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The two characters John and
Hamilton were imprisoned together; one for political crimes and the other for rape and murder. In Act One, shows their time together as they relax before bedtime. Act Two, a dream sequence took place of their time in prison, how they released each other from chains and
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is not to be interpreted as entertainment; rather, it exposes the dominance racist ideology, which is uncomfortable for both the dominant and the dominated because it reveals its inconsistencies and criticizes its motivations.
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escaped. They returned to the mines the following morning. There is an explosion and they crawl to sanctuary. In the final scene, John hears from
Hamilton in the mine, that his son was trapped in the mine shaft and killed.
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that focuses on the condition of migrant mine workers in South Africa. In the play he exposes stereotypes and presents the Black man as economically exploited. According to critic Keyan
Tomaselli,
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has been staged for mixed audiences in majority white cities of
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and the play's two actors, John
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265:"Ideology and Tradition in South African Black Popular Theater"
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was published August 1, 1982. It is a collaboration between
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It was this printed version, published by Ravan Press in
217:: An Example of Black Protest Theatre in South Africa"
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173:"Black South African Theatre: Text and Context"
124:: Extract from a banned South African play"
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118:Manaka, Matsemela (August 1982).
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270:The Journal of American Folklore
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211:Wakashe, T. Philemon (1986).
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171:Tomaselli, Keyan G. (1981).
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263:Coplan, David B. (1986).
141:10.1080/03064228208533404
16:Play by Matsemela Manaka
318:Theatre in South Africa
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24:("city of gold", also
64:The final version of
122:Egoli — City of Gold
128:Index on Censorship
178:English in Africa
94:in South Africa.
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154:S2CID
88:Egoli
66:Egoli
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32:Sotho
27:eGoli
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