91:, which had the appearance of always looking at the spectators, from whatever point it was viewed. He only painted a few hours each day, and then with the greatest gravity, for he always kept the toga on, even when in the midst of his implements. The Golden Palace of Nero was the prison-house of this artist's productions, and hence it is that there are so few of them to be seen elsewhere."
79:
recounts how
Famulus went for only a few hours each day to the Golden House, to work while the light was right. Pliny the Elder presents him as one of the principal painters of the
156:
126:-like coloring with deep blue, green, indigo, purple, and cinnabar red, including motion and animation in the artwork. Famulus is credited with large
111:— framed reserves containing figures or landscapes — have returned at intervals ever since, notably in late 18th century
115:, making Famulus one of the most influential painters in the history of art, although it is not clear how original he actually was.
87:
More recently, lived
Amulius, a grave and serious personage, but a painter in the florid style. By this artist there was a
72:
Famulus and assistants from his studio covered a large amount of the Domus Aurea wall with frescoes. Pliny, in his
222:
96:
217:
74:
17:
64:, he is one of the earliest artists in Europe for which a contemporary biography survives.
8:
199:
191:
119:
104:
61:
118:
Art historian Nunzio
Giustozzi writes that Famulus painted in Style IV of the
211:
123:
112:
50:
181:. Richard Sadleir (trans.) (New update ed.). Electa. p. 251.
127:
100:
88:
108:
46:
54:
122:
into which 1st-century Roman wall-painting is classified,
157:
Dictionary of Greek and Roman
Biography and Mythology
209:
107:. The white walls, delicate swags, and bands of
99:was profound; it can be seen most obviously in
130:scenes, now lost, much like the large panel
176:
172:
170:
14:
210:
167:
95:The Domus Aurea frescoes' effect on
49:painter famous for his work in the
24:
25:
234:
177:La Regina, Adriano, ed. (2007) .
53:, Rome, that was commissioned by
185:
144:
13:
1:
137:
179:Archaeological Guide to Rome
97:Italian Renaissance painting
67:
60:Because he was mentioned by
7:
10:
239:
150:Given by some sources as
27:Roman painter under Nero
223:Ancient Roman painters
103:'s decoration for the
93:
85:
164:is the more likely.
132:Achilles at Skyros
218:Artists from Rome
16:(Redirected from
230:
202:
189:
183:
182:
174:
165:
154:; Smith (in his
148:
21:
238:
237:
233:
232:
231:
229:
228:
227:
208:
207:
206:
205:
196:Natural History
192:Pliny the Elder
190:
186:
175:
168:
149:
145:
140:
120:Pompeian Styles
105:Vatican loggias
75:Natural History
70:
62:Pliny the Elder
28:
23:
22:
15:
12:
11:
5:
236:
226:
225:
220:
204:
203:
184:
166:
160:) argues that
142:
141:
139:
136:
69:
66:
26:
9:
6:
4:
3:
2:
235:
224:
221:
219:
216:
215:
213:
201:
197:
193:
188:
180:
173:
171:
163:
159:
158:
153:
147:
143:
135:
133:
129:
125:
124:impressionist
121:
116:
114:
113:Neoclassicism
110:
106:
102:
98:
92:
90:
84:
82:
78:
76:
65:
63:
58:
56:
52:
48:
44:
40:
36:
32:
19:
195:
187:
178:
161:
155:
151:
146:
131:
128:mythological
117:
94:
86:
80:
73:
71:
59:
42:
38:
34:
30:
29:
81:domus aurea
51:Domus Aurea
212:Categories
138:References
33:(possibly
68:Biography
200:xxxv.120
152:Fabullus
45:) was a
39:Fabullus
18:Fabullus
162:Amulius
101:Raphael
89:Minerva
43:Amulius
35:Fabulus
31:Famulus
109:frieze
47:fresco
41:, or
55:Nero
83::
214::
198:,
194:,
169:^
134:.
57:.
37:,
77:,
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.