Dreamsnake - Knowledge

441:, along with much of McIntyre's work, also explores the effects of freedom and imprisonment. Many of her characters attempt to free themselves from shackles of varying kinds, including self-imposed psychological limitations, the challenges created by physical infirmity or appearance, and oppression by other humans. Snake encounters two freed slaves who work for the mayor of Mountainside, who freed them by banning slavery in his town. One bears a ring in her heel as a relic of enslavement; when Snake tells her she could have it removed, she is overjoyed, though the process risks laming her. The other is notionally free but feels obliged to serve the mayor's every whim out of gratitude. Melissa is handicapped differently: because of her disfiguring burns, in a society that judges people on their physical appearance, she leads a hidden existence. Other characters who are fettered in some way include North, whose incurable 452:, sometimes featuring dual meanings, as when Snake and Arevin discuss the term "friend", to which Arevin attaches greater significance, or in the figurative offer of help that the mountain people use to offer a sexual relationship. Arevin's initial unwillingness to share his name with Snake, and his explanation of what "friend" signifies to him shows his people's deep-rooted suspicion of strangers; and when he leaves, he seeks to explain to the healers the cultural factors that resulted in Grass being killed. Cultural biases also impede the healers' ability to understand the alien biology of the dreamsnakes. Their knowledge of Earth biology leads them to erroneously assume creatures mate in pairs; only Snake's circumstances enable her to discover they are triploid. The narrative thus argues that acceptance of difference can lead to growth and change. 319:

is addicted to dreamsnake venom. Snake makes him take her to a community whose leader, North, possesses several dreamsnakes, and occasionally allows his followers to be bitten by them as a reward. The community lives in a "broken dome", a relic of a past civilization. North, who bears all healers a grudge, puts Snake in a large, cold pit filled with dreamsnakes. In the pit, Snake realizes that the intense cold brings dreamsnakes to maturity, and they breed in triplets, rather than the paired sexes of Earth. Her immunity to venom allows her to survive the pit, and eventually to climb out. While North's henchmen are in venom-induced comas, she finds Melissa similarly comatose, and escapes with her and a bag of dreamsnakes. She is met outside by Arevin, who helps Melissa recover.

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because it was an ethical choice, and not as a consequence of her femininity. Although she finds a family in Arevin and Melissa, that is not where Snake seeks her "ultimate fulfillment as a woman": her triumph at the story's end comes from her discovery of the dreamsnakes' breeding habits. Love is depicted as insufficient for a relationship; Arevin must learn to trust Snake's strength, and resist the temptation to protect her. The ideal of mutual respect is also shown in the utopian structure of the nomads' society. The nomads respect individual agency, in contrast to the people of the city, who isolate themselves from the world from a desire to protect themselves. Paulsen sees this as a cultural tendency typical of

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house by a man she assumes is the crazy. She discovers that Melissa has been physically and sexually abused by the stablemaster, and uses this knowledge to convince the mayor to free her. Melissa accompanies Snake as her adopted daughter when Snake leaves for Center. Snake explains to her that dreamsnakes are very rare, and that the healers have not found a way to make them breed. Meanwhile, Arevin arrives at the healer's dwelling north of Mountainside, but he is told that Snake is not there, and goes south to find her. In Mountainside, he is briefly detained on suspicion of having been Snake's attacker, but is released.

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convulsions through the night, despite the terror that snakes hold for his people. She returns to Stavin in the morning to find that his parents have mortally wounded Grass, afraid he would hurt the boy. Despite her anger, she allows Mist to bite Stavin and inject the antidote. The leader of the nomads apologizes to Snake, and Arevin asks her to stay with them, but Snake explains that she needs a dreamsnake for her work and must return home and ask for a new one. She expresses fear that the other healers will take her snakes and cast her out instead. As she leaves, Arevin asks her to return someday.

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Merideth and Alex, a third partner, convince Jesse that they should return to Center, where Jesse is from, in the hope that the off-worlders may be able to help her. Wandering around near the camp, Snake sees the body of Jesse's horse and realizes the area it fell is radioactive; Jesse had lain there long enough to have fatal radiation poisoning. Snake offers to let Mist bite Jesse and relieve her pain; Jesse accepts, and Merideth and Alex bid her farewell. Before she dies, Jesse tells Snake that her family is indebted to Snake and could help her get another dreamsnake from another planet.

642:, saying that nothing substantial occurred for much of the book, and that it was an example of why even excellent short stories ought not to be expanded into novels, while Estes also commented that it had "lost some of the subtlety" of the original short story. Other reviewers commented negatively on Arevin's brief appearances in the story, as being unnecessary. Wendell wrote in 1982 that the device was a reversal of a usual fictional trope, and that these reviewers may have been uncomfortable with a female protagonist solving her difficulties on her own. 356:

require rescue. Gender expectations are also subverted through the character of Merideth, whose gender is never disclosed, as McIntyre entirely avoids using gender pronouns, thereby creating a "feminist construct" that suggests a person's character and abilities are more important than their gender. Characters are often introduced with reference to their profession, and later casually revealed to be female, thereby potentially subverting readers' expectations.

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Mountainside, where the mayor's son Gabriel asks her to heal the mayor. While staying with them, Snake invites Gabriel to sleep with her. After he expresses hesitation, she learns that he impregnated a friend as a result of being improperly taught "biocontrol", and that this led to a difficult relationship with his father. She tells him he can still learn, and suggests he find a different teacher when he leaves Mountainside, as he intends to do.

378: 494:. Her freedom gives her greater responsibility and allows her to free others, such as Gabriel and Melissa. While exploring her sexuality, Snake also retains more agency than is typical for female characters in the genre. According to Lefanu, through Snake's sexual activity, and the sexual politics of the book more generally, McIntyre suggests that in the world of 425:, reversing it so the woman controls the snakes. The depiction of Center, a place of sophisticated technology that has cut itself off from the rest of society, is associated with an exploration of the relationship between "centre and margins, insider and outsider, self and other" that is also found in McIntyre's 268:

Arevin, for instance, has never seen a book. The exception is the single city of Center, which has sophisticated technology and is in contact with other planets, but which has a rigidly hierarchical structure and does not permit outsiders to enter. The city also serves as the setting for McIntyre's first novel,

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The book's feminist themes are also related to an exploration of healing and wholeness, according to scholar Inge-Lise Paulsen. Snake is a professional healer, ostensibly fitting the stereotype of a nurturing woman, but McIntyre depicts her as someone who is a healer because she was trained to be and

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Snake and Melissa cross the eastern desert and reach Center, but are turned away, like every previous emissary from the healers. Soon after they return to the mountains, they are attacked again by the crazy, who demands the dreamsnake, and collapses when he learns the serpent is dead. Snake learns he

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had "little in the way of a plot", but that the story did not rely on plot for its effectiveness; he described it instead as a "novel of experience", written with a "good deal of thought and sincerity", and very readable. Card wrote that he was initially hesitant about the expansion of "Of Mist, and

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in science fiction, which had largely been devoted to masculine adventures prior to a body of science fiction writing by women in the 1960s and 1970s that subverted conventional narratives. McIntyre uses the post-apocalyptic setting to explore a variety of social structures and sexual paradigms from

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The novel opens with Snake coming to a nomadic tribe to treat a boy, Stavin, who has a tumor. While her cobra Mist manufactures an antidote in her venom glands, she leaves Grass, the dreamsnake, with Stavin to help him sleep. One of the nomads, Arevin, helps Snake control Mist as the cobra undergoes

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that "destroyed everyone who knew or cared about the reasons it had happened". Most animal species are extinct, regions of the planet are radioactive, and the sky is hidden by dust. Human society is depicted as existing in what journalist Sam Jordison describes as "low-tech tribalism": the character

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Snake stops at an oasis, where she is asked to help Jesse, a woman who has injured herself falling off a horse. Jesse's partner Merideth takes Snake to their camp, leaving Snake's baggage at the oasis. Snake finds that Jesse has broken her spine, leaving her paralyzed, something Snake cannot heal.

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s strong female protagonist. Snake's centrality to the book allows McIntyre to explore gender as its central theme and subvert gendered tropes: Snake, like many of McIntyre's protagonists, is an assertive woman in a traditionally male role, although she is a healer, rather than an archetypal male

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While checking on her horses, Snake meets Melissa, a girl with a severely burned face who helps the stablemaster, who takes credit for her work. Her scars make her self-conscious of her appearance in a town of otherwise beautiful people. Shortly after, Snake is attacked on her way to the mayor's

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is rewritten: the central figure is a woman, and the challenges faced require healing and care, rather than force, to overcome. A conventional fictional pattern of a hero being pursued, or waited for, by a female lover, is reversed, as Arevin follows Snake, who receives his support but does not

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also attracted comment. Scholar Diane Wood wrote that the novel showed "science fiction's potential to produce aesthetic pleasure through experimentation with linguistic and cultural codes". Wood also praised McIntyre's theme of communication across cultures, saying that her style and "vivid

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as the "high-point" in portrayals of fictional relationships between snakes and humans. Card also highlighted the self-sufficiency of Snake's character, and added that McIntyre had successfully tied together a "superficially episodic story", and created a "vicious but beautiful world", with

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Returning to the oasis, Snake finds that someone has rifled through her belongings and stolen her journal. Grum, a caravan leader also camped there, says it was the work of a "crazy". Back among the nomads, Arevin decides to go after Snake. Snake crosses the Western desert to the town of

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is written in a clear, quick-moving prose, with brief, lyrically intense landscape passages that take the reader straight into its half-familiar, half-strange desert world, and fine descriptions of the characters' emotional states and moods and changes." In 1981 science fiction scholar

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characterization" strengthened her message of "greater compassion and understanding", and made the "richly textured novel" a pleasure to read. Scholar Gary Wesfahl favorably compared McIntyre's depiction of snakes to that in other works of speculative fiction, describing

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McIntyre uses language conveying complex and multiple meanings, thus challenging readers to engage deeply. Snake's name, and the snakes she uses, invoke images drawn from religion and mythology. For instance, modern-day physicians in the United States use a caduceus, or

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Grass, and Sand", which he called a "gem perfectly polished". He criticized some passages, such as the characterization of Melissa, as maudlin; and others as dragging on too long, but said that ultimately he did not wish for the book to end.

413:, including both death and rejuvenation. They are a recurring motif in fiction, being depicted in widely varying roles and forms. Their symbolic association with both poison and healing, for instance, connects McIntyre's protagonist to 569:

has been identified as part of a wave of feminist speculative fiction that emerged in the 1970s and established the position of female authors in a field where they had been marginalized. This body of work included writing by Le Guin,

479:, improving peoples' lives with "love and understanding": she immunizes Grum's people, rescues Melissa, and helps Gabriel overcome his inability to control his fertility, a "hideous problem" in their society. Scholar 609:

commented that it was the "poetically negotiable authenticity" of Snake's adventure that made the book successful, and that it was an enduring work among those that had won Hugo and Nebula awards. A 2012 review in

421:. These dual meanings are illustrated by the dreamsnake Grass, who in the story is a powerful tool for the healer while also being an object of fear for the desert people. Snake's use of serpents plays on the 244:. During a 1972 workshop session, one of the assignments was to create a story from two randomly chosen words, one pastoral, and one related to technology. McIntyre's effort would become her 1973 short story " 475:

described Snake's character as self-sufficient: she has solved her own problems and subverted the expectation that she would be rescued at the novel's end. For Card, Snake has much in common with the

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in 1979. The strength and self-sufficiency of Snake as a protagonist were noted by several commentators. Reviewers also praised McIntyre's writing and the book's themes. Scholar Diane Wood wrote that

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has led to constant psychotic rage; the "crazy", trapped by his addiction; Gabriel, embarrassed by his failure at controlling his fertility; and Arevin, who feels caught by familial responsibility.

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serpents to cure sickness—one snake is an alien "dreamsnake", whose venom gives dying people pleasant dreams. The novel follows Snake as she seeks to replace her dreamsnake after its death.

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are depicted in a negative light, as with the mayor of Mountainside, the abusive stablemaster, or North; Arevin, who is "gentle and persistent", is in the background for most of the book.

252:, and was used unchanged as the first chapter of the novel, which also incorporated two other pieces by McIntyre: "The Broken Dome" and "The Serpent's Death", both published in 1978. 364:, and writes that McIntyre's depiction of an ethical need for wholeness and an understanding of connections between the facets of society is also found in the work of Le Guin and in 487:, who struggles through much adversity before escaping the city of Center. Snake is depicted as "brave, loyal and intelligent", with a strong desire for justice, and a kind nature. 189:

in science fiction. McIntyre subverted conventionally gendered narratives by rewriting a typical heroic quest to place a woman at its center, and by using devices such as avoiding

1920: 435:(1983). Center exhibits a rigid social order; in contrast, social change occurs outside, at the margins of society, and Center, despite its name, is rendered irrelevant. 498:, it is "possible both to be a woman and to be fully human". Snake's character has been described as an example of feminist reclamation of the archetype of a 270: 201:

also explored varying social structures and sexual paradigms from a feminist perspective, and examined themes of healing and cross-cultural interaction.

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was thus eligible for the 1980 award because its first paperback edition had been released in 1979, while the 1978 version had been published as a

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Some reviewers commented on the length and structure of the novel, and made varyingly favorable comparisons to "Of Mist, and Grass, and Sand". A

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demonstrated "science fiction's potential to produce aesthetic pleasure through experimentation with linguistic and cultural codes", and author

2077: 1942: 1855: 4014: 294:, named Mist, and a "dreamsnake" named Grass, from an alien world, and who relieves the pain of dying patients by letting them dream. 4896: 2315:

Jones, Anne Hudson (Winter 1983). "The Healer-Patient/Family Relationship in Vonda N. McIntyre's "Of Mist, and Grass, and Sand"".

897: 2099: 1972: 1916: 600:, describing it as "a book like a mountain stream—fast, clean, clear, exciting, beautiful". Writing in 2011, she elaborated: " 4083: 4038: 2692: 2641: 2591: 2572: 2551: 2520: 2470: 2451: 2428: 2407: 2386: 2305: 2282: 2261: 2240: 2016: 4906: 3837: 4845: 3493: 2712: 4020: 554: 240:, set up the Clarion West writers' workshop, which she helped run through 1973. One of the workshop's instructors was 4911: 4032: 1586:

Wilcox, Robert A; Whitham, Emma M (April 15, 2003). "The symbol of modern medicine: why one snake is more than two".

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Scholar Carolyn Wendell writes that Snake is more able to make her own choices than many of the other characters in

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called it a "challenging, unsettling book", and said that McIntyre's fictional world was "expertly drawn".

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described it as among the year's "most sensitively-written and poetic novels". Le Guin praised

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The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders

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Kilgore, De Witt Douglas (July 2000). "Vonda N. McIntyre's Parodic Astrofuturism".

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called it "a book like a mountain stream—fast, clean, clear, exciting, beautiful".

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Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980

2230: 835: 667:"Of Mist, and Grass, and Sand" ends with Snake's departure from the nomads' camp. 538: 422: 402: 190: 159: 60: 502:: a person shunned by patriarchal society, redrawn as an image of female power. 4666: 4659: 4611: 4372: 4169: 3786: 3762: 3582: 3546: 3305: 3274: 2970: 2831: 2800: 2764: 2686: 765: 4068: 2664: 2614: 483:

describes Snake as an "older and wiser" version of Mischa, the protagonist of

409:, and signifies that its carrier is a bearer of divine knowledge. Snakes have 4880: 4803: 4779: 4774: 4695: 4647: 4606: 4594: 4535: 4468: 4277: 4265: 4123: 3994: 3958: 3822: 3798: 3727: 3722: 3715: 3703: 3639: 3505: 3498: 3463: 3446: 3391: 3322: 3238: 3226: 3179: 3048: 3043: 3024: 3015: 3010: 2859: 2672: 2622: 606: 365: 340: 2697: 2651:

Wood, Diane S. (1990). "Breaking the Code: Vonda N. McIntyre's Dreamsnake".

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Wolmark, Jenny (1988). "Alternative futures? Science fiction and feminism".

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Le Guin, Ursula (2016). "The Wild Winds of Possibility: Vonda N. McIntyre's

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described the book as a "truly mesmerizing story", while Sally Estes of the

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books, women are depicted in many leadership positions. The archetype of a

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Williams, Donna Glee (2002). "Dreamsnake". In Kelleghan, Fiona (ed.).

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Wendell, Carolyn (1982). "Responsible Rebellion in Vonda McIntyre's

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Critical encounters II : Writers and Themes in Science Fiction

977:"Vonda N. McIntyre, 70, Champion of Women in Science Fiction, Dies" 336: 3691: 2046: 1917:"Keith Stokes, Vonda N. McIntyre honored with SFWA Service Award" 237: 1822:

Estes, Sally (September 17, 1978). "Fear the Dragon No Longer".

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Cyberpunk Women, Feminism and Science Fiction: A Critical Study

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Aliens and Others: Science Fiction, Feminism and Postmodernism

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Paulsen, Inge-Lise (1984). "Can Women Fly?: Vonda McIntyre's

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McIntyre's writing was highlighted by several reviewers. The

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The Best Science Fiction and Fantasy of the Year, Volume Ten

1501: 1499: 1497: 541:. "Of Mist, and Grass, and Sand" had won McIntyre her first 377: 2759: 1671: 1669: 1667: 1434: 1362: 1350: 1338: 1326: 1314: 1302: 1290: 1278: 1266: 1254: 1242: 1200: 1118: 1116: 1091: 1089: 1087: 1085: 934:. In Nicholls, Peter; Clute, John; Sleight, Graham (eds.). 448:

Interaction between cultural codes is a recurring theme in

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Waite, Dennis (August 6, 1978). "Talking of Time Warps".

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in 1978, with a cover illustration by Stephen Alexander.

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in the communities Snake visits. As in McIntyre's later

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Late Cold War Literature and Culture: The Nuclear 1980s

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Republication of Le Guin's comment in the book's blurb.

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are often a symbol of medicine. The healer's snakes in

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Lloyd, David (June 2, 1978). "Another Best Seller?".

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Index to Science Fiction Anthologies and Collections

815: 813: 811: 2164: 1026:"Back to the Hugos: Dreamsnake by Vonda N McIntyre" 2584:Classics of Science Fiction and Fantasy Literature 808: 4878: 2381:. Cambridge University Press. pp. 367–379. 1019: 1017: 4098: 2203: 676:The American Book Awards distinguished between 3852: 830: 828: 549:, in 1974, as well as being nominated for the 4084: 3838: 2727: 2713: 2377:. In Canavan, Gerry; Link, Eric Carl (eds.). 1817: 1815: 1813: 1014: 2210:Stableford, Brian (May 1975). "Dreamsnake". 1849: 1847: 1845: 895: 505: 193:to challenge expectations about characters' 166:. It is an expansion of her 1973 novelette " 16:1978 science fiction novel by Vonda McIntyre 1797: 1795: 970: 968: 840:The Magazine of Fantasy and Science Fiction 825: 619:The themes, symbology, and language use in 256:, McIntyre's second novel, was released by 174:in 1974. The story is set on Earth after a 4091: 4077: 3845: 3831: 2720: 2706: 2209: 1810: 417:, the Roman god of healing, who carries a 27: 4892:Nebula Award for Best Novel-winning works 1842: 860: 858: 856: 854: 227: 204:The novel was well-received, winning the 2581: 2560: 2460: 2379:The Cambridge History of Science Fiction 1792: 1646: 1443: 1368: 1356: 1344: 1332: 1320: 1308: 1296: 1284: 1272: 1260: 1248: 1236: 1221: 1209: 1194: 1182: 1170: 1158: 1146: 1134: 1122: 1107: 1061: 1023: 974: 965: 513:won multiple awards, including the 1978 376: 4887:Hugo Award for Best Novel-winning works 2629: 2600: 2529: 2479: 2437: 2395: 2351: 2291: 2143: 2003: 1891: 1854:Card, Orson Scott (November 10, 1978). 1836: 1786: 1747: 1735: 1723: 1711: 1699: 1687: 1675: 1600:10.7326/0003-4819-138-8-200304150-00016 1561: 1549: 1537: 1520: 1488: 1473: 1458: 1428: 1416: 1404: 1392: 1380: 1076: 1008: 864: 726: 724: 322: 4879: 2416: 2270: 2249: 2228: 2066: 1903: 1879: 1579: 1505: 1049: 959: 851: 715: 4072: 3826: 2701: 2693:Internet Speculative Fiction Database 2372: 2314: 2194: 2155: 1821: 1573: 1095: 929: 925: 923: 889: 746:from the original on October 25, 2015 465:hero. Most of the male characters in 282:in her trade. She travels with three 185:The book is considered an example of 2650: 2508: 2317:Perspectives in Biology and Medicine 2294:"Little Sisters – Vonda N. McIntyre" 2182: 2170: 2131: 1853: 1774: 1762: 1658: 1631: 819: 721: 527:Pacific Northwest Booksellers' Award 4846:Babel, or the Necessity of Violence 3494:Harry Potter and the Goblet of Fire 2490:Women's Studies International Forum 987:from the original on April 11, 2019 975:Sandomir, Richard (April 5, 2019). 936:The Encyclopedia of Science Fiction 877:from the original on March 29, 2020 533:in International Fiction. In 1995, 455: 13: 2512:The Science fiction reference book 1923:from the original on July 16, 2012 920: 555:Locus Award for Best Short Fiction 33:Cover of first edition (hardcover) 14: 4923: 4440:Tehanu: The Last Book of Earthsea 3542:Jonathan Strange & Mr Norrell 2680: 2076:. World Science Fiction Society. 1802:"Dreamsnake, by Vonda McIntyre". 539:Retrospective James Tiptree Award 537:was put on the shortlist for the 529:, and was nominated for the 1979 2080:from the original on May 7, 2011 1024:Jordison, Sam (April 16, 2012). 865:Holland, Steve (April 4, 2019). 405:, the caduceus is the symbol of 343:a prominent place, she explores 98:Print (hardback & paperback) 4897:American science fiction novels 4035:(1989–1997, 1999, 2017–present) 3942:Where Late the Sweet Birds Sang 3163:Where Late the Sweet Birds Sang 2292:Strahan, Jonathan, ed. (2016). 2188: 2149: 2092: 2047:"1995 Retrospective Honor List" 2039: 2009: 1965: 1935: 1909: 736:Science Fiction Awards Database 670: 661: 523:Locus Poll Award for Best Novel 460:Multiple reviewers highlighted 382:Two snakes wound around a staff 170:", for which she won her first 2870:(aka: The Forever Machine) by 2567:. Greenwood Publishing Group. 2546:. F. Ungar. pp. 125–144. 2235:. Liverpool University Press. 930:Clute, John (April 13, 2020). 783: 758: 590:called it "gripping", and the 553:in the same category, and the 399:staff with intertwining snakes 339:perspective. By giving female 1: 4655:The Yiddish Policemen's Union 3578:The Yiddish Policemen's Union 699: 330:is considered an exemplar of 3032:The Moon Is a Harsh Mistress 2636:. University of Iowa Press. 2502:10.1016/0277-5395(84)90064-5 2423:. Indiana University Press. 2420:Feminism and Science Fiction 1806:. July 22, 1979. p. 23. 1239:, pp. 142–143, 149–157. 1224:, pp. 104–107, 134–135. 588:American Library Association 278:is Snake, a healer who uses 246:Of Mist, and Grass, and Sand 168:Of Mist, and Grass, and Sand 7: 4907:1978 science fiction novels 4332:The Claw of the Conciliator 3103:To Your Scattered Bodies Go 2461:McIntyre, Vonda N. (1978). 1588:Annals of Internal Medicine 898:"Stories, Listed by Author" 867:"Vonda N McIntyre obituary" 515:Nebula Award for Best Novel 297: 274:(1975). The protagonist of 130:Nebula Award for Best Novel 10: 4928: 2966:The Man in the High Castle 2954:Stranger in a Strange Land 2542:". In Staicar, Tom (ed.). 2509:Tymn, Marshall B. (1981). 2222: 791:"Vonda N. McIntyre Awards" 124:Locus Award for Best Novel 4858:The Saint of Bright Doors 4813: 4562: 4433:Elizabeth Ann Scarborough 4311: 4297:The Fountains of Paradise 4177:The Left Hand of Darkness 4153:The Einstein Intersection 4110: 4004: 3864: 3782:A Desolation Called Peace 3749: 3604: 3473: 3459:To Say Nothing of the Dog 3332: 3210:The Fountains of Paradise 3201: 3079:The Left Hand of Darkness 3070: 2921: 2846: 2739: 2665:10.3828/extr.1990.31.1.63 2615:10.1080/09502388800490021 2373:Lacey, Lauren J. (2018). 2277:. Palgrave Macmillan UK. 2250:Bammer, Angelika (2012). 519:Hugo Award for Best Novel 506:Reception and recognition 263:The story is set after a 162:novel by American writer 139: 118:Hugo Award for Best Novel 110: 102: 94: 86: 76: 66: 56: 48: 38: 26: 4912:Novels by Vonda McIntyre 4763:All the Birds in the Sky 2942:A Canticle for Leibowitz 2396:Lavigne, Carlen (2013). 2052:James Tiptree, Jr. Award 1919:. SWFA. March 11, 2010. 1824:The Park City Daily News 896:Stephenson-Payne, Phil. 654: 423:biblical myth of Genesis 248:". That story grew into 4500:The Terminal Experiment 3623:The City & the City 2630:Wolmark, Jenny (1994). 2561:Westfahl, Gary (2005). 2354:Science Fiction Studies 2271:Cordle, Daniel (2017). 2158:The Cincinnati Enquirer 638:review was critical of 629:well-drawn characters. 411:other symbolic meanings 4548:Parable of the Talents 3758:A Memory Called Empire 3683:The Three-Body Problem 2867:They'd Rather Be Right 2748:The Sword in the Stone 2417:Lefanu, Sarah (1989). 2197:The Charlotte Observer 1981:. 1979. Archived from 1860:Science Fiction Review 561:was nominated for the 389: 284:genetically engineered 228:Background and setting 4787:The Calculating Stars 4039:Best Young Adult Book 3735:The Calculating Stars 3559:Robert Charles Wilson 3482:A Deepness in the Sky 3016:...And Call Me Conrad 2978:Here Gather the Stars 2947:Walter M. Miller, Jr. 2691:title listing at the 2484:and Sally Gearhart's 2329:10.1353/pbm.1983.0037 2229:Ashley, Mike (2007). 380: 4902:1978 American novels 4799:A Song for a New Day 4792:Mary Robinette Kowal 4720:Kim Stanley Robinson 4624:Lois McMaster Bujold 4524:The Moon and the Sun 4481:Kim Stanley Robinson 4452:Stations of the Tide 4421:Lois McMaster Bujold 4392:Speaker for the Dead 4225:Rendezvous with Rama 4141:Flowers for Algernon 3906:Rendezvous with Rama 3806:Some Desperate Glory 3740:Mary Robinette Kowal 3535:Lois McMaster Bujold 3440:Kim Stanley Robinson 3416:Lois McMaster Bujold 3404:Kim Stanley Robinson 3377:A Fire Upon the Deep 3370:Lois McMaster Bujold 3358:Lois McMaster Bujold 3294:Speaker for the Dead 3127:Rendezvous with Rama 2907:A Case of Conscience 2465:. Houghton Mifflin. 2446:. Small Beer Press. 2017:"1979 Ditmar Awards" 932:"McIntyre, Vonda N." 732:"Nebula Awards 1974" 563:American Book Awards 419:serpent-entwined rod 332:second-wave feminism 323:Themes and structure 187:second-wave feminism 180:genetically modified 4863:Vajra Chandrasekera 4768:Charlie Jane Anders 4213:The Gods Themselves 3894:The Gods Themselves 3882:The Lathe of Heaven 3115:The Gods Themselves 2772:Beyond This Horizon 2444:Words Are My Matter 2134:, pp. 201–203. 2100:"1974 Locus Awards" 2027:on January 18, 2010 1973:"1979 Locus Awards" 1894:, pp. 143–144. 1839:, pp. 125–126. 1804:Santa Cruz Sentinel 1750:, pp. 141–143. 1738:, pp. 132–133. 1726:, pp. 127–129. 1714:, pp. 127–128. 1576:, pp. 277–279. 1564:, pp. 105–106. 1552:, pp. 104–106. 1540:, pp. 104–105. 1508:, pp. 107–108. 1491:, pp. 139–142. 1446:, pp. 152–154. 1383:, pp. 260–261. 1371:, pp. 267–275. 1359:, pp. 254–255. 1347:, pp. 234–237. 1335:, pp. 220–225. 1323:, pp. 205–207. 1311:, pp. 199–201. 1299:, pp. 179–185. 1287:, pp. 216–218. 1275:, pp. 164–171. 1263:, pp. 158–159. 1251:, pp. 126–130. 1212:, pp. 111–116. 1098:, pp. 375–376. 908:on January 25, 2021 593:Cincinnati Enquirer 583:Santa Cruz Sentinel 401:, as an emblem: in 388:invoke this symbol. 23: 4691:Blackout/All Clear 4021:Best Fantasy Novel 3635:Blackout/All Clear 3590:The Graveyard Book 3108:Philip José Farmer 3037:Robert A. Heinlein 2959:Robert A. Heinlein 2935:Robert A. Heinlein 2888:Robert A. Heinlein 2855:The Demolished Man 2825:Robert A. Heinlein 2515:. Starmont House. 2110:on October 1, 2013 2074:"1974 Hugo Awards" 1943:"1979 Hugo Awards" 981:The New York Times 635:Charlotte Observer 525:. It also won the 390: 21: 4872: 4871: 4834:A Master of Djinn 4727:Ancillary Justice 4672:Ursula K. Le Guin 4553:Octavia E. Butler 4529:Vonda N. McIntyre 4445:Ursula K. Le Guin 4404:The Falling Woman 4344:No Enemy But Time 4290:Vonda N. McIntyre 4242:Ursula K. Le Guin 4206:Robert Silverberg 4201:A Time of Changes 4182:Ursula K. Le Guin 4066: 4065: 4033:Best Horror Novel 3971:Vonda N. McIntyre 3923:Ursula K. Le Guin 3887:Ursula K. Le Guin 3820: 3819: 3794:Nettle & Bone 3671:Ancillary Justice 3246:Foundation's Edge 3234:Downbelow Station 3192:Vonda N. McIntyre 3144:Ursula K. Le Guin 3084:Ursula K. Le Guin 3056:Stand on Zanzibar 2987:Clifford D. Simak 2930:Starship Troopers 2820:Farmer in the Sky 2643:978-0-87745-447-2 2593:978-1-58765-050-5 2574:978-0-313-32952-4 2553:978-0-8044-2837-8 2522:978-0-916732-49-3 2472:978-0-395-26470-6 2453:978-1-61873-134-0 2430:978-0-253-33287-5 2409:978-1-4766-0178-6 2388:978-1-316-73301-1 2307:978-1-84997-932-0 2284:978-1-137-51308-3 2263:978-1-134-98010-9 2242:978-1-84631-003-4 2185:, pp. 71–72. 2146:, pp. 24–28. 1985:on August 6, 2010 1906:, pp. 85–86. 1882:, pp. 90–91. 1789:, pp. 65–66. 1777:, pp. 68–70. 1765:, pp. 69–70. 1702:, pp. 57–58. 1678:, pp. 64–65. 1661:, pp. 64–65. 1634:, pp. 65–66. 1407:, pp. 63–65. 1197:, pp. 84–88. 1185:, pp. 60–62. 1173:, pp. 64–69. 1161:, pp. 45–54. 1149:, pp. 33–38. 1137:, pp. 23–30. 1064:, pp. 36–37. 718:, pp. 23–26. 576:James Tiptree Jr. 485:The Exile Waiting 427:The Exile Waiting 271:The Exile Waiting 265:nuclear holocaust 242:Ursula K. Le Guin 236:, then living in 234:Vonda N. McIntyre 222:Ursula K. Le Guin 195:gender identities 176:nuclear holocaust 164:Vonda N. McIntyre 151: 150: 87:Publication place 43:Vonda N. McIntyre 4919: 4684:Paolo Bacigalupi 4619:Paladin of Souls 4583:The Quantum Rose 4505:Robert J. Sawyer 4457:Michael Swanwick 4428:The Healer's War 4397:Orson Scott Card 4385:Orson Scott Card 4302:Arthur C. Clarke 4237:The Dispossessed 4230:Arthur C. Clarke 4158:Samuel R. Delany 4136:Samuel R. Delany 4093: 4086: 4079: 4070: 4069: 4057:Best Short Story 4027:Best First Novel 3918:The Dispossessed 3911:Arthur C. Clarke 3847: 3840: 3833: 3824: 3823: 3711:The Obelisk Gate 3699:The Fifth Season 3690:, translated by 3618:Paolo Bacigalupi 3530:Paladin of Souls 3523:Robert J. Sawyer 3299:Orson Scott Card 3287:Orson Scott Card 3215:Arthur C. Clarke 3139:The Dispossessed 3132:Arthur C. Clarke 2796:Shadow Over Mars 2722: 2715: 2708: 2699: 2698: 2676: 2647: 2626: 2603:Cultural Studies 2597: 2578: 2557: 2526: 2505: 2486:The Wanderground 2476: 2457: 2434: 2413: 2392: 2369: 2348: 2311: 2288: 2267: 2246: 2216: 2215: 2207: 2201: 2200: 2192: 2186: 2180: 2174: 2168: 2162: 2161: 2153: 2147: 2141: 2135: 2129: 2120: 2119: 2117: 2115: 2106:. Archived from 2096: 2090: 2089: 2087: 2085: 2070: 2064: 2063: 2061: 2059: 2043: 2037: 2036: 2034: 2032: 2023:. Archived from 2013: 2007: 2001: 1995: 1994: 1992: 1990: 1969: 1963: 1962: 1960: 1958: 1949:. Archived from 1939: 1933: 1932: 1930: 1928: 1913: 1907: 1901: 1895: 1889: 1883: 1877: 1868: 1867: 1851: 1840: 1834: 1828: 1827: 1819: 1808: 1807: 1799: 1790: 1784: 1778: 1772: 1766: 1760: 1751: 1745: 1739: 1733: 1727: 1721: 1715: 1709: 1703: 1697: 1691: 1685: 1679: 1673: 1662: 1656: 1650: 1644: 1635: 1629: 1620: 1619: 1583: 1577: 1571: 1565: 1559: 1553: 1547: 1541: 1535: 1524: 1518: 1509: 1503: 1492: 1486: 1477: 1471: 1462: 1456: 1447: 1441: 1432: 1426: 1420: 1414: 1408: 1402: 1396: 1390: 1384: 1378: 1372: 1366: 1360: 1354: 1348: 1342: 1336: 1330: 1324: 1318: 1312: 1306: 1300: 1294: 1288: 1282: 1276: 1270: 1264: 1258: 1252: 1246: 1240: 1234: 1225: 1219: 1213: 1207: 1198: 1192: 1186: 1180: 1174: 1168: 1162: 1156: 1150: 1144: 1138: 1132: 1126: 1125:, pp. 7–22. 1120: 1111: 1105: 1099: 1093: 1080: 1074: 1065: 1059: 1053: 1047: 1041: 1040: 1038: 1036: 1021: 1012: 1006: 997: 996: 994: 992: 972: 963: 957: 948: 947: 945: 943: 927: 918: 917: 915: 913: 904:. Archived from 893: 887: 886: 884: 882: 862: 849: 847: 846:(4–6): 31. 1978. 832: 823: 817: 806: 805: 803: 801: 787: 781: 780: 778: 776: 762: 756: 755: 753: 751: 728: 719: 713: 693: 674: 668: 665: 644:Brian Stableford 473:Orson Scott Card 456:Characterization 371:Canopus in Argos 345:gender relations 290:, named Sand, a 258:Houghton Mifflin 214:Locus Poll Award 78:Publication date 71:Houghton Mifflin 31: 24: 20: 4927: 4926: 4922: 4921: 4920: 4918: 4917: 4916: 4877: 4876: 4873: 4868: 4809: 4744:Jeff VanderMeer 4679:The Windup Girl 4588:Catherine Asaro 4558: 4517:Nicola Griffith 4356:Startide Rising 4325:Gregory Benford 4307: 4249:The Forever War 4165:Rite of Passage 4106: 4097: 4067: 4062: 4000: 3930:The Forever War 3860: 3851: 3821: 3816: 3745: 3613:The Windup Girl 3600: 3469: 3428:Neal Stephenson 3423:The Diamond Age 3328: 3258:Startide Rising 3197: 3151:The Forever War 3066: 2917: 2842: 2777:Anson MacDonald 2735: 2726: 2683: 2644: 2594: 2586:. Salem Press. 2575: 2554: 2523: 2473: 2454: 2431: 2410: 2389: 2308: 2285: 2264: 2253:Partial Visions 2243: 2225: 2220: 2219: 2208: 2204: 2193: 2189: 2181: 2177: 2169: 2165: 2154: 2150: 2142: 2138: 2130: 2123: 2113: 2111: 2098: 2097: 2093: 2083: 2081: 2072: 2071: 2067: 2057: 2055: 2045: 2044: 2040: 2030: 2028: 2015: 2014: 2010: 2002: 1998: 1988: 1986: 1971: 1970: 1966: 1956: 1954: 1947:The Hugo Awards 1941: 1940: 1936: 1926: 1924: 1915: 1914: 1910: 1902: 1898: 1890: 1886: 1878: 1871: 1852: 1843: 1835: 1831: 1820: 1811: 1801: 1800: 1793: 1785: 1781: 1773: 1769: 1761: 1754: 1746: 1742: 1734: 1730: 1722: 1718: 1710: 1706: 1698: 1694: 1686: 1682: 1674: 1665: 1657: 1653: 1645: 1638: 1630: 1623: 1584: 1580: 1572: 1568: 1560: 1556: 1548: 1544: 1536: 1527: 1519: 1512: 1504: 1495: 1487: 1480: 1472: 1465: 1457: 1450: 1442: 1435: 1427: 1423: 1415: 1411: 1403: 1399: 1391: 1387: 1379: 1375: 1367: 1363: 1355: 1351: 1343: 1339: 1331: 1327: 1319: 1315: 1307: 1303: 1295: 1291: 1283: 1279: 1271: 1267: 1259: 1255: 1247: 1243: 1235: 1228: 1220: 1216: 1208: 1201: 1193: 1189: 1181: 1177: 1169: 1165: 1157: 1153: 1145: 1141: 1133: 1129: 1121: 1114: 1110:, pp. 1–7. 1106: 1102: 1094: 1083: 1075: 1068: 1060: 1056: 1048: 1044: 1034: 1032: 1022: 1015: 1007: 1000: 990: 988: 973: 966: 958: 951: 941: 939: 928: 921: 911: 909: 894: 890: 880: 878: 863: 852: 834: 833: 826: 818: 809: 799: 797: 789: 788: 784: 774: 772: 764: 763: 759: 749: 747: 730: 729: 722: 714: 707: 702: 697: 696: 675: 671: 666: 662: 657: 646:commented that 508: 458: 403:Greek mythology 325: 300: 230: 191:gender pronouns 160:science fiction 135: 95:Media type 79: 61:Science fiction 34: 17: 12: 11: 5: 4925: 4915: 4914: 4909: 4904: 4899: 4894: 4889: 4870: 4869: 4867: 4866: 4854: 4842: 4839:P. Djèlí Clark 4830: 4822:Network Effect 4817: 4815: 4811: 4810: 4808: 4807: 4795: 4783: 4771: 4759: 4747: 4735: 4723: 4711: 4699: 4687: 4675: 4663: 4660:Michael Chabon 4651: 4639: 4627: 4615: 4612:Elizabeth Moon 4603: 4591: 4579: 4571:Darwin's Radio 4566: 4564: 4560: 4559: 4557: 4556: 4544: 4532: 4520: 4508: 4496: 4484: 4472: 4460: 4448: 4436: 4424: 4412: 4400: 4388: 4376: 4373:William Gibson 4364: 4352: 4349:Michael Bishop 4340: 4328: 4315: 4313: 4309: 4308: 4306: 4305: 4293: 4281: 4269: 4257: 4245: 4233: 4221: 4209: 4197: 4185: 4173: 4170:Alexei Panshin 4161: 4149: 4127: 4114: 4112: 4108: 4107: 4096: 4095: 4088: 4081: 4073: 4064: 4063: 4061: 4060: 4059:(1971–present) 4054: 4053:(1975–present) 4051:Best Novelette 4048: 4047:(1973–present) 4042: 4041:(2003–present) 4036: 4030: 4029:(1981–present) 4024: 4023:(1978–present) 4018: 4017:(1980–present) 4012: 4005: 4002: 4001: 3999: 3998: 3990:The Snow Queen 3986: 3974: 3962: 3950: 3938: 3926: 3914: 3902: 3890: 3878: 3865: 3862: 3861: 3850: 3849: 3842: 3835: 3827: 3818: 3817: 3815: 3814: 3802: 3790: 3787:Arkady Martine 3778: 3770:Network Effect 3766: 3763:Arkady Martine 3753: 3751: 3747: 3746: 3744: 3743: 3731: 3719: 3707: 3695: 3679: 3667: 3655: 3643: 3631: 3628:China Miéville 3608: 3606: 3602: 3601: 3599: 3598: 3586: 3583:Michael Chabon 3574: 3562: 3550: 3547:Susanna Clarke 3538: 3526: 3514: 3502: 3490: 3477: 3475: 3471: 3470: 3468: 3467: 3455: 3443: 3431: 3419: 3407: 3395: 3373: 3361: 3349: 3336: 3334: 3330: 3329: 3327: 3326: 3314: 3306:The Uplift War 3302: 3290: 3278: 3275:William Gibson 3266: 3254: 3242: 3230: 3222:The Snow Queen 3218: 3205: 3203: 3199: 3198: 3196: 3195: 3183: 3171: 3159: 3147: 3135: 3123: 3111: 3099: 3087: 3074: 3072: 3068: 3067: 3065: 3064: 3052: 3040: 3028: 3002: 2990: 2974: 2971:Philip K. Dick 2962: 2950: 2938: 2925: 2923: 2919: 2918: 2916: 2915: 2903: 2891: 2879: 2863: 2850: 2848: 2844: 2843: 2841: 2840: 2832:Fahrenheit 451 2828: 2816: 2804: 2801:Leigh Brackett 2792: 2780: 2768: 2765:A. E. van Vogt 2756: 2743: 2741: 2737: 2736: 2725: 2724: 2717: 2710: 2702: 2696: 2695: 2682: 2681:External links 2679: 2678: 2677: 2648: 2642: 2627: 2598: 2592: 2579: 2573: 2558: 2552: 2527: 2521: 2506: 2496:(2): 103–110. 2477: 2471: 2458: 2452: 2435: 2429: 2414: 2408: 2393: 2387: 2370: 2360:(2): 256–277. 2349: 2323:(2): 274–280. 2312: 2306: 2289: 2283: 2268: 2262: 2247: 2241: 2224: 2221: 2218: 2217: 2202: 2187: 2175: 2173:, p. 372. 2163: 2160:. p. 119. 2148: 2136: 2121: 2104:Locus Magazine 2091: 2065: 2038: 2021:Locus Magazine 2008: 2006:, p. 349. 1996: 1978:Locus Magazine 1964: 1953:on May 7, 2011 1934: 1908: 1896: 1884: 1869: 1841: 1829: 1809: 1791: 1779: 1767: 1752: 1740: 1728: 1716: 1704: 1692: 1680: 1663: 1651: 1649:, p. 370. 1636: 1621: 1578: 1566: 1554: 1542: 1525: 1523:, p. 126. 1510: 1493: 1478: 1476:, p. 275. 1463: 1461:, p. 143. 1448: 1433: 1421: 1419:, p. 266. 1409: 1397: 1385: 1373: 1361: 1349: 1337: 1325: 1313: 1301: 1289: 1277: 1265: 1253: 1241: 1226: 1214: 1199: 1187: 1175: 1163: 1151: 1139: 1127: 1112: 1100: 1081: 1066: 1054: 1052:, p. 177. 1042: 1013: 1011:, p. 104. 998: 964: 949: 919: 888: 850: 824: 807: 782: 757: 720: 704: 703: 701: 698: 695: 694: 669: 659: 658: 656: 653: 557:. In 1980 the 547:best novelette 507: 504: 457: 454: 324: 321: 299: 296: 229: 226: 149: 148: 143: 137: 136: 134: 133: 127: 121: 114: 112: 108: 107: 104: 100: 99: 96: 92: 91: 88: 84: 83: 80: 77: 74: 73: 68: 64: 63: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 15: 9: 6: 4: 3: 2: 4924: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4885: 4884: 4882: 4875: 4864: 4860: 4859: 4855: 4852: 4848: 4847: 4843: 4840: 4836: 4835: 4831: 4828: 4824: 4823: 4819: 4818: 4816: 4812: 4805: 4804:Sarah Pinsker 4801: 4800: 4796: 4793: 4789: 4788: 4784: 4781: 4780:N. K. Jemisin 4777: 4776: 4775:The Stone Sky 4772: 4769: 4765: 4764: 4760: 4757: 4753: 4752: 4748: 4745: 4741: 4740: 4736: 4733: 4729: 4728: 4724: 4721: 4717: 4716: 4712: 4709: 4705: 4704: 4700: 4697: 4696:Connie Willis 4693: 4692: 4688: 4685: 4681: 4680: 4676: 4673: 4669: 4668: 4664: 4661: 4657: 4656: 4652: 4649: 4648:Jack McDevitt 4645: 4644: 4640: 4637: 4633: 4632: 4628: 4625: 4621: 4620: 4616: 4613: 4609: 4608: 4607:Speed of Dark 4604: 4601: 4597: 4596: 4595:American Gods 4592: 4589: 4585: 4584: 4580: 4577: 4573: 4572: 4568: 4567: 4565: 4561: 4554: 4550: 4549: 4545: 4542: 4538: 4537: 4536:Forever Peace 4533: 4530: 4526: 4525: 4521: 4518: 4514: 4513: 4509: 4506: 4502: 4501: 4497: 4494: 4490: 4489: 4485: 4482: 4478: 4477: 4473: 4470: 4469:Connie Willis 4466: 4465: 4464:Doomsday Book 4461: 4458: 4454: 4453: 4449: 4446: 4442: 4441: 4437: 4434: 4430: 4429: 4425: 4422: 4418: 4417: 4413: 4410: 4406: 4405: 4401: 4398: 4394: 4393: 4389: 4386: 4382: 4381: 4377: 4374: 4370: 4369: 4365: 4362: 4358: 4357: 4353: 4350: 4346: 4345: 4341: 4338: 4334: 4333: 4329: 4326: 4322: 4321: 4317: 4316: 4314: 4310: 4303: 4299: 4298: 4294: 4291: 4287: 4286: 4282: 4279: 4278:Frederik Pohl 4275: 4274: 4270: 4267: 4266:Frederik Pohl 4263: 4262: 4258: 4255: 4251: 4250: 4246: 4243: 4239: 4238: 4234: 4231: 4227: 4226: 4222: 4219: 4215: 4214: 4210: 4207: 4203: 4202: 4198: 4195: 4191: 4190: 4186: 4183: 4179: 4178: 4174: 4171: 4167: 4166: 4162: 4159: 4155: 4154: 4150: 4147: 4143: 4142: 4137: 4133: 4132: 4128: 4125: 4124:Frank Herbert 4121: 4120: 4116: 4115: 4113: 4109: 4105: 4101: 4094: 4089: 4087: 4082: 4080: 4075: 4074: 4071: 4058: 4055: 4052: 4049: 4046: 4043: 4040: 4037: 4034: 4031: 4028: 4025: 4022: 4019: 4016: 4015:Best SF Novel 4013: 4010: 4007: 4006: 4003: 3996: 3995:Joan D. Vinge 3992: 3991: 3987: 3984: 3980: 3979: 3975: 3972: 3968: 3967: 3963: 3960: 3959:Frederik Pohl 3956: 3955: 3951: 3948: 3944: 3943: 3939: 3936: 3932: 3931: 3927: 3924: 3920: 3919: 3915: 3912: 3908: 3907: 3903: 3900: 3896: 3895: 3891: 3888: 3884: 3883: 3879: 3876: 3872: 3871: 3867: 3866: 3863: 3859: 3855: 3848: 3843: 3841: 3836: 3834: 3829: 3828: 3825: 3812: 3808: 3807: 3803: 3800: 3799:T. Kingfisher 3796: 3795: 3791: 3788: 3784: 3783: 3779: 3776: 3772: 3771: 3767: 3764: 3760: 3759: 3755: 3754: 3752: 3748: 3741: 3737: 3736: 3732: 3729: 3728:N. K. Jemisin 3725: 3724: 3723:The Stone Sky 3720: 3717: 3716:N. K. Jemisin 3713: 3712: 3708: 3705: 3704:N. K. Jemisin 3701: 3700: 3696: 3693: 3689: 3685: 3684: 3680: 3677: 3673: 3672: 3668: 3665: 3661: 3660: 3656: 3653: 3649: 3648: 3644: 3641: 3640:Connie Willis 3637: 3636: 3632: 3629: 3625: 3624: 3619: 3615: 3614: 3610: 3609: 3607: 3603: 3596: 3592: 3591: 3587: 3584: 3580: 3579: 3575: 3572: 3568: 3567: 3563: 3560: 3556: 3555: 3551: 3548: 3544: 3543: 3539: 3536: 3532: 3531: 3527: 3524: 3520: 3519: 3515: 3512: 3508: 3507: 3506:American Gods 3503: 3500: 3499:J. K. Rowling 3496: 3495: 3491: 3488: 3484: 3483: 3479: 3478: 3476: 3472: 3465: 3464:Connie Willis 3461: 3460: 3456: 3453: 3449: 3448: 3447:Forever Peace 3444: 3441: 3437: 3436: 3432: 3429: 3425: 3424: 3420: 3417: 3413: 3412: 3408: 3405: 3401: 3400: 3396: 3393: 3392:Connie Willis 3389: 3388: 3387:Doomsday Book 3383: 3379: 3378: 3374: 3371: 3367: 3366: 3362: 3359: 3355: 3354: 3350: 3347: 3343: 3342: 3338: 3337: 3335: 3331: 3324: 3323:C. J. Cherryh 3320: 3319: 3315: 3312: 3308: 3307: 3303: 3300: 3296: 3295: 3291: 3288: 3284: 3283: 3279: 3276: 3272: 3271: 3267: 3264: 3260: 3259: 3255: 3252: 3248: 3247: 3243: 3240: 3239:C. J. Cherryh 3236: 3235: 3231: 3228: 3227:Joan D. Vinge 3224: 3223: 3219: 3216: 3212: 3211: 3207: 3206: 3204: 3200: 3193: 3189: 3188: 3184: 3181: 3180:Frederik Pohl 3177: 3176: 3172: 3169: 3165: 3164: 3160: 3157: 3153: 3152: 3148: 3145: 3141: 3140: 3136: 3133: 3129: 3128: 3124: 3121: 3117: 3116: 3112: 3109: 3105: 3104: 3100: 3097: 3093: 3092: 3088: 3085: 3081: 3080: 3076: 3075: 3073: 3069: 3062: 3058: 3057: 3053: 3050: 3049:Roger Zelazny 3046: 3045: 3044:Lord of Light 3041: 3038: 3034: 3033: 3029: 3026: 3025:Roger Zelazny 3022: 3021:This Immortal 3018: 3017: 3012: 3011:Frank Herbert 3008: 3007: 3003: 3000: 2996: 2995: 2991: 2988: 2984: 2980: 2979: 2975: 2972: 2968: 2967: 2963: 2960: 2956: 2955: 2951: 2948: 2944: 2943: 2939: 2936: 2932: 2931: 2927: 2926: 2924: 2920: 2913: 2909: 2908: 2904: 2901: 2897: 2896: 2892: 2889: 2885: 2884: 2880: 2877: 2873: 2869: 2868: 2864: 2861: 2860:Alfred Bester 2857: 2856: 2852: 2851: 2849: 2845: 2838: 2834: 2833: 2829: 2826: 2822: 2821: 2817: 2814: 2810: 2809: 2805: 2802: 2798: 2797: 2793: 2790: 2786: 2785: 2781: 2778: 2774: 2773: 2769: 2766: 2762: 2761: 2757: 2754: 2750: 2749: 2745: 2744: 2742: 2738: 2734: 2730: 2723: 2718: 2716: 2711: 2709: 2704: 2703: 2700: 2694: 2690: 2689: 2685: 2684: 2674: 2670: 2666: 2662: 2658: 2654: 2653:Extrapolation 2649: 2645: 2639: 2635: 2634: 2628: 2624: 2620: 2616: 2612: 2608: 2604: 2599: 2595: 2589: 2585: 2580: 2576: 2570: 2566: 2565: 2559: 2555: 2549: 2545: 2541: 2540:Exile Waiting 2537: 2533: 2528: 2524: 2518: 2514: 2513: 2507: 2503: 2499: 2495: 2491: 2487: 2483: 2478: 2474: 2468: 2464: 2459: 2455: 2449: 2445: 2441: 2436: 2432: 2426: 2422: 2421: 2415: 2411: 2405: 2402:. McFarland. 2401: 2400: 2394: 2390: 2384: 2380: 2376: 2371: 2367: 2363: 2359: 2355: 2350: 2346: 2342: 2338: 2334: 2330: 2326: 2322: 2318: 2313: 2309: 2303: 2299: 2295: 2290: 2286: 2280: 2276: 2275: 2269: 2265: 2259: 2256:. Routledge. 2255: 2254: 2248: 2244: 2238: 2234: 2233: 2227: 2226: 2213: 2206: 2199:. p. 52. 2198: 2191: 2184: 2179: 2172: 2167: 2159: 2152: 2145: 2140: 2133: 2128: 2126: 2109: 2105: 2101: 2095: 2079: 2075: 2069: 2054: 2053: 2048: 2042: 2026: 2022: 2018: 2012: 2005: 2000: 1984: 1980: 1979: 1974: 1968: 1952: 1948: 1944: 1938: 1922: 1918: 1912: 1905: 1900: 1893: 1888: 1881: 1876: 1874: 1865: 1861: 1857: 1850: 1848: 1846: 1838: 1833: 1826:. p. 34. 1825: 1818: 1816: 1814: 1805: 1798: 1796: 1788: 1783: 1776: 1771: 1764: 1759: 1757: 1749: 1744: 1737: 1732: 1725: 1720: 1713: 1708: 1701: 1696: 1690:, p. 57. 1689: 1684: 1677: 1672: 1670: 1668: 1660: 1655: 1648: 1647:Westfahl 2005 1643: 1641: 1633: 1628: 1626: 1617: 1613: 1609: 1605: 1601: 1597: 1593: 1589: 1582: 1575: 1570: 1563: 1558: 1551: 1546: 1539: 1534: 1532: 1530: 1522: 1517: 1515: 1507: 1502: 1500: 1498: 1490: 1485: 1483: 1475: 1470: 1468: 1460: 1455: 1453: 1445: 1444:Williams 2002 1440: 1438: 1431:, p. 65. 1430: 1425: 1418: 1413: 1406: 1401: 1395:, p. 51. 1394: 1389: 1382: 1377: 1370: 1369:McIntyre 1978 1365: 1358: 1357:McIntyre 1978 1353: 1346: 1345:McIntyre 1978 1341: 1334: 1333:McIntyre 1978 1329: 1322: 1321:McIntyre 1978 1317: 1310: 1309:McIntyre 1978 1305: 1298: 1297:McIntyre 1978 1293: 1286: 1285:McIntyre 1978 1281: 1274: 1273:McIntyre 1978 1269: 1262: 1261:McIntyre 1978 1257: 1250: 1249:McIntyre 1978 1245: 1238: 1237:McIntyre 1978 1233: 1231: 1223: 1222:McIntyre 1978 1218: 1211: 1210:McIntyre 1978 1206: 1204: 1196: 1195:McIntyre 1978 1191: 1184: 1183:McIntyre 1978 1179: 1172: 1171:McIntyre 1978 1167: 1160: 1159:McIntyre 1978 1155: 1148: 1147:McIntyre 1978 1143: 1136: 1135:McIntyre 1978 1131: 1124: 1123:McIntyre 1978 1119: 1117: 1109: 1108:McIntyre 1978 1104: 1097: 1092: 1090: 1088: 1086: 1079:, p. 54. 1078: 1073: 1071: 1063: 1062:McIntyre 1978 1058: 1051: 1046: 1031: 1027: 1020: 1018: 1010: 1005: 1003: 986: 982: 978: 971: 969: 962:, p. 90. 961: 956: 954: 937: 933: 926: 924: 912:September 23, 907: 903: 899: 892: 876: 872: 868: 861: 859: 857: 855: 845: 841: 837: 831: 829: 822:, p. 63. 821: 816: 814: 812: 796: 795:www.sfadb.com 792: 786: 771: 770:www.isfdb.org 767: 761: 745: 741: 737: 733: 727: 725: 717: 712: 710: 705: 691: 687: 683: 679: 673: 664: 660: 652: 649: 645: 641: 637: 636: 630: 627: 622: 617: 615: 614: 608: 607:Marshall Tymn 603: 599: 595: 594: 589: 585: 584: 578: 577: 573: 568: 564: 560: 556: 552: 548: 544: 540: 536: 532: 528: 524: 521:and the 1979 520: 516: 512: 503: 501: 497: 493: 488: 486: 482: 478: 474: 470: 468: 463: 453: 451: 446: 444: 440: 436: 434: 433: 428: 424: 420: 416: 412: 408: 404: 400: 395: 387: 383: 379: 375: 373: 372: 367: 366:Doris Lessing 363: 357: 354: 350: 346: 342: 338: 333: 329: 320: 316: 312: 308: 304: 295: 293: 289: 285: 281: 277: 273: 272: 266: 261: 259: 255: 251: 247: 243: 239: 235: 225: 223: 219: 215: 211: 207: 202: 200: 196: 192: 188: 183: 181: 177: 173: 169: 165: 161: 157: 156: 147: 146:0-395-26470-7 144: 142: 138: 131: 128: 125: 122: 119: 116: 115: 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3571:Vernor Vinge 3566:Rainbows End 3564: 3552: 3540: 3528: 3516: 3504: 3492: 3487:Vernor Vinge 3480: 3457: 3452:Joe Haldeman 3445: 3433: 3421: 3411:Mirror Dance 3409: 3397: 3385: 3382:Vernor Vinge 3375: 3363: 3353:The Vor Game 3351: 3339: 3316: 3304: 3292: 3282:Ender's Game 3280: 3268: 3256: 3251:Isaac Asimov 3244: 3232: 3220: 3208: 3186: 3185: 3173: 3168:Kate Wilhelm 3161: 3156:Joe Haldeman 3149: 3137: 3125: 3120:Isaac Asimov 3113: 3101: 3089: 3077: 3061:John Brunner 3054: 3042: 3030: 3020: 3014: 3004: 2999:Fritz Leiber 2994:The Wanderer 2992: 2982: 2976: 2964: 2952: 2940: 2928: 2905: 2900:Fritz Leiber 2895:The Big Time 2893: 2881: 2872:Mark Clifton 2865: 2853: 2837:Ray Bradbury 2830: 2818: 2813:Isaac Asimov 2806: 2794: 2789:Fritz Leiber 2784:Conjure Wife 2782: 2770: 2758: 2746: 2687: 2659:(1): 63–72. 2656: 2652: 2632: 2609:(1): 48–56. 2606: 2602: 2583: 2563: 2543: 2539: 2535: 2531: 2511: 2493: 2489: 2485: 2481: 2462: 2443: 2439: 2419: 2398: 2378: 2357: 2353: 2320: 2316: 2297: 2273: 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Solaris. 2114:October 17, 1904:Bammer 2012 1880:Lefanu 1989 1866:(4): 32–33. 1506:Cordle 2017 1050:Cordle 2017 960:Lefanu 1989 750:December 6, 716:Ashley 2007 517:, the 1979 477:Lone Ranger 462:Dreamsnake' 288:rattlesnake 280:snake venom 22:Dreamsnake 4881:Categories 4732:Ann Leckie 4631:Camouflage 4512:Slow River 4409:Pat Murphy 4361:David Brin 4337:Gene Wolfe 4285:Dreamsnake 4104:Best Novel 4009:Best Novel 3966:Dreamsnake 3858:Best Novel 3811:Emily Tesh 3676:Ann Leckie 3399:Green Mars 3311:David Brin 3263:David Brin 3187:Dreamsnake 2733:Best Novel 2729:Hugo Award 2688:Dreamsnake 2536:Dreamsnake 2482:Dreamsnake 2463:Dreamsnake 2440:Dreamsnake 2212:Foundation 1574:Jones 1983 1096:Lacey 2018 938:. Gollancz 800:August 29, 775:August 29, 700:References 686:Dreamsnake 684:editions; 648:Dreamsnake 640:Dreamsnake 626:Dreamsnake 621:Dreamsnake 602:Dreamsnake 598:Dreamsnake 567:Dreamsnake 551:Hugo Award 535:Dreamsnake 511:Dreamsnake 496:Dreamsnake 492:Dreamsnake 467:Dreamsnake 450:Dreamsnake 439:Dreamsnake 394:Dreamsnake 386:Dreamsnake 362:patriarchy 349:Starfarers 328:Dreamsnake 286:snakes; a 276:Dreamsnake 254:Dreamsnake 250:Dreamsnake 218:Dreamsnake 212:, and the 210:Hugo Award 199:Dreamsnake 158:is a 1978 155:Dreamsnake 4708:Jo Walton 4576:Greg Bear 4563:2001–2020 4493:Greg Bear 4320:Timescape 4312:1981–2000 4189:Ringworld 4111:1966–1980 3870:Ringworld 3688:Cixin Liu 3659:Redshirts 3652:Jo Walton 3435:Blue Mars 3091:Ringworld 2673:0014-5483 2623:0950-2386 2532:Fireflood 2183:Wood 1990 2171:Tymn 1981 2132:Tymn 1981 2084:April 19, 1775:Wood 1990 1763:Wood 1990 1659:Wood 1990 1632:Wood 1990 820:Wood 1990 690:hardcover 682:paperback 678:hardcover 559:paperback 443:gigantism 415:Asclepius 232:In 1971, 67:Publisher 4751:Uprooted 4476:Red Mars 4261:Man Plus 4131:Babel-17 3518:Hominids 3365:Barrayar 3341:Hyperion 2808:The Mule 2345:40178782 2078:Archived 2058:April 6, 2031:June 17, 1989:June 17, 1957:June 17, 1927:June 17, 1921:Archived 1616:19125435 1608:12693891 985:Archived 942:July 26, 875:Archived 744:Archived 374:series. 337:feminist 298:Synopsis 49:Language 4273:Gateway 3954:Gateway 3692:Ken Liu 3175:Gateway 2366:4240879 2337:6844117 2223:Sources 238:Seattle 52:English 4865:(2024) 4853:(2023) 4841:(2022) 4829:(2021) 4806:(2020) 4794:(2019) 4782:(2018) 4770:(2017) 4758:(2016) 4746:(2015) 4734:(2014) 4722:(2013) 4710:(2012) 4698:(2011) 4686:(2010) 4674:(2009) 4667:Powers 4662:(2008) 4650:(2007) 4643:Seeker 4638:(2006) 4626:(2005) 4614:(2004) 4602:(2003) 4590:(2002) 4578:(2001) 4555:(2000) 4543:(1999) 4531:(1998) 4519:(1997) 4507:(1996) 4495:(1995) 4483:(1994) 4471:(1993) 4459:(1992) 4447:(1991) 4435:(1990) 4423:(1989) 4411:(1988) 4399:(1987) 4387:(1986) 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