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172:. George believes he has found a great new idea in reusable envelopes, but of course his plans do not come to fruition. He continues to put his family under pressure just as his daughter has begun searching for her own independence in the form of men. While George threatens to leave and Linda tries, the play concludes with everyone in the same position in which they had begun the story. Stoppard implies that perhaps this is actually, for all of its pitfalls, the best situation.
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wrote in 1974, "It shows little of the flaunting, dazzling intellectualism that has subsequently become Mr. Stoppard's emblem Yet there is always that wit flicking, out at the audience." Leone
Lucille Michel wrote, "His ability to create fully developed characters and relationships is limited and he
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George is determined to follow his unrealistic dreams, despite the fact that his behavior becomes a problem for his wife
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that follows the story of an unsuccessful inventor named George Riley. The play was first performed on 28 March 1968 at the
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Strategies for contending with an absurd world: A study of Tom
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wisely moved away from this type of drama into his own particular type of comedy."
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151:. When being interviewed by Giles Gordon in 1968, Stoppard said of
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has sometimes been described as
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217:"Tom Stoppard: interviewed by GILES GORDON"
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629:Rosencrantz & Guildenstern Are Dead
247:"Stage: Stoppard's 'Enter a Free Mran'"
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136:. It was directed by
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609:Squaring the Circle
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559:In the Native State
506:The Coast of Utopia
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758:Categories
492:Indian Ink
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229:0041-1078
176:Reception
101:July 2011
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