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Dream Demon

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388:, is preparing to marry her fiancé, the wealthy Oliver. Diana is plagued by nightmares which cast Oliver in violent roles, including ones in which he rapes her. Upon moving into her new home, she also has fiery visions of a young blonde girl adorned with angel wings. Diana is particularly frightened of the home's basement. Her therapist, Deborah, assures her the dreams are a result of stress regarding the pending wedding, especially the harassment Diana receives from the press attempting to cover the wedding. 415:, and books a return flight to California. Diana falls asleep in Jenny's hotel room. Meanwhile, Paul arrives at the hotel, having been following the women, and confronts Jenny with information he has uncovered about Oliver: He is in financial ruin and is marrying Diana for economic security. Realizing that Diana is again dreaming, Jenny attempts to wake her, but Diana slips into another nightmare in which she is tormented by deformed versions of Paul and Peck. 31: 404:. Some time later, Jenny experiences a hallucination in which she is attacked by a deformed Peck, and witnesses a young blonde girl being verbally abused by her father. She flees and manages to awaken Diana, who has fallen asleep on the couch, after which the apparent supernatural occurrences cease. The next morning, the women meet with Deborah, who proposes the idea that Jenny 419:
confronted by Oliver and Deborah, who drug her to fall back asleep. Later, Diana is hospitalized and affixed with a brainwave monitor. While astral projecting, Diana looks on as Deborah watches old footage of the young blonde girl in a hospital therapy session—the girl is in fact Jenny during her childhood, shortly before she was sent to live in the United States. In the
423:, Diana returns to her home and saves Jenny, who has been trapped in a void. The two again become separated, and Jenny relives her repressed childhood trauma: Her widowed father, a violent and abusive artist, tied her to a sculpture in his basement art studio to use as a model. While sharpening a sculpting tool, he ignited a fire with a can of 418:
Diana awakens in Jenny's hotel room, but is skeptical of whether she is experiencing a waking reality or another dream. The women become separated, and Diana experiences further disturbing visions of the young blonde girl, as well as Peck and Paul. Diana awakens again in her disheveled bedroom and is
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In the morning, Jenny arrives and Diana explains her nightmare. Shortly after, the women find Paul in the basement of the home. He threatens Diana, and says that Peck has gone missing. After the incident, Jenny agrees to stay with Diana to comfort her. Diana confides her anxieties about her marriage,
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who fights them off. Diana invites Jenny in for a drink, and Jenny soon confesses that she is visiting in hopes of unearthing her family origins: She was adopted as a young child but has no memory of her biological parents, who once lived at Diana's address. Diana takes a liking to Jenny, and the
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criticized the film for failing to "follow its own logic," but conceded that the film is "often smartly made, and the special effects are excellent. The pity is that it could have been so much better had it stuck to what it is really about, which is people haunting themselves."
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Later, Diana and Jenny visit Jenny's father's gravestone, which features a stone cast of her with angel wings. Back in the empty home, which Diana has now put up for sale, the journalist and photographer finally return.
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Upon returning to the home, both women are plagued by shared visions and frightening hallucinations anchored to the basement. Terrified, Jenny returns to her hotel, insisting that the home is
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women agree to meet the following day. Later that night, Diana has a hallucinogenic nightmare in which Peck breaks into her home and attacks her.
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in which he was burned alive. An adult Jenny, bound to the sculpture, is saved by Diana. The women embrace before fleeing the home together.
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wrote: "The special effects won't rock your socks but the build-up of suspense and some sudden shocks are guaranteed to hold attention."
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While being assailed outside her home by photographer Peck and investigative journalist Paul, Diana is helped by Jenny, a tourist from
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films when designing the film's dream sequences. The film was shot on a budget of £2 million.
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This article is about the 1988 film. For the A Nightmare on Elm Street characters, see
799: 751: 636: 447: 405: 361: 195: 663: 468: 210: 727: 695: 647: 474: 369: 353: 263: 215: 153: 783: 641: 480: 441: 357: 190: 408:. The women realize that Diana's dreams have the power to impact waking life. 816: 759: 456: 412: 373: 205: 735: 571: 518: 494: 420: 17: 743: 392: 349: 652: 630: 498: 462: 424: 365: 200: 401: 30: 658: 509:
The film was released theatrically in England on 14 October 1988.
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Unsourced material may be challenged and removed. 814: 384:Diana Markham, an upper class schoolteacher in 679: 686: 672: 561: 559: 557: 138: 115:Learn how and when to remove this message 584: 582: 546:Chibnall, Steve; Petley, Julian (2002). 554: 539: 815: 667: 579: 453:Annabelle Lanyon as young Diana/Jenny 512: 53:adding citations to reliable sources 24: 13: 400:and admits to Jenny that she is a 14: 874: 858:Films directed by Harley Cokeliss 624: 29: 40:needs additional citations for 600: 1: 863:English-language horror films 843:Films about astral projection 532: 488: 838:1980s English-language films 567:"It's all done with mirrors" 7: 360:in her debut role opposite 352:co-written and directed by 271:Filmscreen Productions Ltd. 10: 879: 720:The Battle of Billy's Pond 504: 267:British Screen Productions 15: 702: 613:The Sydney Morning Herald 526:The Sydney Morning Herald 493:Cokeliss was inspired by 333: 325: 317: 307: 293:14 October 1988 284: 276: 269:International Spectrafilm 254: 244: 234: 224: 183: 173: 159: 149: 137: 132: 590:"Battle of the psyches" 550:. Routledge. p. 6. 434: 379: 848:British splatter films 548:British Horror Cinema 49:improve this article 833:1980s British films 164:Christopher Wicking 853:Films about dreams 694:Films directed by 348:is a 1988 British 144:Promotional poster 828:1988 horror films 810: 809: 800:Paris Connections 752:Black Moon Rising 513:Critical response 483:as Jenny's Father 448:Kathleen Wilhoite 362:Kathleen Wilhoite 341: 340: 196:Kathleen Wilhoite 169:Catherine de Pury 127:1988 British film 125: 124: 117: 99: 870: 792:An Angel for May 688: 681: 674: 665: 664: 618: 617: 604: 598: 597: 586: 577: 576: 563: 552: 551: 543: 469:Mark Greenstreet 450:as Jenny Hoffman 444:as Diana Markham 406:astral projected 300: 298: 211:Mark Greenstreet 142: 130: 129: 120: 113: 109: 106: 100: 98: 57: 33: 25: 878: 877: 873: 872: 871: 869: 868: 867: 813: 812: 811: 806: 728:The Glitterball 698: 696:Harley Cokeliss 692: 648:Rotten Tomatoes 627: 622: 621: 606: 605: 601: 588: 587: 580: 565: 564: 555: 544: 540: 535: 515: 507: 491: 486: 475:Susan Fleetwood 437: 382: 370:Susan Fleetwood 354:Harley Cokeliss 310: 303: 296: 294: 287: 280:Palace Pictures 272: 270: 268: 266: 264:Palace Pictures 259: 257: 239: 220: 216:Susan Fleetwood 168: 167:Harley Cokeliss 166: 154:Harley Cokeliss 145: 128: 121: 110: 104: 101: 58: 56: 46: 34: 21: 12: 11: 5: 876: 866: 865: 860: 855: 850: 845: 840: 835: 830: 825: 808: 807: 805: 804: 796: 788: 780: 772: 764: 756: 748: 740: 732: 724: 716: 710: 703: 700: 699: 691: 690: 683: 676: 668: 662: 661: 650: 639: 626: 625:External links 623: 620: 619: 599: 578: 553: 537: 536: 534: 531: 514: 511: 506: 503: 490: 487: 485: 484: 481:Nickolas Grace 478: 472: 466: 460: 454: 451: 445: 442:Jemma Redgrave 438: 436: 433: 381: 378: 358:Jemma Redgrave 339: 338: 335: 331: 330: 327: 323: 322: 321:United Kingdom 319: 315: 314: 311: 308: 305: 304: 302: 301: 290: 288: 285: 282: 281: 278: 277:Distributed by 274: 273: 262: 260: 255: 252: 251: 246: 242: 241: 236: 232: 231: 226: 225:Cinematography 222: 221: 219: 218: 213: 208: 203: 198: 193: 191:Jemma Redgrave 187: 185: 181: 180: 175: 171: 170: 161: 157: 156: 151: 147: 146: 143: 135: 134: 126: 123: 122: 37: 35: 28: 9: 6: 4: 3: 2: 875: 864: 861: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 820: 818: 802: 801: 797: 794: 793: 789: 786: 785: 781: 778: 777: 776:The Ruby Ring 773: 770: 769: 765: 762: 761: 757: 754: 753: 749: 746: 745: 741: 738: 737: 733: 730: 729: 725: 722: 721: 717: 714: 711: 708: 707:Chicago Blues 705: 704: 701: 697: 689: 684: 682: 677: 675: 670: 669: 666: 660: 656: 655: 651: 649: 645: 644: 640: 638: 634: 633: 629: 628: 615: 614: 609: 608:"Dream Demon" 603: 595: 591: 585: 583: 574: 573: 568: 562: 560: 558: 549: 542: 538: 530: 528: 527: 521: 520: 510: 502: 500: 496: 482: 479: 476: 473: 470: 467: 464: 461: 458: 457:Timothy Spall 455: 452: 449: 446: 443: 440: 439: 432: 428: 426: 422: 416: 414: 409: 407: 403: 397: 394: 389: 387: 377: 375: 374:Timothy Spall 371: 367: 363: 359: 356:and starring 355: 351: 347: 346: 336: 332: 328: 324: 320: 316: 312: 306: 292: 291: 289: 283: 279: 275: 265: 261: 253: 250: 247: 243: 237: 233: 230: 227: 223: 217: 214: 212: 209: 207: 206:Timothy Spall 204: 202: 199: 197: 194: 192: 189: 188: 186: 182: 179: 176: 172: 165: 162: 158: 155: 152: 148: 141: 136: 131: 119: 116: 108: 105:November 2008 97: 94: 90: 87: 83: 80: 76: 73: 69: 66: –  65: 64:"Dream Demon" 61: 60:Find sources: 54: 50: 44: 43: 38:This article 36: 32: 27: 26: 23: 19: 798: 790: 782: 774: 767: 766: 758: 750: 742: 736:That Summer! 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Dream Demons

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Harley Cokeliss
Christopher Wicking
Paul Webster
Jemma Redgrave
Kathleen Wilhoite
Jimmy Nail
Timothy Spall
Mark Greenstreet
Susan Fleetwood
Ian Wilson
Bill Nelson
Palace Pictures
horror film
Harley Cokeliss
Jemma Redgrave
Kathleen Wilhoite
Jimmy Nail

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