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is listed for at least part of her career. It appears that Thomas
Sarbitt had retired or died by 1752; the following year Dorothy married John Sarbitt, whose relation to the other is unknown. No record of her hallmark is known past 1754, indicating that she may have closed the business down in that
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Hugh Mills, and after his death registered a mark, as
Dorothy Mills, on 6 April 1752, at which time she was classified as a largeworker and as a widow. Evidence exists that she had by this time entered into a partnership with goldsmith Thomas Sarbitt; a mark from 1746-47 attests to this, as does
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is possessed of a cream jug attributed to Mills and
Sarbitt and dated 1749/50. A tray possibly made by Dorothy Sarbitt in conjunction with Daniel Shaw, dated 1754, is in the collection of
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another registered in 1748-49. She registered a second mark of her own as
Dorothy Sarbitt on 13 December 1753. An address of
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144:"Cream jug, attributed to Dorothy Mills; Artist: attributed to Thomas Sarbit ^ Minneapolis Institute of Art"
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hallmarked "Dorothy Mills", produced in conjunction with Thomas
Sarbitt and dating to 1748, is owned by the
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54:. The same institution owns several pieces hallmarked "Dorothy Sarbitt", including a pair of George II
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Women
Silversmiths, 1685–1845: Works from the Collection of the National Museum of Women in the Arts
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This article about an artist, architect or photographer from
England is a
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from 1753 and another George II salver from 1754. The
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169:"Tray | Hillwood Estate, Museum and Garden"
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