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Dolphin Reef (film)

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492:, Didier Noirot (who previously worked on Jacques Cousteau's crew) and Jamie McPherson. Scientists on hand were Angela Ziltener, Laura Engelby and Joe Mobley. The fact that dolphins are always in motion and can move very quickly presented a challenge during filming. Horrok said that while dolphins are the "most welcome" animals he's ever filmed, he conceded that "filming dolphins is the most physical because they're constantly on the move". Along that same vein, Conli said "that it's really difficult to stay up with one dolphin. There was one Echo, who was the guiding force, and then I like to say that Echo had a lot of stunt doubles". For fast moving scenes, shots were captured on a scooter fitted with a torpedo-like propeller. As it is impossible to follow a dolphin for an extended amount of time, cinematographers would film as long as they could, gathering thousands of hours of footage. They would also film elements from the dolphins' environment. The editing team (led by Martin Elsbury) then pieced together a narrative that, according to Scholey, is "true to the life of a dolphin". 1686: 1670: 646:) composed the film's original score. He said scoring the film was "fun" since the "flow of water is so musical" and Disneynature still "values tunes ... and emotional music". He also noted that, historically, Disney has produced nature films as "family-based thing", but that this story focused on being ecologically sound, about "the interconnection of everything", and character driven. He says this approach led him to approach writing in a different way. Price led a 76-piece orchestra with a choir of 24 female voices at 1854: 364:, and the two escape up to the surface for air. Echo survives the night, and is reunited with Kumu. Kumu starts to teach her son how to hunt fish, she uses her tail to make a mud ring to block the fish. Echo successfully copies the same, and he and the rest of the pod enjoy their meal of fish. Back on Coral Reef, Mr. Mantis is confronted by the Cuttlefish. Before it can catch him with its mouth, Echo comes to the rescue. 441:. Disneynature had invited her to a screening of one of their previous projects, back when Portman was living in Paris, and she brought her child along for the viewing. At the event, she expressed a desire to voice one of their documentaries in the future. In her 20s, she learned to scuba dive with dolphins (off the coast of 31: 402:
Through the antics of Echo, the film asserts that children should listen to their parents. Producer Roy Conli said that "it was clear that the way that a mother and young dolphin react is that the mother is truly the supervisor and is responsible, post weaning, to bring a male or female young dolphin
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graded the film 4 out of 5 stars, acclaimed the film for its educational value, stating it provides the hallmarks, behaviors, and ecosystem of marine life, praised the depiction of positive messages, such as loyalty and teamwork, while complimenting how the film explains the roles of sea creatures.
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is a satisfying entry in the Disneynature slate, albeit one where the dolphins in the title are upstaged by some of their supporting cast, and the reef itself is even more spectacular than the creatures who get the most screen time". In his review, Daniel Rutledge said the film was "the delightful,
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named Mo'orea, who has traveled miles to Echo's homes to find a male partner to help protect her newborn daughter, Fluke (who doesn't seem sure about Echo at first, but eventually accepts him as a friend). Kumu soon calls out for her son, and Echo bids farewell to the two whales. Kumu then grounds
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Echo has now learned the importance of how to survive the ocean, thanks to his mother. Mo'orea and Fluke begin a new life with the large male, who fathers Fluke, and Mr. Mantis continues to enjoy his pile of coral. Soon, Echo and Fluke become best friends and live a happy life together with their
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The whole idea of the film is actually based on very hard-nosed ecology. The coral reef can actually only functions with a lot of participants doing different roles in a very ordered and organized way ... If anyone who watches the film comes away thinking, 'if you live in the ocean, you need
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arrive on the island looking for prey; for Fluke's safety, Mo'orea makes contact with the male humpbacks, and they all set off for their rescue, just as the killer whales are about to charge for Fluke. The large male fends off the invaders, and wins over Mo'orea and Fluke's hearts.
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wondrous joy", adding that "Natalie Portman is ideal as the voiceover star", and "the photography is also consistently brilliant with the camera operators getting right up amongst the dolphins and whales and in amazingly tight on the little coral creatures". Owen Gleiberman of
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As night falls, Echo and his pod are confronted by another pod of rival dolphins. The home team and rivals fight each other, while Echo swims off and is lost. Kumu and the rest of the pod spend hours looking for him. Echo, who has become lost in the dark sea, meets a
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friends', that for us is a success story. Then, we hope that will translate into you can't just start overfishing certain species because the community will not survive if you kind of do that. So, there is a bigger message in the film.
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who isn't like the rest of his pod. He believes he's just not ready to grow up, but his mother, Kumu, tries teaching him to find his own food. Just as they depart for their coral reef home, Echo's favorite neighbour, Mr. Mantis, a
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found that the film depicts a stunning vision on the ecosystem of marine life through its sequences, praised the film for its educational value, and found the movie emotional and authentic with its narrative. Jennifer Green of
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commented on the film's "gorgeous cinematography and canny editing typical of Disney nature docs as well as Portman's soothingly lighthearted, bedtime story-style narration that turns serious at just the right times".
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Echo for hanging out with the whales miles away, much to Echo's dismay. Many male humpback whales are about to set off to fight over Mo'orea and Fluke, but the largest one is more determined.
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Mr. Mantis, meanwhile, is having his own problems trying to get his coral together and trying to get his fellow gardeners to work, but to his surprise, a school of
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Disney made the soundtrack available for digital release on April 3, 2020. The following is a list of tracks on the commercially available original soundtrack.
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assigned the film a score of 100% based on 20 reviews, while Metacritic assigned it a 79 out of 100, indicating "generally favorable reviews".
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It required research to find a dolphin pod that would allow humans to film. The featured pod is in the Red Sea.
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comes to the rescue to clean out the coral, while Mr. Mantis and his neighbors are confronted by a
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studio. He also employed the use of synthesizers to capture the "colors" of the underwater story.
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One night while the rest of the pod is asleep, Echo is surprised to be greeted by a female mother
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With only 20 reviews as of July 25, 2020, the website does not consider the score a consensus.
1919: 1699: 1391: 1319:"Natalie Portman takes us under the sea and inside her new Disney+ nature doc 'Dolphin Reef'" 502:. The directors provided notes on the behavior happening on screen to inform her narration. 1912: 1877: 1373: 1188:"'Dolphin Reef' Producer Roy Conli on the Disney+ Doc and How Natalie Portman Got Involved" 299: 1685: 8: 1964: 1669: 630: 569:
called the film "a puckish, bedazzling, and memorable entry in the Disney nature canon".
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as its narrator. Original trailers for the American release (under its formal title
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Photography not taken underwater was done by bot, from jet ski, or from helicopter.
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It was originally scheduled to be released theatrically on April 20, 2018, in the
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The film also promotes conservation of the reefs. Its "making-of" documentary,
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The heroes of these films are the cinematographers who are out in the field.
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It took over three years to make the production. The filming was done in
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label. The film was released theatrically on March 28, 2018, in
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was slated to be the original narrator, before the job went to
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islands in the South Pacific, Echo is a young and playful
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The film was released in 2018 in France with the title
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2020 American nature documentary film about dolphins
1605:"Documentaries Look to Score in Emmys' Music Race" 453:is the director, who also directed Disneynature's 1956: 1541:"Dolphin Reef Movie Review | Common Sense Media" 522:) indicated a release date of Earth Day 2018. 498:Portman recorded her narration in a studio in 1707: 1598: 1596: 1594: 1592: 1577:. Sound-Of-The-Movies. Event occurs at 42:08 528:is a behind-the-scenes look at the making of 397:Scholey, in an interview with Screen Fish 1516:"'Dolphin Reef' on Disney Plus: Film Review" 1445:"'Dolphin Reef' on Disney Plus: Film Review" 1367: 1290: 307:received largely positive critical reviews. 1563: 1561: 1284: 1738:The Crimson Wing: Mystery of the Flamingos 1714: 1700: 1684: 1668: 1602: 1589: 1513: 1442: 1436: 1410: 1097: 29: 996: 992: 990: 303:as a Disney+ exclusive on April 3, 2020. 1628: 1622: 1558: 1487: 1481: 1181: 1179: 1177: 1175: 1173: 1171: 1169: 1142: 1140: 1138: 1136: 1134: 1132: 1130: 1128: 1049: 1021: 425:Producer Roy Conli in an interview with 297:The film was finally released alongside 290:narrating, but Disney+ launched without 1077: 1957: 1818:March of the Penguins 2: The Next Step 1461: 1455: 1336: 1316: 1310: 1257: 1255: 1253: 1185: 1146: 987: 941: 930: 919: 908: 897: 886: 875: 864: 853: 842: 831: 820: 809: 798: 787: 776: 1990:Films directed by Alastair Fothergill 1695: 1568:Michael Hollands (December 8, 2019). 1226: 1224: 1222: 1220: 1218: 1216: 1214: 1212: 1210: 1208: 1166: 1125: 1103: 1050:Baronnet, Brigitte (March 28, 2018). 1043: 1017: 1015: 765: 754: 743: 732: 721: 710: 699: 688: 677: 536:, the granddaughter of oceanographer 1261: 1080:"All 13 Disneynature Movies, Ranked" 1071: 997:Spellberg, Claire (March 18, 2020). 548: 449:) and was excited to join the cast. 1629:Soberman, Matthew (April 7, 2020). 1514:Gleiberman, Owen (March 31, 2020). 1443:Gleiberman, Owen (March 31, 2020). 1392:"Disneynature: Dolphin Reef (2020)" 1250: 1230: 1186:Radish, Christina (April 3, 2020). 769:"There Is Unexpected Treasure Here" 148:Walt Disney Studios Motion Pictures 13: 2035:English-language documentary films 1488:Rutledge, Daniel (March 4, 2020). 1384: 1205: 1078:Hoffman, Jordan (April 17, 2019). 1012: 14: 2046: 1652: 1104:Hipes, Patrick (April 22, 2019). 1022:Vlessing, Etan (April 22, 2019). 1852: 1721: 1603:Burlingame, Jon (July 2, 2020). 1571:A conversation with Steven Price 1462:Scheck, Frank (March 30, 2020). 1368:@Disneynature (April 14, 2017). 2000:Documentary films about mammals 1533: 1507: 1361: 1291:People staff (April 20, 2020). 1147:Norton, Steve (April 2, 2020). 967: 2020:Films shot in French Polynesia 1944:The Walt Disney Company France 1317:Kinane, Ruth (April 3, 2020). 758:"When They Meet It Is Magical" 665: 413: 1: 1464:"'Dolphin Reef': Film Review" 923:"The Pulsating Blob of Death" 802:"The Great Contest Has Begun" 725:"The Nightmare of Mr. Mantis" 653: 467: 315:In the reefs near a group of 2010:2010s English-language films 2005:2020s English-language films 1995:Films scored by Steven Price 1231:Hay, Carla (April 3, 2020). 980: 955: 824:"Strongest of the Humpbacks" 543: 7: 999:"New On Disney+ April 2020" 868:"The Largest Breath of Air" 857:"The Largest Breath of Air" 846:"Lionfish in the Moonlight" 10: 2051: 1970:American documentary films 736:"The Coral Clean Up Squad" 714:"Introducing the Dolphins" 703:"The Clam Shell Challenge" 681:"A Different Set of Rules" 598:of nature docs", saying "' 505: 294:being available to watch. 1929: 1904: 1861: 1850: 1729: 879:"High Speed Hydroplaning" 672: 669: 664: 384: 345:green humphead parrotfish 214: 206: 196: 157: 143: 127: 117: 109: 101: 91: 69: 61: 40: 28: 23: 1545:www.commonsensemedia.org 960: 620: 166:March 28, 2018 1233:"Dolphin Reef Archives" 912:"Echo Fires Up Another" 371: 310: 177:April 3, 2020 35:Official release poster 1980:Disney+ original films 1810:Ghost of the Mountains 1468:The Hollywood Reporter 1029:The Hollywood Reporter 890:"A Very Special Trick" 813:"The Cleaning Station" 780:"Fine Sand Evacuation" 578:The Hollywood Reporter 422: 394: 2030:Films shot in Florida 1920:March of the Penguins 1424:. 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Fandango 1297:PEOPLE.com 654:Soundtrack 648:Abbey Road 637:Our Planet 595:Goodfellas 584:Steve Pond 468:Production 368:families. 362:sea turtle 349:cuttlefish 202:78 minutes 181:2020-04-03 170:2018-03-28 129:Production 62:Written by 1473:April 29, 1117:April 23, 1084:Thrillist 1035:April 22, 1004:March 18, 981:Citations 956:Footnotes 544:Reception 514:and with 459:Roy Conli 110:Edited by 83:Roy Conli 1905:See also 1878:Elephant 1842:Penguins 1640:July 25, 1614:July 25, 1428:July 10, 1402:July 10, 1192:Collider 1057:AlloCiné 835:"Ambush" 520:Dolphins 427:Collider 300:Elephant 276:Dolphins 235:dolphins 215:Language 118:Music by 1934:Parents 1682:Disney+ 1609:Variety 1575:(video) 1550:May 16, 1525:May 16, 1520:Variety 1494:Newshub 1449:Variety 1378:Twitter 1271:TheWrap 692:"Flook" 631:Gravity 606:Variety 589:TheWrap 566:Variety 506:Release 482:Florida 447:Red Sea 284:Disney+ 218:English 207:Country 187:Disney+ 179: ( 168: ( 152:Disney+ 131:company 1897:(2024) 1889:(2022) 1881:(2020) 1873:(2020) 1845:(2019) 1829:(2017) 1813:(2017) 1805:(2015) 1797:(2014) 1789:(2012) 1781:(2011) 1773:(2011) 1762:Oceans 1757:(2009) 1749:(2009) 1741:(2008) 1667:  1581:May 4, 1499:May 4, 1353:May 4, 1348:SFFILM 1328:May 4, 1323:EW.com 1302:May 4, 1276:May 4, 1242:May 4, 1197:May 4, 1158:May 4, 1089:May 9, 948:  937:  926:  915:  904:  893:  882:  871:  860:  849:  838:  827:  816:  805:  794:  783:  772:  761:  750:  739:  728:  717:  706:  695:  673:Length 640:, and 480:, and 478:Hawaii 457:, and 385:Themes 255:France 185: ( 1894:Tiger 1794:Bears 1746:Earth 1374:Tweet 961:Notes 670:Title 621:Music 586:with 563:with 455:Bears 330:coral 1834:Blue 1665:IMDb 1642:2020 1616:2020 1583:2020 1552:2022 1527:2022 1501:2020 1475:2020 1430:2020 1404:2020 1355:2020 1330:2020 1304:2020 1278:2020 1244:2020 1199:2020 1160:2020 1119:2019 1091:2019 1065:2019 1037:2019 1006:2020 684:2:21 628:(of 512:Blue 372:Cast 311:Plot 260:Blue 241:and 1680:on 1663:at 942:25. 931:24. 920:23. 909:22. 898:21. 887:20. 876:19. 865:18. 854:17. 843:16. 832:15. 821:14. 810:13. 799:12. 788:11. 777:10. 666:No. 575:of 1961:: 1633:. 1607:. 1591:^ 1560:^ 1543:. 1518:. 1492:. 1466:. 1447:. 1420:. 1394:. 1346:. 1321:. 1295:. 1269:. 1252:^ 1235:. 1207:^ 1190:. 1168:^ 1151:. 1127:^ 1108:. 1082:. 1054:. 1026:. 1014:^ 989:^ 766:9. 755:8. 744:7. 733:6. 722:5. 711:4. 700:3. 689:2. 678:1. 634:, 540:. 488:, 476:, 332:. 1715:e 1708:t 1701:v 1644:. 1618:. 1554:. 1529:. 1503:. 1477:. 1451:. 1432:. 1406:. 1380:. 1372:( 1357:. 1332:. 1306:. 1280:. 1246:. 1201:. 1162:. 1121:. 1093:. 1067:. 1039:. 1008:. 429:. 189:) 183:) 172:)

Index


Alastair Fothergill
Keith Scholey
Roy Conli
Natalie Portman
Steven Price
Disneynature
Walt Disney Studios Motion Pictures
Disney+
Disney+
nature documentary
dolphins
Alastair Fothergill
Keith Scholey
Natalie Portman
Disneynature
France
Cécile de France
United States
Owen Wilson
Disney+
Natalie Portman
Elephant
French Polynesian
bottlenose dolphin
peacock mantis shrimp
coral
humpback whale
green humphead parrotfish
cuttlefish

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