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sentence you overheard somewhere. And you keep collecting all these little things that just sort of drift by... a dream, a beautiful sentence in your head that just appeared while doing the dishes, an anecdote you stole from your old diary... and eventually you find connections between all the things and with all these parts you've gathered up you now have enough stuff to build a raft. And then once you have the raft you can remove all the bits that don't quite fit anymore, the spare parts that you didn't need after all, you toss them back or maybe save them for another raft later. When I write, there isn't a lot of active effort or swimming around, or calculation... for me that can be very poisonous to creativity. The big ideas won't happen right when you mentally stress on them... it's more a matter of being patient and being open to all the things that just drift in.
2210:...Many people in our industry would see advertising work as the ultimate goal, which really illustrates the sad state of affairs that's set up for many young animators. They're basically being taught that their work has no value. Their personal projects, even when Oscar-nominated and whatnot, are perceived as just a way to attract some empty corporate advertising gig where they can maybe make enough money to fund another personal project that's maybe dropped on YouTube, loses money, and forgotten about. It's a terrible cycle. Artists shouldn't be making art on the side, it should be their job. We need to retrain audiences who've grown used to the free YouTube model that are worth paying for.
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that because I shoot on film and animate on paper I must be doing things the hard way, when in fact my last four movies would have been visually impossible to produce digitally. The only thing that matters is what actually winds up on the big screen, not how you got it there. You could make a cartoon in crayons about a red square that falls in unrequited love with a blue circle, and there wouldn't be a dry eye in the house if you know how to tell a story.
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690:...You need to try to return to the time when you were a little kid, creating things on a big sheet of paper in a beautiful sunbeam, and not having any cares at all about how it might one day be received. It's when children learn to think, "Is this any good?" that they start to become paralyzed creatively. And this is why most adults don't draw, don't write, don't sing, don't dance, and are terrified in front of audiences.
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1301:, an unannounced, new five-minute cartoon at the "Evening with Don Hertzfeldt" screening at the Ottawa Animation Festival. It later screened at the Sundance Film Festival in January 2010 and the Fantasia Film Festival in Montreal, where it was awarded a Special Jury Mention. In 2010, it appeared as part of a series on the Showtime Network called "Short Stories".
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That's when you say to yourself: are stick figures supposed to make me feel this way? In the hands of a master, yes. And
Hertzfeldt is to stick figures what Franz Liszt was to planks of ebony and ivory and what Ted Williams was to a stick of white ash: someone so transcendentally expert that to describe what they do in literal terms is borderline demeaning."
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In a March 2009 blog entry, Hertzfeldt compared filmmaking to his love of hiking and exploring new places: something he does just because he "enjoys doing it and will probably always enjoy doing it." He compared doing advertising to being paid to not go explore the woods, but to walk around someone's
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Since the 1990s, Hertzfeldt has annually auctioned off rare animation artwork and original film props to raise money for local charities. Other artwork has been occasionally given away through the Bitter Films online store through special promotions. Because
Hertzfeldt does not often do signings, his
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was released as another DVD "single". Special features on this release included over a hundred pages of "archival" material (sketches, storyboards, deleted materials), and a hidden feature that played a narration-free version of the film. Fans who pre-ordered the DVD received a unique 35mm film strip
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where he and his family have evolved into grotesque, mindless, catchphrase-spouting creatures. Future Homer sadly remembers past futuristic episodes, in which he still had an emotional connection with Marge and the children. Simpsons producer Al Jean called it "crazier than we thought," and "the most
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Scenes throughout the trilogy are often divided into multiple windows of action on the screen at once against a background of pure black. Animated still photographs are also incorporated inside certain windows, as well as a handful of the colorful special effects and experimental film techniques that
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I don't know why these things are always framed as a big dumb cage match: Hand-drawn versus computers, film versus digital. We have over 100 years now of amazing film technology to play with, I don't understand why any artists would want to throw any of their tools out of the box. Many people assume
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was listed by many film critics as one of the best films of 2012 and the L.A. Film
Critics Association named it runner-up for Best Animated Feature Film of the year. After a limited UK release in 2013, the film was ranked #3 on Time Out London's list of the 10 Best Films of 2013 and #4 on The London
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On finally making the leap to digital animation after twenty years of working with pencil and paper, Hertzfeldt joked, "I kind of feel like it's like a rock band who traditionally was guitar, guitar, guitar and then for their new album, they're like, we're going electronic! But they only use Casio
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In 2009, Hertzfeldt noted, "I don't often make the same sort of movie twice in a row. It's always been whatever's next in my head. From a commercial standpoint I guess I've made some pretty inscrutable decisions, like following up 'Rejected' with a sprawling abstract film about human evolution, but
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It's like you're floating in an ocean, and you want to build a raft. So you just float there and you wait and wait. And eventually this little piece of something comes drifting by, maybe a memory, and you hang on to it, and then another little piece comes around, it is unrelated, maybe it's a funny
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While at film school, Hertzfeldt was drawn to animation as it was a less expensive form to work in. He could not afford to buy the numerous rolls of 16 mm film required to shoot live action. He has stated, "I think I've always approached animation from a strange angle, a bit like a live action
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was released in 2006, collecting the first 10 years of his work. All of the short films were remastered and restored in high definition from their original film negatives. The DVD was made available only to fans via the Bitter Films website, with the first 750 pre-orderers receiving an "exclusive
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In
December 2015, Hertzfeldt received a special award from the Austin Film Critics Association, "in celebration of a career of remarkable short filmmaking and contributions to animation spanning two decades, with 2015's award-winning "World of Tomorrow" being recognized as his best work to date."
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It's not unusual for
Hertzfeldt to write, direct, produce, animate, photograph, edit, perform voices, record and mix sound, and/or compose music for one of his films, at times requiring years to complete a single short by working alone. The animation for one of his films may often require tens of
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wrote, "There is a moment in each installment of Don
Hertzfeldt's masterful trilogy of animated shorts where you feel something in your chest. It's an unmistakably cardiac event, the kind that great art can elicit when something profound and undeniably true is conveyed about the human condition.
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In the film, the evolution of the human race is traced from prehistory (mankind as blob forms), through today (mankind as teeming crowds of selfish, fighting, or lost individuals), to hundreds of millions of years into the future as our species evolves into countless new forms; all of them still
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is the first chapter of a three-part story about a man named Bill whose daily routines, perceptions, and dreams are illustrated onscreen through multiple split-screen windows. Bill's seemingly mundane life, narrated in humorous and dramatic anecdotes, gradually grows dark as we learn he may be
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drew international attention. In appearances
Hertzfeldt has told the humorous story of how he was tempted to produce the worst possible cartoons he could come up with for the companies, run off with their money, and see if they would actually make it to air. Eventually this became the germ for
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Hertzfeldt's work has been described as "some of the most influential animation ever created", "some of the most vital and expressive animation of the millennium", "some of the most essential short films of the last 20 years", and "films of a sort that never really existed before." In 2020,
2199:, which he has declined. He has made various comments over the years about his dislike of corporate America and says he will never be involved with the advertising world. He has said, "The goal isn't to try and make as much money as I possibly can, the goal is to try and make good movies."
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house eight hours a day wearing a sandwich board with a picture of a product on it. "Money's not the reason I take walks. It doesn't really factor into it. I take walks because I enjoy doing it. It's something I'd do if I was rich, and it's something I'd do if I were poor."
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was released as a similar "single" in 2009. It featured a similar 148 page "archive" of production materials, as well as the hidden narration-free feature. Fans who pre-ordered the DVD received a unique 35mm film strip clipped from one of the film's theatrical prints.
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The film presents itself as a reel of rejected commercial work by a fictional version of Don
Hertzfeldt. The commissioned animated vignettes grow more and more abstract and inappropriate as the animator suffers a mental breakdown, until they literally fall apart.
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In the commentary for
Rejected on the Bitter Films Vol. 1 DVD, Hertzfeldt stated that "You never want to lie to your audience... you can trick them, you can disturb them, you can annoy them, but you can never lie to them. To me commercials are nothing but lies."
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and a selection of his other films to 22 cities on a sold-out
American tour (with two stops in the UK and three in Canada). '"An Evening with Don Hertzfeldt" presented a 35mm selection of his work followed by an onstage interview and audience chat with him.
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performs the voice of the short's lead character, opposite Hertzfeldt's then-four-year-old niece, who was recorded while drawing and playing. Her spontaneous, natural vocal reactions and questions were then edited into the story to create her character.
2227:, which use black and white stick figures, "squiggly" animation, surreal humor, and even an occasional crumpling paper effect, all very similar to Hertzfeldt's style. Despite all these similarities, Hertzfeldt was not involved in any way. In Canada, the
1615:, through independent publisher Antibookclub. The 216-page book was described in his blog as containing many years of leftover film ideas reshaped into an experimental new story: "If the films were albums, I guess these would be the B-sides." In 2019,
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in Fremont. In his childhood, Hertzfeldt drew homemade comic books and, at the age of 15, he began to teach himself animation with a VHS video camera. Two of Hertzfeldt's teenage VHS cartoons can be seen on the "Bitter Films: Volume 1" DVD collection.
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Nevertheless, several international ad campaigns have borrowed heavily from his unique style and bear enough resemblance to Hertzfeldt's work as to be mistaken for it. The most well-known instance of this is a series of television ads for Kellogg's
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Hertzfeldt traveled with the film to theaters on a "winter mini-tour" in December 2017. The screenings opened with a surprise new two-minute cartoon, in which an animated Hertzfeldt introduces the program from the caverns of an alien planet.
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Encorp has used a Hertzfeldt-like style of short animation clips on TV and the Internet to promote its "Don't Mess With Karma" campaign to encourage recycling. One of the latest ad campaigns to use an art style similar to Hertzfeldt's is
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cartoons in the 1960s and 1970s. Built in the late 1940s, it was one of the last remaining functioning cameras of its kind left in the world, and Hertzfeldt found it to be a crucial element in the creation of his films and their visuals.
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Hertzfeldt's student films in the 1990s were photographed on 16mm. From 1999 to 2011, Hertzfeldt photographed his films on a 35mm Richardson animation camera stand, believed to be the same camera that photographed many of the
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special effects audio commentary, an over 140-page "archive" section (of rare footage from Hertzfeldt's earliest cartoons, original pencil tests, deleted sequences, abandoned footage, and sketch to scene comparisons),
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filmmaker who just happens to draw. Editing, writing, sound—those are the things that usually come first in my head. Animation is often just the busy work I need to get through to connect the dots and tell the story."
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In 2012, Hertzfeldt edited the three chapters of the short film trilogy together to create a seamless new feature-length version of the story. The feature film shares the same title as the third chapter of the story,
730:, was released in 1997, and tells the story of a disastrous blind date. Its partially improvised vocal performances helped the short win twenty five awards, including the Grand Prize at the New Orleans Film Festival.
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sequence or a universe of moving stars created by back-lit pin holes, other effects are new innovations on classical methods, as seen with the in-camera compositing of multiple, split-screen windows of action in the
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described the film as "visionary" and "possibly the best film of 2015," in spite of its short running time. The Austin Film Critics Association gave Hertzfeldt a Special Honorary Award in recognition of the film.
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behaving the same way. The film concludes in the extreme future, with two creatures (apparently an adult and child subspecies of future human), having a conversation about the meaning of life on a colorful shore.
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was to regularly "free the work of these independent artists from the dungeons of Internet exhibition," and bring them into proper movie theaters where most of the short films were originally meant to be seen.
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Sight and Sound "Greatest Films of All Time" poll, Hertzfeldt listed the following ten films as important titles that had "knocked me over the head at some point in life and continue to do so":
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was released in 2006 and became Hertzfeldt's most critically successful piece to date, receiving his strongest reviews. The 17-minute animated short was based on a character, Bill, from his
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theme of a collection of cartoons so bad they were rejected by advertising agencies, leading to their creator's breakdown and ultimately the cartoons' metaphysical crisis.
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meanwhile launched a supplemental DVD series of animated short films, with content that varied from the annual theatrical programs. These DVDs were distributed by MTV.
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was subsequently released on DVD, iTunes, Netflix, and on-demand on Vimeo. The film was released on Blu-ray in 2015 and in 2021, a remastered version was released on
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Hertzfeldt has never held a job other than creating his animated films. His earliest teenage video animations found film festival exposure, and in film school at the
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were made widely available to the public. Many of these works were only previously found on limited-release VHS collections of animated shorts, long out of print.
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Critic J.R. Jones wrote, "with his humor, darkness, philosophical yearning, and insistence on drawing every line himself, may be the only legitimate successor to
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1922:'s "Persistence of Vision" Lifetime Achievement Award "for his unique contributions to film and animation," and "for challenging the boundaries of his craft."
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was very well received by film critics. The Los Angeles Film Critics Association named it their runner-up for Best Animated Feature Film of the year, behind
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described his work as "simultaneously tragic and hilarious and philosophical and crude and deeply sad and fatalist and yet stubbornly, resolutely hopeful."
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was released in November 2012. Special features for the release included over 40 minutes of live Q&A material from the touring program, the cartoon
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short film series. Hertzfeldt initially used antique 16 mm or 35 mm–film cameras to photograph his drawings and often employs old-fashioned
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Hertzfeldt was the youngest director named in the "They Shoot Pictures, Don't They" list of "The 100 Important Animation Directors" of all time,
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and toured film and animation festivals in 2005–2006. Though its abstract nature puzzled some critics, it received mostly positive reviews. The
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2414:".@donhertzfeldt has had more films play in competition at #Sundance than any other filmmaker w/ seven including his latest WORLD OF TOMORROW"
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Hertzfeldt's work has been credited with being a prominent influence on surrealism and absurdism in animation in the 2000s, including shaping
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called the short film "one of the best films of 2015," and The Dissolve named it "one of the finest achievements in sci-fi in recent memory."
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animation artwork is rare for collectors and fans to own. The 2023 charity auction marked the first time original animation drawings from
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Although the film is fictional and Hertzfeldt has never done advertising work, he received many offers to do television commercials after
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as the central pledge reward. The campaign raised over $ 215,000. With rising pledges he restored and remastered additional short films
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In 2012, Hertzfeldt was ranked #16 in an animation industry and historian survey of the "Top 100 Most Influential People in Animation."
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In 2021, a second fundraiser campaign raised over $ 450,000 for future productions. The main pledge reward was the Blu-ray release of
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declaring Hertzfeldt a "genius." The short film was a cover story on the Chicago Reader, receiving four stars from critic J.R. Jones.
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he was able to find international distribution for each of his 16mm student films. He is a 1998 graduate with a B.A. in Film Studies.
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In 2012, Hertzfeldt received the Ted M. Larson memorial award from the Fargo Film Festival, for his "contributions to film culture."
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1898:'s motion picture archives to indefinitely store and preserve the original film elements and camera negatives to his collected work.
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Critics were universally positive in their reviews, describing the science fiction film as "one of the most satisfying shorts since
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Hertzfeldt owns the rights to all of his work and has self-distributed his films under the moniker "Bitter Films" since the 1990s.
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have all appeared in his films. On occasion, Hertzfeldt has also scored portions of his films himself, with a guitar or keyboard.
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will return to theaters for the first time since 2012, paired with the release of Don Hertzfeldt's newest animated short film,
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pandemic. "Episode Three" finally appeared in theaters in 2023 as part of a special "World of Tomorrow" program with the
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wrote, "If there is a single piece of media that inspired what we nebulously refer to as "internet humor," it's probably
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and almost certain to be the highlight of this year's Sundance, full stop," "dazzling, enthralling" and "astonishing."
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The popularity of each student short at film and animation festivals—and eventually around the world from screening on
570:. His animation was first created traditionally, with pen and paper, before transitioning to digital animation for his
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on an iPad for the National Film Board of Canada. It was animated using their app, a tribute to experimental animator
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as "mind-melting," and "two of the strangest minutes of television ever to air on a major network during prime time."
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it's really just been whichever ideas won't go away at the time. There's always a lot of new things I'd like to try."
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and other networks—helped fund the next one, and eventually financed the production of his first film after college.
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4991:"Killer Rabbit w/info on Dark Crystal 2, Pan's Labyrinth, Hellboy Animated, Choose Your Own Adventure & more!!!"
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1230:), and The A.V. Club film critics ranked the film # 8 on their list of the Best Films of 2012. Slate Magazine named
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3601:"Don Hertzfeldt Releases 4K Restoration of Iconic Short 'Rejected,' Remastered from the Original 35mm Film — Watch"
3085:"Don Hertzfeldt is the most inventive underground animator in America. Will he ever make his peace with Hollywood?"
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critics ranked the film #1 on their list of "The 50 Best Animated Films of the 21st Century Thus Far." In 2019,
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critics ranked the film #1 on their list of "The 50 Best Animated Films of the 21st Century Thus Far." In 2019,
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Hertzfeldt primarily supports his work through self-distribution such as ticket sales from theatrical tours,
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In 2015, Hertzfeldt ran a Kickstarter campaign to help fund future productions, with the Blu-ray debut of
4613:"Don Hertzfeldt Talks the Present and Future of World of Tomorrow, His Incredible Sci-Fi Animated Series"
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2504:"Don Hertzfeldt on 'World of Tomorrow Episode Two' and Expanding Upon the Best Short Film of the Century"
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short films plus a booklet of production notes, a deleted scene, and a related new animated short called
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2946:"World of Tomorrow Episode Three Review: An Aesthetically Inventive and Narratively Complex Evolution"
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2006:. The DVD included a deleted scene, audio commentary, and a few hidden pages. It is now out of print.
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1909:. In 2010, it was noted as one of the five "most innovative animated films of the past ten years" by
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The sequence depicts Homer accidentally using a time-traveling remote control that regresses him to
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214:(born August 1, 1976) is an American animator, writer, and independent filmmaker. He is a two-time
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noted, "Hertzfeldt has crafted what might be the crowning achievement of modern science fiction."
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2924:"'World of Tomorrow Episode Three' Review: The Best Sci-Fi Series of the 21st Century Goes Epic"
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and one of the most influential animated films ever made. In the early 2000s, pirated copies of
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100 Greatest Animated Shorts/Everything Will Be OK/Don Hertzfeldt - Skywigly Animation Magazine
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2866:"'World of Tomorrow Episode 2' Review: Another Soulful Sci-Fi Masterpiece from Don Hertzfeldt"
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called Hertzfeldt "perhaps our most beloved and influential living animator not named Hayao."
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film critics ranked it #12 on their overall list of the "Best Movies of the Decade." In 2021,
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film critics ranked it #12 on their overall list of the "Best Movies of the Decade." In 2021,
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Hertzfeldt has been offered numerous lucrative advertising deals, including ad campaigns for
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one of the "10 best films of the 21st century" on his list for the BBC Culture poll in 2016.
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was released on-demand on Vimeo in March 2015, simultaneous with its run in film festivals.
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Don Hertzfeldt did not do those Pop tart commercials. He is looking into ligation about it.
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In another Reddit "AMA", on the subject of creativity, Hertzfeldt suggested the following:
326:#10 on its list of the "40 Greatest Animated Movies Ever". Despite its short running time,
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nomination for Best Animated Short, but did not make the ultimate list of five nominees.
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5079:""i am happy to report that my next film, ME, will at long last be released next year""
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In 2014, Hertzfeldt wrote, animated, and directed a surreal and futuristic two-minute "
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Hertzfeldt frequently scores his pictures with classical music and opera. The music of
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won the Grand Jury Prize for Short Filmmaking at the 2007 Sundance Film Festival, the
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called it "a must-see animated masterpiece" and "one of the best films of the year."
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4575:"'BoJack Horseman' Creator Raphael Bob-Waksberg on the Show's 10 Biggest Influences"
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called it "one of the best films of the year... a must-see animated masterpiece."
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2546:"Don Hertzfeldt Is Back With Another Stick-Figure Film That Will Break Your Heart"
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Unlike its predecessors, it was unable to premiere in theaters due to the ongoing
1276:'s CineFix gave it the #1 spot on their "Top 10 Animated Films of All Time" list.
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in 2000, the short won 27 film festival awards and was nominated for an Oscar for
311:'s CineFix gave it the #1 spot on their "Top 10 Animated Films of All Time" list.
3904:
3129:
2196:
1931:
In 2015, Hertzfeldt won the Grand Jury Award for Short Film a second time at the
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keyboards and drum machines... It's not the cutting edge CG we're all used to."
976:
In a March 2008 entry in his blog, Hertzfeldt announced he had decided to leave
5177:
4630:
4475:
4116:"Filmmaker Don Hertzfeldt on his Simpsons couch gag and the pains of animation"
3186:
2737:
2246:
2072:
audio commentary, and a retrospective booklet, with liner notes by Hertzfeldt.
1978:
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4841:
4438:"Aqua Teen on the Big Screen: Interview with Matt Maiellaro & Dave Willis"
4248:
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3540:
1521:
In January 2018, the film played opening night at the Sundance Film Festival.
949:
began its nationwide release in January 2007, featuring new work by animators
5330:
4579:
3658:"The Cartoon That Invented Internet Culture Gets a High-Definition Rerelease"
3098:
2842:"The Best Sci-Fi Movies of the 21st Century, from 'Children of Men' to 'Her'"
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2762:
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1803:
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1405:
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740:
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won the HBO Comedy Arts Festival Grand Prize for "World's Funniest Cartoon".
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468:
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316:
215:
3209:
1331:. It was the longest opening gag in the show's history and was described by
699:
Hertzfeldt made four 16mm animated student films while studying film at the
546:
Hertzfeldt's work commonly features hand-drawn stick figures, in stories of
5191:
4012:"Cat Stevens' 'Tea for the Tillerman' Replaces Normal 'Simpsons' Couch Gag"
3550:
3372:
3089:
2338:
2287:
Welcome to the Show/Intermission in the Third Dimension/The End of the Show
2262:
2032:
2018:
1947:
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950:
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was released in 2020 to more positive reviews, including another "A+" from
242:
123:
91:
4937:
3717:
3124:
1692:
noted his work as having "influenced an entire generation of filmmakers."
1254:#16 on its list of the "100 Best Animated Movies Ever Made," and in 2016,
779:
Soon after graduating from film school, Hertzfeldt purchased his own 35mm
289:#16 on its list of the "100 Best Animated Movies Ever Made," and in 2016,
4658:"Talking Comics with Tim: Cyanide & Happiness' Kris, Matt & Dave"
4039:"Last night's 'Simpsons' couch gag was the longest in the show's history"
3094:
2377:
World of Tomorrow - Episode Three: The Absent Destinations of David Prime
2167:. Other rewards included signed prints, original production artwork from
1721:
1556:
1545:
cinemas, called "An Evening with Don Hertzfeldt, Who Will Not Be There".
1438:
1180:
in 2011 and 2012 on another North American theatrical tour to 30 cities.
1134:, the Grand Prize at the London Animation Festival, and 34 other awards.
916:
through a special partnership with Disney, the stop-motion animated film
815:
642:
555:
448:
344:#17 in its overall list of the "100 Best Movies of the Decade". In 2020,
32:
3926:
2290:(2003) (cartoons created to book-end the first "Animation Show" program)
1711:
cited Hertzfeldt as an influence in the creation of the animated series
1342:, then propels him into a distant future incarnation of the show called
1036:
named the film one of the "thirty best animated short films ever made."
5117:
4990:
4358:
3400:
1983:
1964:
World of Tomorrow Episode Three: The Absent Destinations of David Prime
1802:
In 1999, at the age of 22, Hertzfeldt was nominated for the Short Film
1682:
1532:
World of Tomorrow Episode Three: The Absent Destinations of David Prime
1526:
World of Tomorrow Episode Three: The Absent Destinations of David Prime
1372:
923:
905:
551:
510:
376:
World of Tomorrow Episode Three: The Absent Destinations of David Prime
119:
3834:
3571:
3433:
3404:
3280:
10 Confessions from 'Rejected Cartoons' Animator Don Hertzfeldt - VICE
2687:"10 Best Animated Films of the 2010s, From 'Frozen' to 'Spider-Verse'"
2363:
World of Tomorrow - Episode Two: The Burden of Other People's Thoughts
1559:
for Best Animated Short, Hertzfeldt's 4th nomination in the category.
933:
edition toured throughout 2005, featuring Hertzfeldt's new short film
607:
In 2015, Hertzfeldt released his first digitally animated short film,
350:
called it "one of the greatest short films in the history of movies."
5314:
4913:"Oscar Nominee Don Hertzfeldt on the Disappearing Art of Short Films"
4855:
4065:"The mysterious voyage of Homer: Don Hertzfeldt's Simpsons couch gag"
3844:
3839:
3837:
3517:
3041:
3037:
2846:
2818:
2508:
2372:(2017) (cartoon created to introduce a Hertzfeldt theatrical program)
2347:
2224:
1906:
1666:
1580:
1489:
1401:
1318:
847:
833:
was the only short film named as one of the "Films of the Decade" by
654:
563:
379:
358:
346:
334:
87:
2897:"'World of Tomorrow Episode Two' Is a Must-See Animated Masterpiece"
1476:
World of Tomorrow Episode Two: The Burden of Other People's Thoughts
354:
World of Tomorrow Episode Two: The Burden of Other People's Thoughts
5205:
2278:
1816:, where he was the youngest director in competition. The same year
1538:
1389:
1363:
In January 2015, Hertzfeldt's first digitally-animated short film,
1260:
1084:
1060:
785:
774:
295:
250:, a festival record. He is also the only filmmaker to have won the
236:
219:
162:
3003:
1905:
was the only short film named one of the "Films of the Decade" by
1496:, where it was described as "another soulful sci-fi masterpiece."
1418:
At the end of its film festival run, the film won over 40 awards.
404:, and television broadcasts. He has refused all advertising work.
368:, where it was described as "another soulful sci-fi masterpiece."
5131:
5083:
4968:
4223:"A cartoon about a clone from the future may be 2015's best film"
3545:
2786:"A cartoon about a clone from the future may be 2015's best film"
2429:
1158:
also played at film festivals throughout 2009 and won 27 awards.
650:
615:. Both pieces were still hand-drawn by Hertzfeldt, but he used a
599:
562:
and philosophical themes while others are more straightforwardly
5029:
4685:"2007 Sundance Film Festival Announces Jury and Audience Awards"
990:
4533:"'Fargo' Director Talks Bringing Minnesota Nice to Los Angeles"
4303:"'Soul,' 'Wolfwalkers' Lead Annie Awards Animated Feature Noms"
2464:
1665:
In 2024 it was announced that Hertzfeldt is collaborating with
1518:, and a Special Jury Award from the London Animation Festival.
674:
662:
616:
3889:
1191:
198:
5109:
2017:
that was autographed by Don, or a unique drawing by Don on a
2002:
release was a 2001 limited edition DVD "single" of the short
1725:
1268:
the #1 "Best Animated Film of the 2010s." The same year, the
1244:
In the years that followed, the film's status grew. In 2014,
646:
303:
the #1 "Best Animated Film of the 2010s." The same year, the
1887:
advanced to the final round of voting as a contender for an
1827:
In 2000, at the age of 23, Hertzfeldt was nominated for the
1015:
called the film "the closest thing on film yet to Kubrick's
1001:
Almost four years in the making, Hertzfeldt's twelve-minute
4068:
3429:
bitter films volume one: 1995–2005 (audio commentary)
1745:
1397:
673:
Hertzfeldt described his relaxed writing process in a 2015
389:
In December 2023, Hertzfeldt announced that his next film,
5055:
4715:
2968:"World of Tomorrow 3 is an epic about star-crossed lovers"
2236:
fast food restaurant to promote their Blitz Energy Drink.
4090:"'Simpsons' producer talks character's death in premiere"
2654:"The 50 Best Animated Films of the 21st Century Thus Far"
2024:
This DVD marked the first time his student films such as
1999:
1918:
In April 2010, at the age of 33, Hertzfeldt received the
1763:
Hertzfeldt has had more films play in competition at the
1698:
An animated science fiction story in the third season of
1471:# 10 on its list of the "Greatest Animated Movies Ever."
1273:
755:
475:
397:
308:
3302:
Don Hertzfeldt's Top 10|Current|The Criterion Collection
2739:
Top 10 Animated Films of All Time - A CineFix Movie List
2619:
Calhoun, Dave; Rothkopf, Joshua, eds. (March 29, 2016).
3449:"Contemporary Animators Rely on Traditional Techniques"
1611:
In December 2013, Hertzfeldt released a graphic novel,
1371:
and won the Grand Jury Prize, his second. Illustrator
1204:, and had a limited theatrical release the same year.
1112:
suffering from a possibly fatal neurological disorder.
259:
3669:
3667:
2408:
1583:
described the film as "soul shaking" and "a triumph".
1534:
was released on-demand worldwide on October 9, 2020.
761:
356:
premiered in 2017 and received rare "A+" reviews from
5285:
Episode Three: The Absent Destinations of David Prime
4554:"hi it's don hertzfeldt (filmmaker) how are you? AMA"
1877:
In 2007, according to the animation industry website
1626:
In 2013, Hertzfeldt created a 30-second piece called
420:. He is of half Swedish descent. Hertzfeldt attended
332:
called it "possibly the best film of 2015." In 2019,
1894:
In 2007, Hertzfeldt accepted an invitation from the
4745:
3664:
2711:Edelstein, David; et al. (December 11, 2019).
2614:
2612:
2043:included a time-lapse documentary of the making of
1234:their pick for Best Animated Feature Film of 2012.
5278:Episode Two: The Burden of Other People's Thoughts
4503:"The Top 100 Most Influential People in Animation"
3712:
3710:
3125:"Bay Area films keep it real at Sundance festival"
3029:
2082:clipped from one of the film's theatrical prints.
1724:acknowledged Hertzfeldt's visual influence on the
1619:announced they would be printing a new edition of
5044:
4753:"100 Important Directors of Animated Short Films"
1569:Hertzfeldt's latest animated film, the 22-minute
5328:
4771:
3118:
3116:
2609:
2588:Rabin, Nathan; et al. (December 19, 2012).
1641:, a non-fiction special feature included on the
994:Hertzfeldt at his desk during the production of
246:. Eight of his short films have competed at the
3707:
3202:"A Conversation With Don Hertzfeldt, Part Four"
2840:Erbland, Kate; et al. (November 7, 2020).
2751:
2749:
2618:
1870:won the Grand Jury Award for Short Film at the
1737:Hertzfeldt influenced many webcomics including
5357:University of California, Santa Barbara alumni
1593:to the "broken-puzzle poetry of David Lynch's
1488:in Austin and received rare "A+" reviews from
5147:
4848:
4696:. January 27, 2007. p. 5. Archived from
4677:
3690:
3688:
3347:
3113:
2890:
2888:
2812:Ehrlich, David; et al. (July 22, 2019).
1981:, Hertzfeldt's second nomination. He lost to
1552:#3 on his list of the 25 Best Films of 2020.
1396:The film next won Best Animated Short at the
187:Winner of over 250 other film festival awards
4194:
3799:"The 30 best animated short films ever made"
3796:
3122:
2746:
2706:
2704:
2648:
2646:
1874:, a prize rarely given to an animated film.
1854:as one of the "Top 25 Filmmakers to Watch."
1161:
792:Released nationwide in theaters through the
622:Discussing film and digital technology with
4595:"15 Trivia Tidbits About 'BoJack Horseman'"
4379:
4009:
3760:
3735:
3694:
3174:
2859:
2857:
2681:
2679:
2157:World of Tomorrow: The First Three Episodes
2013:mystery gift" (either a 35mm clipping from
1990:
1859:Academy of Motion Picture Arts and Sciences
1643:World of Tomorrow: The First Three Episodes
747:, and won the Grand Jury Award at the 1999
694:
382:. Of the "dreamy, beloved" ongoing series,
5154:
5140:
5076:
4983:
4961:
4655:
4551:
4471:"Don Hertzfeldt: The CC Insider Interview"
3944:
3685:
3538:
3484:
3440:
3023:
3021:
2885:
2732:
2730:
1975:Academy Award for Best Animated Short Film
1950:for Best Animated Short Film. He lost for
1829:Academy Award for Best Animated Short Film
1637:In 2021, Hertzfeldt animated and directed
412:Hertzfeldt was born on August 1, 1976, in
254:'s Grand Jury Prize for Short Film twice.
31:
3695:Morenobunge, Sophia (December 26, 2010).
3474:"i am a don hertzfeldt... filmmaker: AMA"
2756:Adams, Sam; et al. (June 28, 2016).
2710:
2701:
2643:
1920:San Francisco International Film Festival
1648:Hertzfeldt created the animated logo for
1456:, Hertzfeldt's second career nomination.
1093:called the film a "masterpiece" with the
279:Film Review's list of the same. In 2014,
4631:"Authors@Google: Randall Munroe of xkcd"
4300:
4163:
4010:Unterberger, Andrew (October 13, 2014).
3446:
3365:
3230:
3123:De Benedetti, Chris (January 16, 2007).
2854:
2676:
2621:"The 100 best animated movies ever made"
2583:
2581:
2569:
2436:
1071:
1059:
989:
751:. In total, it won thirty three awards.
717:were produced at the ages of 18 and 19.
4135:"5 Sundance shorts that knocked us out"
4132:
3466:
3383:
3328:
3233:"UCSB Grad Nominated For Academy Award"
3082:
3078:
3076:
3027:
3018:
2921:
2839:
2811:
2727:
2501:
2470:
2175:jigsaw puzzles, and original drawings.
1946:Hertzfeldt has been nominated for four
1656:. The logo debuted with the release of
1555:In 2021, the film was nominated for an
1428:Ottawa International Animation Festival
1137:
701:University of California, Santa Barbara
434:University of California, Santa Barbara
75:University of California, Santa Barbara
5329:
5127:American Film Institute 2009 interview
5014:
4910:
4246:
4220:
4164:Cusumano, Michael (January 29, 2015).
4113:
4062:
3419:
2990:
2988:
2863:
2783:
2777:
2543:
2442:
2186:
1767:than any other filmmaker, with eight:
1430:, Best Script and the Audience Award.
1297:In October 2009, Hertzfeldt premiered
983:
794:Spike and Mike's Festival of Animation
668:
175:2007 Grand Jury Prize for Short Film:
169:2015 Grand Jury Prize for Short Film:
5387:People from Castro Valley, California
5135:
5077:Hertzfeldt, Don (December 27, 2023).
4468:
4435:
4396:– via www.randomhousebooks.com.
4063:Reilly, Claire (September 29, 2014).
3797:Dudok de Wit, Alex (April 14, 2014).
3598:
3594:
3592:
3334:
3199:
3180:
2864:Foutch, Haleigh (December 29, 2017).
2755:
2587:
2578:
2563:
1450:Academy Award for Animated Short Film
1130:Award for Best Narrative Film at the
879:
5397:Sundance Film Festival award winners
4605:
4400:
4037:Koch, Cameron (September 29, 2014).
4036:
3950:
3447:Anderson, John (November 30, 2008).
3231:Magruder, Joan (February 15, 2001).
3200:Parks, Finnegan (October 15, 2007).
3073:
2965:
2943:
2502:Ehrlich, David (November 17, 2017).
2041:Don Hertzfeldt Volume One: 1995–2005
2010:Don Hertzfeldt Volume One: 1995–2005
1758:
1704:was an homage to Hertzfeldt's work.
1350:
181:1999 Short Film Palme d'Or nominee:
5407:Mission San Jose High School alumni
4552:Hertzfeldt, Don (January 5, 2018).
4429:
4301:Giardina, Carolyn (March 3, 2021).
4133:Ehrlich, David (January 29, 2015).
3868:
2985:
2966:Egan, Toussaint (October 9, 2020).
2894:
2814:"The 100 Best Movies of the Decade"
2471:Ehrlich, David (January 20, 2015).
1669:on an animated feature film called
762:Independent animation, 2000–present
13:
5382:American people of Swedish descent
5161:
5054:. Krystalblitz.com. Archived from
4962:Hertzfeldt, Don (March 31, 2011).
4436:Clark, Craig J. (April 12, 2007).
3951:Pate, Steven (February 28, 2012).
3768:"An Interview with Don Hertzfeldt"
3589:
2922:Ehrlich, David (October 9, 2020).
2758:"40 Greatest Animated Movies Ever"
2713:"Every Movie of the 2010s, Ranked"
2443:Savlov, Marc (November 11, 2011).
2159:, a collection of the first three
2095:Don Hertzfeldt Volume 2: 2006–2011
1510:won the Grand Prize at Montreal's
783:and made his next animated short,
493:Close Encounters of the Third Kind
218:nominee who is best known for the
14:
5418:
5101:
4964:"REJECTED - with text commentary"
4249:"WORLD OF TOMORROW EPISODE THREE"
4195:The Dissolve (January 23, 2015).
3953:"Don Hertzfeldt at the Music Box"
2544:Leitch, Will (October 26, 2020).
2537:
1848:In 2001, Hertzfeldt was named by
1548:Film critic David Ehrlich ranked
1340:his original 1987 character model
1101:film critic Robert Koehler named
5337:American animated film directors
5070:
4955:
4930:
4904:
4890:
4876:
4862:
4826:
4801:
4729:. April 23, 2012. Archived from
4166:"Hertzfeldt's WORLD IF TOMORROW"
3897:"An Evening with Don Hertzfeldt"
3599:Sharf, Zack (November 1, 2018).
3539:Hertzfeldt, Don (May 12, 2011).
3492:"don hertzfeldt, filmmaker: AMA"
3335:Jones, J.R. (February 8, 2007).
3156:"don hertzfeldt, filmmaker: AMA"
3083:Timberg, Scott (February 2002).
2944:Roan, Brian (October 23, 2020).
2055:deleted dialogues and outtakes,
1966:was nominated in 2021 and lost.
1422:won two Crystal Awards from the
439:Hertzfeldt's influences include
407:
240:. In 2014, his work appeared on
5362:People from Fremont, California
4649:
4623:
4587:
4567:
4545:
4525:
4509:. March 8, 2012. Archived from
4495:
4462:
4415:
4365:
4351:
4336:
4322:
4294:
4280:
4266:
4240:
4221:Murray, Noel (April 13, 2015).
4214:
4188:
4157:
4126:
4114:McLevy, Alex (April 14, 2015).
4107:
4082:
4056:
4030:
4003:
3989:
3975:
3919:
3871:"Robert Koehler's Best of 2007"
3862:
3809:
3790:
3650:
3636:
3626:"Interview with Don Hertzfeldt"
3618:
3564:
3532:
3502:
3317:
3306:
3295:
3284:
3273:
3247:
3224:
3193:
3148:
2959:
2937:
2915:
2895:Han, Karen (December 9, 2017).
2833:
2805:
2784:Murray, Noel (April 13, 2015).
2660:. June 16, 2016. Archived from
2473:"Sundance 2015: Don Hertzfeldt"
1857:In 2002, Hertzfeldt joined the
1550:World of Tomorrow Episode Three
1304:
1290:
1183:Of the trilogy, Steven Pate of
1105:one of the Best Films of 2007.
4911:Carter, Spike (May 27, 2015).
4656:O'Shea, Tim (March 29, 2010).
3516:. Bitter Films. Archived from
3391:"Biography for Don Hertzfeldt"
3032:Who's Who in Animated Cartoons
2572:The World History of Animation
2523:
2495:
2402:
2239:
2183:had ever been made available.
2047:called "Watching Grass Grow",
1441:for Best Animated Short Film.
1066:An Evening with Don Hertzfeldt
267:The World History of Animation
1:
4359:"Sight and Sound "ME" review"
4288:"'The 25 Best Films of 2020'"
2903:(published December 10, 2017)
2396:
2334:(2012) (feature film version)
2150:World of Tomorrow Episode Two
1797:World of Tomorrow Episode Two
1685:'s brand of animated comedy.
1606:
1512:Sommets du cinéma d'animation
1508:World of Tomorrow Episode Two
1482:World of Tomorrow Episode Two
1437:won the animation industry's
1347:insane one we've ever done."
1168:The third and final chapter,
1116:Hertzfeldt first utilized in
393:, would be released in 2024.
4723:"Lifetime Achievement Award"
4469:Tobey, Matt (May 29, 2008).
2996:"frequently asked questions"
2206:interview, Hertzfeldt said:
1676:
1064:A line around the block for
1013:Atlanta Journal-Constitution
892:In 2003, Hertzfeldt created
851:film critic Eric Kohn named
541:
523:Monty Python's Life of Brian
422:Mission San Jose High School
7:
5342:American surrealist artists
4446:. p. 5. Archived from
3959:. Gothamist. Archived from
2148:, and the first preview of
2099:It's Such a Beautiful Day)
1176:. Hertzfeldt traveled with
766:
733:His final student cartoon,
628:in 2008, Hertzfeldt noted:
10:
5423:
4727:San Francisco Film Society
2570:Cavalier, Stephen (2011).
2229:not-for-profit corporation
1831:for his fifth short film,
1356:
1310:
1053:
957:, as well as Hertzfeldt's
937:and new work by animators
885:
772:
724:His first dialogue short,
272:Hertzfeldt's feature film
37:Hertzfeldt in 2015 at the
5347:Animators from California
5294:
5258:
5249:It's Such a Beautiful Day
5225:It's Such a Beautiful Day
5222:
5169:
3644:"Rejected 20 Years Later"
2742:. YouTube. April 3, 2021.
2331:It's Such a Beautiful Day
2324:It's Such a Beautiful Day
2181:It's Such a Beautiful Day
2169:It's Such a Beautiful Day
2118:It's Such a Beautiful Day
2111:It's Such a Beautiful Day
2107:It's Such a Beautiful Day
2039:The special features for
1789:It's Such a Beautiful Day
1575:It's Such a Beautiful Day
1424:Annecy Animation Festival
1281:It's Such a Beautiful Day
1266:It's Such a Beautiful Day
1252:It's Such a Beautiful Day
1232:It's Such a Beautiful Day
1218:It's Such a Beautiful Day
1208:It's Such a Beautiful Day
1202:It's Such a Beautiful Day
1193:It's Such a Beautiful Day
1178:It's Such a Beautiful Day
1170:It's Such a Beautiful Day
1163:It's Such a Beautiful Day
1156:I Am So Proud of You
1151:I Am So Proud of You
1146:I Am So Proud of You
1087:"Temporary Anesthetics".
1056:It's Such a Beautiful Day
1049:It's Such a Beautiful Day
745:1999 Cannes Film Festival
619:tablet instead of paper.
418:Castro Valley, California
301:It's Such a Beautiful Day
287:It's Such a Beautiful Day
275:It's Such a Beautiful Day
225:It's Such a Beautiful Day
193:
129:
83:
70:
45:
30:
23:
5402:Postmodernist filmmakers
2590:"The best films of 2012"
2113:, and other free gifts.
1991:DVD and Blu-ray releases
1359:World of Tomorrow (film)
1172:, premiered at the 2011
798:Best Animated Short Film
695:Student films, 1995–1998
158:Best Animated Short Film
141:Best Animated Short Film
5367:Artists from California
5022:"Don't Mess With Karma"
4834:"hertzfeldt on blu-ray"
4809:"HERTZFELDT ON BLU-RAY"
4507:Animation Career Review
4443:Animation World Network
4197:"Our #Sundance Day One"
3845:"everything will be ok"
3817:"temporary anesthetics"
3396:Internet Movie Database
3046:Hal Leonard Corporation
2410:Sundance Film Festival
2105:, a deleted scene from
1822:Slamdance Film Festival
1752:Cyanide & Happiness
1652:'s production company,
1514:, an Audience Award at
1132:Ann Arbor Film Festival
814:turned the film into a
749:Slamdance Film Festival
638:thousands of drawings.
4538:The Hollywood Reporter
4387:"The End of the World"
4308:The Hollywood Reporter
3927:"i am so proud of you"
3183:Re-Imagining Animation
3028:Lenburg, Jeff (2006).
2531:"Austrian Film Museum"
2212:
1973:was nominated for the
1933:Sundance Film Festival
1872:Sundance Film Festival
1864:In 2007, Hertzfeldt's
1765:Sundance Film Festival
1448:was nominated for the
1369:Sundance Film Festival
1325:of the 26th season of
1174:Sundance Film Festival
1068:
1009:Sundance Film Festival
1007:premiered at the 2005
998:
945:. The third season of
692:
684:
635:
252:Sundance Film Festival
248:Sundance Film Festival
177:Sundance Film Festival
171:Sundance Film Festival
5352:Stop motion animators
5235:Everything Will Be OK
4779:"Ted M. Larson Award"
4583:. September 12, 2018.
3743:"the Meaning of Life"
3697:"Films of the Decade"
3675:"Films of the Decade"
3632:on February 25, 2008.
3498:. September 17, 2012.
3432:(DVD). Archived from
3355:"the Meaning of Life"
2303:Everything Will Be OK
2274:(1998) (student film)
2266:(1997) (student film)
2258:(1996) (student film)
2250:(1995) (student film)
2208:
2078:Everything Will Be OK
1956:Everything Will Be OK
1885:Everything Will Be OK
1867:Everything Will Be OK
1777:Everything Will Be OK
1562:
1484:premiered in 2017 at
1212:The Criterion Channel
1124:Everything Will Be OK
1109:Everything will be OK
1103:Everything Will Be OK
1080:Everything Will Be OK
1073:Everything Will Be OK
1063:
1041:Everything Will Be OK
1018:2001: A Space Odyssey
993:
959:Everything Will Be OK
800:the following year.
688:
679:
630:
590:Everything Will Be OK
584:stop-motion animation
558:. Some films contain
535:2001: A Space Odyssey
5242:I Am So Proud Of You
5052:"Blitz from Krystal"
4703:on February 26, 2007
4663:Comic Book Resources
4635:Transcript Vids Home
3985:. November 20, 2012.
3778:on November 15, 2009
3646:. December 21, 2020.
3520:on September 3, 2011
3407:on February 10, 2008
3324:Sight and Sound poll
3212:on February 26, 2008
3181:Wells, Paul (2008).
3162:. September 17, 2012
2450:The Austin Chronicle
2412:(December 9, 2014).
2311:I Am So Proud of You
2136:, and student films
2087:I Am So Proud of You
1998:Bitter Films' first
1958:in 2007 and won for
1896:George Eastman House
1837:Michaël Dudok de Wit
1808:Cannes Film Festival
1781:I Am So Proud of You
1740:Hyperbole and a Half
1709:Raphael Bob-Waksberg
1621:The End of the World
1613:The End of the World
1139:I Am So Proud of You
1045:I Am So Proud Of You
901:Beavis and Butt-head
806:is now considered a
183:Cannes Film Festival
39:Austrian Film Museum
5392:Annie Award winners
5213:The Meaning of Life
5032:on November 1, 2012
4789:on November 1, 2012
4637:. November 12, 2007
4450:on October 22, 2012
4408:"Excellent Cadaver"
4290:. January 11, 2021.
4176:on February 2, 2016
3877:on February 3, 2008
3337:"Truth in Doodling"
3135:Oakland, California
3006:on January 25, 2007
2689:. December 29, 2019
2483:on October 17, 2015
2295:The Meaning of Life
2187:View on advertising
2126:The Meaning of Life
2061:The Meaning of Life
2045:The Meaning of Life
1912:The Huffington Post
1842:Father and Daughter
1773:The Meaning of Life
1367:, premiered at the
1118:The Meaning of Life
1004:The Meaning of Life
996:The Meaning of Life
985:The Meaning of Life
943:Georges Schwizgebel
935:The Meaning of Life
842:The Huffington Post
669:Approach to writing
578:techniques such as
414:Fremont, California
116:psychological drama
63:Fremont, California
5308:Clown in the Dumps
5302:The Animation Show
4996:Ain't It Cool News
4844:on March 22, 2016.
4693:Sundance Institute
4274:"Alamo Drafthouse"
3963:on August 19, 2015
3907:on October 6, 2008
3681:on 4 January 2010.
3343:. Sun-Times Media.
3235:. UC Santa Barbara
2445:"Beautiful Bitter"
2344:Clown in the Dumps
2068:audio commentary,
2051:Trilogy cartoons,
2049:The Animation Show
1851:Filmmaker Magazine
1824:Grand Jury Award.
1589:Magazine compared
1313:Clown in the Dumps
1195:, the feature film
1069:
999:
978:The Animation Show
971:The Animation Show
966:The Animation Show
947:The Animation Show
895:The Animation Show
888:The Animation Show
881:The Animation Show
625:The New York Times
580:multiple exposures
481:The Act of Killing
5324:
5323:
5271:World of Tomorrow
5261:World of Tomorrow
5058:on August 1, 2015
4938:"journal page 33"
4783:Movie Making Wiki
4759:. August 27, 2009
4733:on April 24, 2012
4513:on March 22, 2013
4247:Hertzfeldt, Don.
4145:on April 17, 2015
4018:. Billboard Music
3901:originalalamo.com
3869:Koehler, Robert.
3718:"journal page 32"
3572:"Billy's Balloon"
3436:on April 9, 2007.
3101:on March 31, 2015
3059:978-1-55783-671-7
2664:on August 9, 2019
2625:Time Out New York
2477:Little White Lies
2355:World of Tomorrow
2342:(2014) (episode "
2193:Cingular Wireless
2173:World of Tomorrow
2161:World of Tomorrow
2122:World of Tomorrow
2059:trivia captions,
1971:World of Tomorrow
1960:World of Tomorrow
1937:World of Tomorrow
1793:World of Tomorrow
1759:Awards and honors
1654:Excellent Cadaver
1650:Jennifer Lawrence
1623:in wide release.
1468:World of Tomorrow
1446:World of Tomorrow
1435:World of Tomorrow
1420:World of Tomorrow
1413:World of Tomorrow
1387:'s landmark 1962
1365:World of Tomorrow
1352:World of Tomorrow
1247:Time Out New York
1239:Charles M. Schulz
1034:Time Out New York
964:A stated goal of
820:New York Magazine
609:World of Tomorrow
572:World of Tomorrow
474:In 2022, for the
465:Aardman Animation
341:World of Tomorrow
323:World of Tomorrow
282:Time Out New York
231:World of Tomorrow
209:
208:
146:World of Tomorrow
112:absurdist fiction
104:surrealist cinema
18:American animator
5414:
5156:
5149:
5142:
5133:
5132:
5113:
5112:
5096:
5095:
5093:
5091:
5074:
5068:
5067:
5065:
5063:
5048:
5042:
5041:
5039:
5037:
5028:. Archived from
5018:
5012:
5011:
5006:
5004:
4987:
4981:
4980:
4978:
4976:
4959:
4953:
4952:
4950:
4948:
4934:
4928:
4927:
4925:
4923:
4908:
4902:
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4894:
4888:
4887:
4880:
4874:
4873:
4866:
4860:
4859:
4852:
4846:
4845:
4840:. Archived from
4830:
4824:
4823:
4821:
4819:
4805:
4799:
4798:
4796:
4794:
4785:. Archived from
4775:
4769:
4768:
4766:
4764:
4749:
4743:
4742:
4740:
4738:
4719:
4713:
4712:
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4689:
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4675:
4674:
4672:
4670:
4653:
4647:
4646:
4644:
4642:
4627:
4621:
4620:
4619:. March 4, 2021.
4609:
4603:
4602:
4591:
4585:
4584:
4571:
4565:
4564:
4562:
4560:
4549:
4543:
4542:
4529:
4523:
4522:
4520:
4518:
4499:
4493:
4492:
4490:
4488:
4479:. Archived from
4466:
4460:
4459:
4457:
4455:
4433:
4427:
4426:
4419:
4413:
4411:
4404:
4398:
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4233:
4218:
4212:
4211:
4209:
4207:
4192:
4186:
4185:
4183:
4181:
4172:. Archived from
4161:
4155:
4154:
4152:
4150:
4141:. Archived from
4130:
4124:
4123:
4111:
4105:
4104:
4102:
4100:
4086:
4080:
4079:
4077:
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4007:
4001:
4000:
3993:
3987:
3986:
3983:"Chicago Reader"
3979:
3973:
3972:
3970:
3968:
3948:
3942:
3941:
3939:
3937:
3923:
3917:
3916:
3914:
3912:
3903:. Archived from
3893:
3887:
3886:
3884:
3882:
3873:. Archived from
3866:
3860:
3859:
3857:
3855:
3841:
3832:
3831:
3829:
3827:
3813:
3807:
3806:
3794:
3788:
3787:
3785:
3783:
3774:. Archived from
3764:
3758:
3757:
3755:
3753:
3739:
3733:
3732:
3730:
3728:
3714:
3705:
3704:
3692:
3683:
3682:
3677:. Archived from
3671:
3662:
3661:
3660:. November 2018.
3654:
3648:
3647:
3640:
3634:
3633:
3628:. Archived from
3622:
3616:
3615:
3613:
3611:
3596:
3587:
3586:
3584:
3582:
3568:
3562:
3561:
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3557:
3536:
3530:
3529:
3527:
3525:
3506:
3500:
3499:
3488:
3482:
3481:
3480:. April 4, 2015.
3470:
3464:
3463:
3461:
3459:
3444:
3438:
3437:
3426:Don Hertzfeldt.
3423:
3417:
3416:
3414:
3412:
3403:. Archived from
3387:
3381:
3380:
3369:
3363:
3362:
3351:
3345:
3344:
3332:
3326:
3321:
3315:
3310:
3304:
3299:
3293:
3288:
3282:
3277:
3271:
3270:
3268:
3266:
3261:on June 29, 2014
3257:. Archived from
3251:
3245:
3244:
3242:
3240:
3228:
3222:
3221:
3219:
3217:
3208:. Archived from
3197:
3191:
3190:
3178:
3172:
3171:
3169:
3167:
3152:
3146:
3145:
3143:
3141:
3120:
3111:
3110:
3108:
3106:
3097:. Archived from
3080:
3071:
3070:
3068:
3066:
3035:
3025:
3016:
3015:
3013:
3011:
3002:. Archived from
2992:
2983:
2982:
2980:
2978:
2963:
2957:
2956:
2954:
2952:
2941:
2935:
2934:
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2734:
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2708:
2699:
2698:
2696:
2694:
2683:
2674:
2673:
2671:
2669:
2650:
2641:
2640:
2638:
2636:
2631:on June 26, 2019
2627:. Archived from
2616:
2607:
2606:
2604:
2602:
2585:
2576:
2575:
2567:
2561:
2560:
2558:
2556:
2541:
2535:
2534:
2527:
2521:
2520:
2518:
2516:
2499:
2493:
2492:
2490:
2488:
2479:. Archived from
2468:
2462:
2461:
2459:
2457:
2440:
2434:
2433:
2427:
2425:
2406:
1595:Mulholland Drive
1543:Alamo Drafthouse
1323:premiere episode
1090:The Boston Globe
875:
517:Harold and Maude
441:Steven Spielberg
205:
202:
200:
79:
59:
55:
53:
35:
21:
20:
5422:
5421:
5417:
5416:
5415:
5413:
5412:
5411:
5327:
5326:
5325:
5320:
5290:
5254:
5218:
5199:Billy's Balloon
5165:
5160:
5114:– official site
5108:
5107:
5104:
5099:
5089:
5087:
5075:
5071:
5061:
5059:
5050:
5049:
5045:
5035:
5033:
5020:
5019:
5015:
5002:
5000:
4999:. July 27, 2006
4989:
4988:
4984:
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4960:
4956:
4946:
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4931:
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4909:
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4896:
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4868:
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4863:
4854:
4853:
4849:
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4831:
4827:
4817:
4815:
4807:
4806:
4802:
4792:
4790:
4777:
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4772:
4762:
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4751:
4750:
4746:
4736:
4734:
4721:
4720:
4716:
4706:
4704:
4700:
4687:
4683:
4682:
4678:
4668:
4666:
4654:
4650:
4640:
4638:
4629:
4628:
4624:
4611:
4610:
4606:
4601:. June 6, 2023.
4593:
4592:
4588:
4573:
4572:
4568:
4558:
4556:
4550:
4546:
4531:
4530:
4526:
4516:
4514:
4501:
4500:
4496:
4486:
4484:
4483:on May 31, 2008
4467:
4463:
4453:
4451:
4434:
4430:
4421:
4420:
4416:
4406:
4405:
4401:
4391:
4389:
4385:
4384:
4380:
4373:"Cambridge Day"
4371:
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4357:
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4352:
4342:
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4337:
4328:
4327:
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4313:
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4019:
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3994:
3990:
3981:
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3795:
3791:
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3761:
3751:
3749:
3741:
3740:
3736:
3726:
3724:
3716:
3715:
3708:
3701:Huffington Post
3693:
3686:
3673:
3672:
3665:
3656:
3655:
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3642:
3641:
3637:
3624:
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3555:
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3533:
3523:
3521:
3514:Bitterfilms.com
3508:
3507:
3503:
3490:
3489:
3485:
3472:
3471:
3467:
3457:
3455:
3445:
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3420:
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3408:
3389:
3388:
3384:
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3366:
3353:
3352:
3348:
3333:
3329:
3322:
3318:
3311:
3307:
3300:
3296:
3291:Ebert interview
3289:
3285:
3278:
3274:
3264:
3262:
3253:
3252:
3248:
3238:
3236:
3229:
3225:
3215:
3213:
3198:
3194:
3179:
3175:
3165:
3163:
3154:
3153:
3149:
3139:
3137:
3130:Oakland Tribune
3121:
3114:
3104:
3102:
3081:
3074:
3064:
3062:
3060:
3026:
3019:
3009:
3007:
2994:
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2986:
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2974:
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2893:
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2874:
2862:
2855:
2838:
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2822:
2810:
2806:
2796:
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2782:
2778:
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2735:
2728:
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2692:
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2644:
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2617:
2610:
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2598:
2586:
2579:
2568:
2564:
2554:
2552:
2542:
2538:
2529:
2528:
2524:
2514:
2512:
2500:
2496:
2486:
2484:
2469:
2465:
2455:
2453:
2441:
2437:
2423:
2421:
2407:
2403:
2399:
2271:Billy's Balloon
2242:
2197:United Airlines
2189:
2138:Billy's Balloon
1993:
1818:Billy's Balloon
1813:Billy's Balloon
1761:
1714:BoJack Horseman
1679:
1609:
1587:Sight and Sound
1567:
1529:
1498:The Daily Beast
1479:
1400:Film Festival.
1361:
1355:
1315:
1309:
1295:
1197:
1166:
1142:
1128:Lawrence Kasdan
1076:
1058:
1052:
988:
914:Mars and Beyond
890:
884:
873:
865:Billy's Balloon
777:
771:
764:
736:Billy's Balloon
697:
677:"AMA" session:
671:
659:Richard Strauss
544:
499:Gates of Heaven
445:Stanley Kubrick
410:
370:The Daily Beast
197:
100:science fiction
77:
66:
60:
57:
51:
49:
41:
26:
19:
12:
11:
5:
5420:
5410:
5409:
5404:
5399:
5394:
5389:
5384:
5379:
5374:
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5364:
5359:
5354:
5349:
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5319:
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5304:
5298:
5296:
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5281:
5274:
5266:
5264:
5256:
5255:
5253:
5252:
5245:
5238:
5230:
5228:
5220:
5219:
5217:
5216:
5209:
5202:
5195:
5188:
5181:
5173:
5171:
5167:
5166:
5163:Don Hertzfeldt
5159:
5158:
5151:
5144:
5136:
5130:
5129:
5124:
5118:Don Hertzfeldt
5115:
5103:
5102:External links
5100:
5098:
5097:
5069:
5043:
5013:
4982:
4954:
4929:
4903:
4889:
4875:
4861:
4856:"Bitter Films"
4847:
4825:
4800:
4770:
4744:
4714:
4676:
4648:
4622:
4604:
4586:
4566:
4544:
4541:. May 3, 2017.
4524:
4494:
4476:Comedy Central
4461:
4428:
4414:
4399:
4378:
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3541:"LILY AND JIM"
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1992:
1989:
1979:Academy Awards
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1690:Comedy Central
1678:
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1632:Norman McLaren
1608:
1605:
1566:
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1528:
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1516:Fantastic Fest
1486:Fantastic Fest
1478:
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1454:Academy Awards
1357:Main article:
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1311:Main article:
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1256:The Film Stage
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1185:The Chicagoist
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1095:Boston Phoenix
1075:
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1054:Main article:
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931:Animation Show
886:Main article:
883:
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781:rostrum camera
773:Main article:
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576:special effect
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384:The Film Stage
291:The Film Stage
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56:August 1, 1976
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25:Don Hertzfeldt
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2763:Rolling Stone
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2346:" two minute
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1889:Academy Award
1886:
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1869:
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1835:. He lost to
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1601:Cambridge Day
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1462:Rolling Stone
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1406:The A.V. Club
1403:
1399:
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1377:
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1370:
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1360:
1353:
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1333:Spin Magazine
1330:
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1223:Frankenweenie
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955:Bill Plympton
952:
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505:The Godfather
501:
500:
495:
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489:
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483:
482:
477:
472:
470:
469:Bill Plympton
466:
462:
461:Stan Brakhage
458:
454:
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446:
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437:
435:
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408:Personal life
405:
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329:The A.V. Club
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216:Academy Award
213:
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154:Academy Award
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137:Academy Award
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58:(age 48)
48:
44:
40:
34:
29:
22:
16:
5313:
5283:
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5204:
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5192:Lily and Jim
5190:
5183:
5176:
5162:
5110:Bitter Films
5090:December 27,
5088:. Retrieved
5082:
5072:
5060:. Retrieved
5056:the original
5046:
5034:. Retrieved
5030:the original
5025:
5016:
5008:
5001:. Retrieved
4994:
4985:
4973:. Retrieved
4967:
4957:
4945:. Retrieved
4942:Bitter Films
4941:
4932:
4920:. Retrieved
4916:
4906:
4892:
4878:
4864:
4850:
4842:the original
4838:Bitter Films
4837:
4828:
4818:September 9,
4816:. Retrieved
4812:
4803:
4791:. Retrieved
4787:the original
4782:
4773:
4761:. Retrieved
4757:alsolikelife
4756:
4747:
4735:. Retrieved
4731:the original
4726:
4717:
4705:. Retrieved
4698:the original
4691:
4679:
4669:September 8,
4667:. Retrieved
4661:
4651:
4641:September 8,
4639:. Retrieved
4634:
4625:
4616:
4607:
4598:
4589:
4578:
4569:
4557:. Retrieved
4547:
4536:
4527:
4515:. Retrieved
4511:the original
4506:
4497:
4485:. Retrieved
4481:the original
4474:
4464:
4452:. Retrieved
4448:the original
4441:
4431:
4417:
4402:
4390:. Retrieved
4381:
4367:
4353:
4344:"Drafthouse"
4338:
4324:
4312:. Retrieved
4306:
4296:
4282:
4268:
4256:. Retrieved
4252:
4242:
4230:. Retrieved
4226:
4216:
4204:. Retrieved
4200:
4190:
4178:. Retrieved
4174:the original
4169:
4159:
4147:. Retrieved
4143:the original
4138:
4128:
4119:
4109:
4097:. Retrieved
4093:
4084:
4072:. Retrieved
4058:
4046:. Retrieved
4042:
4032:
4020:. Retrieved
4015:
4005:
3991:
3977:
3965:. Retrieved
3961:the original
3956:
3946:
3934:. Retrieved
3931:Bitter Films
3930:
3921:
3909:. Retrieved
3905:the original
3900:
3891:
3879:. Retrieved
3875:the original
3864:
3852:. Retrieved
3849:Bitter Films
3848:
3824:. Retrieved
3821:Bitter Films
3820:
3811:
3802:
3792:
3782:November 12,
3780:. Retrieved
3776:the original
3771:
3762:
3750:. Retrieved
3747:Bitter Films
3746:
3737:
3725:. Retrieved
3722:Bitter Films
3721:
3700:
3679:the original
3652:
3638:
3630:the original
3620:
3608:. Retrieved
3604:
3579:. Retrieved
3576:Bitter Films
3575:
3566:
3554:. Retrieved
3551:Alphabet Inc
3544:
3534:
3522:. Retrieved
3518:the original
3513:
3504:
3495:
3486:
3477:
3468:
3456:. Retrieved
3452:
3442:
3434:the original
3428:
3421:
3409:. Retrieved
3405:the original
3394:
3385:
3377:Bitter Films
3376:
3367:
3359:Bitter Films
3358:
3349:
3340:
3330:
3319:
3308:
3297:
3286:
3275:
3263:. Retrieved
3259:the original
3249:
3237:. Retrieved
3226:
3214:. Retrieved
3210:the original
3205:
3195:
3182:
3176:
3166:September 8,
3164:. Retrieved
3159:
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3128:
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3099:the original
3090:New Times LA
3088:
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3031:
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3004:the original
3000:Bitter Films
2999:
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2318:Wisdom Teeth
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2019:Post-it note
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612:
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264:
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241:
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234:series, and
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201:.bitterfilms
161:
156:nominee for
144:
139:nominee for
108:experimental
92:black comedy
15:
5372:1976 births
5178:Ah, L'Amour
5170:Short films
4917:Vanity Fair
4813:Kickstarter
4454:January 26,
4074:October 10,
4048:October 10,
3881:January 10,
3610:November 7,
3581:October 15,
3556:October 15,
3524:October 15,
3265:October 10,
3239:October 10,
3216:October 30,
3095:Los Angeles
3010:January 24,
2901:Daily Beast
2247:Ah, L'Amour
2240:Filmography
2204:Vanity Fair
1722:Pete Docter
1628:Day Sleeper
1557:Annie Award
1439:Annie Award
816:viral video
719:Ah, L'Amour
708:Ah, L'Amour
643:Tchaikovsky
560:existential
556:tragicomedy
548:black humor
529:The Pianist
449:David Lynch
78:(B.A. 1998)
5331:Categories
5295:Other work
4763:August 30,
4559:January 5,
4043:Tech Times
3957:Chicagoist
3911:October 6,
3401:Amazon.com
3373:"Rejected"
3255:"Rejected"
3206:BridgeRack
3048:. p.
2397:References
2202:In a 2015
1984:Bear Story
1804:Palme d'Or
1683:Adult Swim
1671:Antarctica
1607:Other work
1373:Julia Pott
1321:" for the
924:Tim Burton
906:Mike Judge
741:Palme d'Or
552:surrealism
511:Goodfellas
120:surrealism
52:1976-08-01
5315:Hair High
5062:April 16,
5036:April 16,
5026:Encorp.ca
5003:August 8,
4975:April 16,
4793:April 16,
4737:April 16,
4707:March 28,
4517:April 16,
4423:"Twitter"
4258:August 3,
4232:April 16,
4227:A.V. Club
4206:April 16,
4180:April 16,
4149:April 16,
4120:A.V. Club
4022:April 16,
3411:March 23,
3042:Wisconsin
3038:Milwaukee
2907:August 8,
2877:August 8,
2847:IndieWire
2825:August 8,
2819:IndieWire
2797:August 8,
2769:August 8,
2668:August 8,
2635:August 8,
2601:August 8,
2515:August 8,
2509:IndieWire
2487:August 8,
2456:August 8,
2424:August 8,
2384:On Memory
2348:couch gag
2225:Pop-Tarts
2165:On Memory
2075:In 2007,
1969:In 2016,
1962:in 2016.
1907:Salon.com
1901:In 2009,
1720:In 2021,
1707:In 2018,
1688:In 2008,
1677:Influence
1667:Ari Aster
1662:in 2022.
1645:Blu-ray.
1639:On Memory
1581:Indiewire
1490:Indiewire
1459:In 2016,
1444:In 2016,
1433:In 2016,
1402:Indiewire
1319:couch gag
1279:In 2024,
1032:In 2014,
929:A second
848:Indiewire
829:In 2009,
655:Beethoven
568:absurdist
564:slapstick
542:Technique
380:Indiewire
359:Indiewire
347:Indiewire
335:Indiewire
314:In 2016,
88:animation
71:Education
5206:Rejected
4947:July 23,
4139:Time Out
3936:July 23,
3854:July 23,
3826:July 23,
3803:Time Out
3727:July 23,
3140:April 8,
3105:April 8,
3065:April 8,
2871:Collider
2721:New York
2279:Rejected
2130:Rejected
2070:Rejected
2057:Rejected
2015:Rejected
2004:Rejected
1952:Rejected
1903:Rejected
1833:Rejected
1820:won the
1769:Rejected
1659:Causeway
1539:COVID-19
1494:Collider
1390:La Jetee
1261:The Wrap
1085:webcomic
912:'s 1957
904:creator
871:Rejected
853:Rejected
831:Rejected
824:Rejected
812:Rejected
804:Rejected
786:Rejected
775:Rejected
768:Rejected
365:Collider
296:The Wrap
237:Rejected
220:animated
163:Rejected
5084:Twitter
4969:YouTube
4922:June 8,
4898:"Tweet"
4884:"Tweet"
4870:"Tweet"
4617:Gizmodo
4599:Cracked
4487:June 1,
4392:June 8,
4314:June 8,
4253:Youtube
4201:Twitter
4170:Twitter
4099:June 8,
3546:YouTube
2977:June 8,
2972:Polygon
2951:June 8,
2929:June 8,
2717:Vulture
2693:June 8,
2555:June 8,
2430:Twitter
2234:Krystal
1806:at the
1465:ranked
1270:Vulture
1250:ranked
1099:Variety
919:Vincent
743:at the
651:Smetana
600:Peanuts
593:films.
338:ranked
320:ranked
305:Vulture
285:ranked
194:Website
124:dramedy
4094:EW.com
3496:Reddit
3478:Reddit
3458:May 1,
3160:Reddit
3056:
2392:(2024)
2386:(2021)
2380:(2020)
2366:(2017)
2358:(2015)
2326:(2011)
2320:(2010)
2314:(2008)
2306:(2006)
2298:(2005)
2282:(2000)
1935:, for
1795:, and
1749:, and
1264:named
874:'s
675:Reddit
663:Wagner
661:, and
617:Cintiq
554:, and
532:, and
299:named
228:, the
222:films
130:Awards
65:, U.S.
5185:Genre
4701:(PDF)
4688:(PDF)
2418:Tweet
2370:Intro
2255:Genre
2027:Genre
1728:film
1726:Pixar
1701:Fargo
898:with
836:Salon
714:Genre
647:Bizet
152:2001
135:2015
84:Style
5122:IMDb
5092:2023
5064:2015
5038:2015
5005:2006
4977:2015
4949:2013
4924:2021
4820:2017
4795:2015
4765:2009
4739:2015
4709:2007
4671:2017
4643:2017
4561:2018
4519:2015
4489:2008
4456:2012
4412:>
4394:2021
4348:>
4330:"ME"
4316:2021
4260:2020
4234:2015
4208:2015
4182:2015
4151:2015
4101:2021
4076:2014
4069:CNET
4050:2014
4024:2015
4016:SPIN
3997:"ME"
3969:2014
3938:2013
3913:2008
3883:2009
3856:2013
3828:2013
3784:2009
3754:2014
3729:2013
3612:2018
3583:2011
3558:2011
3526:2011
3460:2010
3413:2007
3267:2014
3241:2014
3218:2007
3168:2017
3142:2015
3107:2015
3067:2015
3054:ISBN
3012:2007
2979:2021
2953:2021
2931:2021
2909:2019
2879:2019
2827:2019
2799:2019
2771:2019
2695:2021
2670:2019
2637:2019
2603:2019
2557:2021
2517:2019
2489:2019
2458:2019
2426:2019
2195:and
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