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Ernest Haller

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Although Haller terminated his contract with Warner Bros. in 1951, he was the best choice to photograph Bette Davis and Joan Crawford— two of the closest actresses that Haller has worked with and the ex-Warner stars. He was brought back to photograph the only film the two would appear in together. In
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and graduated after four years. With his photographic training and a year of laboratory experience, Haller dove straight into the film industry after graduating. His initial interest was in acting; although none of his parents or other relatives were theatrical people, he managed to pursue acting
394:, Haller was nominated alongside her. Davis was extremely fond of Haller and his style, “Ernest Haller had always been my favorite cameraman. I never told him what to do, but I put my trust in him to do what he knew how to do, to make me look my best.” His work on 247:
Upon the launch of his career as a cinematographer, Haller worked vigorously in every department of silent film, photographing approximately 50 films in the next decade. The first motion picture that he was officially credited as a cinematographer was
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or Biograph, as an actor. However, he realized his true passion fairly quickly, for he switched to the camera department within a year of joining the studio. At the time, Biograph's prized director was
327:(1951) was his last film, Haller left Warner Bros. after 26 years. After little work on films as a freelancer, Haller returned to Warner Bros. as an independent contractor for 1494: 1249:
Haller, Ernest. "A.S.C. Application Form." March 3, 1924. American Society of Cinematographers Collection. Margaret Herrick Library Digital Collection, Los Angeles.
2327: 2317: 1487: 420:, who left the production after a month over creative differences. Haller's work earned him his first and only Academy Awards along with the 2322: 1480: 302:(1939), which garnered Haller his first and only Oscar for Best Cinematography. A year later, Haller received his third nomination for 1217: 1619: 1034: 546: 335: 150: 1503: 1460: 1433: 1376: 1276: 1227: 1197: 1144: 1116: 1102: 1074: 129: 493:, Davis made the decision to embrace the unflattering qualities of the character while Crawford remained with her glamour. 244:. When Warner Brothers took over the First National, a number of the company's finest cameramen including Haller followed. 172: 88: 2208: 2166: 2077: 468:, and Crawford won the award for Best Actress. Haller continued to photograph Crawford in several other films, including 348:
Haller initially announced his retirement in 1965 but briefly came out of it in July 1965 upon the request of director
2312: 1450: 339:(1962), which earned him his sixth nomination. His seventh and final nomination was only a year later with his work on 1693: 1348: 1312: 1130: 1088: 2019: 1830: 1756: 1725: 1673: 1665: 1635: 1615: 1605: 1042: 850: 554: 341: 156: 439:(1939) was a success, also winning awards for Best Picture, Best Director, Best Actress and Supporting Actress. 2041: 866: 230:. When D.W. Griffith left Biograph due to a disagreement between him and the studio regarding his feature film 762: 578: 323: 276: 384:(1932), and frequently worked together. He was the director of photography when she won her first Oscar for 874: 359: 286:(1935). In 1938, Haller received his first Academy Awards nomination for Best Cinematography for the film 986: 380: 266: 260: 946: 626: 168: 58: 938: 834: 778: 514: 105: 842: 770: 522: 138: 1050: 1010: 1002: 930: 602: 538: 237: 146: 1304: 1297: 1425: 914: 469: 109:(1939), and his close professional relationships with prominent actresses of the time, such as 1340: 1334: 1189: 1683: 970: 906: 890: 858: 786: 530: 464: 386: 333:(1955). With this as a start, he continued to work on a few films for Warner Bros. including 329: 281: 184: 142: 1268: 2307: 2302: 1916: 1537: 898: 826: 722: 666: 218: 8: 1026: 802: 618: 506: 378:
Haller's relationship with Bette Davis was ardent and long-lasting. They met on the film
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Working closely with Bette Davis and earning two nominations for photographing her in
236:(1914), the company gradually met its end. Eventually, the Biograph was bought by the 2280: 2178: 2113: 2003: 1952: 1940: 1826: 1820: 1800: 1742: 1625: 1585: 1456: 1429: 1372: 1344: 1308: 1272: 1261: 1223: 1193: 1182: 1160: 1140: 1126: 1112: 1098: 1084: 1070: 658: 642: 291: 2250: 362:". With this as his final credit, Haller retired from the motion pictures industry. 2232: 2226: 2220: 2053: 2013: 2007: 1997: 1701: 1697: 1533: 978: 429: 321:, Haller and many other cameramen decide to continue their careers as freelancers. 318: 201: 197: 2214: 2065: 1985: 1884: 1880: 1870: 1836: 1790: 1655: 1645: 1018: 994: 882: 754: 730: 698: 634: 349: 97: 2238: 1979: 1910: 1900: 1860: 1850: 1784: 1770: 1760: 1721: 1715: 1705: 1669: 1527: 1517: 954: 922: 746: 714: 690: 610: 586: 570: 206: 118: 183:
Ernest Haller was born in Los Angeles, California on May 31, 1896. He went to
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on October 21, 1970, at the age of 74, and was buried at Freedom Mausoleum,
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Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed
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The Girl Who Walked Home Alone: Bette Davis, A Personal Biography
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Producer, David O. Selznick, was impressed with Haller's work on
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The Girl Who Walked Home Alone: Bette Davis A Personal Biography
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In 1914 with his older brother's help, Haller first joined the
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in 1920. Some of Haller's recognized works after that include
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enough to borrow him from Warner Bros. to participate in
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Hollywood Lighting from the Silent Era to Film Noir
1059: 481: 458:, Haller also developed a strong relationship with 442: 1417: 1371:. Austin: University of Texas Press. p. 173. 1296: 1260: 1181: 1263:Ideology and Cinematography in Hollywood, 1930-39 2294: 2328:Burials at Forest Lawn Memorial Park (Glendale) 1303:. Berkeley: University of California. pp.  1125:. Los Angeles: University of California Press. 1488: 1424:. New York: Simon & Schuster. pp.  270:(1932)— a film where he first photographed 178: 103:He was most notable for his involvement in 2318:Best Cinematographer Academy Award winners 1495: 1481: 370: 496: 240:, and First National was later bought by 1415: 562: 462:. He received his fourth nomination for 294:who was impressed with Haller's work in 1258: 1123:Movies and Methods: An Anthology Vol. 2 1111:. New York: Columbia University Press. 198:American Mutoscope and Biograph Company 2295: 1366: 1332: 1294: 1215: 1179: 1504:Academy Award for Best Cinematography 1476: 1448: 1339:. London: Wallflower Press. pp.  1139:. Austin: University of Texas Press. 416:replacing the former cinematographer 405: 290:. This recognition caught the eye of 222:(1914), which was an early adventure 1362: 1360: 1328: 1326: 1324: 1290: 1288: 1245: 1243: 1241: 1239: 16:American cinematographer (1896–1970) 1267:. New York: St. Martin's. pp.  167:He was killed in a car accident in 13: 2323:Road incident deaths in California 1452:The Margaret Mitchell Encyclopedia 1069:. New York: Simon & Schuster. 14: 2339: 1449:Davis, Anita Price (2014-01-10). 1409: 1357: 1321: 1285: 1236: 1150: 1097:. Rutgers: The State University. 216:His first job as a cameraman was 1369:The Making of Gone with the Wind 1137:The Making of Gone with the Wind 1060:Bibliography and further reading 1035:What Ever Happened to Baby Jane? 547:What Ever Happened to Baby Jane? 491:What Ever Happened to Baby Jane? 483:What Ever Happened to Baby Jane? 476:What Ever Happened to Baby Jane? 352:to film the second pilot of the 336:What Ever Happened to Baby Jane? 151:What Ever Happened to Baby Jane? 1442: 1385: 1252: 1209: 1173: 1: 1166: 474:(1946) and both actresses in 124:Haller was nominated for the 42:Los Angeles, California, U.S. 1416:Chandler, Charlotte (2006). 1259:Cormack, Michael J. (1994). 1216:Wilson, Scott (2016-08-17). 1188:. Wallflower Press. p.  1083:. London: Wallflower Press. 1065:Chandler, Charlotte (2006). 875:George Washington Slept Here 360:Where No Man Has Gone Before 306:(1940), then his fourth for 7: 1180:Finler, Joel Waldo (2003). 381:The Rich Are Always with Us 267:The Rich Are Always with Us 10: 2344: 398:led to his involvement in 310:(1945), and his fifth for 188:both on stage and screen. 169:Marina Del Rey, California 59:Marina del Rey, California 2313:American cinematographers 2141: 1972: 1735: 1510: 1107:Keating, Patrick (2010). 1093:Keating, Patrick (2014). 939:Jim Thorpe - All-American 365: 226:that was released by the 191: 74: 66: 47: 28: 21: 1333:Finler, Joel W. (2003). 1299:Dictionary of Filmmakers 1295:Sadoul, Georges (1972). 1079:Finler, Joel W. (1988). 843:All This, and Heaven Too 523:All This, and Heaven Too 456:All This, and Heaven Too 324:Jim Thorpe— All American 304:All This, and Heaven Too 179:Early life and education 139:All This, and Heaven Too 1397:www.cinematographers.nl 1011:The Boy and the Pirates 931:The Flame and the Arrow 539:The Flame and the Arrow 312:The Flame and the Arrow 238:First National Pictures 147:The Flame and The Arrow 1367:Wilson, Steve (2014). 1135:Wilson, Steve (2014). 1121:Nichols, Bill (1985). 497:Awards and nominations 971:Rebel Without a Cause 859:The Bride Came C.O.D. 563:Selective filmography 330:Rebel Without a Cause 185:Hollywood High School 1917:Pasqualino De Santis 1538:Willard Van der Veer 1204:ernest haller oscar. 827:The Roaring Twenties 667:The Wilderness Woman 501:Best Cinematography 219:The Hazards of Helen 200:, also known as the 1698:Joseph A. Valentine 1336:The Hollywood Story 1184:The Hollywood Story 1081:The Hollywood Story 1043:Lilies of the Field 851:Honeymoon for Three 555:Lilies of the Field 342:Lilies of the Field 317:With the coming of 163:Gone with the Wind. 157:Lilies of the Field 130:Best Cinematography 85:Ernest Jacob Haller 2263:Erik Messerschmidt 2191:Anthony Dod Mantle 2084:Philippe Rousselot 867:The Maltese Falcon 835:Gone with the Wind 795:That Certain Woman 675:Prince of Tempters 558:(1963) - nominated 550:(1962) - nominated 542:(1950) - nominated 534:(1945) - nominated 526:(1940) - nominated 515:Gone with the Wind 510:(1938) - nominated 407:Gone with the Wind 400:Gone with the Wind 319:independent cinema 300:Gone with the Wind 233:Judith of Bethulia 106:Gone with the Wind 96:, was an American 2290: 2289: 2281:Hoyte van Hoytema 2209:Robert Richardson 2179:Guillermo Navarro 2167:Robert Richardson 2114:Russell Carpenter 2078:Robert Richardson 2004:Geoffrey Unsworth 1953:Fred J. 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Index

Marina del Rey, California
ASC
cinematographer
Gone with the Wind
Bette Davis
Joan Crawford
Ingrid Bergman
Academy Award
Best Cinematography
Jezebel
All This, and Heaven Too
Mildred Pierce
The Flame and The Arrow
What Ever Happened to Baby Jane?
Lilies of the Field
Marina Del Rey, California
Forest Lawn
Hollywood High School
American Mutoscope and Biograph Company
Biograph Studio
D.W. Griffith
Billy Bitzer
The Hazards of Helen
serial film
Kalem Company
Judith of Bethulia
First National Pictures
Warner Brothers
Weary River
Dawn Patrol

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