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Elizabeth O'Neill Verner

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70: 222:"<sc>charles reagan wilson</sc> and <sc>william ferris</sc>, editors. <italic>Encyclopedia of Southern Culture</italic>. Assisted by <sc>ann j. abadie</sc> and <sc>mary l. hart</sc>. Chapel Hill: University of North Carolina Press, for the Center for the Study of Southern Culture, University of Mississippi. 1989. Pp. xxi, 1634. $ 59.95". 77:
Verner did not become a professional artist until after her husband's death in 1925 left her the sole means of support for her children. With advice from Smith, she worked to adapt her craft so that she could be self-supporting. One avenue she took, like some of her contemporaries, was to publish her
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Verner traveled extensively, visiting Japan (1937), Europe, the Caribbean, and Mexico. In London, she examined some of Rembrandt's etchings in the British Museum. While in Kyoto, Japan in 1937, she learned Japanese brushwork, and produced about 12 etchings. She inspired her friend
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to take up painting, serving as her teacher for a time. In 1946, Verner published “Other Places,” which made up 42 illustrations of places other than Charleston, accompanied by her own commentary.
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that could be sold to tourists. Another avenue was to seek commissions, and she came to specialize in making drawings of historic buildings in the cause of preservation. Among her clients were
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When she left the academy, she taught art in Aiken, South Carolina, for a time. She then returned to Charleston, where she took up her art studies with Smith as well as with
101:. She also became a portraitist known for representing African-Americans, especially the city's flower vendors. She worked occasionally as a book illustrator, illustrating 83: 571: 576: 566: 461: 58:. Inspired by Clements and Hale, she was a founding member of the Charleston Etchers Club and helped to found the Southern States Art League. 601: 596: 109:. Stylistically, her paintings are realism with impressionist overtones, while her etchings and drawings are crisply detailed studies. 140:, and others. The South Carolina Arts Commission awards the Elizabeth O’Neill Verner Governor’s Awards for the Arts in her honor. 359: 264: 19:(December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the 133: 86:, Harvard Medical School, the United States Military Academy, Princeton University, and the University of South Carolina. 561: 377:"American Places Dictionary: A Guide to 45,000 Populated Places, Natural Features, and other Places in the United States" 297: 98: 40: 586: 162: 137: 97:
of Charleston, favoring buildings, street scenes, and landscapes. She worked at a studio within her residence at
284: 170: 606: 32: 581: 36: 509: 23:. She has been called "the best-known woman artist of South Carolina of the twentieth century." 591: 254: 20: 349: 51: 327: 556: 551: 39:. In 1901, after attending a Catholic girls’ school in Columbia, S.C., she enrolled at the 413: 8: 125: 121: 485: 69: 394: 355: 260: 235: 166: 129: 206: 414:"From the Harvard Art Museums' collections Christ Church, Cambridge, Massachusetts" 384: 227: 114: 437: 256:
North American Women Artists of the Twentieth Century: A Biographical Dictionary
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The Elizabeth O'Neill Verner Gallery in Charleston, SC, Reviews Its History
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In 1907, she married E. Pettigrew Verner, with whom she had two children.
389: 376: 90: 354:. University of Georgia Press. 1 February 1993. pp. 150–. 94: 510:"Elizabeth O'Neill Verner | Smithsonian American Art Museum" 252: 328:"The Paintings of Anne Taylor Nash Â» Telfair Museums" 287:. Florence County Museum website. Retrieved Jan. 22, 2016. 120:
She died on April 17, 1979. Her work is held by the
253:Jules Heller; Nancy G. Heller (December 19, 2013). 31:Elizabeth Quale O'Neill was born Dec. 21, 1883, in 543: 572:Pennsylvania Academy of the Fine Arts alumni 259:. Taylor & Francis. pp. 1561–1563. 217: 215: 26: 462:"Bay Street, Beaufort | Charleston Museum" 320: 202: 388: 212: 200: 198: 196: 194: 192: 190: 188: 186: 184: 182: 156: 68: 577:Writers from Charleston, South Carolina 567:Artists from Charleston, South Carolina 150: 43:, where she studied for two years with 544: 374: 179: 486:"Exchange: Side Entrance, Charleston" 280: 278: 276: 246: 134:University of Michigan Museum of Art 80:Prints and Impressions of Charleston 602:20th-century American women artists 411: 13: 375:Baruth, Christopher (1995-06-01). 273: 14: 618: 597:20th-century American printmakers 530: 290: 209:. The Johnson Collection website. 78:prints in books with titles like 41:Pennsylvania Academy of Fine Arts 502: 478: 454: 430: 405: 163:Greenville County Museum of Art 138:Smithsonian American Art Museum 368: 342: 224:The American Historical Review 84:Williamsburg Historic District 1: 143: 93:, drawings, and (after 1934) 64: 35:. She first studied art with 298:"THE CHARLESTON RENAISSANCE" 285:"The Charleston Renaissance" 7: 10: 623: 562:American women printmakers 73:Up town Williamsburg, 1936 33:Charleston, South Carolina 381:Cartographic Perspectives 157:Severens, Martha (1999). 37:Alice Ravenel Huger Smith 466:www.charlestonmuseum.org 27:Early life and education 17:Elizabeth O'Neill Verner 587:American pastel artists 490:exchange.umma.umich.edu 89:Verner made etchings, 74: 21:Charleston Renaissance 418:harvardartmuseums.org 351:A Southern Collection 72: 52:Gabrielle D. Clements 607:Women pastel artists 232:10.1086/ahr/96.2.592 207:"Verner, Elizabeth" 126:Delaware Art Museum 122:Harvard Art Museums 514:americanart.si.edu 442:emuseum.delart.org 302:fineartstrader.com 75: 390:10.14714/cp21.879 361:978-0-8203-1535-5 308:on 11 August 2015 266:978-1-135-63889-4 130:Charleston Museum 614: 582:American etchers 524: 523: 521: 520: 506: 500: 499: 497: 496: 482: 476: 475: 473: 472: 458: 452: 451: 449: 448: 434: 428: 427: 425: 424: 409: 403: 402: 392: 372: 366: 365: 346: 340: 339: 337: 335: 324: 318: 317: 315: 313: 304:. Archived from 294: 288: 282: 271: 270: 250: 244: 243: 219: 210: 204: 177: 176: 154: 115:Anne Taylor Nash 622: 621: 617: 616: 615: 613: 612: 611: 542: 541: 533: 528: 527: 518: 516: 508: 507: 503: 494: 492: 484: 483: 479: 470: 468: 460: 459: 455: 446: 444: 436: 435: 431: 422: 420: 410: 406: 373: 369: 362: 348: 347: 343: 333: 331: 326: 325: 321: 311: 309: 296: 295: 291: 283: 274: 267: 251: 247: 221: 220: 213: 205: 180: 173: 155: 151: 146: 99:38 Tradd Street 67: 29: 12: 11: 5: 620: 610: 609: 604: 599: 594: 589: 584: 579: 574: 569: 564: 559: 554: 540: 539: 532: 531:External links 529: 526: 525: 501: 477: 453: 429: 404: 367: 360: 341: 330:. 18 July 2014 319: 289: 272: 265: 245: 226:. April 1991. 211: 178: 171: 165:. p. 13. 159:William Halsey 148: 147: 145: 142: 103:DuBose Heyward 66: 63: 56:Ellen Day Hale 45:Thomas Anshutz 28: 25: 9: 6: 4: 3: 2: 619: 608: 605: 603: 600: 598: 595: 593: 592:Women etchers 590: 588: 585: 583: 580: 578: 575: 573: 570: 568: 565: 563: 560: 558: 555: 553: 550: 549: 547: 538: 535: 534: 515: 511: 505: 491: 487: 481: 467: 463: 457: 443: 439: 433: 419: 415: 408: 400: 396: 391: 386: 383:(21): 42–43. 382: 378: 371: 363: 357: 353: 352: 345: 329: 323: 307: 303: 299: 293: 286: 281: 279: 277: 268: 262: 258: 257: 249: 241: 237: 233: 229: 225: 218: 216: 208: 203: 201: 199: 197: 195: 193: 191: 189: 187: 185: 183: 174: 168: 164: 160: 153: 149: 141: 139: 135: 131: 127: 123: 118: 116: 110: 108: 104: 100: 96: 92: 87: 85: 81: 71: 62: 59: 57: 53: 48: 46: 42: 38: 34: 24: 22: 18: 517:. Retrieved 513: 504: 493:. Retrieved 489: 480: 469:. Retrieved 465: 456: 445:. Retrieved 441: 432: 421:. Retrieved 417: 407: 380: 370: 350: 344: 332:. Retrieved 322: 310:. Retrieved 306:the original 301: 292: 255: 248: 223: 158: 152: 119: 111: 106: 88: 79: 76: 60: 49: 30: 16: 15: 557:1979 deaths 552:1883 births 546:Categories 519:2021-02-12 495:2021-02-12 471:2021-02-12 447:2021-02-12 423:2021-02-12 334:31 January 172:096032464X 144:References 65:Art career 412:Harvard. 399:1048-9053 240:1937-5239 105:'s novel 91:drypoints 312:26 April 438:"Cyrus" 95:pastels 397:  358:  263:  238:  169:  136:, the 132:, the 128:, the 124:, the 107:Porgy 395:ISSN 356:ISBN 336:2017 314:2015 261:ISBN 236:ISSN 167:ISBN 54:and 385:doi 228:doi 548:: 512:. 488:. 464:. 440:. 416:. 393:. 379:. 300:. 275:^ 234:. 214:^ 181:^ 161:. 47:. 522:. 498:. 474:. 450:. 426:. 401:. 387:: 364:. 338:. 316:. 269:. 242:. 230:: 175:.

Index

Charleston Renaissance
Charleston, South Carolina
Alice Ravenel Huger Smith
Pennsylvania Academy of Fine Arts
Thomas Anshutz
Gabrielle D. Clements
Ellen Day Hale

Williamsburg Historic District
drypoints
pastels
38 Tradd Street
DuBose Heyward
Anne Taylor Nash
Harvard Art Museums
Delaware Art Museum
Charleston Museum
University of Michigan Museum of Art
Smithsonian American Art Museum
Greenville County Museum of Art
ISBN
096032464X







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