434:(2023) is the first comprehensive monograph on Driton Selmani, a multivalent Kosovar artist whose work spans various mediums, including sketching, photography, site-specific installations, sculpture, video art, and performance. The publication, as reflected in its title, draws attention to both Selmani and Kosovar artists who have often been "hidden in plain sight" within the broader art world. This richly illustrated and meticulously researched book traces Selmani's artistic career, offering detailed documentation of his exhibitions, making it an essential archive, handbook, and reference for understanding his work and the contemporary art scene in
371:
220:
412:
31:
423:, particularly in the Balkans. His ability to engage with complex themes in an accessible and thought-provoking manner has earned him recognition from both critics and the public. As he continues to develop his practice and engage with new projects, Selmani's influence is likely to grow, contributing to the ongoing dialogue about the role of art in addressing social and political issues.
460:
The book, designed by Nita Salihu Hoxha from Studio
Permanent, showcases Selmani's artistic journey through visual elements like sketches and drawings, further enriched by comprehensive documentation of his exhibitions. This English-language publication is not only a deep dive into Selmani's practice
206:
Selmani's artistic practice is characterized by its conceptual depth and versatility across different media. His work often blurs the boundaries between art and everyday life, challenging conventional perceptions of public and private spaces. A recurring theme in his work is the exploration of how
398:
Selmani's work is marked by its conceptual rigor and the use of humor and irony to critique societal norms. He often employs text and language as central elements in his work, creating pieces that engage viewers on both a visual and intellectual level. His art is deeply rooted in the context of
323:
proverb. Installed on the roof of the museum's atrium, the typographic sculpture is set against the sky above a pile of broken glass. The ever-shifting cloudscape provides a context and animates the text, but the real thrust of the piece is semiotic. By attributing the qualities of a dog to the
238:, utilizes light as a medium to explore themes of perception and perspective, encouraging viewers to reflect on their relationship with their surroundings and with others. The work has been praised for its ability to transform public space and engage audiences in a meaningful way.
390:, while transforming the mundane into a medium for intimate, thoughtful communication. His project has garnered attention for its inventive method of engaging with contemporary issues through a deeply personal lens, merging the every day with profound artistic expression.
227:
Selmani is particularly known for his site-specific projects and public art commissions. These works are designed to engage directly with the spaces they inhabit, creating a dialogue between the artwork, its environment, and the public.
257:
showcased
Selmani's exploration of the intersection between public and private spaces. The exhibition was a critical success, highlighting Selmani's ability to create thought-provoking works that challenge conventional artistic
298:, he continued his exploration of language, memory, and communication through his art. His works in this exhibition were noted for their poetic and poignant examination of the impermanence of words and the fragility of memory.
453:, and Linda Gusia, a sociologist and activist, explore the Kosovar dimensions of Selmani's art. Hana Ostan Ožbolt, curator and director of the ULAY Foundation, writes about her experience curating Selmani's exhibition in
178:, during a period marked by political unrest and conflict in the Balkans. Growing up in a post-socialist environment, his early life was influenced by the cultural and socio-political changes that took place during the
197:
where he began to develop his unique conceptual approach to art-making. His early works already exhibited his characteristic blend of personal narrative and critical engagement with broader social issues.
287:. His work in the biennial engaged with local narratives and the broader geopolitical context of the Balkans, further establishing his relevance in both regional and international art discourses.
246:
Selmani's work has been exhibited in various international exhibitions, contributing to his growing reputation as an influential contemporary artist. Some of his notable exhibitions include:
336:, Rome from 5 May 2021 to 12 September 2021, Selmani participated in his monumental work and in the limits of impossibility and destruction of public space with the title
186:. These experiences have profoundly shaped his artistic vision, inspiring him to delve into topics of collective memory, identity, and the socio-political landscape.
276:. Selmani's contribution to the exhibition was noted for its incisive commentary on the potential for art to envision alternative realities and societal structures.
234:
One of his most prominent public artworks is "Eye to Eye" (2018), created for the
Amsterdam Light Festival. This installation, part of the Light Art Collection in
355:
with a specific interpretation key. Over 50 artists read the history of the area through the gestures of contemporary heroes, who contributed to the crisis of
504:
146:
Selmani's art has garnered international recognition, positioning him as a significant figure in the contemporary art scene, particularly within the
135:
whose practice spans across various media including installation, photography, text, and public art. His works often explore complex themes such as
714:
324:
clouds, the artist inhabits a poetic terrain resignifying both and wittily affecting the representational relation between word and image.
632:
445:
features the most extensive and interdisciplinary text on
Selmani to date, positioning his work within the broader framework of
479:
403:, but its themes resonate universally, addressing broader questions of identity, memory, and the role of art in society.
308:
159:
378:
Since 2018, Driton
Selmani has been developing a distinctive, ongoing project in which he writes love letters on
231:
His works often provoke reflection on the role of art in society and its potential to influence social change.
449:. Additionally, contributions from notable figures such as Nita Luci, an anthropologist and professor at the
724:
311:
from 4 April 2022 to 25 February 2023, this exhibition takes its title from
Selmani's site-specific work
194:
74:
530:
272:, this exhibition featured Selmani's work alongside other contemporary artists, exploring the theme of
136:
719:
607:
450:
370:
207:
history, memory, and identity are constructed and perceived, particularly within the context of
709:
179:
704:
461:
but also a valuable reference on contemporary art in Kosovo and the broader Balkan region.
382:. This work touches on themes such as politics, ecology, art, and philosophy. By choosing
8:
581:
386:- an ordinary, disposable material - Selmani critiques the environmental consequences of
273:
219:
316:
208:
555:
411:
420:
659:
446:
359:, favoring important reflections on the themes of hospitality and coexistence.
265:
163:
480:"Conceptual artist Driton Selmani is taking his work to the streets of Kosovo"
698:
348:
155:
140:
92:
Conceptual art, drawing, photography, painting, sculpture, ready-made artist
457:, highlighting the role of international cultural cooperation in his work.
379:
143:, engaging viewers with a blend of humor, irony, and critical reflection.
387:
356:
344:
190:
132:
30:
352:
327:
183:
633:"Alex Fisher modifying brilliance: Driton Selmani at Kahán Art Space"
175:
454:
435:
343:
The exhibition marked a new chapter in the research dedicated to the
284:
280:
235:
151:
302:
128:
415:
E V E R Y T H I N G (Virtual Museum of Dotršcina, Zagreb, Croatia)
383:
338:
Red Tape, A brave intervention in a very sensitive place and time
320:
295:
269:
147:
54:
400:
254:
333:
279:
Manifesta 14 Prishtina (2022): a significant edition of the
688:
113:
419:
Driton
Selmani's work has had a significant impact on the
214:
223:
Eye to Eye (Amsterdam Light
Festival, The Netherlands)
166:, 019-Ghent, Kahan Art Space Vienna, and many others.
441:
Edited by art historian and curator Lora
Sariaslan,
328:
Bigger than Myself, Heroic Voices from ex-Yugoslavia
438:, Kosovo, within its broader geopolitical context.
696:
313:The Barking of the Clouds Does Not Hurt the Dogs
303:The Barking of The Clouds Does Not Hurt The Dogs
294:(2024): As part of this triennial exhibition in
189:Selmani pursued his education in visual arts in
362:
608:"Five Balkan Artists to Watch at Manifesta 14"
505:"Everything We Do is Really, Really Brilliant"
253:(2023): This solo exhibition at Kahan Art in
393:
251:Everything We Do Is Really, Really Brilliant
169:
150:. He is known for his participation at the
29:
528:
426:
657:
529:Hribernik, Andreja (27 September 2023).
477:
410:
369:
218:
605:
283:, which took place in his home city of
697:
154:14, Beaufort Triennale, Maxxi Museum,
715:Alumni of Arts University Bournemouth
478:Caraccio, Camilla (23 January 2019).
215:Site-specific projects and public art
658:Šimpraga, Saša (13 September 2021).
606:Bradley, Kimberly (11 August 2022).
579:
406:
351:. Illustrating the artistic buzz in
209:Kosovo's complex political landscape
201:
174:Driton Selmani was born in Doganaj,
13:
531:"The Other. Re-Imagine the Future"
241:
14:
736:
681:
262:The Other Re-Imagine the Future
651:
625:
599:
573:
548:
522:
497:
471:
1:
464:
158:, Virtualni muzej Dotrščina,
353:former Yugoslavian countries
7:
195:Arts University Bournemouth
75:Arts University Bournemouth
10:
741:
374:Love Letters, Manifesta 14
102:Love Letters (2018 — 2024)
394:Artistic style and themes
180:dissolution of Yugoslavia
139:, politics, history, and
108:
96:
88:
80:
70:
62:
40:
28:
21:
535:Universalmuseum Joanneum
484:New East Digital Archive
170:Early life and education
451:University of Prishtina
315:, 2022, a riff on both
427:Books and publications
421:contemporary art scene
416:
375:
224:
104:Manifesta 14 Prishtina
443:Hidden in Plain Sight
432:Hidden in Plain Sight
414:
373:
222:
16:Kosovar visual artist
509:Eva Kahan Foundation
725:People from Ferizaj
580:Krasniqi, Erëmirë.
290:Triennale Beaufort
274:speculative futures
182:and the subsequent
417:
376:
349:Mediterranean area
317:Charles Baudelaire
281:Manifesta Biennial
225:
407:Impact and legacy
202:Artistic practice
127:(born 1987) is a
122:
121:
732:
691:
689:Official Website
675:
674:
672:
670:
655:
649:
648:
646:
644:
629:
623:
622:
620:
618:
603:
597:
596:
594:
592:
582:"Driton Selmani"
577:
571:
570:
568:
566:
556:"Driton Selmani"
552:
546:
545:
543:
541:
526:
520:
519:
517:
515:
501:
495:
494:
492:
490:
475:
264:(2023): Held at
118:
115:
99:
51:February 8, 1987
50:
48:
33:
19:
18:
740:
739:
735:
734:
733:
731:
730:
729:
720:Kosovan artists
695:
694:
687:
684:
679:
678:
668:
666:
656:
652:
642:
640:
639:. Kajet digital
631:
630:
626:
616:
614:
604:
600:
590:
588:
578:
574:
564:
562:
554:
553:
549:
539:
537:
527:
523:
513:
511:
503:
502:
498:
488:
486:
476:
472:
467:
429:
409:
396:
368:
366:on plastic bags
330:
305:
244:
242:Key exhibitions
217:
204:
172:
112:
103:
97:
66:Kosovo Albanian
58:
52:
46:
44:
36:
35:Selmani in 2023
24:
17:
12:
11:
5:
738:
728:
727:
722:
717:
712:
707:
693:
692:
683:
682:External links
680:
677:
676:
660:"Čitanje šume"
650:
624:
598:
572:
547:
521:
496:
469:
468:
466:
463:
428:
425:
408:
405:
395:
392:
367:
361:
329:
326:
304:
301:
300:
299:
288:
277:
266:Kunsthaus Graz
259:
243:
240:
216:
213:
203:
200:
171:
168:
164:Kunsthaus Graz
125:Driton Selmani
120:
119:
110:
106:
105:
100:
94:
93:
90:
89:Known for
86:
85:
82:
78:
77:
72:
68:
67:
64:
60:
59:
53:
42:
38:
37:
34:
26:
25:
23:Driton Selmani
22:
15:
9:
6:
4:
3:
2:
737:
726:
723:
721:
718:
716:
713:
711:
710:Living people
708:
706:
703:
702:
700:
690:
686:
685:
665:
661:
654:
638:
637:Kajet Journal
634:
628:
613:
609:
602:
587:
583:
576:
561:
557:
551:
536:
532:
525:
510:
506:
500:
485:
481:
474:
470:
462:
458:
456:
452:
448:
444:
439:
437:
433:
424:
422:
413:
404:
402:
391:
389:
385:
381:
372:
365:
360:
358:
354:
350:
346:
341:
339:
335:
325:
322:
318:
314:
310:
297:
293:
289:
286:
282:
278:
275:
271:
267:
263:
260:
256:
252:
249:
248:
247:
239:
237:
232:
229:
221:
212:
210:
199:
196:
193:, UK, at the
192:
187:
185:
181:
177:
167:
165:
161:
157:
156:Ludwig Museum
153:
149:
148:Balkan region
144:
142:
141:social change
138:
134:
133:visual artist
131:contemporary
130:
126:
117:
114:dritonselmani
111:
107:
101:
95:
91:
87:
83:
79:
76:
73:
69:
65:
61:
56:
43:
39:
32:
27:
20:
669:10 September
667:. Retrieved
663:
653:
643:10 September
641:. Retrieved
636:
627:
617:10 September
615:. Retrieved
611:
601:
591:10 September
589:. Retrieved
585:
575:
565:10 September
563:. Retrieved
560:Manifesta 14
559:
550:
540:10 September
538:. Retrieved
534:
524:
514:10 September
512:. Retrieved
508:
499:
489:11 September
487:. Retrieved
483:
473:
459:
442:
440:
431:
430:
418:
397:
380:plastic bags
377:
364:Love Letters
363:
342:
337:
334:MAXXI Museum
331:
312:
306:
291:
261:
250:
245:
233:
230:
226:
205:
188:
173:
145:
124:
123:
98:Notable work
705:1987 births
664:Viz Kultura
447:art history
388:consumerism
357:nationalism
345:Middle East
258:boundaries.
191:Bournemouth
63:Nationality
699:Categories
465:References
309:MSU Skopje
292:Lost Words
184:Kosovo War
160:MSU Skopje
81:Occupation
47:1987-02-08
586:Art Forum
455:Ljubljana
436:Prishtina
285:Prishtina
236:Amsterdam
152:Manifesta
71:Education
347:and the
332:Held at
307:Held at
137:identity
57:, Kosovo
384:plastic
296:Belgium
270:Austria
176:Kaçanik
129:Kosovar
109:Website
55:Ferizaj
612:Frieze
401:Kosovo
321:Berber
319:and a
255:Vienna
84:Artist
671:2024
645:2024
619:2024
593:2024
567:2024
542:2024
516:2024
491:2024
116:.com
41:Born
268:in
701::
662:.
635:.
610:.
584:.
558:.
533:.
507:.
482:.
340:.
211:.
162:,
673:.
647:.
621:.
595:.
569:.
544:.
518:.
493:.
49:)
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.