2843:
2411:
2392:
2304:
1998:
1465:
1445:
1431:
1411:
1397:
1377:
1357:
924:footage from the old television show,
3576:
3270:
2937:
2899:
2485:
2360:
2236:
2049:
1857:List of films featuring hallucinogens
1485:
1337:
1317:
1297:
1277:
1257:
1237:
1217:
1197:
1181:
1109:'s "Spy vs Spy", the Out-Islanders' "
1085:" which is heard during a flashback,
1059:contains songs used in the film with
1001:
4154:Biographical films about journalists
3770:The Temptations of Jean-Claude Killy
2993:O'Sullivan, Michael (May 22, 1998).
2920:
2381:
2344:
2182:
1969:
1885:
1883:
1881:
1879:
1877:
1596:
1435:"A Drug Score – Part 3 (Flashbacks)"
1281:"A Drug Score – Part 1 (Acid Spill)"
1103:You're Getting to Be a Habit with Me
898:, he got a phone call from comedian
595:Michael Lee Gogin as Uniformed Dwarf
502:as The Magazine Reporter at Mint 400
302:. It was co-written and directed by
4164:English-language black comedy films
3950:Freak Power: The Ballot or the Bomb
3437:The Imaginarium of Doctor Parnassus
2704:
2434:"How Many Writers Does it Take...?"
2106:
1189:Big Brother and the Holding Company
336:but over the years it has become a
13:
4169:English-language independent films
4089:Films shot in the Las Vegas Valley
3753:Fear and Loathing at Rolling Stone
3377:The Adventures of Baron Munchausen
3160:Pizzello, Stephen (May 30, 1998).
2459:
490:as The Waitress at North Star Cafe
14:
4180:
4074:Films set in the Las Vegas Valley
3175:
3026:"500 Greatest Movies of All Time"
2432:Willens, Michele (May 17, 1998).
2001:"A Savage Journey: The Making of
1874:
1022:
933:
544:as Car Rental Agent - Los Angeles
328:was released on May 22, 1998, by
4029:American road comedy-drama films
3916:Fear and Loathing in Gonzovision
2966:"Fear and Loathing in Las Vegas"
2940:"Fear and Loathing in Las Vegas"
2872:Hunter, Stephen (May 22, 1998).
2844:Holden, Stephen (May 22, 1998).
2183:Doss, Yvette C. (June 5, 1998).
2109:"Fear and Loathing in Las Vegas"
1891:"Fear and Loathing in Las Vegas"
1822:
1808:
1794:
1780:
1766:
1041:
1036:
1031:
1026:
1021:
4054:Films directed by Terry Gilliam
3498:The Crimson Permanent Assurance
3337:Monty Python and the Holy Grail
3153:
3119:
3093:
3067:
3050:
3018:
2931:
2813:
2782:
2765:
2742:
2717:
2556:
2453:
2386:
2204:
1438:Tomoyasu Hotei & Ray Cooper
1404:Tomoyasu Hotei & Ray Cooper
873:Writers credit dispute with WGA
514:as The Desk Clerk at Mint Hotel
396:, Duke and Gonzo arrive at the
360:. Duke, under the influence of
4139:Works about Hunter S. Thompson
4044:Films based on American novels
3889:Fear and Loathing in Las Vegas
3632:Fear and Loathing in Las Vegas
3457:The Man Who Killed Don Quixote
3407:Fear and Loathing in Las Vegas
3227:Fear and Loathing in Las Vegas
3216:Fear and Loathing in Las Vegas
3205:Fear and Loathing in Las Vegas
3194:Fear and Loathing in Las Vegas
3183:Fear and Loathing in Las Vegas
2773:Fear and Loathing in Las Vegas
2707:Fear and Loathing in Las Vegas
2671:Fear and Loathing in Las Vegas
2649:Fear and Loathing in Las Vegas
2133:
2100:
2072:
2003:Fear and Loathing in Las Vegas
1992:
1970:West, Richard (January 1976).
1937:
1918:Fear and Loathing in Las Vegas
1862:List of films set in Las Vegas
1603:Fear and Loathing in Las Vegas
1518:Fear and Loathing in Las Vegas
1504:Fear and Loathing in Las Vegas
1166:
815:. Other props, such as Duke's
771:Fear and Loathing in Las Vegas
678:
326:Fear and Loathing in Las Vegas
281:Fear and Loathing in Las Vegas
86:Fear and Loathing in Las Vegas
24:Fear and Loathing in Las Vegas
1:
4104:1990s road comedy-drama films
2938:Ebert, Roger (May 22, 1998).
2904:is a Bad Trip for the '90s".
2900:Clark, Mike (May 22, 1998). "
2361:Smith, Giles (May 25, 1998).
1867:
1579:
1527:
989:
673:
610:as Sven, Flamingo Hotel Clerk
4034:1990s English-language films
3838:Fear and Loathing in America
3732:Fear and Loathing in America
2107:Lee, Nathan (May 12, 2006).
2050:Ebner, Mark (January 1998).
1574:
865:and a perceived loss of the
7:
4109:American black comedy films
3791:Strange Rumblings in Aztlan
2570:(in French). Archived from
2265:. pp. 96–100, 109–110.
1759:
902:who had played Thompson in
10:
4185:
4134:Summit Entertainment films
4114:American independent films
1498:
888:
822:
740:
16:1998 film by Terry Gilliam
4039:Films about hallucinogens
3960:
3907:
3872:
3847:
3824:
3799:
3762:
3667:
3648:
3623:
3610:
3529:
3468:
3327:
3305:
1754:Stinkers Bad Movie Awards
1736:
1709:
1522:1998 Cannes Film Festival
1176:
1173:
1170:
1165:
1087:Beck, Bogert & Appice
1009:
1006:
600:
508:as The Blonde TV Reporter
269:
261:
253:
245:
235:
212:
202:
169:
159:
149:
139:
118:
98:
79:
50:
40:
35:Theatrical release poster
28:
23:
4094:Universal Pictures films
4079:Films shot in California
3508:The Legend of Hallowdega
3167:American Cinematographer
2729:The Criterion Collection
1369:Booker T. & the MG's
1323:Mama Told Me Not to Come
1185:"Combination of the Two"
879:Writers Guild of America
658:as Bazooko Circus Barker
4064:Films set in California
4019:1998 black comedy films
3649:Short story collections
2974:. Season 12. Episode 37
2874:"Thompson's Worst Trip"
2749:Maryles, Daisy (1998).
2709:DVD audio commentary".
450:
343:
4024:1998 independent films
3881:Where the Buffalo Roam
1999:Morgan, David (1999).
1851:Where the Buffalo Roam
1670:
1605:polarized critics; on
1203:One Toke Over the Line
1143:Sympathy for the Devil
905:Where the Buffalo Roam
795:
562:as Wine Colored Tuxedo
520:as Dr. L. Ron Bumquist
300:novel of the same name
221:May 22, 1998
3924:Breakfast with Hunter
2833:on December 20, 2018.
2755:The Publishers Weekly
2574:on February 18, 2017.
2127:registration required
1665:
839:Breakfast with Hunter
813:male pattern baldness
793:
194:Fear and Loathing LLC
4159:1990s American films
4129:Self-reflexive films
4119:Surreal comedy films
4084:Films shot in Nevada
3689:The Great Shark Hunt
3257:Wide Angle/Closeup:
3252:Criterion Collection
2711:Criterion Collection
2677:Criterion Collection
2169:– via YouTube.
2161:. September 21, 2008
1788:United States portal
1747:Cannes Film Festival
1637:, in his review for
1538:Criterion Collection
1209:Brewer & Shipley
997:Professional ratings
556:as Dune Buggy Driver
182:Summit Entertainment
4069:Films set in Nevada
3784:The Battle of Aspen
3703:Songs of the Doomed
3696:Generation of Swine
3559:He Dreams of Giants
3318:Unrealized projects
3107:. February 24, 2011
3081:. December 13, 2016
3004:The Washington Post
2879:The Washington Post
2683:on October 23, 2007
2622:festival-cannes.com
2418:. pp. 120–123.
1677:The Washington Post
1640:The Washington Post
1584:The film opened in
1457:Buffalo Springfield
1162:
998:
646:as Mint Hotel Clerk
592:as Lizard Performer
586:as Lizard Performer
368:motorcycle race in
284:is a 1998 American
3604:Hunter S. Thompson
3417:The Brothers Grimm
3297:Films directed by
3162:"Gonzo Filmmaking"
3137:on August 18, 2000
3038:on January 6, 2009
2971:Siskel & Ebert
2851:The New York Times
2493:The Globe and Mail
2439:The New York Times
2113:The New York Times
2088:. October 26, 2011
2009:Wide Angle/Closeup
1626:The New York Times
1536:was released as a
1506:underwent preview
1269:Jefferson Airplane
1160:
1139:Jumping Jack Flash
1135:The Rolling Stones
1116:Polynesian Fantasy
1107:Combustible Edison
1079:Jefferson Airplane
1074:The Sound of Music
1069:My Favorite Things
1065:the Lennon Sisters
996:
796:
734:Universal Pictures
662:Hunter S. Thompson
652:as Frog-Eyed Woman
628:as Herself (voice)
614:Harry Dean Stanton
608:Christopher Meloni
578:Jennifer Elise Cox
532:as The Road Person
421:Flamingo Las Vegas
330:Universal Pictures
296:Hunter S. Thompson
207:Universal Pictures
108:Patrick Cassavetti
93:Hunter S. Thompson
4144:Psychedelic films
4099:Rhino Films films
4059:Films set in 1971
4001:
4000:
3988:Oscar Zeta Acosta
3848:Unpublished works
3832:The Proud Highway
3815:The Curse of Lono
3719:
3718:
3570:
3569:
3539:Lost in La Mancha
3518:The Wholly Family
3478:Miracle of Flight
3259:Fear and Loathing
3170:. pp. 30–47.
3060:Time Out New York
2999:: Worth the Trip"
2705:Gilliam, Terry. "
2603:. pp. 44–49.
2553:, pp. 42–47.
2541:, pp. 30–41.
2496:. pp. D1–D2.
2488:Fear and Loathing
2466:gilliamdreams.com
2371:. pp. 74–79.
2307:Fear and Loathing
2190:Los Angeles Times
1694:Time Out New York
1607:review aggregator
1597:Critical response
1557:Universal Studios
1534:Fear and Loathing
1495:
1494:
1053:
1052:
858:Sight & Sound
801:Chevrolet Caprice
785:Oscar Zeta Acosta
778:Fear and Loathing
683:In January 1976,
634:as Alice the Maid
632:Jenette Goldstein
572:Larry Brandenburg
512:Katherine Helmond
478:as The Hitchhiker
417:Baker, California
356:speed across the
334:financial failure
292:black comedy film
277:
276:
191:Shark Productions
4176:
3983:Gonzo journalism
3978:Spider Jerusalem
3942:
3873:Film adaptations
3856:Prince Jellyfish
3679:The Gonzo Papers
3674:
3673:
3597:
3590:
3583:
3574:
3573:
3563:
3553:
3543:
3522:
3512:
3502:
3492:
3482:
3461:
3451:
3447:The Zero Theorem
3441:
3431:
3421:
3411:
3401:
3391:
3381:
3371:
3361:
3351:
3341:
3320:
3313:
3291:
3284:
3277:
3268:
3267:
3238:
3171:
3147:
3146:
3144:
3142:
3133:. Archived from
3123:
3117:
3116:
3114:
3112:
3097:
3091:
3090:
3088:
3086:
3071:
3065:
3064:
3054:
3048:
3047:
3045:
3043:
3034:. Archived from
3022:
3016:
3015:
3013:
3011:
2990:
2984:
2983:
2981:
2979:
2961:
2955:
2954:
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2891:
2890:
2888:
2886:
2869:
2863:
2862:
2860:
2858:
2841:
2835:
2834:
2829:. Archived from
2817:
2811:
2810:
2808:
2806:
2786:
2780:
2769:
2763:
2762:
2746:
2740:
2739:
2737:
2735:
2721:
2715:
2714:
2702:
2693:
2692:
2690:
2688:
2679:. Archived from
2665:
2659:
2658:
2644:
2638:
2637:
2635:
2633:
2628:on July 28, 2011
2624:. Archived from
2614:
2605:
2604:
2594:
2588:
2582:
2576:
2575:
2560:
2554:
2548:
2542:
2536:
2513:
2512:
2504:
2498:
2497:
2483:
2477:
2476:
2474:
2472:
2460:Stubbs, Philip.
2457:
2451:
2450:
2448:
2446:
2429:
2420:
2419:
2409:
2403:
2402:
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2201:
2199:
2197:
2180:
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2170:
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2155:
2146:
2145:
2140:Nabulsi, Laila.
2137:
2131:
2130:
2123:
2121:
2119:
2104:
2098:
2097:
2095:
2093:
2076:
2070:
2069:
2067:
2065:
2060:. pp. 33–34
2047:
2020:
2019:
2017:
2015:
1996:
1990:
1989:
1987:
1985:
1967:
1961:
1960:
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1956:
1941:
1935:
1934:
1932:
1930:
1912:
1901:
1900:
1887:
1838:Gonzo journalism
1832:
1827:
1826:
1818:
1813:
1812:
1811:
1804:
1799:
1798:
1790:
1785:
1784:
1783:
1776:
1771:
1770:
1769:
1730:Brewster McCloud
1716:Leicester Square
1704:Cheech and Chong
1571:on 4 June 2024.
1569:Ultra HD Blu-ray
1552:audio commentary
1545:audio commentary
1513:
1488:
1451:Expecting to Fly
1168:
1163:
1159:
1095:It's Not Unusual
1083:Somebody to Love
1046:
1045:
1044:
1040:
1039:
1035:
1034:
1030:
1029:
1025:
1024:
999:
995:
817:cigarette filter
467:Benicio del Toro
426:Barbra Streisand
374:Chevrolet Impala
312:Benicio del Toro
228:
226:
131:Benicio del Toro
89:
33:
21:
20:
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3956:
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3868:
3863:Polo Is My Life
3843:
3820:
3795:
3758:
3739:Kingdom of Fear
3715:
3710:Better Than Sex
3669:
3663:
3644:
3619:
3606:
3601:
3571:
3566:
3556:
3549:Getting Gilliam
3546:
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3505:
3495:
3485:
3475:
3464:
3454:
3444:
3434:
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3394:
3387:The Fisher King
3384:
3374:
3364:
3354:
3344:
3334:
3323:
3316:
3309:
3301:
3295:
3261:script analysis
3221:Rotten Tomatoes
3210:Box Office Mojo
3178:
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2800:CBS Interactive
2788:
2787:
2783:
2778:Rotten Tomatoes
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2395:Sight and Sound
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2218:. June 29, 2018
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1983:
1981:
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1952:
1951:. June 20, 2019
1943:
1942:
1938:
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1924:Box Office Mojo
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1712:
1689:Andrew Johnston
1610:Rotten Tomatoes
1599:
1582:
1577:
1530:
1520:debuted at the
1511:
1508:test screenings
1501:
1496:
1486:
1423:Debbie Reynolds
1329:Three Dog Night
1309:The Youngbloods
1042:
1037:
1032:
1027:
992:
939:Nicola Pecorini
936:
922:rear-projection
894:on location in
891:
875:
825:
743:
695:Martin Scorsese
689:announced that
681:
676:
671:
626:Debbie Reynolds
622:as Police Chief
603:
598:
566:Steve Schirripa
560:Richard Portnow
482:Christina Ricci
453:
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3993:Ralph Steadman
3990:
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3176:External links
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1154:Viva Las Vegas
1152:rendition of "
1125:Ball and Chain
1067:' version of "
1051:
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1018:
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988:
953:motion-control
935:
934:Cinematography
932:
890:
887:
874:
871:
867:American dream
824:
821:
763:John Malkovich
747:Jack Nicholson
742:
739:
717:Bruce Robinson
691:Larry McMurtry
680:
677:
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672:
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669:
659:
653:
650:Laraine Newman
647:
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574:as Cop in Back
569:
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554:Richard Riehle
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398:Bazooko Circus
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342:
275:
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273:$ 13.7 million
271:
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265:$ 18.5 million
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140:Cinematography
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111:Stephen Nemeth
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81:
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3908:Documentaries
3906:
3899:
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3897:The Rum Diary
3894:
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3808:Hell's Angels
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3328:Feature films
3326:
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3312:
3308:
3307:
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3300:
3299:Terry Gilliam
3292:
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3169:
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3136:
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3122:
3106:
3105:The A.V. Club
3102:
3096:
3080:
3076:
3070:
3062:
3061:
3053:
3042:September 29,
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2643:
2632:September 29,
2627:
2623:
2619:
2613:
2611:
2602:
2601:
2593:
2587:, p. 33.
2586:
2585:Pizzello 1998
2581:
2573:
2569:
2568:panavision.fr
2565:
2559:
2552:
2551:Pizzello 1998
2547:
2540:
2539:Pizzello 1998
2535:
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2087:
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2075:
2059:
2058:
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2046:
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2036:
2034:
2032:
2030:
2028:
2026:
2010:
2006:
2004:
1995:
1979:
1978:
1977:Texas Monthly
1973:
1966:
1955:September 14,
1950:
1946:
1940:
1925:
1921:
1919:
1911:
1909:
1907:
1898:
1897:
1892:
1886:
1884:
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1880:
1878:
1873:
1863:
1860:
1858:
1855:
1853:
1852:
1848:
1846:
1845:
1844:The Rum Diary
1841:
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1836:
1835:
1831:
1825:
1820:
1817:
1816:Nevada portal
1806:
1803:
1797:
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1775:
1764:
1757:
1755:
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1748:
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1726:
1725:
1724:The A.V. Club
1719:
1717:
1707:
1705:
1700:
1697:, observed: "
1696:
1695:
1691:, writing in
1690:
1686:
1684:
1683:
1678:
1674:
1669:
1664:
1662:
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1654:
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1648:
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1592:
1591:Vintage Press
1587:
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1546:
1542:
1539:
1535:
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1523:
1519:
1515:
1509:
1505:
1490:
1487:Total length:
1484:
1480:
1478:
1477:Dead Kennedys
1475:
1472:
1468:
1464:
1460:
1458:
1455:
1452:
1448:
1444:
1440:
1437:
1434:
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1418:
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1410:
1406:
1403:
1400:
1396:
1392:
1390:
1387:
1384:
1383:Magic Moments
1380:
1376:
1372:
1370:
1367:
1364:
1363:Time Is Tight
1360:
1356:
1352:
1350:
1347:
1344:
1340:
1336:
1332:
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1307:
1304:
1300:
1296:
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1290:
1286:
1283:
1280:
1276:
1272:
1270:
1267:
1264:
1260:
1256:
1252:
1250:
1249:The Yardbirds
1247:
1244:
1243:For Your Love
1240:
1236:
1232:
1230:
1227:
1224:
1220:
1216:
1212:
1210:
1207:
1204:
1200:
1196:
1192:
1190:
1187:
1184:
1180:
1164:
1161:Track listing
1157:
1155:
1151:
1150:Dead Kennedys
1146:
1144:
1140:
1136:
1132:
1130:
1126:
1122:
1121:Robert Goulet
1118:
1117:
1112:
1108:
1104:
1100:
1099:Frank Sinatra
1096:
1092:
1088:
1084:
1080:
1076:
1075:
1070:
1066:
1062:
1058:
1049:
1019:
1017:
1014:
1013:
1005:
1002:Review scores
1000:
994:
987:
985:
980:
978:
974:
970:
966:
962:
956:
954:
948:
945:
944:Robert Yarber
940:
931:
929:
928:
923:
919:
915:
909:
907:
906:
901:
897:
886:
884:
880:
870:
868:
864:
860:
859:
852:
849:
843:
842:
840:
834:
830:
820:
818:
814:
809:
805:
802:
792:
788:
786:
781:
779:
774:
772:
768:
764:
760:
756:
752:
751:Marlon Brando
748:
738:
735:
730:
729:Terry Gilliam
725:
723:
718:
714:
710:
706:
704:
700:
696:
692:
688:
687:
686:Texas Monthly
667:
663:
660:
657:
656:Penn Jillette
654:
651:
648:
645:
644:Gregory Itzin
642:
640:as Wee Waiter
639:
636:
633:
630:
627:
624:
621:
618:
615:
612:
609:
606:
605:
594:
591:
588:
585:
582:
579:
576:
573:
570:
567:
564:
561:
558:
555:
552:
549:
548:Tim Thomerson
546:
543:
540:
537:
534:
531:
528:
525:
522:
519:
518:Michael Jeter
516:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
483:
480:
477:
476:Tobey Maguire
474:
472:
468:
465:
463:
459:
456:
455:
448:
445:
443:
437:
435:
429:
427:
422:
418:
413:
411:
410:San Francisco
407:
403:
399:
395:
394:diethyl ether
389:
387:
383:
379:
375:
371:
367:
363:
359:
358:Mojave Desert
355:
351:
341:
339:
335:
331:
327:
323:
321:
317:
313:
309:
305:
304:Terry Gilliam
301:
297:
293:
290:
287:
283:
282:
272:
268:
264:
260:
256:
252:
249:United States
248:
244:
240:
234:
220:
219:
217:
211:
208:
205:
201:
193:
190:
188:
185:
183:
180:
179:
176:
168:
165:
162:
158:
155:
154:Lesley Walker
152:
148:
145:
142:
138:
132:
129:
127:
124:
123:
121:
117:
110:
107:
105:Laila Nabulsi
104:
103:
101:
97:
94:
88:
87:
82:
78:
72:
69:
67:
64:
62:
59:
57:Terry Gilliam
56:
55:
53:
51:Screenplay by
49:
46:
45:Terry Gilliam
43:
39:
32:
27:
22:
19:
4149:Stoner films
3948:
3938:
3930:
3922:
3914:
3895:
3888:
3887:
3879:
3861:
3854:
3836:
3831:
3813:
3806:
3751:
3744:
3737:
3730:
3723:
3708:
3701:
3694:
3687:
3677:
3660:(collection)
3655:
3637:
3630:
3615:Bibliography
3557:
3547:
3537:
3516:
3506:
3496:
3486:
3476:
3455:
3445:
3435:
3425:
3415:
3406:
3405:
3395:
3385:
3375:
3365:
3357:Time Bandits
3355:
3345:
3335:
3258:
3246:an essay by
3242:
3225:
3215:
3204:
3193:
3182:
3165:
3154:Bibliography
3139:. Retrieved
3135:the original
3131:The Stinkers
3130:
3121:
3111:February 12,
3109:. Retrieved
3104:
3095:
3085:February 14,
3083:. Retrieved
3078:
3069:
3058:
3052:
3040:. Retrieved
3036:the original
3029:
3020:
3008:. Retrieved
3002:
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1923:
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1830:1970s portal
1802:1990s portal
1751:
1745:at the 1998
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1586:wide release
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1263:White Rabbit
1223:She's a Lady
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965:adrenochrome
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726:
713:Lee Tamahori
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703:Oliver Stone
699:Ralph Bakshi
684:
682:
668:in flashback
638:Verne Troyer
616:as The Judge
590:Tane McClure
524:Craig Bierko
506:Cameron Diaz
488:Ellen Barkin
446:
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434:adrenochrome
430:
414:
406:White Rabbit
390:
347:
338:cult classic
325:
324:
280:
279:
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237:Running time
214:Release date
84:
61:Tony Grisoni
18:
3800:Non-fiction
3670:collections
3469:Short films
3347:Jabberwocky
3311:Filmography
3248:J. Hoberman
2826:CinemaScore
2687:January 24,
2654:Toronto Sun
2509:Sunday Mail
2363:"War Games"
1929:January 24,
1774:Film portal
1673:Gene Siskel
1661:Roger Ebert
1618:CinemaScore
1089:'s "Lady",
1061:sound bites
900:Bill Murray
896:Los Angeles
863:Vietnam War
804:convertible
767:John Cusack
755:Dan Aykroyd
709:Rhino Films
679:Development
584:Kim Flowers
542:Larry Cedar
530:Lyle Lovett
500:Mark Harmon
458:Johnny Depp
308:Johnny Depp
241:118 minutes
187:Rhino Films
126:Johnny Depp
99:Produced by
41:Directed by
4014:1998 films
4008:Categories
3973:Uncle Duke
3968:Raoul Duke
3657:Screw-Jack
3488:Story Time
3397:12 Monkeys
3232:Metacritic
2795:Metacritic
2118:January 4,
1984:August 29,
1972:"Low Talk"
1949:ScreenRant
1868:References
1743:Palme d'Or
1614:Metacritic
1580:Box office
1528:Home media
1389:Perry Como
1289:Ray Cooper
1057:soundtrack
990:Soundtrack
829:Tod Davies
808:California
674:Production
666:Raoul Duke
620:Troy Evans
580:as Shopper
550:as Hoodlum
526:as Lacerda
494:Gary Busey
462:Raoul Duke
350:Raoul Duke
316:Raoul Duke
306:and stars
270:Box office
225:1998-05-22
171:Production
164:Ray Cooper
66:Tod Davies
3079:EventBite
2907:USA Today
2319:cite news
2240:Us Weekly
1657:Gaby Wood
1646:USA Today
1575:Reception
1349:Bob Dylan
1229:Tom Jones
1111:Moon Mist
1091:Tom Jones
969:mescaline
664:as Older
538:as Hippie
471:Dr. Gonzo
442:orangutan
382:moray eel
370:Las Vegas
362:mescaline
354:Dr. Gonzo
348:In 1971,
320:Dr. Gonzo
294:based on
173:companies
150:Edited by
3763:Articles
3746:Hey Rube
3427:Tideland
3199:AllMovie
3141:June 13,
2857:June 13,
2092:July 10,
2085:Collider
2064:June 13,
2057:Premiere
1760:See also
1016:AllMusic
914:Stardust
883:Broadway
722:Alex Cox
366:Mint 400
254:Language
160:Music by
119:Starring
80:Based on
71:Alex Cox
3961:Related
3825:Letters
3250:at the
3010:May 18,
2978:May 18,
2885:May 18,
2445:May 18,
2196:May 18,
1565:Blu-ray
1499:Release
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889:Filming
823:Writing
741:Casting
568:as Goon
484:as Lucy
402:Big Six
386:lizards
257:English
246:Country
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3953:(2020)
3945:(2008)
3935:(2006)
3927:(2003)
3919:(1978)
3900:(2011)
3892:(1998)
3884:(1980)
3624:Novels
3562:(2019)
3552:(2005)
3542:(2002)
3521:(2011)
3511:(2010)
3501:(1983)
3491:(1979)
3481:(1974)
3460:(2018)
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3430:(2005)
3420:(2005)
3410:(1998)
3400:(1995)
3390:(1991)
3380:(1988)
3370:(1985)
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3360:(1981)
3350:(1977)
3340:(1975)
3031:Empire
2415:Empire
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2144:(DVD).
1737:Awards
1710:Status
1682:Empire
1561:HD DVD
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1177:Length
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1010:Rating
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601:Cameos
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3143:2023
3113:2017
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