Knowledge

Driton Selmani

Source 📝

434:(2023) is the first comprehensive monograph on Driton Selmani, a multivalent Kosovar artist whose work spans various mediums, including sketching, photography, site-specific installations, sculpture, video art, and performance. The publication, as reflected in its title, draws attention to both Selmani and Kosovar artists who have often been "hidden in plain sight" within the broader art world. This richly illustrated and meticulously researched book traces Selmani's artistic career, offering detailed documentation of his exhibitions, making it an essential archive, handbook, and reference for understanding his work and the contemporary art scene in 371: 220: 412: 31: 423:, particularly in the Balkans. His ability to engage with complex themes in an accessible and thought-provoking manner has earned him recognition from both critics and the public. As he continues to develop his practice and engage with new projects, Selmani's influence is likely to grow, contributing to the ongoing dialogue about the role of art in addressing social and political issues. 460:
The book, designed by Nita Salihu Hoxha from Studio Permanent, showcases Selmani's artistic journey through visual elements like sketches and drawings, further enriched by comprehensive documentation of his exhibitions. This English-language publication is not only a deep dive into Selmani's practice
206:
Selmani's artistic practice is characterized by its conceptual depth and versatility across different media. His work often blurs the boundaries between art and everyday life, challenging conventional perceptions of public and private spaces. A recurring theme in his work is the exploration of how
398:
Selmani's work is marked by its conceptual rigor and the use of humor and irony to critique societal norms. He often employs text and language as central elements in his work, creating pieces that engage viewers on both a visual and intellectual level. His art is deeply rooted in the context of
323:
proverb. Installed on the roof of the museum's atrium, the typographic sculpture is set against the sky above a pile of broken glass. The ever-shifting cloudscape provides a context and animates the text, but the real thrust of the piece is semiotic. By attributing the qualities of a dog to the
238:, utilizes light as a medium to explore themes of perception and perspective, encouraging viewers to reflect on their relationship with their surroundings and with others. The work has been praised for its ability to transform public space and engage audiences in a meaningful way. 390:, while transforming the mundane into a medium for intimate, thoughtful communication. His project has garnered attention for its inventive method of engaging with contemporary issues through a deeply personal lens, merging the every day with profound artistic expression. 227:
Selmani is particularly known for his site-specific projects and public art commissions. These works are designed to engage directly with the spaces they inhabit, creating a dialogue between the artwork, its environment, and the public.
257:
showcased Selmani's exploration of the intersection between public and private spaces. The exhibition was a critical success, highlighting Selmani's ability to create thought-provoking works that challenge conventional artistic
298:, he continued his exploration of language, memory, and communication through his art. His works in this exhibition were noted for their poetic and poignant examination of the impermanence of words and the fragility of memory. 453:, and Linda Gusia, a sociologist and activist, explore the Kosovar dimensions of Selmani's art. Hana Ostan Ožbolt, curator and director of the ULAY Foundation, writes about her experience curating Selmani's exhibition in 178:, during a period marked by political unrest and conflict in the Balkans. Growing up in a post-socialist environment, his early life was influenced by the cultural and socio-political changes that took place during the 197:
where he began to develop his unique conceptual approach to art-making. His early works already exhibited his characteristic blend of personal narrative and critical engagement with broader social issues.
287:. His work in the biennial engaged with local narratives and the broader geopolitical context of the Balkans, further establishing his relevance in both regional and international art discourses. 246:
Selmani's work has been exhibited in various international exhibitions, contributing to his growing reputation as an influential contemporary artist. Some of his notable exhibitions include:
336:, Rome from 5 May 2021 to 12 September 2021, Selmani participated in his monumental work and in the limits of impossibility and destruction of public space with the title 186:. These experiences have profoundly shaped his artistic vision, inspiring him to delve into topics of collective memory, identity, and the socio-political landscape. 276:. Selmani's contribution to the exhibition was noted for its incisive commentary on the potential for art to envision alternative realities and societal structures. 234:
One of his most prominent public artworks is "Eye to Eye" (2018), created for the Amsterdam Light Festival. This installation, part of the Light Art Collection in
355:
with a specific interpretation key. Over 50 artists read the history of the area through the gestures of contemporary heroes, who contributed to the crisis of
504: 146:
Selmani's art has garnered international recognition, positioning him as a significant figure in the contemporary art scene, particularly within the
135:
whose practice spans across various media including installation, photography, text, and public art. His works often explore complex themes such as
714: 324:
clouds, the artist inhabits a poetic terrain resignifying both and wittily affecting the representational relation between word and image.
632: 445:
features the most extensive and interdisciplinary text on Selmani to date, positioning his work within the broader framework of
479: 403:, but its themes resonate universally, addressing broader questions of identity, memory, and the role of art in society. 308: 159: 378:
Since 2018, Driton Selmani has been developing a distinctive, ongoing project in which he writes love letters on
231:
His works often provoke reflection on the role of art in society and its potential to influence social change.
449:. Additionally, contributions from notable figures such as Nita Luci, an anthropologist and professor at the 724: 311:
from 4 April 2022 to 25 February 2023, this exhibition takes its title from Selmani's site-specific work
194: 74: 530: 272:, this exhibition featured Selmani's work alongside other contemporary artists, exploring the theme of 136: 719: 607: 450: 370: 207:
history, memory, and identity are constructed and perceived, particularly within the context of
709: 179: 704: 461:
but also a valuable reference on contemporary art in Kosovo and the broader Balkan region.
382:. This work touches on themes such as politics, ecology, art, and philosophy. By choosing 8: 581: 386:- an ordinary, disposable material - Selmani critiques the environmental consequences of 273: 219: 316: 208: 555: 411: 420: 659: 446: 359:, favoring important reflections on the themes of hospitality and coexistence. 265: 163: 480:"Conceptual artist Driton Selmani is taking his work to the streets of Kosovo" 698: 348: 155: 140: 92:
Conceptual art, drawing, photography, painting, sculpture, ready-made artist
457:, highlighting the role of international cultural cooperation in his work. 379: 143:, engaging viewers with a blend of humor, irony, and critical reflection. 387: 356: 344: 190: 132: 30: 352: 327: 183: 633:"Alex Fisher modifying brilliance: Driton Selmani at Kahán Art Space" 175: 454: 435: 343:
The exhibition marked a new chapter in the research dedicated to the
284: 280: 235: 151: 302: 128: 415:
E V E R Y T H I N G (Virtual Museum of Dotršcina, Zagreb, Croatia)
383: 338:
Red Tape, A brave intervention in a very sensitive place and time
320: 295: 269: 147: 54: 400: 254: 333: 279:
Manifesta 14 Prishtina (2022): a significant edition of the
688: 113: 419:
Driton Selmani's work has had a significant impact on the
214: 223:
Eye to Eye (Amsterdam Light Festival, The Netherlands)
166:, 019-Ghent, Kahan Art Space Vienna, and many others. 441:
Edited by art historian and curator Lora Sariaslan,
328:
Bigger than Myself, Heroic Voices from ex-Yugoslavia
438:, Kosovo, within its broader geopolitical context. 696: 313:The Barking of the Clouds Does Not Hurt the Dogs 303:The Barking of The Clouds Does Not Hurt The Dogs 294:(2024): As part of this triennial exhibition in 189:Selmani pursued his education in visual arts in 362: 608:"Five Balkan Artists to Watch at Manifesta 14" 505:"Everything We Do is Really, Really Brilliant" 253:(2023): This solo exhibition at Kahan Art in 393: 251:Everything We Do Is Really, Really Brilliant 169: 150:. He is known for his participation at the 29: 528: 426: 657: 529:Hribernik, Andreja (27 September 2023). 477: 410: 369: 218: 605: 283:, which took place in his home city of 697: 154:14, Beaufort Triennale, Maxxi Museum, 715:Alumni of Arts University Bournemouth 478:Caraccio, Camilla (23 January 2019). 215:Site-specific projects and public art 658:Šimpraga, Saša (13 September 2021). 606:Bradley, Kimberly (11 August 2022). 579: 406: 351:. Illustrating the artistic buzz in 209:Kosovo's complex political landscape 201: 174:Driton Selmani was born in Doganaj, 13: 531:"The Other. Re-Imagine the Future" 241: 14: 736: 681: 262:The Other Re-Imagine the Future 651: 625: 599: 573: 548: 522: 497: 471: 1: 464: 158:, Virtualni muzej Dotrščina, 353:former Yugoslavian countries 7: 195:Arts University Bournemouth 75:Arts University Bournemouth 10: 741: 374:Love Letters, Manifesta 14 102:Love Letters (2018 — 2024) 394:Artistic style and themes 180:dissolution of Yugoslavia 139:, politics, history, and 108: 96: 88: 80: 70: 62: 40: 28: 21: 535:Universalmuseum Joanneum 484:New East Digital Archive 170:Early life and education 451:University of Prishtina 315:, 2022, a riff on both 427:Books and publications 421:contemporary art scene 416: 375: 224: 104:Manifesta 14 Prishtina 443:Hidden in Plain Sight 432:Hidden in Plain Sight 414: 373: 222: 16:Kosovar visual artist 509:Eva Kahan Foundation 725:People from Ferizaj 580:Krasniqi, Erëmirë. 290:Triennale Beaufort 274:speculative futures 182:and the subsequent 417: 376: 349:Mediterranean area 317:Charles Baudelaire 281:Manifesta Biennial 225: 407:Impact and legacy 202:Artistic practice 127:(born 1987) is a 122: 121: 732: 691: 689:Official Website 675: 674: 672: 670: 655: 649: 648: 646: 644: 629: 623: 622: 620: 618: 603: 597: 596: 594: 592: 582:"Driton Selmani" 577: 571: 570: 568: 566: 556:"Driton Selmani" 552: 546: 545: 543: 541: 526: 520: 519: 517: 515: 501: 495: 494: 492: 490: 475: 264:(2023): Held at 118: 115: 99: 51:February 8, 1987 50: 48: 33: 19: 18: 740: 739: 735: 734: 733: 731: 730: 729: 720:Kosovan artists 695: 694: 687: 684: 679: 678: 668: 666: 656: 652: 642: 640: 639:. Kajet digital 631: 630: 626: 616: 614: 604: 600: 590: 588: 578: 574: 564: 562: 554: 553: 549: 539: 537: 527: 523: 513: 511: 503: 502: 498: 488: 486: 476: 472: 467: 429: 409: 396: 368: 366:on plastic bags 330: 305: 244: 242:Key exhibitions 217: 204: 172: 112: 103: 97: 66:Kosovo Albanian 58: 52: 46: 44: 36: 35:Selmani in 2023 24: 17: 12: 11: 5: 738: 728: 727: 722: 717: 712: 707: 693: 692: 683: 682:External links 680: 677: 676: 660:"Čitanje šume" 650: 624: 598: 572: 547: 521: 496: 469: 468: 466: 463: 428: 425: 408: 405: 395: 392: 367: 361: 329: 326: 304: 301: 300: 299: 288: 277: 266:Kunsthaus Graz 259: 243: 240: 216: 213: 203: 200: 171: 168: 164:Kunsthaus Graz 125:Driton Selmani 120: 119: 110: 106: 105: 100: 94: 93: 90: 89:Known for 86: 85: 82: 78: 77: 72: 68: 67: 64: 60: 59: 53: 42: 38: 37: 34: 26: 25: 23:Driton Selmani 22: 15: 9: 6: 4: 3: 2: 737: 726: 723: 721: 718: 716: 713: 711: 710:Living people 708: 706: 703: 702: 700: 690: 686: 685: 665: 661: 654: 638: 637:Kajet Journal 634: 628: 613: 609: 602: 587: 583: 576: 561: 557: 551: 536: 532: 525: 510: 506: 500: 485: 481: 474: 470: 462: 458: 456: 452: 448: 444: 439: 437: 433: 424: 422: 413: 404: 402: 391: 389: 385: 381: 372: 365: 360: 358: 354: 350: 346: 341: 339: 335: 325: 322: 318: 314: 310: 297: 293: 289: 286: 282: 278: 275: 271: 267: 263: 260: 256: 252: 249: 248: 247: 239: 237: 232: 229: 221: 212: 210: 199: 196: 193:, UK, at the 192: 187: 185: 181: 177: 167: 165: 161: 157: 156:Ludwig Museum 153: 149: 148:Balkan region 144: 142: 141:social change 138: 134: 133:visual artist 131:contemporary 130: 126: 117: 114:dritonselmani 111: 107: 101: 95: 91: 87: 83: 79: 76: 73: 69: 65: 61: 56: 43: 39: 32: 27: 20: 669:10 September 667:. Retrieved 663: 653: 643:10 September 641:. Retrieved 636: 627: 617:10 September 615:. Retrieved 611: 601: 591:10 September 589:. Retrieved 585: 575: 565:10 September 563:. Retrieved 560:Manifesta 14 559: 550: 540:10 September 538:. Retrieved 534: 524: 514:10 September 512:. Retrieved 508: 499: 489:11 September 487:. Retrieved 483: 473: 459: 442: 440: 431: 430: 418: 397: 380:plastic bags 377: 364:Love Letters 363: 342: 337: 334:MAXXI Museum 331: 312: 306: 291: 261: 250: 245: 233: 230: 226: 205: 188: 173: 145: 124: 123: 98:Notable work 705:1987 births 664:Viz Kultura 447:art history 388:consumerism 357:nationalism 345:Middle East 258:boundaries. 191:Bournemouth 63:Nationality 699:Categories 465:References 309:MSU Skopje 292:Lost Words 184:Kosovo War 160:MSU Skopje 81:Occupation 47:1987-02-08 586:Art Forum 455:Ljubljana 436:Prishtina 285:Prishtina 236:Amsterdam 152:Manifesta 71:Education 347:and the 332:Held at 307:Held at 137:identity 57:, Kosovo 384:plastic 296:Belgium 270:Austria 176:Kaçanik 129:Kosovar 109:Website 55:Ferizaj 612:Frieze 401:Kosovo 321:Berber 319:and a 255:Vienna 84:Artist 671:2024 645:2024 619:2024 593:2024 567:2024 542:2024 516:2024 491:2024 116:.com 41:Born 268:in 701:: 662:. 635:. 610:. 584:. 558:. 533:. 507:. 482:. 340:. 211:. 162:, 673:. 647:. 621:. 595:. 569:. 544:. 518:. 493:. 49:) 45:(

Index


Ferizaj
Arts University Bournemouth
dritonselmani.com
Kosovar
visual artist
identity
social change
Balkan region
Manifesta
Ludwig Museum
MSU Skopje
Kunsthaus Graz
Kaçanik
dissolution of Yugoslavia
Kosovo War
Bournemouth
Arts University Bournemouth
Kosovo's complex political landscape

Amsterdam
Vienna
Kunsthaus Graz
Austria
speculative futures
Manifesta Biennial
Prishtina
Belgium
MSU Skopje
Charles Baudelaire

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.