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Increasingly, architectural historians are making the connection between the work of
Masqueray and those who studied with him. It is important to have a list of those who were his students over the next decade in New York, in order to foster further awareness and research. According to contemporary
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opened in the United States. A colorful, dynamic teacher, Masqueray pleaded with his students to make things simple. Beginning in 1899, Masqueray made special provision for women to number among his architectural students by establishing a second atelier especially for women at 37–40 West 22nd Street
737:) and "Wind's Eye" in Dellwood MN; several parochial schools for the Catholic Archdiocese of St. Paul; Grace Hall (1912) at the Saint Paul Seminary and Ireland Hall (1912) at the College of Thomas (now University of St. Thomas).
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Masqueray arrived in St. Paul in 1905 and remained there until his death. He designed about two dozen parish churches for
Catholic and Protestant congregations in the upper Midwest, including:
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Francis S. "Frank" Swales (later of the firm
Painter & Swales; designer of Selfridges' Store, Oxford Street, London, and The Brussels Exposition of 1910's Canadian Pacific Railway Pavilion)
146:
708:; a new church-school complex was built at a new location west of the city at 1801 West Broadway. The St. Peter Community Center and Public Library occupy the site of the former church.
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having been his fellow student at the École des Beaux Arts, Paris. Work underway while
Masqueray was with the firm includes: New York Yacht Club (1898), Westmorly, Harvard, MA (1898),
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In St. Paul in 1906, Masqueray founded an atelier which continued his Beaux Arts method of architectural training, among his students who trained there, perhaps the best known is
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Frederick George Frost, Sr. (principal of his own firm in New York City which later included his son and namesake), Hall of
Fashion, New York 1939 World's Fair
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Masqueray also designed important residences in and around St. Paul (one of which, a 1915 home at 427 Portland Avenue, has been owned by radio personality
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200:(1860–1929) had been fellow students with Masqueray at the École des Beaux Arts. While in their employ, Masqueray created the watercolor elevation of the
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in New York. As was said at the time, "...he has unbounded faith in women's ability to succeed in architecture...provided they go about it seriously."
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596:(a fellow alumnus of the École des Beaux-Arts) and some of his former students including Frank Swales and George Nagle. As Chief of Design of the
228:(1827–1895), the first American architect to attend the École des Beaux Arts; in Hunt's firm he helped design many notable buildings including the
101:, both as a gifted designer of landmark buildings and as an influential teacher of the profession of architecture dedicated to the principles of
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Emmanuel Louis
Mnsqueray chief of design of the St Louis ... of a number of American cathedrals died here today aged 56. Mr. Masqueray was ...
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Charles
Saunders Bridgman (1892-1897 Atelier Masqueray; then practiced with C. A. Rich; then 1903-1937 in Winnipeg, Manitoba, Canada)
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Elwood
Williams (associated with Masqueray for the St. Louis Exposition; later with offices at 507 Fifth Avenue, NYC)
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Design ideas from all of these were widely emulated in civic projects across the United States as part of the
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published accounts of the exhibitions of the
Atelier Masqueray, those who were his students include:
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A French
Architect in Minnesota, by Alan K. Lathrop, in "Minnesota Profiles", Summer 1980, p. 46
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shared in this enterprise. Located at 123 E. 23rd Street, this was the first wholly independent
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Barnet Phillips, Jr. (later of the firm Barnet Phillips Architectural Decorators, New York)
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His reputation became international in 1901 when the commissioner of architects of the
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1018:"AIA Guide to St. Paul's Summit Avenue and Hill District", by Larry Millett, page 33.
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Clarence E. Decker (later of Decker and Stevenson, architects of the YWCA, San Diego)
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Wilison Joseph Wythe (assistant professor of drawing, University of California)
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Frederick Larkin (later of the US State Department in charge of Embassy design)
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1083:"Commercial and Industrial Development of Downtown Cedar Rapids, c. 1865-1965"
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William T. L. Armstrong (later of the firm De Gelleke and Armstrong, New York)
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Edward J. Willingale (associated with J E M Carpenter as architects of the
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744:(1886–1972). Other architects associated with Masqueray in St. Paul were
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Charles F. Owsley (principal of a Youngstown, OH, firm; designed art deco
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Louis Levitansky (later "Louis Levine") - Westchester County NY architect
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William S. Hutton (later an Indiana school architect who partnered with
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William Cook Haskell (later of the firm Townsend, Steinle & Haskell)
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James E. Cooper (of d'Hauteville & Cooper, Long Island architects);
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Church of the Incarnation, 38th Street and Pleasant Avenue, Minneapolis
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Lincoln Rogers (of the 1920s firm Rogers and Stevenson, in San Diego)
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and Paris. Having decided to become an architect, he studied at the
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Masqueray designed three more cathedrals, of which two were built:
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Seymour Burrell (architect of the St. Germain Lofts, Houston, TX;
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Chapel of St. Thomas Aquinas, 121 Cleveland Ave., St. Paul (1918)
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selected him to be Chief of Design. Masqueray in turn employed
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George Nagle (associated with Masqueray at the St. Louis Fair)
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Masqueray designed several small churches in what is now the
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He came to the United States in 1887 to work for the firm of
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Higher: A Historic Race to the Sky and the Making of a City
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Clarence A. Neff (later of Neff and Thompson, Norfolk, VA)
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Cathedral of the Immaculate Conception in Wichita, Kansas
1027:"The Architecture of Edwin H. Lundie", by Dale Muflinger
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St. Paul's Episcopal Church on the Hill, St. Paul (1912)
398:(of the Boston architectural firm of Kilham and Hopkins)
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Roy Corwin Crosby (architect of houses on the Palisades)
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in New York City. He also contributed to the design of
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Bethlehem Lutheran Church, 655 Forest Street, St. Paul
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of St. Paul to come to Minnesota and design the new
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In 1897, Masqueray left the Hunt office to work for
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Cathedral of the Immaculate Conception, Wichita, KS
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1000:“One Thousand Men of Mark Today”, Chicago, IL, 1916
546:Lincoln Building (42nd Street, New York, New York)
373:Mortimer Foster (later of Foster, Gade and Graham)
1223:Church of St. Louis, King of France, St. Paul, MN
411:Louis Jallade (architect of the gymnasium at the
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319:W. Bellows (architect Charles Walter Bellows of
421:Rupert W. Koch (architect of men's dorm at the
528:George E. Sweet (who became a naval architect)
518:Walter W. Sharpley (builder of Philadelphia's
1117:. Archived from the original on July 22, 2013
196:(November 9, 1858 – March 1, 1911) and
1184:Works by or about Emmanuel Louis Masqueray
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1213:Church of the Holy Redeemer, Marshall, MN
846:He also designed the planned new city of
176:on May 26, 1917. His body was buried in
145:. While in Paris, he also served on the
1111:"Cathedral of the Immaculate Conception"
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694:The Church of the Holy Redeemer (1915),
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447:Sylvester S. McGrath (later of the firm
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826:Cathedral of the Immaculate Conception
501:Mr. Schalkenbach (no first name given)
152:Masqueray was a charter member of the
1258:Architects of Roman Catholic churches
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921:University of Minnesota - Twin Cities
630:Cathedral of Saint Paul in Saint Paul
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1038:"Loras College:History of Buildings"
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704:. This church was destroyed by the
147:Commission des Monuments Historiques
97:preeminent figure in the history of
1171:websites of each of these buildings
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1268:People from Dieppe, Seine-Maritime
610:Palace of Forestry, Fish, and Game
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457:(architectural advisor to China)
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275:In 1893, Masqueray opened the
164:, the New York Chapter of the
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860:French language in Minnesota
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607:The Cascades and Colonnades
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1151:"History of the Cathedral"
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917:"Emmanuel Louis Masqueray"
256:Metropolitan Museum of Art
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645:Cathedral of Saint Paul
622:City Beautiful Movement
266:Cornelius Vanderbilt II
192:in New York City; both
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103:Beaux-Arts architecture
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783:St. Patrick's Church,
762:Archdiocese of Dubuque
711:Church of St. Edward,
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423:University of Michigan
413:University of Delaware
311:Henry Miller's Theatre
244:in New York City, and
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604:Palace of Agriculture
509:Waldorf-Astoria Hotel
384:Walker & Gillette
348:William Payne Whitney
337:S. H. Kress & Co.
329:(Broadway impresario)
270:Newport, Rhode Island
252:Newport, Rhode Island
218:The Commonwealth Club
99:American architecture
1193:Basilica of St. Mary
1062:. St. Patrick Church
836:St. Joseph Cathedral
673:, Minneapolis (1909)
667:, Minneapolis (1908)
590:St. Louis Exposition
558:Warren & Wetmore
406:George Grant Elmslie
356:(later practiced in
339:Corporate Architect)
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123:École des Beaux Arts
989:Grace Hoadley Dodge
985:What Women Can Earn
649:St. Paul, Minnesota
513:Schultze and Weaver
505:Leonard B. Schultze
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226:Richard Morris Hunt
202:Ponce de Leon Hotel
194:John Mervin Carrère
143:Chandesaigues Prize
139:Institute of France
84:Architect, educator
891:The New York Times
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490:Frank Lloyd Wright
281:Walter B. Chambers
222:Richmond, Virginia
158:Van Alen Institute
93:(1861–1917) was a
50:September 10, 1861
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661:, St. Paul (1904)
594:Louis C. Spiering
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809:Other works
785:Cedar Falls
746:Fred Slifer
570:Tuxedo Club
358:Los Angeles
247:Ochre Court
131:LĂ©on Ginain
1232:Categories
866:References
488:studio of
327:Guy Bolton
298:incomplete
160:) and the
46:1861-09-10
1060:"History"
926:March 22,
898:March 22,
799:Wisconsin
702:St. Peter
636:Minnesota
584:St. Louis
566:High Tide
344:Greentree
240:house on
174:Minnesota
156:(now the
109:Biography
1131:cite web
854:See also
720:(1917),
713:Minneota
696:Marshall
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321:Columbus
184:New York
170:St. Paul
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119:Rouen
1159:2017
1137:link
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1097:2017
1068:2017
1046:2017
928:2011
900:2011
766:Iowa
756:Iowa
748:and
511:see
264:for
129:and
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