699:-fuelled rave scene, jungle also inherited associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.
1331:. Sometimes, the drop is used to switch between tracks, layering components of different tracks, as the two records may be simply ambient breakdowns at this point. Some DJs prefer to combine breakbeats, a more difficult exercise. Some drops are so popular that the DJ will "rewind" or "reload" or "lift up" the record by spinning it back and restarting it at the build. The drop is often a key point from the point of view of the dance floor, since the drum breaks often fade out to leave an ambient intro playing. When the beats re-commence they are often more complex and accompanied by a heavier bassline, encouraging the crowd to begin dancing.
1311:, which maintain a slower pace at around 130–140 BPM. A general upward trend in tempo has been observed during the evolution of drum and bass. The earliest forms of drum and bass clocked in at around 130 bpm in 1990/1991, speeding up to around 155–165 BPM by 1993. Since around 1996, drum and bass tempos have predominantly stayed in the 170–180 range. Recently, some producers have started to once again produce tracks with slower tempos (that is, in the 150-170 bpm range), but the mid-170s tempo is still a hallmark of the drum and bass sound.
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2417:) before it went completely online in August 2009. Although it is still live, after 20 years Kmag ceased updating their site at the end of 2014. Kmag has announced a book to celebrate their 25th anniversary to be published in December 2019. Kmag's publishing arm, Vision, published Brian Belle-Fortune's
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As of
November 2014, six drum & bass songs had reached the no.1 spot on the UK's top 40 chart, since the genre was first being played on the radio, around 1993. The first of these was in 2012. The fact that all six of these songs reached number 1 in only two years shows the increase in popularity
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sounds of techstep to the use of conventional, acoustic instrumentation that characterise the more jazz-influenced end of the spectrum. The sounds of drum and bass are extremely varied due to the range of influences behind the music. Drum and bass could at one time be defined as a strictly electronic
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frequencies that are often felt more than heard. As befits its name, the bass element of the music is particularly pronounced, with the comparatively sparse arrangements of drum and bass tracks allowing room for basslines that are deeper than most other forms of dance music. Drum and bass tracks are
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As of 2014, despite higher profile stations such as 1Xtra scaling back their drum and bass specialist coverage, the genre has made its way into UK top 10 charts with drum and bass inspired tracks from artists such as
Rudimental and Sigma. Earlier in August 2014, before Crissy Criss' show was axed,
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There are however many albums specifically designed for personal listening. The DJ mix is a particularly popular form of release, with a popular DJ or producer mixing live, or on a computer, a variety of tracks for personal listening. Additionally, there are many albums containing unmixed tracks,
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As of 11 September 2012, Nu Urban ceased trading and RSM Tenon were instructed to assist in convening statutory meetings of members and creditors to appoint a liquidator. This left many labels short on sales, as Nu Urban were one of the main distributors for the vinyl market in the drum and bass
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beats, or breakbeats, and other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. From as early as 1991, tracks were beginning to strip away some of the heavier sampling and "hardcore noises" and
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magazine has also been running a widely respected drum and bass reviews page since 1994, written by Alex
Constantinides, which many followers refer to when seeking out new releases to investigate. In 2012 he stopped writing the reviews, and they are now contributed by Whisky Kicks.
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Despite its roots in the UK, which is still treated as the "home" of drum and bass, the style has firmly established itself around the world. There are strong scenes in other
English-speaking countries including Australia, Canada, New Zealand, South Africa, and the United States.
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So when I talk about the vibe disappearing from drum and bass, I'm talking about the blackness going as the ragga samples get phased out, the bass loses its reggae feels and becomes more linear and propulsive rather than moving around the beat with a syncopated relation with the
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released a series of bass-heavy, minimal techno cuts as Reese/The Reese
Project in the late '80s, which were hugely influential in drum and bass. One of his more famous basslines (Reese – "Just Want Another Chance", Incognito Records, 1988) was indeed sampled on Renegade's
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share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German drum and bass DJ
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musical genre, with the only "live" element being the DJ's selection and mixing of records during a set. "Live" drum and bass using electric, electronic and acoustic instruments played by musicians on stage emerged over the ensuing years of the genre's development.
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meticulously designed to create a hard-hitting emotional impact, with the drums complementing the bass to deliver a pulsating, powerful experience. Consequently, drum and bass parties are often advertised as featuring uncommonly loud and bass-heavy sound systems.
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Atmospheric pads and samples may be added over the fundamental drum and bass to provide different feels. These have included "light" elements such as ambient pads as found in ambient electronica and samples of jazz and world musics, or "dark" elements such as
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and countless others since, being known simply as the 'Reese' bassline. He followed these up with equally influential (and bassline-heavy) tracks in the UK hardcore style as Tronik House in 1991–1992. Another
Detroit artist who was important to the scene was
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Whether they were black or white, or skinny lads from brum called combatant these artists reaffirmed drum and bass's place in an
African continuum (dub, hip hop James Brown, etc...) whose premise constitute a radical break with Western music, classical and
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As the genre became generally more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations and gain widespread acceptance (circa 1995–1997). It also began to split into recognisable subgenres such as
1869:. It emerged in the mid-2000s, pioneered by record labels such as Prspct Recordings, Yellow Stripe and Future Sickness Records. Notable artists include Switch Technique, Gancher & Ruin, Cooh, Counterstrike, Katharsys, Sinister Souls and Lucy Furr.
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A track combining the same elements (broken beat, bass, production techniques) as a drum and bass track, but with a slower tempo (say 140 BPM), might not be drum and bass, but instead may qualify as a drum and bass-influenced breakbeat track.
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MCs do not generally receive the same level of recognition as producer/DJs, and some events are specifically marketed as being MC-free. There are relatively few well-known drum and bass MCs, mainly based in London and
Bristol, including
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in
February 2016. Since then, the genre has seen a significant growth in exposure. Whilst the origin of drum and bass music is in the UK, the genre has evolved considerably with many other prominent fanbases located all over the world.
1013:, which in turn led to the emergence of jungle, drum and bass, and other genres that shared the same use of broken beats. Drum and bass shares many musical characteristics with hip-hop, though it is nowadays mostly stripped of lyrics.
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the popularity of the sambass subgenre, exported to the dance clubs and pop charts of the UK by Brazil's DJ Marky in the mid-2000s, or the Asian drum 'n' breaks scene, which draws on classical Indian music, bhangra and
Bollywood film
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Many drum and bass tracks have featured more than one sampled breakbeat in them and a technique of switching between two breaks after each bar developed. A more recent commonly used break is the "Tramen", which combines the
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used to feature the genre heavily, with DJ Bailey (show axed as of 29 August 2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called
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based on DnB and other electronic dance musics, exploring their boundaries using ideas from science, technology, contemporary classical music and progressive rock, often creating un-danceable, art gallery style music.
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The bulk of drum and bass vinyl records and CDs are distributed globally and regionally by a relatively small number of companies such as SRD (Southern Record Distributors), ST Holdings, & Nu Urban Music Limited.
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LP to Warner. Roni Size's label played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.
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When the drum and bass gradually fell into the orbit of techno, the MC – both as a samplesource taken from dancehall and rap records and as a live partner of the DJ in the club – began to disappear from the
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Internet radio stations, acting in the same light as pirate stations, have also been an instrumental part in promoting drum and bass music; the majority of them funded by listener and artist donations.
1524:, appearing in the mid-1990s, employs heavy and energetic drum and bass, characterised by robotic and heavy bass sounds. It also is generally less serious and contains more humour than other subgenres.
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Smaller scenes within the drum and bass community have developed and the scene as a whole has become much more fractured into specific subgenres, which have been grouped into "light" (influenced by
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The relatively fast drum beat forms a canvas on which a producer can create tracks to appeal to almost any taste and often will form only a background to the other elements of the music.
4293:""Popular Musicology on Line Article "Big Tings Ah Gwan": Junglist Music Takes Centre Stage, An Introduction to Jungle Music and an Enquiry into Its Impact on the London Jazz Scene""
2359:, mixed by DJ Demko, showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass, the latter plays the genre with some frequency.
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scene perhaps lessened following the shifts from jungle to drum and bass, and through to so-called "intelligent drum and bass" and techstep. It still remains a fusion music style.
707:, jump up, ragga, techstep, and what was known at the time as intelligent. As more melodic and often jazz-influenced subgenres of drum and bass called atmospheric or intelligent (
683:) became a more recognisable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the
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is characterised by large, ambient pads and synths, and hard hitting drum breaks. It hit a peak in the early 2020's following the emergence of popular artist within the genre,
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musical pattern which can be felt physically through powerful sound systems due to the low-range frequencies favoured. There has been considerable exploration of different
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on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase,
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Drum and bass is dominated by a relatively small group of record labels. Major international music labels had shown very little interest in the drum and bass scene until
3818:
2307:. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community.
747:, Subject 13 and Fellowship being amongst the early pioneers to champion the sound) incorporating new ideas and techniques, supporting continual evolution of the genre.
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1095:", also known as "Fugee Or Not", was eventually released with the Fugees' permission after talk of legal action, though ironically, the Fugees' version infringed
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Drum and bass exhibits a full frequency response which can sometimes only be fully appreciated on sound systems which can handle very low frequencies, including
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Where intelligent drum and bass suffers from an obsessive-compulsive cleanliness, techstep production is deliberately dirty, all dense murk and noxious drones.
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have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of
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2251:(the only drum and bass pirate to have gained a temporary legal licence), Renegade Radio 107.2FM, Rude FM, Wax FM and Eruption among the most influential.
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Old-school DnB usually included an MC providing vocals. Some styles (such as jazz-influenced DnB) also include melodic instruments soloing over the music.
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and his business partner Scott Bourne). RAM Records has been pushing the boundaries of drum and bass further into the mainstream with artists such as
1924:. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.
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2374:, Friday nights at 10 pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle and
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The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican
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Ferrigno, Emily D. "The Dark Side: representing science fiction in drum 'n'bass." New Review of Film and Television Studies 9.01 (2011): 95–104
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create more bassline and breakbeat led tracks. Some tracks increasingly took their influence from reggae and this style would become known as
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4520:"Liquid Drum and Bass is back! North America's thriving scene of young producers is conquering the world with a fresh sound | B Music"
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2087:, running from 1990 until 2007, which played a pivotal role in the nineties drum and bass scene, releasing records by artists such as
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heavily influencing the music. This influence has lessened with time, but is still evident, with many tracks containing ragga vocals.
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1327:". The drop is the point in a track where a switch of rhythm or bassline occurs and usually follows a recognisable build section and
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the BBC held a whole prime time evening event dedicated to showcasing drum and bass by allowing four major labels to participate.
978:", which, after being extensively used in early hip hop music, went on to become the basis for the rhythms used in drum and bass.
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in February 2016, making a strategic investment to help RAM Records (a London-based drum and bass record company co-owned by
4430:"V Recordings' Bryan Gee Discusses History and Future of Drum & Bass + Premieres Intelligent Manners' "How Sweet It Is""
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resembles a faster version of the ragga-influenced jungle music of the 1990s, similar to breakcore but with more friendly
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Techstep is a subgenre of drum 'n' bass characterised by harsh noise, tonal dissonance and a discourse of sonic violence.
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1920:, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of
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chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the
4624:"Super Sunday Kool FM 94.5 | Nicky Blackmarket, Funky Flirt, Shabba D & Riddla D | Drum & Bass 1999"
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is generally acknowledged to have been the most-used (and often considered the most powerful) break in drum and bass.
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By the late 1980s and early 1990s, the tradition of breakbeat use in hip hop production had influenced the sound of
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was synonymous with early drum and bass productions but other samples have had a significant impact, including the
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had shown very little interest in the drum and bass scene, with the exception of some notable signings, including
17:
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2243:. London pirate radio stations have been instrumental in the development of drum and bass, with stations such as
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Clearly, drum and bass has been influenced by other music genres, though influences from sources external to the
672:) were experimenting with sounds and creating a blueprint for drum and bass, especially noticeable by late 1993.
6399:
4150:"Rumble in the Jungle: The Invisible History of Drum and Bass by Steven Quinn, in: Transformations, No 3 (2002)"
4093:"Rumble in the Jungle: The Invisible History of Drum and Bass by Steven Quinn, in: Transformations, No 3 (2002)"
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single format. With the emergence of drum and bass into mainstream music markets, more albums, compilations and
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started to be sold on CDs. As digital music became more popular, websites focused on electronic music, such as
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4885:"Various Artists: Johnny Was Motion Picture Soundtrack, Vol. 2. (Reggae from the Film) – Music on Google Play"
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Drum and bass is dominated by a small group of record labels. These are mainly run by DJ-producers, such as
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described a "drum n' bass Renaissance" occurring at the time of the publication of their articles in 2023.
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drum machine, and a sound which has been subject to an enormous amount of experimentation over the years.
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As of 2014, drum and bass makes frequent appearances in mainstream media and popular culture including in
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have received mention. One of the most influential tracks in drum and bass history was "Amen Brother" by
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459:, a trailblazer in the early days of Jungle music, seen here during a performance in Switzerland in 2015.
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2498:, which was one of the fastest-selling singles of 2012 at the time of release, launching the career of
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on Friday nights from 11 pm until 1 am, showcasing drum and bass during the second hour of the show.
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with Marcus Visionary, DJ Prime and Mr. Brown, is North America's longest running jungle radio show.
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Many musicians have adapted drum and bass to live performances, which feature instruments such as
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1673:. It uses typical jazz scales, rhythms and instrumentation. It was pioneered by artists such as
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is the amalgamation of industrial hardcore and drum and bass often combined with influences of
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4576:"Friction announces departure from Radio 1 & 1Xtra, Rene LaVice to takeover from November"
4031:
3099:"A Guy Called Gerald's Silent Drum & Bass Protest by Benedetta Skrufff at tranzfusion.net"
2355:'s rock station, 104.5 The Edge, has a two-hour show starting at 10 pm Saturday nights called
2175:, the latter being the most uncommon method. More recently, music networking websites such as
1988:'s King of the Jungle Records, Subversive Recordings and State of the Art Recordings, Kasra's
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and commercialisation of the genre in recent years. The artists who produced these songs are
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is another facet of production on which producers can spend a very large amount of time. The
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have also been cited by producers as inspirations. Even modern avant-garde composers such as
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radio from the early 2000s until 2014 and later featuring Tuesday shows from labels such as
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Although this practice has declined in popularity, DJs are often accompanied by one or more
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1941:, a club music genre from Detroit, contains synth and basslines similar to drum and bass.
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The genre has some popularity in film soundtracks. Hive's "Ultrasonic Sound" appeared on
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1163:, produced 1980–1984, had a bass drum sound which became very important in drum and bass.
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is a harder style which uses gritty basslines and heavy yet simple electronic melodies.
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Of equal importance is the TR-808 kick drum, an artificially down-pitched or elongated
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Drum and bass incorporates a number of scenes and styles, from the highly electronic,
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3676:"Life in The Fast Lane: An Overview of Drum and Bass by George Broyer at drumbum.com"
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had begun to gain mainstream popularity, and fans of the music (often referred to as
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previously held a long-standing drum and bass show on Radio 1. Radio 1 also had the
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4762:"Hot right now | full Official Chart History | Official Charts Company"
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Other publications include the longest-running drum and bass magazine worldwide,
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in the 2000s brought a wave of new artists (Carlito & Addiction, Solid State/
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Flemyng, Jason; Fletcher, Dexter; Moran, Nick; Statham, Jason (28 August 1998),
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1886:(now known as Cynthoni). It often utilizes pop culture art elements and samples.
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is characterised by fast drums and a general dark mood, drawing influences from
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2187:. Prior to the rise of the internet, drum and bass was commonly broadcast over
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1989:
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have also been used live by assigning samples to a specific drum pad or key on
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A very obvious and strong influence on jungle and drum and bass, thanks to the
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4267:"Remix Mag Interview with Rob Playford, drum and bass pioneer at remixmag.com"
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3731:"Remix Mag Interview with Rob Playford, drum and bass pioneer at remixmag.com"
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breakbeats remain the most distinctive element as without these a high-tempo
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beats (dancehall itself being a very important influence on drum and bass).
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2247:(which continues to broadcast today having done so since 1991), Origin FM,
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is a combination of drum and bass and dubstep, where the beat structure is
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3021:"Knowledge Magazine Article mentioning rise of live drum and bass in 2004"
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The three highest-profile radio stations playing drum and bass shows are
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2013:
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1905:
1624:
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1554:) consists of very complex and chopped up rhythms, rapid and irregularly
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Today, drum and bass is widely promoted using different methods such as
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are very often directly sampled, regardless of their general influence.
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and samples from science fiction culture. Pioneered by artists such as
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Drum and bass is usually between 160 and 180 BPM, in contrast to other
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basslines and often ambient elements similar to earlier subgenres of
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1426:, the world's largest drum and bass festival at that time, in Moscow
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and overnight outdoor event culture gave birth to new genres in the
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3861:
All music guide to electronica: the definitive guide to electronica
2792:
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2180:
2113:
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1997:
1921:
1917:
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724:
723:) gained mainstream appeal, additional subgenres emerged including
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165:
4809:"Megadrive to Mega Hit: Why Video Games Are So Tied to Club Music"
3650:"Dom & Roland interview by Ben Willmott at knowledgemag.co.uk"
2589:. Ganja Kru's "Super Sharp Shooter" can be heard in the 2006 film
2345:, Saturday nights at 10 pm. At the same time, WUFM 88.7 plays its
1805:
is the progression from techstep incorporating more elements from
1709:(or simply "liquid") draws heavily on harmonic and melodic grooves
7042:
7025:
6833:
6796:
6688:
6639:
6426:
6136:
5331:
4639:
4481:
3800:
3073:"NJC–Sativa Records interview by Dhanu Le Noury at planetdnb.com"
2840:
2818:
2816:
2814:
2721:
2567:
feature a Hospital Records radio channel dedicated to the genre.
2375:
2324:
2316:
2244:
2212:
2184:
2156:
2025:
2017:
2005:
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1713:
1507:
1404:
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1058:
1054:
1030:
1026:
974:, which contains a drum solo that has since become known as the "
759:
692:
528:
512:
475:'s bass-heavy sound. Another feature of the style is the complex
335:
219:
31:
5215:
1562:(like ambient techno). The subgenre was developed by names like
1478:
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7265:
7174:
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1977:
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1216:
1088:
830:
771:
728:
657:
578:
544:
468:
170:
4837:"How D&B label Hospital Records became a 'Forza' mainstay"
4723:
2962:"Are We Currently Experiencing The Drum 'N' Bass Renaissance?"
2811:
2783:"These are the drum 'n' bass sub-genres that you need to know"
1717:, a Brazilian drum and bass style, incorporates elements from
519:. Drum and bass has been influenced by many other genres like
398:
An example of a D&B song in the subgenre of liquid D&B
7322:
7245:
6752:
6622:
5986:
5762:
4969:
Generation Ecstasy: Into the World of Techno and Rave Culture
2468:
2168:
1718:
1380:
1103:, played an important part in drum and bass musical culture.
1042:
998:
was also influential on the newly emerging sound. DJs at the
943:
716:
665:
426:
5090:
4983:
Rumble in the Jungle: The Invisible History of Drum and Bass
3924:
Energy Flash: A Journey Through Rave Music and Dance Culture
3895:
3771:
Energy Flash: A Journey Through Rave Music and Dance Culture
2991:
Energy Flash: A Journey Through Rave Music and Dance Culture
2885:
Energy Flash: A Journey Through Rave Music and Dance Culture
2662:
Energy Flash: A Journey Through Rave Music and Dance Culture
2490:
In 2012, drum and bass achieved its first UK No. 1 single, "
2035:
Prior to 2016, the major international music labels such as
1002:
nightclub on "Rage" nights used to play it as fast as their
7439:
7221:
7206:
6963:
5068:
5062:
4860:
2825:"Video explains the world's most important 6-sec drum loop"
2640:
2398:
2367:
2337:
Seattle also has a long-standing electronica show known as
2331:
2164:
1810:
1806:
1666:
1600:
1491:
1133:
1096:
935:
873:
696:
624:
548:
4939:
All Crews: Journeys Through Jungle / Drum and Bass Culture
4546:"Pirate Radio Stations – A Brief Timeline of the UK scene"
3705:"Red Bull Academy Interview Fabio – The Root to the Shoot"
3125:"Red Bull Academy Interview Fabio – The Root to the Shoot"
2984:
2982:
2211:
in 2017, simulcast in the US and Canada on Sirius XM, and
1099:'s copyright to an earlier song. White labels, along with
5084:
4783:"An Ethnography of Jungle and DnB in 90s/00s Video Games"
4602:"27/08/2014, D&B with Crissy Criss – BBC Radio 1Xtra"
2419:
All Crews Journeys Through Jungle Drum & Bass Culture
1287:
pads and sci-fi samples to induce anxiety in the dancer.
511:(also known as liquid drum and bass), jump up, drumfunk,
4937:
4654:"D&B Soundclash Special, MistaJam – BBC Radio 1Xtra"
3047:"Knowledge Magazine Article on live drum and bass bands"
5074:
2979:
2447:
The earliest mainstream drum and bass releases include
1467:
1083:(technically bootleg), often to acclaim. For example,
1006:
record decks would go, pitching it up in the process.
3603:"Forever And Ever Amen article on knowledgemag.co.uk"
3547:"Forever And Ever Amen article on knowledgemag.co.uk"
1908:
is also one of the leading digital hardcore artists.
1890:
2895:
2104:
Originally drum and bass was mostly sold in 12-inch
4482:"Announcement of bankruptcy on nu-urbanmusic.co.uk"
4390:"Eternal evolution: why drum'n'bass refuses to die"
4241:"A Guy Called Gerald feature at knowledgemag.co.uk"
4147:
4090:
3006:New Dawn – City Clubs Take Back The Night article,
1984:, Fabio and Sarah Sandy's Creative Source Records,
67:. Unsourced material may be challenged and removed.
1079:Some tracks are illegally remixed and released on
30:"DnB" redirects here. For the Norwegian bank, see
5377:
4059:
4057:
2116:, began to sell drum and bass in digital format.
7471:
5087:timeline with track listings, quotes and samples
5077:– the biggest collection of drum and bass lyrics
4207:. Archived from the original on 17 February 2007
2604:uses the genre in some episodes, notably in the
2487:in 2005 (the best-selling drum and bass album).
4677:"Ministry of Sound Radio Drops Drum & Bass"
2858:"BMG Invests in Drum & Bass Powerhouse RAM"
2681:"A 10-step guide on how to remix drum 'n' bass"
2334:(Seattle) have shows showcasing drum and bass.
4054:
1470:are frequently featured in live performances.
1410:
5363:
5231:
5106:
4774:
2583:' song "Walk This Land" appeared in the film
2557:onward) have contained drum and bass tracks.
2409:The best-known drum and bass publication was
1290:
1262:. The bass lines most notably originate from
1258:in the bass line region, particularly within
762:, and producing successful artists including
619:In the late 1980s and early 1990s, a growing
4456:"Distribution feature at knowledgemag.co.uk"
3815:"MC Evolution feature on knowledgemag.co.uk"
2457:from 1995. Other early examples include the
2203:with The Drum and Bass Show – formerly with
1873:
4800:
3853:
3851:
3755:"The Good Life, No Such Thing As Society",
3495:"History of drum & bass on London News"
2119:
2094:
1835:guitar riffs. Pioneered by artists such as
1513:
5370:
5356:
5238:
5224:
5113:
5099:
4828:
2746:
2744:
7445:Music technology (electronic and digital)
3889:
3887:
3885:
3699:
3697:
2852:
2850:
1246:The genre places great importance on the
127:Learn how and when to remove this message
5004:State of Bass: Jungle – The Story So Far
4780:
4259:
3921:
3857:
3848:
3833:
3768:
3357:. native-instruments.com. Archived from
2988:
2882:
2659:
2631:List of jungle and drum and bass artists
2442:
2370:has a two-hour electronic show known as
1477:
1414:
1338:
1323:Many mixing points begin or end with a "
1154:
942:has been named as a possible influence.
739:The emergence of related styles such as
573:
451:
390:
351:List of jungle and drum and bass artists
4285:
4026:
3406:
3404:
3402:
2822:
2741:
2678:
2636:List of jungle and drum and bass emcees
2310:
1277:
994:. The sampled-up jazz break on Craig's
934:acted as funk influences on the music.
14:
7472:
4971:(1998) by Simon Reynolds, Routledge. (
4806:
4674:
3893:
3882:
3694:
3621:
3436:
3117:
2847:
2780:
1737:
1607:. It was pioneered by such artists as
1578:
791:affinity" for the genre in the 2020s.
581:performs at Listen at Club Alchemy in
5351:
5219:
5094:
4834:
4630:from the original on 11 December 2021
4337:
4335:
3173:"Mike Bolton interview on rwdmag.com"
3151:"Liquid V Show Us The Bigger Picture"
2934:"The Zoomer Embrace of Drum 'n' Bass"
2931:
2925:
2831:from the original on 11 December 2021
1895:Born around the same time as jungle,
1729:styles. Pioneered by artists such as
1182:
4427:
3896:"Ishkur's Guide to Electronic Music"
3839:
3523:. knowledgemag.co.uk. Archived from
3471:. knowledgemag.co.uk. Archived from
3399:
2903:"Global Bass on the music landscape"
2823:Proctor, Landon (21 February 2006).
2697:from the original on 28 January 2021
1956:Category:Drum and bass record labels
1132:" breaks. Early pioneers often used
65:adding citations to reliable sources
36:
4957:(1998) by Simon Reynolds, Picador (
4864:Lock, Stock and Two Smoking Barrels
4781:Martinez, Jonas (30 January 2023).
4675:Steven, Colin (26 September 2014).
4205:"Raggacore article on lfodemon.com"
3789:"Goldie in Shanghai on youtube.com"
3381:"MC XYZ interview at planetdnb.com"
3205:. 28 September 1998. Archived from
2774:
2586:Lock, Stock and Two Smoking Barrels
2477:from 1998; and then, in the 2000s,
2032:(known as Real Playaz as of 2006).
1831:is a style which specifically uses
1591:is a smoother style, influenced by
1334:
1215:dance track could be classified as
800:
24:
4931:
4505:"Drum & Bass Keeps The Beat",
4332:
4066:"A short history of Drum and Bass"
4063:
3901:Ishkur's Guide to Electronic Music
3414:. Red Bull Academy. Archived from
3301:
2959:
2909:. 17 November 2014. Archived from
2132:
1891:Genres influenced by drum and bass
1482:Congo Natty, a ragga jungle artist
1371:, drawing on the genre's roots in
1359:suited for home or car listening.
483:. Drum and bass subgenres include
208:Early-to-mid 1990s, United Kingdom
25:
7541:
7450:Recording studio as an instrument
5245:
5071:– drum and bass mixes on Telegram
5065:– drum and bass mixes, since 2009
5056:
5006:(1997) by Martin James, Boxtree (
3974:. 4 February 2011. Archived from
3412:"Zinc interview – Hardware Bingo"
3279:. breakbeat.co.uk. Archived from
2799:from the original on 21 June 2023
2762:from the original on 21 June 2023
2729:from the original on 22 June 2023
2679:Bateman, Graeme (18 March 2019).
2612:", where Shy FX and UK Apache's "
2274:
2146:
1362:
445:. The genre grew out of the UK's
6608:Christian electronic dance music
5018:The Rough Guide to Drum 'n' Bass
4979:), nonfiction (American edition)
3844:. Vol. 01. pp. 95–104.
1949:
1880:Modern atmospheric drum and bass
1665:demonstrates heavy influence by
1241:
1106:
872:As a musical style built around
825:scene, is the original Jamaican
727:in 1996, drawing influence from
41:
4965:), nonfiction (British edition)
4942:(2005) by Brian Belle-Fortune (
4902:
4877:
4854:
4807:Ombler, Mat (29 October 2018).
4754:
4738:
4708:
4687:
4668:
4646:
4616:
4594:
4568:
4538:
4512:
4499:
4474:
4448:
4428:Beer, Nathan (12 August 2016).
4421:
4407:
4382:
4360:
4311:
4233:
4197:
4171:
4141:
4115:
4084:
4020:
4004:. 2 August 2016. Archived from
3990:
3960:
3944:. 31 March 2011. Archived from
3930:
3915:
3807:
3781:
3762:
3749:
3723:
3668:
3642:
3595:
3565:
3539:
3513:
3487:
3461:
3430:
3373:
3347:
3322:
3295:
3277:"Ill Logic & Raf interview"
3269:
3243:
3221:
3199:"Being Everything But The Girl"
3191:
3165:
3143:
3091:
3065:
3039:
3013:
3000:
2953:
2626:List of electronic music genres
2283:Drum and bass was supported by
1128:, "Soul Pride", "Scorpio" and "
734:
614:
52:needs additional citations for
4695:"The Prophecy on CIUT 89.5 FM"
4033:Drum 'n' Bass: The Rough Guide
3445:. Nigel Berman. Archived from
3253:. 404audio.com. Archived from
2932:Zhang, Cat (29 October 2021).
2876:
2781:Murphy, Ben (4 January 2018).
2709:
2672:
2653:
2616:" was played in Fazer's club.
2505:Numerous video games (such as
2299:, DJ Marky, Viper Recordings,
2234:The BBC's Black music station
2137:
13:
1:
7520:Electronic dance music genres
7413:Electronic musical instrument
5120:
4910:"Music from Skins (UK) S1E03"
4835:Regan, Tom (7 January 2022).
2646:
2099:
1498:) and "heavy" (influenced by
1200:" or "Samurai" break) and an
1161:Roland TR-808 Rhythm Composer
813:
4985:(2002) by Steven Quinn, in:
4148:Chris Christodoulou (2002).
4091:Chris Christodoulou (2002).
3938:"Dubstep, Drumstep, and DNB"
2404:
1473:
1307:-based dance styles such as
1150:
904:Gladys Knight & the Pips
7:
4989:, No 3 (2002), nonfiction (
4415:"Playaz Recordings – About"
3858:Bogdanov, Vladimir (2001).
3306:. techno.de. Archived from
2619:
2564:Forza Horizon 2, 3, 4 and 5
2079:Now defunct labels include
1944:
1585:Intelligent drum & bass
1411:Live instrument performance
1111:
356:drum and bass record labels
10:
7546:
5081:History of drum & bass
4716:"FreQuency on HD – HD98.3"
3868:. pp. 225, 638, 140.
2532:Need for Speed: Undercover
2413:magazine (formerly called
1953:
1434:(acoustic or electronic),
1291:Vocal and melodic elements
833:sound, with pioneers like
603:
597:
593:
29:
7435:Electronics in rock music
7396:Digital audio workstation
7378:
7293:
7152:
7145:
7105:
6874:
6585:
6032:
5745:
5609:
5524:
5417:
5403:
5386:
5253:
5128:
4432:. NEST HQ. Archived from
4225:: CS1 maint: unfit URL (
2330:Album 88.5 (Atlanta) and
2271:(all had two No.1 hits).
1874:Atmospheric drum and bass
1204:drum and bass breakbeat.
820:British African-Caribbean
639:, which combined sampled
507:, ambient drum and bass,
405:(commonly abbreviated as
346:
341:
334:
329:
306:
301:
248:
243:
212:
204:
148:
143:
4319:"Pitchshifter biography"
4123:"Slipping into Darkness"
3922:Reynolds, Simon (2013).
3769:Reynolds, Simon (2013).
2989:Reynolds, Simon (2013).
2883:Reynolds, Simon (2013).
2660:Reynolds, Simon (2013).
2207:, who was replaced with
2194:
2120:Distributors (wholesale)
2095:Formats and distribution
2016:'s Viper Recordings and
1683:Kruder & Dorfmeister
1514:Mainstream drum and bass
1458:(acoustic or electric).
1298:
1147:to create their tracks.
656:(with producers such as
648:(later to become simply
600:History of drum and bass
361:history of drum and bass
27:Type of electronic music
7525:English styles of music
7343:Progressive electronica
6383:Intelligent dance music
5511:Sound system (Jamaican)
3334:redbullmusicacademy.com
2467:(1997) from Reprazent;
1928:Intelligent dance music
1346:performing live in 2010
1318:
7505:2010s in British music
7495:2000s in British music
7485:1990s in British music
5664:List of hip hop genres
5390:Electronic dance music
3437:Berman, Nigel (2002).
2788:Red Bull Music Academy
2686:Red Bull Music Academy
2579:s soundtrack, and the
2153:video sharing services
1483:
1427:
1347:
1250:, in this case a deep
1164:
1074:electronic dance music
590:
589:, on 3 September 2006.
471:sound that influenced
460:
421:characterised by fast
419:electronic dance music
399:
5826:Electronic body music
5474:Electroacoustic music
4953:"Roots 'n Future" in
4704:– via Facebook.
4417:– via Facebook.
2471:'s Mercury-nominated
2443:Mainstream acceptance
2428:, and Austrian-based
2347:Electronic Playground
2058:BMG Rights Management
2012:'s Virus Recordings,
1510:) styles, including:
1481:
1418:
1342:
1158:
577:
564:BMG Rights Management
455:
397:
7123:Hyperpop microgenres
5787:Contemporary R&B
4751:, 17 September 1997.
4626:. 14 December 2019.
4002:Most Addictive Music
3773:. Soft Skull Press.
3475:on 27 September 2007
3105:on 17 September 2006
2993:. Soft Skull Press.
2887:. Soft Skull Press.
2752:"Jungle/Drum'n'Bass"
2664:. Soft Skull Press.
2393:hosts a show called
2311:North American radio
1766:is characterised by
1706:Liquid drum and bass
1695:Thievery Corporation
1641:Good Looking Records
1570:(known as Plug) and
1278:Atmospheric elements
1230:of the drum tracks'
479:of the drum tracks'
449:scene in the 1990s.
61:improve this article
6733:Mainstream hardcore
6107:Chopped and screwed
5496:Elektronische Musik
5450:List of rock genres
5381:-based music styles
5024:and Alexix Maryon (
4726:on 16 February 2017
4486:nu-urbanmusic.co.uk
4436:on 23 November 2016
4299:on 16 February 2012
4156:on 10 November 2014
4099:on 10 November 2014
3978:on 3 September 2015
3926:. Soft Skull Press.
3209:on 11 November 2007
2913:on 23 December 2019
2598:The Channel 4 show
2545:series, and Sony's
2459:Mercury Music Prize
1972:and Scott Bourne's
1930:(IDM) is a form of
1738:Heavy drum and bass
1579:Light drum and bass
1274:, are less common.
1171:sound sampled from
425:(typically 165–185
6942:Kawaii future bass
6922:Deconstructed club
6075:Breakbeat hardcore
5967:Martial industrial
5957:Industrial hip hop
5838:Ethnic electronica
5821:Electro-industrial
5205:Progressive breaks
5153:Breakbeat hardcore
4749:The New York Times
4526:on 29 January 2021
4509:, 6 February 2003.
4273:on 7 February 2007
3998:"What is Drumstep"
3968:"WTF is Drumstep?"
3737:on 7 February 2007
3501:on 6 February 2007
3449:on 23 January 2013
3355:"Photek interview"
3283:on 11 October 2006
3257:on 2 November 2006
3251:"Makoto interview"
3179:on 25 October 2006
3053:on 19 October 2006
3010:, 27 February 2001
2608:' third episode, "
2415:Knowledge Magazine
2357:Edge Essential Mix
1962:London Elektricity
1589:intelligent jungle
1484:
1428:
1348:
1183:Rhythm composition
1165:
1011:breakbeat hardcore
996:Bug in the Bassbin
764:Chase & Status
629:breakbeat hardcore
606:Breakbeat hardcore
591:
461:
400:
381:experimental music
161:breakbeat hardcore
7467:
7466:
7463:
7462:
7391:Data sonification
7141:
7140:
7128:Plugg microgenres
7113:Breakcore revival
7078:Slowed and reverb
6758:Post-punk revival
6459:Progressive house
6378:Industrial techno
6050:Asian underground
5982:Power electronics
5758:Alternative dance
5617:Afro/cosmic music
5572:Psychedelic music
5345:
5344:
5213:
5212:
4582:. 11 October 2017
4556:on 6 October 2016
4030:(1 August 1999).
3972:The Beatport Team
3302:Collin, Matthew.
3153:. breakbeat.co.uk
2960:Wehner, Cyclone.
2907:Rhythmtravels.com
2864:. 3 February 2016
2717:"Tempo and genre"
2559:Microsoft Studios
2285:Ministry of Sound
2229:One in the Jungle
2022:NoCopyrightSounds
1996:'s Shogun Audio,
1687:Nightmares on Wax
1466:or synthesizers.
1454:or electric) and
1196:funk breakbeat ("
1015:Grandmaster Flash
395:
389:
388:
149:Stylistic origins
137:
136:
129:
111:
18:Drum n' bass
16:(Redirected from
7537:
7363:Video game music
7212:Acid house party
7150:
7149:
7097:Weird SoundCloud
6984:Melbourne bounce
6802:Shangaan electro
6363:Harsh noise wall
6122:Digital hardcore
5962:Industrial metal
5582:Psychedelic rock
5577:Psychedelic funk
5567:Progressive rock
5501:Live electronics
5484:Musique concrète
5479:Acousmatic music
5425:Amplified guitar
5415:
5414:
5410:decade of origin
5372:
5365:
5358:
5349:
5348:
5240:
5233:
5226:
5217:
5216:
5115:
5108:
5101:
5092:
5091:
5069:t.me/bassblogpro
4925:
4924:
4922:
4920:
4906:
4900:
4899:
4897:
4895:
4881:
4875:
4874:
4873:
4871:
4858:
4852:
4851:
4849:
4847:
4832:
4826:
4825:
4823:
4821:
4804:
4798:
4797:
4795:
4793:
4778:
4772:
4771:
4758:
4752:
4742:
4736:
4735:
4733:
4731:
4722:. Archived from
4712:
4706:
4705:
4703:
4701:
4691:
4685:
4684:
4672:
4666:
4665:
4663:
4661:
4650:
4644:
4643:
4637:
4635:
4620:
4614:
4613:
4611:
4609:
4598:
4592:
4591:
4589:
4587:
4572:
4566:
4565:
4563:
4561:
4552:. Archived from
4542:
4536:
4535:
4533:
4531:
4522:. Archived from
4516:
4510:
4503:
4497:
4496:
4494:
4492:
4478:
4472:
4471:
4469:
4467:
4458:. Archived from
4452:
4446:
4445:
4443:
4441:
4425:
4419:
4418:
4411:
4405:
4404:
4402:
4400:
4386:
4380:
4379:
4378:on 16 July 2012.
4374:. Archived from
4364:
4358:
4357:
4355:
4353:
4339:
4330:
4329:
4327:
4325:
4315:
4309:
4308:
4306:
4304:
4295:. Archived from
4289:
4283:
4282:
4280:
4278:
4269:. Archived from
4263:
4257:
4256:
4254:
4252:
4247:on 9 August 2011
4243:. Archived from
4237:
4231:
4230:
4224:
4216:
4214:
4212:
4201:
4195:
4194:
4192:
4190:
4175:
4169:
4168:
4163:
4161:
4152:. Archived from
4145:
4139:
4138:
4136:
4134:
4119:
4113:
4112:
4106:
4104:
4095:. Archived from
4088:
4082:
4081:
4079:
4077:
4068:. Archived from
4061:
4052:
4051:
4024:
4018:
4017:
4015:
4013:
4008:on 1 August 2019
3994:
3988:
3987:
3985:
3983:
3964:
3958:
3957:
3955:
3953:
3934:
3928:
3927:
3919:
3913:
3912:
3910:
3908:
3891:
3880:
3879:
3855:
3846:
3845:
3837:
3831:
3830:
3828:
3826:
3817:. Archived from
3811:
3805:
3804:
3798:
3796:
3791:. 27 August 2006
3785:
3779:
3778:
3766:
3760:
3753:
3747:
3746:
3744:
3742:
3733:. Archived from
3727:
3721:
3720:
3718:
3716:
3711:on 20 April 2008
3707:. Archived from
3701:
3692:
3691:
3689:
3687:
3682:on 7 August 2011
3678:. Archived from
3672:
3666:
3665:
3663:
3661:
3652:. Archived from
3646:
3640:
3639:
3637:
3635:
3625:
3619:
3618:
3616:
3614:
3605:. Archived from
3599:
3593:
3592:
3590:
3588:
3583:on 4 August 2010
3579:. Archived from
3569:
3563:
3562:
3560:
3558:
3549:. Archived from
3543:
3537:
3536:
3534:
3532:
3527:on 13 March 2007
3517:
3511:
3510:
3508:
3506:
3497:. Archived from
3491:
3485:
3484:
3482:
3480:
3465:
3459:
3458:
3456:
3454:
3439:"Goldie article"
3434:
3428:
3427:
3425:
3423:
3408:
3397:
3396:
3394:
3392:
3383:. Archived from
3377:
3371:
3370:
3368:
3366:
3361:on 20 March 2006
3351:
3345:
3344:
3342:
3340:
3326:
3320:
3319:
3317:
3315:
3310:on 15 March 2012
3299:
3293:
3292:
3290:
3288:
3273:
3267:
3266:
3264:
3262:
3247:
3241:
3240:
3238:
3236:
3229:"Bailey profile"
3225:
3219:
3218:
3216:
3214:
3195:
3189:
3188:
3186:
3184:
3175:. Archived from
3169:
3163:
3162:
3160:
3158:
3147:
3141:
3140:
3138:
3136:
3131:on 20 April 2008
3127:. Archived from
3121:
3115:
3114:
3112:
3110:
3101:. Archived from
3095:
3089:
3088:
3086:
3084:
3075:. Archived from
3069:
3063:
3062:
3060:
3058:
3049:. Archived from
3043:
3037:
3036:
3034:
3032:
3027:on 12 March 2007
3023:. Archived from
3017:
3011:
3004:
2998:
2997:
2986:
2977:
2976:
2974:
2972:
2957:
2951:
2950:
2948:
2946:
2929:
2923:
2922:
2920:
2918:
2899:
2893:
2892:
2880:
2874:
2873:
2871:
2869:
2854:
2845:
2844:
2838:
2836:
2820:
2809:
2808:
2806:
2804:
2778:
2772:
2771:
2769:
2767:
2748:
2739:
2738:
2736:
2734:
2713:
2707:
2706:
2704:
2702:
2676:
2670:
2669:
2657:
2578:
2542:Grand Theft Auto
2502:in the process.
2484:Hold Your Colour
2383:Augusta, Georgia
2305:Hospital Records
2070:Chase and Status
1966:Hospital Records
1901:digital hardcore
1825:Metal & bass
1789:, and the label
1787:Dom & Roland
1643:, and the label
1500:industrial music
1391:(deceased), the
1335:Live performance
1130:Think (About It)
982:Kevin Saunderson
946:artists such as
843:Sly & Robbie
801:Musical features
787:noted a "rising
715:) and jazzstep (
627:scene including
427:beats per minute
417:) is a genre of
396:
316:digital hardcore
213:Derivative forms
205:Cultural origins
141:
140:
132:
125:
121:
118:
112:
110:
69:
45:
37:
21:
7545:
7544:
7540:
7539:
7538:
7536:
7535:
7534:
7530:Music in London
7470:
7469:
7468:
7459:
7374:
7311:Chill-out music
7289:
7137:
7101:
6870:
6581:
6444:Nu skool breaks
6028:
5741:
5676:Industrial rock
5605:
5547:Electronic rock
5520:
5435:Hawaiian guitar
5408:
5399:
5382:
5376:
5346:
5341:
5249:
5244:
5214:
5209:
5200:Nu skool breaks
5124:
5119:
5059:
4987:Transformations
4934:
4932:Further reading
4929:
4928:
4918:
4916:
4908:
4907:
4903:
4893:
4891:
4889:play.google.com
4883:
4882:
4878:
4869:
4867:
4859:
4855:
4845:
4843:
4833:
4829:
4819:
4817:
4805:
4801:
4791:
4789:
4779:
4775:
4767:Official Charts
4760:
4759:
4755:
4743:
4739:
4729:
4727:
4714:
4713:
4709:
4699:
4697:
4693:
4692:
4688:
4673:
4669:
4659:
4657:
4652:
4651:
4647:
4633:
4631:
4622:
4621:
4617:
4607:
4605:
4600:
4599:
4595:
4585:
4583:
4574:
4573:
4569:
4559:
4557:
4550:fantazia.org.uk
4544:
4543:
4539:
4529:
4527:
4518:
4517:
4513:
4504:
4500:
4490:
4488:
4480:
4479:
4475:
4465:
4463:
4462:on 9 March 2007
4454:
4453:
4449:
4439:
4437:
4426:
4422:
4413:
4412:
4408:
4398:
4396:
4388:
4387:
4383:
4366:
4365:
4361:
4351:
4349:
4341:
4340:
4333:
4323:
4321:
4317:
4316:
4312:
4302:
4300:
4291:
4290:
4286:
4276:
4274:
4265:
4264:
4260:
4250:
4248:
4239:
4238:
4234:
4218:
4217:
4210:
4208:
4203:
4202:
4198:
4188:
4186:
4185:. December 1997
4177:
4176:
4172:
4159:
4157:
4146:
4142:
4132:
4130:
4121:
4120:
4116:
4102:
4100:
4089:
4085:
4075:
4073:
4062:
4055:
4048:
4040:. p. 207.
4025:
4021:
4011:
4009:
3996:
3995:
3991:
3981:
3979:
3966:
3965:
3961:
3951:
3949:
3948:on 9 March 2014
3936:
3935:
3931:
3920:
3916:
3906:
3904:
3894:Ishkur (2019).
3892:
3883:
3876:
3856:
3849:
3838:
3834:
3824:
3822:
3821:on 9 March 2007
3813:
3812:
3808:
3794:
3792:
3787:
3786:
3782:
3767:
3763:
3757:The Independent
3754:
3750:
3740:
3738:
3729:
3728:
3724:
3714:
3712:
3703:
3702:
3695:
3685:
3683:
3674:
3673:
3669:
3659:
3657:
3656:on 24 July 2011
3648:
3647:
3643:
3633:
3631:
3627:
3626:
3622:
3612:
3610:
3609:on 9 March 2007
3601:
3600:
3596:
3586:
3584:
3571:
3570:
3566:
3556:
3554:
3553:on 9 March 2007
3545:
3544:
3540:
3530:
3528:
3519:
3518:
3514:
3504:
3502:
3493:
3492:
3488:
3478:
3476:
3467:
3466:
3462:
3452:
3450:
3435:
3431:
3421:
3419:
3410:
3409:
3400:
3390:
3388:
3379:
3378:
3374:
3364:
3362:
3353:
3352:
3348:
3338:
3336:
3328:
3327:
3323:
3313:
3311:
3300:
3296:
3286:
3284:
3275:
3274:
3270:
3260:
3258:
3249:
3248:
3244:
3234:
3232:
3227:
3226:
3222:
3212:
3210:
3197:
3196:
3192:
3182:
3180:
3171:
3170:
3166:
3156:
3154:
3149:
3148:
3144:
3134:
3132:
3123:
3122:
3118:
3108:
3106:
3097:
3096:
3092:
3082:
3080:
3071:
3070:
3066:
3056:
3054:
3045:
3044:
3040:
3030:
3028:
3019:
3018:
3014:
3005:
3001:
2987:
2980:
2970:
2968:
2966:Purple Sneakers
2958:
2954:
2944:
2942:
2930:
2926:
2916:
2914:
2901:
2900:
2896:
2881:
2877:
2867:
2865:
2856:
2855:
2848:
2834:
2832:
2821:
2812:
2802:
2800:
2779:
2775:
2765:
2763:
2750:
2749:
2742:
2732:
2730:
2715:
2714:
2710:
2700:
2698:
2677:
2673:
2658:
2654:
2649:
2622:
2614:Original Nuttah
2576:
2527:Electronic Arts
2461:-winning album
2445:
2434:. London-based
2407:
2364:Tucson, Arizona
2353:Tulsa, Oklahoma
2313:
2277:
2236:BBC Radio 1Xtra
2197:
2149:
2140:
2135:
2133:Regional scenes
2122:
2102:
2097:
1958:
1952:
1947:
1893:
1876:
1740:
1663:drum & jazz
1659:jazz & bass
1581:
1546:(also known as
1516:
1476:
1413:
1403:(deceased) and
1365:
1337:
1321:
1309:nu skool breaks
1301:
1293:
1280:
1244:
1185:
1153:
1114:
1109:
1023:Afrika Bambaata
932:Michael Jackson
928:Jerry Lee Lewis
912:Aretha Franklin
900:Ella Fitzgerald
816:
803:
795:Purple Sneakers
737:
646:hardcore jungle
637:hardcore jungle
617:
612:
610:hardcore jungle
602:
596:
391:
385:
330:Regional scenes
325:
297:
239:
200:
133:
122:
116:
113:
76:"Drum and bass"
70:
68:
58:
46:
35:
28:
23:
22:
15:
12:
11:
5:
7543:
7533:
7532:
7527:
7522:
7517:
7512:
7510:2010s in music
7507:
7502:
7500:2000s in music
7497:
7492:
7490:1990s in music
7487:
7482:
7465:
7464:
7461:
7460:
7458:
7457:
7452:
7447:
7442:
7437:
7432:
7431:
7430:
7425:
7420:
7410:
7409:
7408:
7398:
7393:
7388:
7382:
7380:
7376:
7375:
7373:
7372:
7371:
7370:
7368:Adaptive music
7360:
7355:
7350:
7345:
7340:
7335:
7330:
7325:
7320:
7319:
7318:
7308:
7303:
7297:
7295:
7291:
7290:
7288:
7287:
7286:
7285:
7280:
7270:
7269:
7268:
7263:
7258:
7256:Plunderphonics
7248:
7243:
7242:
7241:
7240:
7239:
7229:
7224:
7219:
7214:
7204:
7199:
7194:
7189:
7188:
7187:
7182:
7177:
7167:
7162:
7156:
7154:
7147:
7143:
7142:
7139:
7138:
7136:
7135:
7130:
7125:
7120:
7115:
7109:
7107:
7103:
7102:
7100:
7099:
7094:
7093:
7092:
7082:
7081:
7080:
7075:
7070:
7060:
7058:Tropical house
7055:
7050:
7045:
7040:
7035:
7034:
7033:
7031:Riddim (genre)
7028:
7018:
7013:
7011:Outsider house
7008:
7003:
7002:
7001:
6996:
6986:
6981:
6976:
6971:
6966:
6961:
6956:
6951:
6946:
6945:
6944:
6934:
6929:
6924:
6919:
6914:
6912:Brazilian bass
6909:
6904:
6902:Big room house
6899:
6894:
6889:
6884:
6878:
6876:
6872:
6871:
6869:
6868:
6863:
6858:
6853:
6851:Vocaloid music
6848:
6847:
6846:
6836:
6831:
6826:
6821:
6820:
6819:
6809:
6804:
6799:
6794:
6789:
6788:
6787:
6782:
6772:
6767:
6766:
6765:
6755:
6750:
6745:
6740:
6735:
6730:
6725:
6720:
6715:
6714:
6713:
6708:
6701:Hypnagogic pop
6698:
6693:
6692:
6691:
6681:
6676:
6671:
6670:
6669:
6664:
6659:
6649:
6648:
6647:
6637:
6632:
6631:
6630:
6620:
6615:
6610:
6605:
6600:
6595:
6589:
6587:
6583:
6582:
6580:
6579:
6578:
6577:
6572:
6562:
6561:
6560:
6555:
6550:
6540:
6539:
6538:
6533:
6528:
6523:
6518:
6513:
6508:
6503:
6498:
6493:
6488:
6478:
6477:
6476:
6466:
6461:
6456:
6451:
6446:
6441:
6436:
6435:
6434:
6424:
6423:
6422:
6415:Minimal techno
6412:
6407:
6402:
6397:
6392:
6391:
6390:
6388:Drill 'n' bass
6380:
6375:
6370:
6365:
6360:
6359:
6358:
6353:
6348:
6343:
6342:
6341:
6339:Lento violento
6331:
6326:
6321:
6316:
6311:
6306:
6304:Belgian techno
6296:
6291:
6290:
6289:
6284:
6274:
6269:
6264:
6263:
6262:
6252:
6247:
6242:
6237:
6232:
6231:
6230:
6229:
6228:
6223:
6218:
6213:
6205:
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6193:
6192:
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6186:
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6176:
6163:
6162:
6161:
6156:
6151:
6141:
6140:
6139:
6129:
6124:
6119:
6114:
6109:
6104:
6099:
6094:
6093:
6092:
6090:Toytown techno
6087:
6085:Happy hardcore
6082:
6072:
6067:
6062:
6057:
6055:Baltimore club
6052:
6047:
6045:Ambient techno
6042:
6036:
6034:
6030:
6029:
6027:
6026:
6021:
6020:
6019:
6017:Detroit techno
6014:
6009:
5999:
5994:
5989:
5984:
5979:
5974:
5969:
5964:
5959:
5954:
5953:
5952:
5947:
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5937:
5932:
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5917:
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5907:
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5897:
5892:
5882:
5877:
5872:
5867:
5866:
5865:
5860:
5855:
5850:
5845:
5835:
5830:
5829:
5828:
5818:
5817:
5816:
5806:
5801:
5796:
5795:
5794:
5792:New jack swing
5784:
5783:
5782:
5780:Florida breaks
5772:
5767:
5766:
5765:
5755:
5749:
5747:
5743:
5742:
5740:
5739:
5734:
5729:
5728:
5727:
5722:
5717:
5707:
5706:
5705:
5700:
5695:
5685:
5680:
5679:
5678:
5668:
5667:
5666:
5656:
5651:
5646:
5641:
5636:
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5626:
5625:
5624:
5613:
5611:
5607:
5606:
5604:
5603:
5602:
5601:
5591:
5590:
5589:
5584:
5579:
5569:
5564:
5559:
5554:
5549:
5544:
5539:
5534:
5528:
5526:
5522:
5521:
5519:
5518:
5513:
5508:
5503:
5498:
5493:
5492:
5491:
5486:
5481:
5471:
5469:Computer music
5466:
5461:
5460:
5459:
5454:
5453:
5452:
5442:
5437:
5432:
5430:Electric blues
5421:
5419:
5412:
5401:
5400:
5387:
5384:
5383:
5375:
5374:
5367:
5360:
5352:
5343:
5342:
5340:
5339:
5334:
5329:
5324:
5319:
5318:
5317:
5312:
5302:
5297:
5292:
5291:
5290:
5280:
5275:
5270:
5265:
5263:Drill 'n' bass
5260:
5254:
5251:
5250:
5243:
5242:
5235:
5228:
5220:
5211:
5210:
5208:
5207:
5202:
5197:
5192:
5190:Florida breaks
5187:
5182:
5177:
5172:
5171:
5170:
5168:Happy hardcore
5165:
5160:
5150:
5145:
5138:Baltimore club
5135:
5129:
5126:
5125:
5118:
5117:
5110:
5103:
5095:
5089:
5088:
5078:
5072:
5066:
5058:
5057:External links
5055:
5054:
5053:
5042:China Miéville
5033:
5015:
5001:
4980:
4966:
4951:
4933:
4930:
4927:
4926:
4901:
4876:
4853:
4827:
4799:
4787:Klang Magazine
4773:
4753:
4745:"The Pop Life"
4737:
4707:
4686:
4667:
4645:
4615:
4593:
4567:
4537:
4511:
4498:
4473:
4447:
4420:
4406:
4381:
4359:
4331:
4310:
4284:
4258:
4232:
4196:
4179:"2 Steps Back"
4170:
4140:
4114:
4083:
4072:on 29 May 2014
4053:
4046:
4028:Shapiro, Peter
4019:
3989:
3959:
3929:
3914:
3881:
3874:
3847:
3832:
3806:
3780:
3761:
3759:, 23 July 2003
3748:
3722:
3693:
3667:
3641:
3620:
3594:
3564:
3538:
3512:
3486:
3460:
3429:
3418:on 10 May 2010
3398:
3387:on 10 May 2006
3372:
3346:
3321:
3294:
3268:
3242:
3220:
3190:
3164:
3142:
3116:
3090:
3079:on 10 May 2006
3064:
3038:
3012:
2999:
2978:
2952:
2924:
2894:
2875:
2846:
2810:
2773:
2740:
2708:
2671:
2651:
2650:
2648:
2645:
2644:
2643:
2638:
2633:
2628:
2621:
2618:
2537:Rockstar Games
2522:Tribes: Ascend
2517:Hi-Rez Studios
2512:Bomberman Hero
2444:
2441:
2406:
2403:
2372:Digital Empire
2312:
2309:
2276:
2275:Internet radio
2273:
2196:
2193:
2148:
2147:Media presence
2145:
2139:
2136:
2134:
2131:
2121:
2118:
2101:
2098:
2096:
2093:
2002:Breakbeat Kaos
1990:Critical Music
1951:
1948:
1946:
1943:
1892:
1889:
1888:
1887:
1875:
1872:
1871:
1870:
1856:
1822:
1814:
1794:
1775:Bad Company UK
1759:
1739:
1736:
1735:
1734:
1710:
1702:
1648:
1639:and his label
1580:
1577:
1576:
1575:
1543:Drill 'n' bass
1539:
1525:
1515:
1512:
1475:
1472:
1424:Pirate Station
1412:
1409:
1389:Stevie Hyper D
1364:
1363:DJ performance
1361:
1336:
1333:
1320:
1317:
1300:
1297:
1292:
1289:
1279:
1276:
1243:
1240:
1184:
1181:
1152:
1149:
1113:
1110:
1108:
1105:
1019:Roger Troutman
968:Henryk Gorecki
956:Charlie Patton
952:Robert Johnson
908:Billie Holiday
815:
812:
802:
799:
736:
733:
616:
613:
598:Main article:
595:
592:
517:drill 'n' bass
387:
386:
384:
383:
378:
373:
368:
363:
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353:
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318:
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299:
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293:drill 'n' bass
290:
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49:
47:
40:
26:
9:
6:
4:
3:
2:
7542:
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7528:
7526:
7523:
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7518:
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7508:
7506:
7503:
7501:
7498:
7496:
7493:
7491:
7488:
7486:
7483:
7481:
7480:Drum and bass
7478:
7477:
7475:
7456:
7453:
7451:
7448:
7446:
7443:
7441:
7438:
7436:
7433:
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7399:
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7392:
7389:
7387:
7384:
7383:
7381:
7377:
7369:
7366:
7365:
7364:
7361:
7359:
7358:Sound collage
7356:
7354:
7351:
7349:
7346:
7344:
7341:
7339:
7336:
7334:
7331:
7329:
7326:
7324:
7321:
7317:
7314:
7313:
7312:
7309:
7307:
7306:Celtic fusion
7304:
7302:
7299:
7298:
7296:
7292:
7284:
7281:
7279:
7276:
7275:
7274:
7271:
7267:
7264:
7262:
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7252:
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7247:
7244:
7238:
7235:
7234:
7233:
7230:
7228:
7225:
7223:
7220:
7218:
7217:Circuit party
7215:
7213:
7210:
7209:
7208:
7205:
7203:
7200:
7198:
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7193:
7190:
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7119:
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7110:
7108:
7104:
7098:
7095:
7091:
7088:
7087:
7086:
7083:
7079:
7076:
7074:
7071:
7069:
7066:
7065:
7064:
7061:
7059:
7056:
7054:
7051:
7049:
7046:
7044:
7041:
7039:
7036:
7032:
7029:
7027:
7024:
7023:
7022:
7019:
7017:
7014:
7012:
7009:
7007:
7004:
7000:
6997:
6995:
6992:
6991:
6990:
6987:
6985:
6982:
6980:
6977:
6975:
6972:
6970:
6969:Jungle terror
6967:
6965:
6962:
6960:
6957:
6955:
6952:
6950:
6947:
6943:
6940:
6939:
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6898:
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6888:
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6864:
6862:
6859:
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6852:
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6837:
6835:
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6827:
6825:
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6815:
6814:
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6808:
6805:
6803:
6800:
6798:
6795:
6793:
6790:
6786:
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6778:
6777:
6776:
6773:
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6768:
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6759:
6756:
6754:
6751:
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6721:
6719:
6716:
6712:
6709:
6707:
6704:
6703:
6702:
6699:
6697:
6694:
6690:
6687:
6686:
6685:
6682:
6680:
6679:Future garage
6677:
6675:
6674:Electronicore
6672:
6668:
6665:
6663:
6660:
6658:
6655:
6654:
6653:
6652:Electro house
6650:
6646:
6643:
6642:
6641:
6638:
6636:
6635:Dancehall pop
6633:
6629:
6626:
6625:
6624:
6621:
6619:
6616:
6614:
6611:
6609:
6606:
6604:
6601:
6599:
6596:
6594:
6591:
6590:
6588:
6584:
6576:
6573:
6571:
6568:
6567:
6566:
6565:UK hard house
6563:
6559:
6556:
6554:
6551:
6549:
6546:
6545:
6544:
6541:
6537:
6534:
6532:
6529:
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6524:
6522:
6519:
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6512:
6509:
6507:
6504:
6502:
6499:
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6484:
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6479:
6475:
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6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6437:
6433:
6432:Electro swing
6430:
6429:
6428:
6425:
6421:
6418:
6417:
6416:
6413:
6411:
6408:
6406:
6403:
6401:
6398:
6396:
6393:
6389:
6386:
6385:
6384:
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6379:
6376:
6374:
6371:
6369:
6366:
6364:
6361:
6357:
6354:
6352:
6349:
6347:
6344:
6340:
6337:
6336:
6335:
6332:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6312:
6310:
6309:Bouncy techno
6307:
6305:
6302:
6301:
6300:
6297:
6295:
6292:
6288:
6285:
6283:
6280:
6279:
6278:
6275:
6273:
6270:
6268:
6265:
6261:
6258:
6257:
6256:
6253:
6251:
6248:
6246:
6243:
6241:
6240:Dungeon synth
6238:
6236:
6233:
6227:
6224:
6222:
6219:
6217:
6214:
6212:
6209:
6208:
6206:
6202:
6199:
6198:
6197:
6194:
6190:
6187:
6185:
6182:
6180:
6177:
6175:
6172:
6171:
6169:
6168:
6167:
6166:Drum and bass
6164:
6160:
6157:
6155:
6152:
6150:
6149:Bristol sound
6147:
6146:
6145:
6142:
6138:
6135:
6134:
6133:
6130:
6128:
6125:
6123:
6120:
6118:
6115:
6113:
6110:
6108:
6105:
6103:
6100:
6098:
6095:
6091:
6088:
6086:
6083:
6081:
6078:
6077:
6076:
6073:
6071:
6068:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6046:
6043:
6041:
6038:
6037:
6035:
6031:
6025:
6024:Tracker music
6022:
6018:
6015:
6013:
6010:
6008:
6005:
6004:
6003:
6000:
5998:
5995:
5993:
5990:
5988:
5985:
5983:
5980:
5978:
5975:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5955:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5921:
5918:
5916:
5913:
5911:
5908:
5906:
5903:
5901:
5900:Balearic beat
5898:
5896:
5893:
5891:
5888:
5887:
5886:
5883:
5881:
5878:
5876:
5873:
5871:
5868:
5864:
5861:
5859:
5856:
5854:
5851:
5849:
5846:
5844:
5841:
5840:
5839:
5836:
5834:
5831:
5827:
5824:
5823:
5822:
5819:
5815:
5812:
5811:
5810:
5807:
5805:
5802:
5800:
5797:
5793:
5790:
5789:
5788:
5785:
5781:
5778:
5777:
5776:
5773:
5771:
5768:
5764:
5761:
5760:
5759:
5756:
5754:
5751:
5750:
5748:
5744:
5738:
5735:
5733:
5732:Reggae fusion
5730:
5726:
5723:
5721:
5718:
5716:
5713:
5712:
5711:
5708:
5704:
5701:
5699:
5696:
5694:
5691:
5690:
5689:
5686:
5684:
5681:
5677:
5674:
5673:
5672:
5669:
5665:
5662:
5661:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5623:
5620:
5619:
5618:
5615:
5614:
5612:
5608:
5600:
5597:
5596:
5595:
5592:
5588:
5585:
5583:
5580:
5578:
5575:
5574:
5573:
5570:
5568:
5565:
5563:
5562:New-age music
5560:
5558:
5555:
5553:
5550:
5548:
5545:
5543:
5540:
5538:
5535:
5533:
5530:
5529:
5527:
5523:
5517:
5516:Space age pop
5514:
5512:
5509:
5507:
5504:
5502:
5499:
5497:
5494:
5490:
5487:
5485:
5482:
5480:
5477:
5476:
5475:
5472:
5470:
5467:
5465:
5462:
5458:
5457:Western swing
5455:
5451:
5448:
5447:
5446:
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5427:
5426:
5423:
5422:
5420:
5416:
5413:
5411:
5406:
5402:
5398:
5397:
5392:
5391:
5385:
5380:
5373:
5368:
5366:
5361:
5359:
5354:
5353:
5350:
5338:
5335:
5333:
5330:
5328:
5325:
5323:
5320:
5316:
5313:
5311:
5308:
5307:
5306:
5303:
5301:
5298:
5296:
5293:
5289:
5286:
5285:
5284:
5281:
5279:
5276:
5274:
5271:
5269:
5266:
5264:
5261:
5259:
5256:
5255:
5252:
5248:
5247:Drum and bass
5241:
5236:
5234:
5229:
5227:
5222:
5221:
5218:
5206:
5203:
5201:
5198:
5196:
5193:
5191:
5188:
5186:
5185:Drum and bass
5183:
5181:
5178:
5176:
5173:
5169:
5166:
5164:
5161:
5159:
5156:
5155:
5154:
5151:
5149:
5146:
5143:
5139:
5136:
5134:
5131:
5130:
5127:
5123:
5116:
5111:
5109:
5104:
5102:
5097:
5096:
5093:
5086:
5082:
5079:
5076:
5075:DnbLyrics.com
5073:
5070:
5067:
5064:
5061:
5060:
5051:
5050:0-330-37098-7
5047:
5043:
5039:
5038:
5034:
5032:), nonfiction
5031:
5030:1-85828-433-3
5027:
5023:
5022:Peter Shapiro
5019:
5016:
5014:), nonfiction
5013:
5012:0-7522-2323-2
5009:
5005:
5002:
5000:
4996:
4992:
4988:
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4967:
4964:
4963:0-330-35056-0
4960:
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4950:), nonfiction
4949:
4948:0-9548897-0-3
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4343:"RAM Records"
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2492:Hot Right Now
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2085:Moving Shadow
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2063:
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2027:
2024:and formerly
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2019:
2015:
2011:
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1991:
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1950:Record labels
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1841:Counterstrike
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1645:Moving Shadow
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1618:
1617:William Orbit
1614:
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1598:
1594:
1593:ambient music
1590:
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1249:
1242:Bass elements
1239:
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1126:Funky Drummer
1123:
1119:
1107:Drum elements
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855:Mad Professor
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541:ambient music
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429:) with heavy
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403:Drum and bass
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302:Fusion genres
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144:Drum and bass
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117:February 2024
109:
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102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
7418:Drum machine
7328:Doujin music
7316:Lounge music
7273:Street dance
7227:EDM festival
7180:Sound system
7146:Other topics
7021:Post-dubstep
6974:Lofi hip hop
6949:Future house
6775:Reductionism
6743:Nintendocore
6667:Fidget house
6618:Coupé-décalé
6558:Speed garage
6373:Indietronica
6277:Ghetto house
6255:French house
6245:Electroclash
6201:Ragga jungle
6165:
6112:Dark electro
6012:Bleep techno
5992:Sophisti-pop
5930:Jersey sound
5843:Funk carioca
5799:Dark ambient
5703:Minimal wave
5394:
5388:
5315:Ragga jungle
5246:
5184:
5063:bassblog.pro
5035:
5017:
5003:
4986:
4982:
4968:
4955:Energy Flash
4954:
4938:
4917:. Retrieved
4913:
4904:
4892:. Retrieved
4888:
4879:
4868:, retrieved
4863:
4856:
4844:. Retrieved
4840:
4830:
4818:. Retrieved
4812:
4802:
4790:. Retrieved
4786:
4776:
4765:
4756:
4748:
4740:
4728:. Retrieved
4724:the original
4719:
4710:
4698:. Retrieved
4689:
4680:
4670:
4658:. Retrieved
4648:
4638:– via
4632:. Retrieved
4618:
4606:. Retrieved
4596:
4584:. Retrieved
4579:
4570:
4558:. Retrieved
4554:the original
4549:
4540:
4528:. Retrieved
4524:the original
4514:
4507:Boston Globe
4506:
4501:
4491:21 September
4489:. Retrieved
4485:
4476:
4464:. Retrieved
4460:the original
4450:
4438:. Retrieved
4434:the original
4423:
4409:
4397:. Retrieved
4393:
4384:
4376:the original
4372:Shogun Audio
4371:
4362:
4350:. Retrieved
4346:
4322:. Retrieved
4313:
4301:. Retrieved
4297:the original
4287:
4275:. Retrieved
4271:the original
4261:
4249:. Retrieved
4245:the original
4235:
4209:. Retrieved
4199:
4187:. Retrieved
4182:
4173:
4165:
4158:. Retrieved
4154:the original
4143:
4131:. Retrieved
4126:
4117:
4110:soundtracks.
4108:
4101:. Retrieved
4097:the original
4086:
4074:. Retrieved
4070:the original
4038:Rough Guides
4032:
4022:
4010:. Retrieved
4006:the original
4001:
3992:
3980:. Retrieved
3976:the original
3971:
3962:
3950:. Retrieved
3946:the original
3941:
3932:
3923:
3917:
3905:. Retrieved
3899:
3866:Rough Guides
3860:
3841:
3835:
3823:. Retrieved
3819:the original
3809:
3799:– via
3793:. Retrieved
3783:
3774:
3770:
3764:
3756:
3751:
3739:. Retrieved
3735:the original
3725:
3713:. Retrieved
3709:the original
3684:. Retrieved
3680:the original
3670:
3658:. Retrieved
3654:the original
3644:
3632:. Retrieved
3623:
3611:. Retrieved
3607:the original
3597:
3585:. Retrieved
3581:the original
3576:
3573:"The Breaks"
3567:
3555:. Retrieved
3551:the original
3541:
3529:. Retrieved
3525:the original
3515:
3503:. Retrieved
3499:the original
3489:
3477:. Retrieved
3473:the original
3463:
3451:. Retrieved
3447:the original
3442:
3432:
3420:. Retrieved
3416:the original
3389:. Retrieved
3385:the original
3375:
3363:. Retrieved
3359:the original
3349:
3337:. Retrieved
3333:
3324:
3312:. Retrieved
3308:the original
3297:
3285:. Retrieved
3281:the original
3271:
3259:. Retrieved
3255:the original
3245:
3233:. Retrieved
3223:
3211:. Retrieved
3207:the original
3202:
3193:
3181:. Retrieved
3177:the original
3167:
3155:. Retrieved
3145:
3133:. Retrieved
3129:the original
3119:
3107:. Retrieved
3103:the original
3093:
3081:. Retrieved
3077:the original
3067:
3055:. Retrieved
3051:the original
3041:
3029:. Retrieved
3025:the original
3015:
3007:
3002:
2994:
2990:
2969:. Retrieved
2965:
2955:
2943:. Retrieved
2937:
2927:
2915:. Retrieved
2911:the original
2906:
2897:
2888:
2884:
2878:
2866:. Retrieved
2861:
2839:– via
2833:. Retrieved
2801:. Retrieved
2786:
2776:
2764:. Retrieved
2731:. Retrieved
2720:
2711:
2699:. Retrieved
2684:
2674:
2665:
2661:
2655:
2606:first series
2599:
2597:
2590:
2584:
2571:
2569:
2562:
2552:
2551:series from
2546:
2540:
2530:
2520:
2510:
2504:
2489:
2482:
2472:
2462:
2452:
2446:
2435:
2429:
2426:ATM Magazine
2425:
2423:
2418:
2414:
2410:
2408:
2394:
2380:
2371:
2361:
2356:
2351:
2346:
2343:All Mixed Up
2342:
2338:
2336:
2329:
2321:The Prophecy
2320:
2319:since 1994,
2314:
2301:Shogun Audio
2282:
2278:
2257:
2253:
2233:
2228:
2198:
2189:pirate radio
2150:
2141:
2127:
2123:
2103:
2081:Rob Playford
2078:
2056:
2048:
2034:
1959:
1937:
1926:
1894:
1879:
1858:
1849:Dirtyphonics
1837:Concord Dawn
1828:
1824:
1816:
1802:
1796:
1761:
1748:dark ambient
1743:
1712:
1704:
1662:
1658:
1655:jazzy jungle
1654:
1650:
1588:
1584:
1564:Squarepusher
1551:
1547:
1541:
1531:
1527:
1519:
1485:
1440:synthesizers
1429:
1385:
1366:
1357:
1349:
1322:
1313:
1302:
1294:
1281:
1268:synthesizers
1245:
1226:The complex
1225:
1206:
1186:
1166:
1115:
1093:Ready or Not
1087:'s remix of
1078:
1071:
1063:Beastie Boys
1051:Wu-Tang Clan
1035:Public Enemy
1008:
995:
986:
980:
972:The Winstons
960:Muddy Waters
920:the Supremes
916:Otis Redding
871:
859:Roots Radics
847:Bill Laswell
823:sound system
817:
804:
794:
793:
782:
780:
749:
738:
735:21st century
701:
674:
618:
615:20th century
561:
489:ragga jungle
462:
443:synthesizers
414:
410:
406:
402:
401:
342:Other topics
138:
123:
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
7428:Synthesizer
7333:Lo-fi music
7278:House dance
7261:Rare groove
7185:Turntablism
7170:Disc jockey
7118:Drift phonk
6999:Moombahsoul
6994:Moombahcore
6954:Future soul
6937:Future bass
6932:Funktronica
6917:Bro-country
6856:Witch house
6824:Tecno brega
6718:Jersey club
6662:Dutch house
6516:Progressive
6454:Power noise
6400:Livetronica
6250:Folktronica
6226:Liquid funk
6216:Intelligent
6211:Atmospheric
6102:Changa tuki
6097:Broken beat
6040:Ambient dub
6007:Acid techno
5997:Synth-metal
5858:Tecnocumbia
5770:Ambient pop
5725:Italo disco
5644:Electropunk
5622:Space disco
5594:Space music
5587:Sampledelia
5396:Electronica
5322:Liquid funk
5288:Atmospheric
5283:Intelligent
5180:Broken beat
5142:Jersey club
5133:Acid breaks
4919:15 February
4870:15 February
4730:15 February
4660:15 February
4608:15 February
4560:15 February
4466:6 September
4440:23 November
4394:redbull.com
4352:15 February
4347:RAM Records
4303:4 September
4251:6 September
4211:6 September
4129:. June 1996
3825:6 September
3795:6 September
3715:4 September
3686:6 September
3660:6 September
3634:24 December
3613:6 September
3557:6 September
3531:6 September
3479:6 September
3469:"LTJ Bukem"
3453:6 September
3422:4 September
3391:6 September
3365:6 September
3314:6 September
3287:6 September
3261:6 September
3235:6 September
3183:6 September
3157:6 September
3135:4 September
3109:6 September
3083:6 September
2835:15 February
2581:E-Z Rollers
2507:Hudson Soft
2297:Grooverider
2225:Grooverider
2219:in London.
2209:René LaVice
2201:BBC Radio 1
2161:Dailymotion
2138:Anglosphere
2062:Ram Records
2030:True Playaz
2014:Futurebound
1994:DJ Friction
1986:DJ Dextrous
1906:The Panacea
1855:and others.
1833:heavy metal
1771:soundscapes
1727:Latin music
1625:Blu Mar Ten
1568:Luke Vibert
1496:world music
1422:in 2009 at
1401:MC Skibadee
1397:Dynamite MC
1393:Ragga Twins
1272:double bass
1266:sources or
1228:syncopation
1194:James Brown
1175:'s classic
1081:white label
940:Miles Davis
930:, and even
896:Marvin Gaye
888:James Brown
867:Buju Banton
745:DJ Dextrous
741:liquid funk
713:Blu Mar Ten
685:raggamuffin
587:Connecticut
509:liquid funk
477:syncopation
457:DJ Dextrous
268:liquid funk
186:electronica
7474:Categories
7401:Drum break
7348:Rave music
7338:Madchester
7301:Bass music
7283:Rave dance
7232:Free party
7197:Microgenre
7068:Hardvapour
7006:Mumble rap
6989:Moombahton
6979:Mahraganat
6907:Black MIDI
6817:Sovietwave
6792:Russ music
6723:Juke house
6696:Hauntology
6657:Complextro
6645:Reggaestep
6410:Microhouse
6405:Merenhouse
6324:Frenchcore
6319:Free tekno
6287:Ghettotech
6235:Dub techno
6132:Diva house
6127:Disco polo
6117:Denpa song
6060:Bhangragga
5972:Miami bass
5863:Turbo-folk
5833:Electropop
5804:Dubtronica
5720:Dance-rock
5715:Dance-punk
5710:Post-disco
5671:Industrial
5649:Euro disco
5599:Space rock
5489:Tape music
5379:Electronic
5052:), fiction
5040:(1998) by
5020:(1999) by
4977:0415923735
4894:16 January
4820:10 January
4792:10 January
4700:22 October
4634:22 October
4530:25 January
4368:"About Us"
4189:31 January
4133:31 January
4047:1858284333
3942:Brad Bator
3907:28 October
3875:0879306289
3840:Ferrigno.
3505:18 January
3213:26 January
3057:18 October
3031:18 October
2917:22 October
2647:References
2592:Johnny Was
2573:The Matrix
2387:Zarbizarre
2366:, 91.3 FM
2339:Expansions
2289:Metalheadz
2265:Rudimental
2177:SoundCloud
2173:television
2100:Purchasing
2037:Sony Music
2020:, Pascal,
1982:Metalheadz
1954:See also:
1939:Ghettotech
1859:Crossbreed
1829:bass metal
1752:industrial
1725:and other
1723:bossa nova
1699:Mr. Scruff
1675:Alex Reece
1605:soul music
1572:Aphex Twin
1556:syncopated
1552:spunk jazz
1444:turntables
1236:Amen break
1209:Syncopated
1202:Alex Reece
1198:Tighten Up
1190:Amen break
1141:sequencers
1118:Amen break
992:Carl Craig
976:Amen break
964:B. B. King
948:Lead Belly
924:Commodores
878:syncopated
863:Bob Marley
839:Peter Tosh
835:King Tubby
814:Influences
807:industrial
752:television
670:2 Bad Mice
652:), whilst
641:syncopated
604:See also:
423:breakbeats
196:industrial
87:newspapers
7515:Breakbeat
7202:Nightclub
7165:Club drug
7160:Beat drop
7063:Vaporwave
7038:Rara tech
6927:Dreampunk
6882:Afroswing
6866:Wonky pop
6812:Synthwave
6780:Lowercase
6738:Nightcore
6728:Jumpstyle
6706:Chillwave
6628:Crunkcore
6613:Cloud rap
6593:Afrobeats
6553:Breakstep
6543:UK garage
6531:Uplifting
6469:Reggaeton
6449:Post-rock
6395:Kidandali
6356:Speedcore
6334:Hardstyle
6314:Breakcore
6272:Futurepop
6184:Neurofunk
6144:Downtempo
5935:Hip house
5875:Eurodance
5814:Freestyle
5775:Breakbeat
5753:Acid jazz
5737:Synth-pop
5698:Dark wave
5693:Cold wave
5683:Japanoise
5639:Dancehall
5557:Krautrock
5552:Jazz-funk
5327:Neurofunk
5175:Breakcore
5122:Breakbeat
4995:1444-3775
4846:9 January
4720:hd983.com
4586:8 January
4399:5 October
4277:5 October
4012:12 August
3741:5 October
3587:15 August
2939:Pitchfork
2868:18 August
2474:Two Pages
2464:New Forms
2451:'s album
2421:in 2004.
2405:Magazines
2395:FreQuency
2241:Xtra Bass
2089:Omni Trio
2074:Sub Focus
2060:acquired
2050:In Silico
2041:Universal
1932:art music
1914:dancehall
1910:Raggacore
1897:breakcore
1884:Sewerslvt
1867:breakcore
1798:Neurofunk
1679:LTJ Bukem
1637:LTJ Bukem
1629:Deep Blue
1609:Omni Trio
1536:half time
1474:Subgenres
1464:drum pads
1420:Aphrodite
1329:breakdown
1305:breakbeat
1285:dissonant
1232:breakbeat
1169:bass drum
1151:Synthesis
1101:dubplates
1047:Kid Frost
1039:Schooly D
987:Terrorist
851:Lee Perry
784:Pitchfork
781:In 2021,
721:Roni Size
689:dancehall
681:junglists
675:By 1994,
662:Doc Scott
621:nightclub
583:New Haven
566:acquired
505:neurofunk
485:breakcore
481:breakbeat
371:breakcore
321:raggacore
311:breakcore
273:neurofunk
244:Subgenres
225:UK garage
191:breakbeat
7455:Waveform
7251:Sampling
7237:Teknival
7090:Hardwave
7073:Mallsoft
7053:EDM trap
7048:Shamstep
6959:Hyperpop
6892:Amapiano
6887:Algorave
6844:Funkstep
6839:UK funky
6785:Onkyokei
6763:New rave
6598:Bassline
6575:Hard NRG
6570:Hardbass
6506:Hands Up
6491:Balearic
6439:Nu metal
6420:Schaffel
6368:Illbient
6299:Hardcore
6282:Footwork
6260:Nu disco
6221:Jazzstep
6189:Techstep
6179:Hardstep
6174:Darkstep
6159:Trip hop
6154:Psybient
6080:Darkcore
6065:Big beat
5977:New beat
5870:Eurobeat
5688:New wave
5634:Chiptune
5464:Biomusic
5337:Techstep
5310:Darkcore
5295:Jazzstep
5278:Hardstep
5273:Drumstep
5268:Drumfunk
5258:Darkstep
5163:Darkcore
5148:Big beat
5037:King Rat
4999:PDF file
4914:TuneFind
4628:Archived
4221:cite web
4183:The Wire
4127:The Wire
3629:"TR-808"
3304:"Goldie"
2829:Archived
2797:Archived
2793:Red Bull
2760:Archived
2756:AllMusic
2727:Archived
2695:Archived
2691:Red Bull
2620:See also
2500:Rita Ora
2496:DJ Fresh
2479:Pendulum
2454:Timeless
2431:Resident
2323:on 89.5
2269:DJ Fresh
2217:Kiss 100
2205:Friction
2185:podcasts
2181:Mixcloud
2114:Beatport
2110:DJ mixes
2045:Pendulum
1998:DJ Fresh
1945:Industry
1922:darkstep
1918:Darkcore
1853:Pendulum
1845:Zardonic
1818:Hardstep
1763:Techstep
1756:hardcore
1744:Darkstep
1731:DJ Marky
1691:Kid Loco
1671:trip hop
1651:Jazzstep
1597:chillout
1532:halftime
1528:Drumstep
1460:Samplers
1450:(either
1436:samplers
1352:sub-bass
1344:Pendulum
1260:techstep
1252:sub-bass
1248:bassline
1145:Atari ST
1137:samplers
1112:Sampling
1067:Pharcyde
1065:and the
1004:Technics
938:pioneer
892:Al Green
776:Pendulum
725:techstep
705:hardstep
654:darkcore
633:darkcore
537:trip hop
525:big beat
501:techstep
497:darkstep
493:hardstep
435:sub-bass
366:junglist
288:technoid
283:drumfunk
278:techstep
258:hardstep
253:Darkstep
235:footwork
166:darkcore
7423:Sampler
7153:Culture
7043:Seapunk
7026:Brostep
6834:UK bass
6797:Sambass
6770:Rabòday
6689:Grindie
6640:Dubstep
6427:Nu jazz
6137:Hardbag
5905:Chicago
5895:Ambient
5809:Electro
5659:Hip hop
5532:Ambient
5332:Sambass
5300:Jump-up
4640:YouTube
4580:ukf.com
4160:6 April
3982:31 July
3952:31 July
3801:YouTube
3521:"Klute"
3443:Insight
3339:23 July
3330:"Fabio"
2841:YouTube
2803:14 July
2766:14 July
2733:14 July
2722:Ableton
2701:14 July
2548:Wipeout
2389:of the
2376:dubstep
2332:C89.5fm
2325:CIUT-FM
2317:Toronto
2245:Kool FM
2213:DJ Hype
2157:YouTube
2129:scene.
2026:DJ Zinc
2018:DJ Hype
2010:Optical
2006:Ed Rush
1783:Optical
1779:Ed Rush
1714:Sambass
1521:Jump-up
1508:anxiety
1488:ambient
1456:guitars
1452:upright
1405:MC Tali
1373:hip hop
1264:sampled
1256:timbres
1143:on the
1085:DJ Zinc
1059:Mos Def
1055:Dr. Dre
1031:Mac Dre
1027:Run DMC
760:dubstep
697:ecstasy
687:sound,
594:History
529:dubstep
521:hip hop
513:sambass
439:samples
437:lines,
411:D&B
336:Sambass
263:jump up
220:Dubstep
101:scholar
32:DNB ASA
7353:Reggae
7294:Genres
7266:Riddim
7192:Mashup
7175:DJ mix
6897:Azonto
6829:Trival
6807:Skweee
6748:Nortec
6711:Glo-fi
6603:Budots
6548:2-step
6481:Trance
6474:Dembow
6464:Psydub
6351:Mákina
6346:J-core
6329:Gabber
6294:Glitch
6267:Funkot
6207:Light
6196:Jungle
6170:Heavy
6070:Bitpop
6002:Techno
5950:Tribal
5915:Garage
5853:Kwaito
5848:Kuduro
5654:Hi-NRG
5629:Boogie
5405:Genres
5305:Jungle
5195:Jungle
5158:4-beat
5048:
5028:
5010:
4993:
4975:
4961:
4946:
4324:16 May
4103:1 June
4076:1 June
4044:
3872:
3776:music.
2971:18 May
2945:15 May
2494:", by
2449:Goldie
2295:&
2249:Don FM
2231:show.
2171:, and
2066:Andy C
2008:&
1978:Goldie
1970:Andy C
1768:sci-fi
1758:music.
1697:, and
1633:Photek
1613:Peshay
1548:fungle
1506:, and
1504:sci-fi
1494:, and
1377:reggae
1221:gabber
1217:techno
1177:TR-808
1173:Roland
1122:Apache
1089:Fugees
1000:Heaven
922:, the
884:breaks
831:reggae
789:zoomer
774:, and
772:Metrik
768:Netsky
729:techno
677:jungle
668:, and
658:Goldie
650:jungle
635:, and
579:Adam F
545:techno
515:, and
473:jungle
469:reggae
447:jungle
441:, and
376:glitch
171:techno
156:Jungle
103:
96:
89:
82:
74:
7379:Tools
7323:Disco
7246:Remix
7106:2020s
7016:Plugg
6875:2010s
6861:Wonky
6753:Phonk
6684:Grime
6623:Crunk
6586:2000s
6536:Vocal
6496:Dream
6033:1990s
5987:Ragga
5940:Latin
5925:Italo
5920:Funky
5885:House
5880:Grebo
5763:Baggy
5746:1980s
5610:1970s
5537:Drone
5525:1960s
5506:Noise
5418:Early
4681:K Mag
4656:. BBC
4604:. BBC
3231:. BBC
3203:Salon
2890:drum.
2601:Skins
2577:'
2469:4hero
2293:Fabio
2261:Sigma
2221:Fabio
2195:Radio
2169:radio
2165:blogs
2155:like
2106:vinyl
1863:metal
1803:neuro
1719:samba
1432:drums
1381:ragga
1299:Tempo
1043:N.W.A
944:Blues
756:grime
717:4Hero
709:Blame
666:4hero
533:house
415:D'n'B
413:, or
230:grime
108:JSTOR
94:books
7440:MIDI
7406:List
7386:Bass
7222:Doof
7207:Rave
7133:Rage
7085:Wave
6964:Gqom
6526:Tech
6511:Hard
6486:Acid
5945:Tech
5910:Deep
5890:Acid
5445:Rock
5440:Jùjú
5083:– a
5046:ISBN
5026:ISBN
5008:ISBN
4991:ISSN
4973:ISBN
4959:ISBN
4944:ISBN
4921:2017
4896:2017
4872:2017
4848:2024
4822:2024
4794:2024
4732:2017
4702:2021
4662:2017
4636:2021
4610:2017
4588:2018
4562:2017
4532:2021
4493:2012
4468:2006
4442:2016
4401:2017
4354:2017
4326:2009
4305:2007
4279:2006
4253:2006
4227:link
4213:2006
4191:2013
4162:2014
4135:2013
4105:2014
4078:2014
4042:ISBN
4014:2019
3984:2015
3954:2015
3909:2023
3870:ISBN
3827:2006
3797:2006
3743:2006
3717:2007
3688:2006
3662:2006
3636:2006
3615:2006
3589:2010
3559:2006
3533:2006
3507:2007
3481:2006
3455:2006
3424:2007
3393:2006
3367:2006
3341:2021
3316:2006
3289:2006
3263:2006
3237:2006
3215:2007
3185:2006
3159:2006
3137:2007
3111:2006
3085:2006
3059:2006
3033:2006
2973:2024
2947:2023
2919:2021
2870:2017
2837:2017
2805:2023
2768:2023
2735:2023
2703:2023
2667:pop.
2641:Gqom
2554:Pure
2411:Kmag
2399:WHHD
2368:KXCI
2303:and
2267:and
2223:and
2179:and
2159:and
2072:and
2039:and
1899:and
1865:and
1811:funk
1809:and
1807:jazz
1754:and
1677:and
1669:and
1667:jazz
1621:Seba
1603:and
1601:jazz
1550:and
1492:jazz
1448:bass
1375:and
1325:drop
1319:Drop
1192:, a
1159:The
1139:and
1134:Akai
1116:The
1097:Enya
962:and
936:Jazz
874:funk
865:and
829:and
758:and
711:and
625:rave
608:and
555:and
553:rock
549:jazz
467:and
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431:bass
80:news
6521:Psy
6501:Goa
5542:Dub
5085:BBC
4841:NME
2862:BMG
2610:Jal
2509:'s
2481:'s
2397:on
2381:In
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2083:'s
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1980:'s
1974:RAM
1964:'s
1827:or
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1587:or
1560:IDM
1530:or
1468:MCs
1369:MCs
1219:or
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