47:
601:, who was hired as the band's keyboardist. The group's cocaine use increased however, especially Vaughan's, as witnessed by Bramhall, who recalled seeing "mounds of cocaine on top of the organ". He said of Vaughan's cocaine use: "Where I was doing a lot, Stevie was doing five times, ten times more than I was doing." Nearly 800 minutes of the studio recordings were devoted to the sessions and leaked into the collector's market. Released in September,
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548:. Acknowledging the challenge posed by constant international touring to his marriage, Vaughan admitted, "The hard part is that I don't get to see my wife very often, but if she comes out on the road it's harder because she's not used to it. If you're not used to it, it only takes two or three days and then you start getting on each other's nerves, and that's worse." On October 4, 1984, the group performed at
746:. He, along with the pilot and three members of Clapton's tour crew (agent Bobby Brooks, bodyguard Nigel Browne, and assistant tour manager Colin Smythe), were killed when their helicopter crashed into the side of a ski hill soon after taking off from a nearby golf course in the early morning hours of August 27. Brother Jimmie Vaughan recalled that Vaughan was in a hurry to get back to Chicago:
639:, which was reportedly the highest paying show for the band at the time. A fan recalls the Montreal concert: "He played for a solid two hours and never said a word to the crowd until he came back for an encore and said, 'This one's for you, daddy.' I was in the front row that night, and many times during the set he was crying while playing. I will never forget that performance."
750:
I remember Stevie says, 'Well, I need to go back; do you mind?' I think I said something like, 'Yeah, I mind; I came all the way here to see you and we have to talk, and you shouldn't run off,' or something like that. Not thinking about it, really; you know, you just say stuff. And so he looked right
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winds up being less than the sum of its parts, and it's hard to pinpoint an exact reason why. Perhaps it was because
Vaughan was on the verge of a horrible battle with substance abuse at the time of recording or perhaps it just has that unevenness inherent in transitional albums."
457:. Layton recalls: "He goes, 'I have a studio in Los Angeles. I keep it for my pre-production work and have loaned it out to a number of people for special projects. If you guys are ever in Los Angeles and you want to use it, just let me know in advance and it's yours.'"
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album chart in June 1989. Allmusic's
Stephen Thomas Erlewine wrote in his review of the album, "The magnificent thing about In Step is how it's fully realized, presenting every facet of Vaughan's musical personality, yet it still soars with a sense of discovery."
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went on to sell over two million copies in the United States and 50,000 in Canada. That
October, Vaughan and Double Trouble embarked on a North American arena tour for 34 shows, dubbed "The Fire Meets the Fury". For the tour, the band added
445:, after attending a performance in Austin. In July 1982, the band performed at the festival and were the first unsigned act to perform at the event. Despite boos from the audience, their performance caught the attention of
366:
player Johnny Reno. They called themselves Triple Threat Revue, which was a nickname for
Vaughan in reference to his multi-instrumental talent. By May 1978, Clark and Kindred had left the group; Vaughan changed the name to
314:
for blues and local Austin musicians. The band has sold over 11.5 million albums in the United States, receiving platinum certifications for all four of their studio albums featuring
Vaughan. They have won four
627:. One month later, Vaughan learned that his father was hospitalized for an illness, and flew to his hometown of Dallas to be with his family; his father died three days later from complications associated with
497:
and initially sold over half a million copies. The band toured North
America in the first half of the year, followed by a two-week European tour in August–September. Returning to the US, they opened for
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and
Vaughan became the lead vocalist, and their name was changed to "Stevie Ray Vaughan and Double Trouble". In October 1980, during one of the band's frequent appearances at Rockefeller's in
295:, became a critical and commercial success in 1983. By the mid-1980s, they had become an international act, touring extensively around the world until August 1990, when Vaughan was
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song of the same name, and a reference to both
Vaughan and Barton. After Clark left to form his own band, Barton auditioned and hired Jackie Newhouse, who first met Barton in
430:. The band performed at the racetrack the following year, which was filmed for a proposed television series, though it was not picked up by any major network.
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Vaughan's funeral was held on August 30, 1990, at Laurel Land
Cemetery in Dallas. The service was opened by the Reverend Barry Bailey of the
21:
This article describes the band Double
Trouble across its various incarnations. For further information on its most successful period, see
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1993:
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502:, receiving $ 5000 per show plus bonuses for successful ticket sales. They gave their first live television performance in December on
692:, to produce their next studio album. The group recorded at Sound Castle and Summa Studios in Los Angeles, as well as Kiva Studios in
277:(vocals), Fredde Walden (drums), Jackie Newhouse (bass) and Johnny Reno (saxophone), they built their reputation playing clubs around
532:, who performed on "Stang's Swang". Following the album's release in May 1984, the group toured internationally, staging concerts in
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1979:
406:, and was hired in January 1981. During the next year-and-a-half, the group gained popularity by performing in Texas clubs such as
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who moved to Austin to pursue drumming. After three months, Moore moved back to Providence to finish college, and was replaced by
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310:. Since Vaughan's death, Double Trouble has continued in various capacities, releasing a studio album in 2001 and acting as a
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773:. The pallbearers included band members Shannon and Layton, as well as the group's manager and Vaughan's guitar technician.
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over a four-year period. Molded into a trio (Vaughan, Layton, Shannon), their musical potential was encouraged by producer
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Various posthumous releases featuring Vaughan have been issued since his death, overseen by his brother
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and spent a month in rehabilitation, emerging fully recovered and healthy; he would often attend local
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for near-death dehydration from years of alcohol and substance abuse. After two weeks of treatment in
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In July 1986, the band recorded three shows in Austin and Dallas for a live album, later released as
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at me and he said, 'No, you don't understand—I've got to go.' And then he got on the helicopter.
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Vaughan and Double Trouble chose Jim Gaines, who worked with the band for the recording of
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in celebration of Vaughan's thirtieth birthday, featuring many special guests such as the
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as a co-headliner. The shows would often close with a rendition of "Going Down" by
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in 1978, the group went through several early line-up changes before settling on a
658:(AA) meetings on tour. Vaughan rejoined with Double Trouble to tour in support of
258:. Rooted in blues and rock music, the group worked in various genres ranging from
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When Barton and Reno decided to leave the band in 1979, the group morphed into a
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After recording at Browne's studio in November 1982 that yielded the release of
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Stevie Ray Vaughan - Day by Day, Night After Night: His Final Years, 1983-1990
1738:
Stevie Ray Vaughan - Day by Day, Night After Night: His Early Years, 1954-1982
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Minutaglio, Bill (July 19, 1985). "Stevie Ray Vaughan is true to the blues".
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226:. The group was active throughout the 1980s and contributed to reviving
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825:. The album hit #1 on the U.S. Blues charts and peaked at #126 on the
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During a tour of Europe a month later, Vaughan was hospitalized in
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845:(2004). They also play on two albums by Brazilian blues guitarist
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520:. Recorded in January 1984, the album included musicians such as
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362:, keyboardist Mike Kindred, drummer Fredde "Pharaoh" Walden, and
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Harris, Shelly (November 1984). "SRV: A Guitarist's Guitarist".
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516:, the band's second studio album, saw an outpacing of sales to
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414:. They hired Chesley Millikin as their manager, who had been
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In 2015, Double Trouble with Vaughan were inducted into the
631:. After attending the funeral, Vaughan immediately flew to
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379:. In July, Walden was replaced by Jack Moore, a native of
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recommended Vaughan and Double Trouble to perform at the
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Stevie Ray Vaughan and Double Trouble live performances
250:(bass). They became a four-piece by 1985 after adding
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Double Trouble later worked as the rhythm section for
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The band's desire to experiment grew as they recorded
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Aledort, Andy (August 2000). "The Lost Interviews".
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2001:
The Essential Stevie Ray Vaughan and Double Trouble
662:for the next two years, visiting countries such as
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863:In 2019, Double Trouble, along with Reese Wynans,
289:. They gained popularity after their debut album,
254:(keyboards). Whilst with Vaughan they were billed
726:In August 1990, subsequent to a summer tour with
575:, substance abuse, and rehabilitation (1985–1988)
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613:commented, "For all of its positive attributes,
781:Layton and Shannon then helped form two "semi-
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684:, final tour, and Vaughan's death (1989–1990)
350:-style group with several musicians from the
285:, who got the band a recording contract with
273:Initially a five-piece lineup with Vaughan,
777:Double Trouble after Vaughan (1990–present)
528:and Fran Christina, as well as saxophonist
1853:Original 1983–1989 releases are marked in
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978:"Derek Miller With Double Trouble" (with
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230:music, inspiring many later blues and
30:Double Trouble (dance music producers)
1987:The Real Deal: Greatest Hits Volume 2
1817:
1805:Stevie Ray Vaughan and Double Trouble
1736:Hopkins, Craig (September 15, 2010).
605:received mixed reviews from critics.
338:Formation and early years (1978–1982)
256:Stevie Ray Vaughan and Double Trouble
1759:Hopkins, Craig (October 18, 2011).
354:live music scene, including singer
321:Best Contemporary Blues Performance
23:Stevie Ray Vaughan § Double Trouble
13:
2363:Musical groups established in 1978
944:
14:
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2368:Musical groups from Austin, Texas
1789:
867:, and others, recorded the album
486:in March 1983. Released in June,
1962:Live at Montreux 1982 & 1985
1025:
2216:Couldn't Stand the Weather Tour
1646:
839:and play on his most recent CD
888:Stevie Ray Vaughan discography
874:
793:in the 1990s, and worked with
508:, broadcast in February 1984.
1:
2353:American blues musical groups
2090:All Your Love (I Miss Loving)
1665:
2373:Rock music groups from Texas
2348:1978 establishments in Texas
2231:The Fire Meets the Fury Tour
2193:Voodoo Child (Slight Return)
2184:The Things That I Used to Do
702:debuted at number 33 on the
426:, a horse racing track near
297:killed in a helicopter crash
270:and other musical elements.
7:
2327:Death of Stevie Ray Vaughan
996:
757:Death of Stevie Ray Vaughan
736:Alpine Valley Music Theatre
10:
2399:
1881:Couldn't Stand the Weather
905:Couldn't Stand The Weather
858:Rock and Roll Hall of Fame
754:
513:Couldn't Stand the Weather
466:Couldn't Stand the Weather
332:
28:For the UK dance act, see
27:
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433:In March 1982, producer
381:Providence, Rhode Island
18:American blues rock band
880:with Stevie Ray Vaughan
769:, who was Vaughan's AA
763:United Methodist Church
611:Stephen Thomas Erlewine
402:, a former bassist for
242:consisting of Vaughan,
25:and following sections.
2383:Musical backing groups
2260:Live at the El Mocambo
753:
439:Montreux Jazz Festival
398:, Vaughan jammed with
266:, often incorporating
69:Background information
1948:Live at Carnegie Hall
1684:"Soul to Soul review"
748:
635:for a performance in
522:Fabulous Thunderbirds
490:peaked at #38 on the
418:' general manager in
2358:Epic Records artists
865:Kenny Wayne Shepherd
853:later in the 2000s.
799:Kenny Wayne Shepherd
740:East Troy, Wisconsin
656:Alcoholics Anonymous
301:East Troy, Wisconsin
1607:, pp. 258–259.
1499:, pp. 191–192.
482:signed the band to
342:In September 1977,
2378:Stevie Ray Vaughan
2098:Come On (Part III)
2065:Chitlins con Carne
1845:Stevie Ray Vaughan
1763:. Backbeat Books.
849:, and toured with
566:Sydney Opera House
560:, Jimmie Vaughan,
505:Austin City Limits
344:Stevie Ray Vaughan
224:Stevie Ray Vaughan
181:Stevie Ray Vaughan
57:Stevie Ray Vaughan
2335:
2334:
2221:Soul to Soul Tour
2061:The Sky Is Crying
2011:Official bootlegs
1914:The Sky Is Crying
1770:978-1-61774-022-0
1751:978-1-4234-8598-8
1367:, pp. 77–78.
1319:, pp. 68–69.
1307:, pp. 53–55.
929:The Sky Is Crying
672:George H. W. Bush
209:
208:
107:instrumental rock
2390:
2270:Related articles
2211:Texas Flood Tour
2053:Love Struck Baby
1994:Blues at Sunrise
1941:In the Beginning
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480:John H. Hammond
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214:is an American
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1742:Backbeat Books
1733:
1729:Chicago Soundz
1724:
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1643:, p. 266.
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1609:
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1595:, p. 219.
1585:
1583:, p. 217.
1573:
1571:, p. 292.
1561:
1559:, p. 214.
1549:
1545:Allmusic 2012b
1537:
1535:, p. 204.
1525:
1523:, p. 197.
1513:
1511:, p. 203.
1501:
1489:
1487:, p. 153.
1477:
1475:, p. 150.
1465:
1463:, p. 147.
1453:
1451:, p. 146.
1441:
1439:, p. 143.
1429:
1427:, p. 136.
1417:
1413:Allmusic 2012a
1405:
1393:
1381:
1369:
1357:
1345:
1333:
1321:
1309:
1297:
1285:
1273:
1261:
1249:
1237:
1225:
1223:, p. 204.
1213:
1211:, p. 202.
1201:
1199:, p. 201.
1189:
1187:, p. 191.
1177:
1175:, p. 177.
1165:
1163:, p. 153.
1153:
1151:, p. 176.
1141:
1139:, p. 167.
1129:
1127:, p. 164.
1117:
1115:, p. 154.
1105:
1103:, p. 151.
1093:
1091:, p. 132.
1081:
1079:, p. 127.
1069:
1067:, p. 124.
1057:
1055:, p. 108.
1044:
1043:
1041:
1038:
1037:
1036:
1021:
1020:
1015:
1013:Music of Texas
1010:
1005:
1003:1980s in music
998:
995:
994:
993:
983:
976:
964:
958:
946:
943:
942:
941:
933:
925:
917:
909:
901:
892:
891:
881:
878:
876:
873:
823:Jimmie Vaughan
803:Doyle Bramhall
778:
775:
755:Main article:
685:
679:
595:Doyle Bramhall
587:wah-wah pedals
576:
570:
562:Angela Strehli
556:horn section,
526:Jimmie Vaughan
469:
459:
451:Jackson Browne
387:in September.
369:Double Trouble
356:Lou Ann Barton
339:
336:
334:
331:
275:Lou Ann Barton
212:Double Trouble
207:
206:
186:Lou Ann Barton
178:
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102:electric blues
99:
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42:
41:
39:Double Trouble
38:
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2303:
2300:
2298:
2297:Tommy Shannon
2295:
2293:
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2285:
2283:
2280:
2278:
2275:
2274:
2272:
2268:
2262:
2261:
2257:
2255:
2254:
2253:Pride and Joy
2250:
2249:
2247:
2243:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2212:
2209:
2208:
2206:
2204:Concert tours
2202:
2195:
2194:
2189:
2186:
2185:
2180:
2177:
2176:
2171:
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2167:
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2046:
2045:
2040:
2039:
2038:Pride and Joy
2034:
2033:
2031:
2027:
2021:
2020:
2019:Live in Tokyo
2016:
2015:
2013:
2009:
2003:
2002:
1998:
1996:
1995:
1991:
1989:
1988:
1984:
1982:
1981:
1980:Greatest Hits
1977:
1976:
1974:
1970:
1964:
1963:
1959:
1957:
1956:
1952:
1950:
1949:
1945:
1943:
1942:
1938:
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1886:
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1868:
1867:
1865:
1863:Studio albums
1861:
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1402:
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1390:
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986:Sweet Release
984:
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973:Jimmy D. Lane
970:
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955:Nuno Mindelis
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869:Sweet Release
866:
861:
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852:
851:Joe Bonamassa
848:
847:Nuno Mindelis
844:
843:
838:
837:Jimmy D. Lane
833:
831:
829:
824:
820:
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815:Willie Nelson
812:
808:
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800:
796:
792:
788:
785:" in Austin,
784:
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550:Carnegie Hall
547:
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531:
530:Stan Harrison
527:
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404:Johnny Winter
401:
400:Tommy Shannon
397:
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365:
361:
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349:
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317:Grammy Awards
313:
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288:
284:
280:
276:
271:
269:
265:
261:
257:
253:
249:
248:Tommy Shannon
245:
241:
237:
236:Austin, Texas
233:
229:
225:
221:
220:Austin, Texas
217:
213:
205:
195:
191:Fredde Walden
187:
182:
179:
173:
169:
166:
165:Tommy Shannon
162:
159:
155:
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147:
143:
139:
136:
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120:
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108:
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98:
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89:
87:
83:
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78:Austin, Texas
76:
72:
67:
62:
61:Tommy Shannon
58:
54:
48:
43:
36:
31:
24:
16:
2312:Reese Wynans
2302:Chris Layton
2281:
2258:
2251:
2245:Video albums
2236:In Step Tour
2191:
2182:
2173:
2164:
2157:Superstition
2155:
2146:
2137:
2121:
2105:
2096:
2051:
2042:
2036:
2017:
1999:
1992:
1985:
1978:
1972:Compilations
1960:
1953:
1946:
1939:
1931:
1930:
1912:
1907:Family Style
1905:
1897:
1896:
1890:Soul to Soul
1888:
1887:
1879:
1878:
1870:
1869:
1854:
1779:
1760:
1737:
1728:
1716:. Retrieved
1709:
1694:. Retrieved
1687:
1675:Guitar World
1673:
1648:
1641:Hopkins 2011
1636:
1629:Hopkins 2011
1624:
1617:Hopkins 2011
1612:
1605:Hopkins 2011
1600:
1593:Hopkins 2011
1588:
1581:Hopkins 2011
1576:
1569:Hopkins 2011
1564:
1557:Hopkins 2011
1552:
1540:
1533:Hopkins 2011
1528:
1521:Hopkins 2011
1516:
1509:Hopkins 2011
1504:
1497:Hopkins 2011
1492:
1485:Hopkins 2011
1480:
1473:Hopkins 2011
1468:
1461:Hopkins 2011
1456:
1449:Hopkins 2011
1444:
1437:Hopkins 2011
1432:
1425:Hopkins 2011
1420:
1408:
1401:Hopkins 2011
1396:
1389:Hopkins 2011
1384:
1372:
1365:Hopkins 2011
1360:
1353:Hopkins 2011
1348:
1336:
1329:Hopkins 2011
1324:
1317:Hopkins 2011
1312:
1305:Hopkins 2011
1300:
1293:Hopkins 2011
1288:
1281:Hopkins 2011
1276:
1269:Hopkins 2011
1264:
1257:Hopkins 2011
1252:
1245:Hopkins 2011
1240:
1235:, p. 9.
1233:Hopkins 2011
1228:
1221:Hopkins 2010
1216:
1209:Hopkins 2010
1204:
1197:Hopkins 2010
1192:
1185:Hopkins 2010
1180:
1173:Hopkins 2010
1168:
1161:Hopkins 2010
1156:
1149:Hopkins 2010
1144:
1137:Hopkins 2010
1132:
1125:Hopkins 2010
1120:
1113:Hopkins 2010
1108:
1101:Hopkins 2010
1096:
1089:Hopkins 2010
1084:
1077:Hopkins 2010
1072:
1065:Hopkins 2010
1060:
1053:Hopkins 2010
1048:
1033:Texas portal
990:Reese Wynans
985:
980:Derek Miller
966:
960:
950:
935:
927:
919:
913:Soul to Soul
911:
903:
895:
885:
868:
862:
855:
840:
834:
827:
806:
780:
760:
749:
732:Eric Clapton
725:
721:Freddie King
711:
704:
697:
690:Soul to Soul
689:
687:
681:
659:
644:Ludwigshafen
641:
622:
620:
615:Soul to Soul
614:
603:Soul to Soul
602:
599:Reese Wynans
582:Soul to Soul
580:
578:
573:Soul to Soul
572:
517:
511:
510:
503:
492:
487:
484:Epic Records
473:
471:
465:
461:
435:Jerry Wexler
432:
428:Manor, Texas
416:Epic Records
408:Fitzgerald's
389:
385:Chris Layton
371:", after an
341:
324:
312:session band
305:
290:
287:Epic Records
272:
255:
252:Reese Wynans
244:Chris Layton
211:
210:
204:Reese Wynans
197:Mike Kindred
176:Past members
161:Chris Layton
117:Years active
53:Chris Layton
15:
2322:W. C. Clark
2287:David Bowie
2277:Discography
2175:Texas Flood
2131:Little Wing
1924:Live albums
1872:Texas Flood
1718:February 2,
1696:January 29,
1341:Harris 1984
951:Texas Bound
897:Texas Flood
875:Discography
795:W. C. Clark
783:supergroups
546:New Zealand
534:Scandinavia
518:Texas Flood
488:Texas Flood
478:, producer
475:Texas Flood
468:(1983–1984)
462:Texas Flood
455:Los Angeles
447:David Bowie
443:Switzerland
424:Manor Downs
360:W. C. Clark
292:Texas Flood
194:W. C. Clark
189:Johnny Reno
148:, Tone-Cool
92:Texas blues
2342:Categories
1955:In Session
1933:Live Alive
1666:References
811:Jonny Lang
791:Storyville
787:Arc Angels
767:Fort Worth
728:Joe Cocker
660:Live Alive
637:Jarry Park
624:Live Alive
524:' members
422:, and ran
392:power trio
377:Fort Worth
358:, bassist
319:including
240:power trio
218:band from
216:blues rock
201:Jack Moore
183:(deceased)
97:blues rock
2148:Say What!
2115:Hide Away
2107:Crossfire
2044:Rude Mood
1706:"In Step"
1653:Billboard
968:It's Time
842:It's Time
828:Billboard
717:Jeff Beck
705:Billboard
591:Say What!
542:Australia
493:Billboard
412:Club Foot
373:Otis Rush
346:formed a
246:(drums),
2139:Pipeline
1800:AllMusic
1711:Allmusic
1689:Allmusic
1657:Allmusic
997:See also
992:) (2019)
975:) (2004)
957:) (1996)
819:Dr. John
633:Montreal
629:asbestos
607:Allmusic
558:Dr. John
329:(1989).
129:–present
2166:Testify
2029:Singles
1899:In Step
1809:Discogs
921:In Step
771:sponsor
744:Chicago
712:In Step
699:In Step
694:Memphis
682:In Step
664:England
652:Atlanta
538:Germany
396:Houston
333:History
326:In Step
260:ballads
157:Members
123: (
63:in 1983
2072:Taxman
1767:
1748:
1714:. 2012
1692:. 2012
988:(with
971:(with
963:(2001)
953:(with
940:(1992)
932:(1991)
924:(1989)
916:(1985)
908:(1984)
900:(1983)
821:, and
801:, and
648:London
544:, and
420:Europe
352:Austin
308:Jimmie
142:Legacy
134:Labels
85:Genres
80:, U.S.
74:Origin
2123:Lenny
2082:Songs
1040:Notes
886:see:
668:Italy
589:for "
348:revue
279:Texas
228:blues
1855:bold
1765:ISBN
1746:ISBN
1720:2012
1698:2012
789:and
597:and
464:and
449:and
410:and
268:jazz
264:soul
232:rock
146:Sony
138:Epic
125:1978
121:1978
2063:"/"
2041:"/"
1798:at
830:200
765:in
738:in
734:at
707:200
674:in
609:'s
495:200
441:in
364:sax
262:to
2344::
1744:.
1740:.
1708:.
1686:.
1655:,
860:.
832:.
817:,
813:,
797:,
723:.
666:,
568:.
540:,
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303:.
144:,
140:,
59:,
55:,
2196:"
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2110:"
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2088:"
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2056:"
2050:"
2047:"
2035:"
1857:.
1837:e
1830:t
1823:v
1784:.
1773:.
1754:.
1731:.
1722:.
1700:.
1678:.
1547:.
1415:.
1379:.
1343:.
982:)
367:"
127:)
32:.
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