Doina (Eminescu) - Knowledge

893: 2063: 2447: 583: 45: 1298: 1331:: "That Eminescu was our first environmentalist is an established fact, beyond all debate . The construction of railways across the country's virgin plains, centenary forests, and murmuring waters drove him to despair". Ștefănescu rejects literal readings of the "iron road" verse, noting that Eminescu stood not for an aversion to progress, but rather against the "brutal destruction of a slowly emerging harmony", an "irreversible destruction of beautiful things." Trains have first appeared as instruments of corruption in 1030:—and that its introductory portion is simply a critique of "unproductive foreigners", some of whom happened to be Jews, immigrating to Bukovina. Zugun further argues that Eminescu was even more critical of his co-nationals, when these were unproductive. Manolescu acknowledges that background is xenophobic, targeting Russians, Jews and Hungarians. However, he argues that the poem, unlike Eminescu's articles, can be appreciated without such "sociological" hints. Critic 180: 6086: 2557:, who happened to be "one of least cultured ministers." At another such event in June 1989, Ceaușescu referred again to the "dogs-eating-hearts" portion, introduced by his take on its significance: "While treasuring all peoples and the values created by these, Eminescu hated those who broke away from the people and came to serve the foreigners." The issue of 1805:"naturally" kept control of many territories on the left bank of the Tisza, since these were densely Hungarian; "one renounced the advantages of a natural frontier in favor of an ethnic one." Meanwhile, many Romanian-inhabited areas on the left bank of the Dniester, and immediately east of Bessarabia, were stranded in the 446:, crossed by the foreigners' "inroads". Overall, the projected country is aflush with intruders and the Romanian is a "foreigner in his own land"; birds are chased away, songs are extinguished, and the forest, "brother of the Romanian", is depleted. The description of this desolate landscape ends in imprecation: 2629:

was again standard reading for seventh-grade students in 2011, a matter which, according to journalist Sorin Șerb, contributed to their cultural isolation: "The Romanian schoolchild doesn't live on Earth, in a universe filled with wonder, but within the borders of a 'national, sovereign, independent,

1038:

as "sentimental, not ideological", to be understood as a declaration of love to Romania. He also notes that Eminescu was writing after "century-long dramas" provoked by "foreign occupations or by foreigners peacefully infiltrated, but never really integrated, into Romanian society, never giving up on

1418:

version. As noted by Ștefănescu, Eminescu changes the meaning of words, turning the mere fondness of strangers into a punishable crime: " can make words into soft twigs, sketching on the surface of water, and also into daggers." Al. Andriescu, the Biblical scholar, argued that the central themes, of

962:

s "chauvinistic remarks", while Bernard Camboulives refers to its "notes of xenophobia", stemming from a "growing intellectual despair". These, Camboulives notes, "might shock those readers who are unfamiliar with Romanian history". The opening lines vaguely mention "foreigners", but the portion may

915:

poet Alpár Horváth, its mention of the Tisza and the Dniester contains a "geographical inaccuracy causes some complications", since the two rivers are actually located close to each other at their sources: "it is confusing for conservative European ears, unsure about whether it refers to the source

723:

is the last of Eminescu's poems, composed just before "his collapse in 1883". This is contradicted by other accounts. Researcher D. Murărașu believes that Eminescu had actually completed the poem 13 years before, while present at Putna for Prince Stephen's commemoration, and merely reused it for the

2433:

were still stripped from the 1977 Romanian edition of an Eminescu study, by the Frenchman Alain Guillermou. A French translation was done by Jean-Louis Courriol, but, as Courriol himself recalled, could still not be published in Romania in 1984. At around that time, Ivănescu wrote a pastiche of

677:

in Iași, he shocked his old friend by brandishing a revolver, explained by the poet as a defense against unspecified enemies. He never actually attended the unveiling of Stephen's statue, either because he feared his apparent collapse would generate gossip and public ridicule, or because an old

2375:

was one of the "patriotic and civic" works whereby Eminescu had established an entire line of succession in Romanian culture—leading down to Goga, Cotruș, and "all things viable in our current militant poetry." Also that year, Ceaușescu proposed to publish a collection of Eminescu's "national"

870:

as sketching out Eminescu's "dream": "a pure Romanian civilization, untouched by foreign influences and still less by the effective presence of foreigners." Irimia notes the work for "absolutely confound" the poetic self with national identity, "taking on the historical being of the Romanians

843:

contrasted first and foremost with Eminescu's own recourse to "cosmopolitan" themes in his other work. Also according to Grama, the "idiotic" poet wrote apocalyptic verse at a time when Romanians' fates were actually improving. This verdict is not shared by other commentators. In 1934, critic

646:. Contrarily, Perpessicius asserts that Eminescu was less talented that Alecsandri, never matching his work as a folklorist or folklore-inspired versifier. According to scholar Marin Bucur, Marinescu is essentially wrong in treating the draft as an actual poem, and also in failing to see why 2151:

was "banned and recited only in private readings because it named Russia as one of the imperial powers that had oppressed the Romanian nation." Also uncomfortable were its "strident nationalism" and its mention of the Dniester, "at the time in the territory of the Soviet Union." Philologist

1244:, which included the Budjak. As Irimia notes, the Austrian and Russian occupations appear as a continuum in Eminescu's lyrical universe. Bessarabia in its entirety is introduced as a Romanian grievance in the opening line—according to scholar Aurel Vasiliu, the Dniester–Tisza 994:

s "foreigners", depicted as beloved by some Romanians, could not be identified as Jews: " did not mean, and could not have meant, the Jews, for who was it that had been loving the Jews, in our country, back in the day?" According to Brănișteanu, a clue is offered by

2600:

building and recited the poem in a live broadcast, changing stress from its condemnation of foreigners to read like an attack on people associated with the old regime. Writing on Eminescu's birthday in January 1991, critic Serafim Duicu introduced a print of

1214:, notably including an 1877 stanza in which Eminescu, or his peasant inspiration, describes the region at "the mercy of the foreigner, which is like a thistle's shadow". The poetic image was apparently inspired to Eminescu by a Bukovina folk song, which has 1151:", could now display the "red pepper, of Phanariote-and-Bulgarian provenance". In this setting, Romania's Jews were even farther removed from the authentically Romanian peasantry, and therefore "could not merge with our people." Also from the period, 746:

into Eminescu's "final effort". He proposes that Eminescu, sensing his "mental equilibrium" slipping away, concentrated on finishing up both works, which outline his universal and social queries. However, he dates the earliest recognizable drafts of

5495: 1014:

was critical of Eminescu as a political journalist, but noted that his poetic work, which he admired, was free of antisemitism: "Only in his 'From the Dniester to the Tisza' is he a xenophobe, an anti-Russian, and overall an anti-foreigner."

1782:" (December 1, 1918), during which Romanians from Transylvania and satellite regions expressed their wish to join the country. Though invoked on the day, the slogan "From the Dniester to the Tisza" caused some controversy, as delegates from 781:

was in any event completed in December 1882, which was the original date set for the inauguration of Stephen's statue. In 1883, Eminescu had written two hymns about Stephen in preparation for the celebrations in Iași, but never used them.

2015:, a fascist movement which similarly "express the ancestral, somehow atemporal, sense of Romanian purity and solidarity among Romanians" and gave Stephen an "exceptional position" in its propaganda works. The poem was also invoked by the 2764:. The ambassadors of Hungary and Ukraine left the hall in protest, sparking a debate that also involved intellectuals on either side. At the time, the Hungarian teacher Lajos Ötvös wrote a piece giving contextual justification for 1226:, suggesting "the image of poverty sweeping over the country . In times of drought, the thistle's shadow is more desolate than no shadow at all, a mock-offering to the heat-stricken people." A specific reference to the village of 862:, "Romanianism", and "national mysticism". Caracostea defines the poem as an "excruciating ethnic elegy", and a sample of the "liveliest indignation"—reserved by Eminescu for politics and social commentary. According to scholar 6426: 2197:

had a psychological appeal: "those who hid it under a bushel were mistaken, with this poem preserving a latent life in the national psyche; thus, the censors, instead of attenuating an obsession, have maintained it." Historian

735:

as the final work in which the poet voices his "faith in the coming national prosperity." As the illness took over, he became convinced "that he no longer had any purpose in this world". Eminescu expert Dumitru Irimia groups

1025:

s discourse was correct in depicting 19th-century immigrants as "troublesome and predatory". The same was proposed by scholar Petru Zugun, who believes that there is nothing specifically xenophobic or antisemitic about

1071:

refers to Eminescu's differentiation between ethnic communities, which he differentiated by levels of kinship or intermixing with Romanians. With his articles of the mid-1870s, Eminescu showed himself persuaded that

2720:

and other works by Eminescu to highlight that the poet had explicitly endorsed the notion that Bessarabians were Romanians. On the "Moldovenist" side of the debate, the issue was brought up in the 1990s by author

1111:

for his attempt to oppose the region's annexation, and predicting that another Ghica would see Bukovina returned to Romania. In an unpublished article, tentatively dated to 1878–1879, he contends that Romanians,

1675: 2685:. This status is seen by scholar Wim van Meurs as "artificial" and "completely false", in particular because it has to override his Greater Romanian nationalism, "expressed in the first lines of his poem 4370:

Virgil Smârcea, "Rolul istoric al mișcării noastre muncitorești în lupta poporului român pentru unitate națională, independență și integritate teritorială, pentru consolidarea statului român unitar", in

2261:

was: "The Romanian population would feel is an insult to their national dignity. The Romanian nationalist elements would immediately declare: then give us the same, because we too have such poems—

1801:

As noted in 1992 by journalist Ion D. Goia, the "natural frontiers" defined by Eminescu were not superimposed with those of the resulting Greater Romanian state, as this was no longer feasible:

642:, it was described as "hollow" and "rudimentary" by critic Constanța Marinescu. However, according to Călinescu, such works sound less "gauche" than actual folk poetry, as polished for print by 711: 5417: 5063: 4738: 1627:

and others to seek the publication of Eminescu's other, lesser and unfinished, prose works. The poem, and especially its reference to the "iron road", was also popular with the socialist

2565:, who proposed putting out facsimiles from Eminescu's manuscripts. He acknowledged in 1977 that some were problematic for the regime, "xenophobic, anti-Russian", and suggested to "leave 2573:

in a lithographic edition which reproduced the Maiorescu original. According to Petre, this was originally planned as a regular-type edition, but Creția, who defended the inclusion of

2222:

at a Bucharest locale in autumn 1956, the sign of his conversion to nationalism—a departure for which he was allegedly assassinated. Reportedly, at around the same time the left-wing

1472:, and defending "the whole of Christendom." Similarly, Ștefănescu argues that Eminescu appealed primarily to the "Romanian mythology", of Stephen as an "unvanquished hero". Historian 4064: 5496:"'Doina' lui Eminescu intră în campanie, la PSD în ușă se recită: 'Cine-a îndrăgit străinii/ Mânca-i-ar inima câinii'. Dragnea vorbește despre pericolul ce paște unitatea națională" 5308:, "Mesajul tovarășului Ceaușescu, secretar general al Partidului Comunist Român, președintele Republicii Socialiste România, cu prilejul Simpozionului omagial 'Mihai Eminescu'", in 1674:

was subsequently used as a rallying call in 1912, during the centennial of Bessarabia's annexation by Russia. Its recitation headlined the "festival" organized in Bucharest by the

1523:, proliferated known typos. The Socec collection is known for missing an entire line of the poem, alluding to the foreigners' reliance on the "iron road". The corrected version of 673:, in June 1883, of a monument to Prince Stephen. Eminescu was by then erratic and fatigued, displaying, already from May 1883, the early stages of a mental breakdown. Lodging with 4290: 5942: 892: 5925: 5744: 3845: 2265:, and even more relevant ones. We believe that it is a good thing to mutilate the works of the classics". Writer Dumitru Irimia recalls that, in the early 1960s, Eminescu was 2019:, which shared the Guard's antisemitism and was sometimes allied with it. Its leader was the poet Goga, who used the lyrics to justify crimes committed by the Guard's Captain, 1476:

notes that the line about how "woods will come to your aid" could be a reference to peasant republics existing on the forested border areas of old Moldavia, providing a stable

606:

A poet as well as a folklorist, Eminescu was well acquainted with the traditional forms of Romanian poetry, and wrote several poems in folkloric style—his Transylvanian enemy,

5836: 2621:

According to Eminescu expert Cornelia Viziteu, there followed a period of "overtly nationalist" readings with "evidently superficial commentary", including popularization of

2206:

as a youth, "in the summer of '44", which was already a gesture of defiance from her family. According to literary scholar Niculae Stoian, an "extremely courageous" study of

1327:) bringing in foreigners to "kill all the songs", as well as to the claim that the forest and the Romanian are like "brothers". The same lines are also highlighted by critic 804:

described the piece as both "beautiful" and "political", marked by Eminescu's "hatred of an unrelenting foreign invasion". Without endorsing the political message, critic

5397: 3651: 2682: 6822: 6817: 2270: 1977: 1051:

also sees Eminescu as guided by an economic theory, but notes his vision of an "objective conflict" between Romanians and foreigners, including in particular Jews (

218:

and is therefore seen by some as Eminescu's final work in verse, although it may actually be an 1870s piece, inspired or enhanced by the perceived injustice of the

5324: 3374: 984: 268:, to take up the cause of Romanians and chase foreigners out with the sound of his horn. The same basic themes appear in another poem by Eminescu, the anthem-like 2348:. The actor defied the Soviet regime, and frightened away tourists visiting from Soviet Bessarabia. At around the same time, Eftimiu revised his stance, reciting 1960:

Eminescu's poem had become universally present in literature textbooks, and was for the first time made accessible to the youngest cohorts by the reading aids of

5350: 4451: 3647: 3434: 3089: 1516: 1031: 903:

As argued by comparatist Călin-Andrei Mihăilescu, the poem is one of "national revival", "explosive" in "deplor the alienation of Romanians in their own lands".

916:

or the mouth of the Tisza." Literary historian Ion Buzași proposes that Eminescu may have been referencing an earlier pseudonymous work, which he attributes to

6331: 4888: 2278: 2748:, in the Caudella version, was also recovered as an anthem by Moldovan unionists in the early 1990s. This issue was highlighted in November 1993, just before 2659: 1444:, Grama reserved praise for this final scene, calling it a "masterpiece", when viewed separately: "most Romanians cannot fail to be moved" by it. Comparatist 2317:

republished in textbooks, "as you know how things are between us and our great neighbor in the East", but that he openly encouraged recitations to continue.

1696:. Meanwhile, Volovici notes, Eminescu's rhetoric partook in "exacerbat the negative image of the foreigner and stimulated xenophobia." As reported by writer 1365:

stood at the root of polemics about whether folklore, which is preconditioned by rural illiteracy, should be protected at all. Another scholar in the field,

4456: 4314: 2062: 1519:", were praised by Perpessicius as particularly tactful. Nevertheless, critics were flummoxed by Maiorescu's apparent carelessness, which, in poems such as 1378: 5764: 5485: 2352:

to his fellow writers at a meeting in Bragadiru Hall, Bucharest. Censorship again intervened in 1969, when a treatise of Romanian history by Polish author

1989: 4710:

Mihaela Albu, "Virgil Ierunca — A Prestigious Voice of the (Literary) Romanian Exile", in Adina Ciugureanu, Ludmila Martanovschi, Nicoleta Stanca (eds.),

2476:

in Romania. Sometimes broadcast by radio, these were also followed by Romanian activists in the Moldavian SSR. There, the poem had remained banned in the

4002: 1323:", its violence being Eminescu's attempt to fend off an "ancient curse". This reading refers in particular to a line which mentions the "iron road" (the 770: 5393: 4976: 2429:

magazine, Mihai Ogrinji quoted the Stephen stanza in full, discussing the poem itself as having a "huge and all-encompassing popularity". References to

2422: 4639: 3775: 2577:, struggled with censorship for several years. During one episode of this exchange, he proposed changing "from the Dniester to the Tisza" to "from the 2071: 1965: 1750: 1328: 3238: 2605:

with the observation that: "from this day forth, Eminescu shall no longer be censored. Perhaps to the end of time." This comment referred not just to

5807: 5593: 5085: 2388: 2290: 607: 5769:

History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries. Volume IV: Types and Stereotypes

6742: 5081: 4566: 4192: 2384: 854: 4493: 5971: 3960: 2353: 1508: 1445: 1349:

s "iron road" as the killer of "all the songs" conveys Eminescu's "pain at seeing folk poetry vanish". The same reading is provided by historian

1249: 1048: 5533:"Viața științifică. Pericolul aservirii politice a veșnicelor adevăruri. Scrisoare deschisă Președintelui Republicii Moldova Mircea Snegur", in 5216: 6015: 5800: 4910: 3964: 3356: 2306: 2286: 976: 5107:"Foaie pentru minte, inimă, și literatură: Vasile Netea: 'Transilvania e inima Daciei, iar moștenirea Transilvaniei o port in inima mea'", in 4971: 4188: 3917: 2569:

out of it , we'll do it like type-writer girls—this we erase, the rest can appear." In 1989, Ceaușescu ultimately allowed Creția to republish

2186:, who wrote many pieces which allude to Eminescu's, in both style and intertexual references, updated to refer to communism and the Soviets. 5372: 4584:

Constantin Iordachi, "God's Chosen Warriors: Romantic Palingenesis, Militarism and Fascism in Modern Romania", in Constantin Iordachi (ed.),

3438: 3097: 2368:. At a Communist-Party plenary meeting early that decade, he reportedly cited the imprecation about dogs "eating the hearts" of xenophiles. 1999:

The poem continued to be used as a political symbol, and its "dogs-eating-hearts" lines reportedly appeared in 1930 on a flag carried by the

6722: 1697: 963:

refer to the situation in Eminescu's own Bukovina, specifically to relatively recent presence there of Germans, Ukrainians, and especially

6521: 6797: 5029: 2775:

continues to be of interest to Eminescu translators in other neighboring countries, with a Ukrainian version completed by Ivan Kideshuk.

1218:("burr shadow") alongside references to the country being "riddled with foreigners"; this is fully quoted in his September 1877 article, 5626: 2991: 1759: 4089: 1171:

in Bukovina. Another manuscript proclaims specific curses against the perceived enablers of Jews, Greeks, and Russians; for instance:

709:

An emotional Creangă later claimed that his friend had written the poem over those few days, at Creangă's own home, the peasant-style

6812: 6782: 2289:, at the time a monk and tour guide at Putna, recalls that he was never prevented from reciting the poem to local visitors; and that 2127:

was removed from Schmidt-Faur's relief. The poem could not be published in Bessarabia, which was included in the Soviet Union as the

769:

in the early 1880s. According to Perpessicius, while the poem's references to rail transport may correspond to the unraveling of the

4892: 6787: 4663: 4473: 2302: 2294: 1720:

could be recited in Transylvania. In June 1916, it was put to music for a theatrical performance by the Union of Romanian Women in

5217:"'Revoluția silențioasă': revizuirea identității naționale în Moldova Sovietică la apogeul 'dezghețului' lui Hrușciov (1956–1957)" 4333: 2160:

upset the communist rulers because they themselves were mostly "foreigners , extremely offended by the things one read in there".

1615:, with Stephen sounding his horn. As noted at the time by Ibrăileanu, nationalism permeated the reading of Eminescu's work: while 661:, and began systematic readings from collections of folk poetry. They were integrated into a vast fund of drafts and versions for 6777: 6104: 4946: 3143: 808:

also found Eminescu's piece aesthetically pleasing. Other commentators disagree with these verdicts. Constantin Coroiu describes

5173: 4617: 3329: 1798:, which established itself on December 11, 1918, as the "singular socialist party in all lands from the Dniester to the Tisza." 1361:

describes the lyric as Eminescu's intuitive understanding that folklore could not be preserved into modernity. Stahl finds that

6401: 6341: 6316: 5328: 3921: 2329: 2000: 1324: 5550: 1794:("Long live Greater Romania from the Dniester to the Tisza and beyond!"). The original slogan, meanwhile, was taken up by the 1732:; the alliance favored the Russian Empire over Austria-Hungary, and the cause of Transylvania over that of Bessarabia. During 1289:

similarly urges Romanians to answer the call of "gentle Bessarabia", "our younger sister", "awaiting to be murdered by dogs".

6140: 6119: 5912: 5884: 5819: 5780: 5152:

Scriitorii din Moldova nu se deosebesc de scriitorii din România, chiar dacă au o altă experiență și trăiesc într-o altă lume

4771: 4723: 4625: 4597: 4524: 4219: 4116: 3761: 2753: 1107:. Beginning in September 1877, Eminescu as a journalist had linked his views on the Ghicas with the Bukovina issue, honoring 638:), with the poet asking to be turned into a tree branch, rocking into eternal slumber. Seen by scholars as an early draft of 6732: 3779: 2182:

s "all Romanians have complained to me". The poem's nationalist prestige was preserved by the self-exiled Iron Guard poet,

1381:

went further. He argued that Eminescu's lyrics had conveyed the irrelevancy of art in an era of mass production; he linked

1044: 665:, which, as noted by Perpessicius, cannot realistically be published together as a critical instrument. In its final form, 2609:

being recovered, but also to other revived poems—including those which referred to Christian prayers or to the singing of

967:. The significance of the "dogs-eating-hearts" line has been a traditional topic of debate within the larger community of 6762: 6260: 3583:

Letiția Constantin, "Eminescu muzical. Partituri aflate în Colecțiile Speciale ale Bibliotecii Naționale a României", in

2663: 2360:

as a motto. In the 1970s, following the deterioration of contacts between Romania and the Soviet Union, communist leader

2059:

the same slogan was "plastered all over the walls" of Romanian cities, "as if the Guard didn't have its own foreigners!"

4801: 2031:. "Almost confiscated by far-right groups", it reportedly inspired Codreanu to designate the basic Iron Guard cells as 1704:

had also become an anthem for "Christian boys" in Bukovina, who used it as a justification to punch him and other Jews.

6666: 6486: 6472: 6371: 6155: 6008: 5682:

Alexandru Burlacu, "Poezia basarabeană și antinomiile ei. Anii '20–'30", in Ofelia Ichim, Florin-Teodor Olariu (eds.),

2737: 2589: 2561:

came up during long debates over the publication of Eminescu's complete works. The project was endorsed by philosopher

1802: 6366: 2328:, at some point before his death in 1970. According to his brother Iosif, this event took place at Putna in 1965. The 1716:, while Transylvanian and Bukovinan Romanians were called upon to serve under arms in Austria-Hungary. At this stage, 1437:'s own psalmodic verse. Both authors, Antofiychuk notes, invoked the Bible specifically against Russian expansionism. 866:, Eminescu's poetry is overall the best expression of an "anti-cosmopolitan" drive in Romanian nationalism. Boia sees 777:

is the product of 1878, written "a day after cession , five years before the celebrations in Iași". He believes that

6807: 6792: 6697: 6356: 6326: 6270: 5987: 5950: 5844: 5731: 5691: 5652: 5644: 5522: 5439: 3902: 2655: 4608:

Dumitru Lăcătușu, "Procesul Anei Pauker de la București și Craiova (27 februarie 1936 și 5 iunie–7 iulie 1936)", in

2075: 1976:

in Iași. Before and during and World War II, the work was several times transposed into foreign languages. In 1927,

1973: 307:

has been described as "chauvinistic" and "minor" by some critics, "beautiful" by others. It has been present in the

6802: 6747: 6707: 6507: 6396: 6280: 6255: 6145: 1775: 1658:, a Transylvanian. The poem was already an established political symbol, circulated clandestinely in Bessarabia by 1480:. This interpretation is disputed by another scholar, Sorin Nemeti, who argues that "nobody could be convinced" of 1136: 2484:

threatened and ultimately expelled from the country for having circulated it. Soviet censorship was challenged by

1740:

was a soldiers' anthem, used for instance during Nerva I. Paul's charge on German positions (October 1916), while

1684: 6275: 2744:

suggested that its first line continues to be quoted, "with its misty inoperable longing for a Greater Romania."

2120: 320: 3330:"M. Eminescu—'Poetul național', nu scriitor xenofob, antisemit și rasist. Argumentare lingvistică și stilistică" 1623:

could still "serve nationalism", most of his poetry could not. Ibrăileanu argues that this realization prompted

6767: 6752: 6321: 6240: 6150: 2446: 2246: 968: 871:

harmonizing it with the sacred dimension of the universal being." According to musicologist Carmen Manea, both

1541:, which is probably from 1883. Caudella himself believed that the work was a suitable anthem, "the Romanians' 6772: 6717: 6712: 6386: 6114: 6065: 6001: 2413:, "should be learned by every Romanian, generation upon generation." On June 3, 1983, the literary gathering 2190: 1135:

Eminescu's private notes also detail his bitterness about a perceived racial deterioration of Moldavia's own

328: 6479: 839:

Grama, who saw himself as a fellow nationalist, accused Eminescu of insincerity, noting that the message of

582: 6757: 6109: 5904: 5234: 2549:

was publicly quoted in Ceaușescu's own address. As noted by Slama-Cazacu, this message was read out at the

2396: 2096: 369:

opens with a localization of the Romanian space, highlighting regions which were at the time in Russia and

2045:

was reusing the "dogs-eating-hearts" metaphor, printed in red, against his Jewish and left-wing rivals at

1468:. Overall, Camboulives explains Stephen's invocation as an homage to his resisting the much more powerful 1167:

make explicit mention of "Stephen's Romanians" being "in kike hands", and record with alarm the spread of

6630: 5486:"Lider PSD: Klaus Iohannis reprezintă interese străine. Cine o îndrăgi străinii, mânca-i-ar inima câinii" 5191: 3124: 2542: 1906: 1774:

The following months and years saw the creation and consolidation of Greater Romania, beginning with the

351: 2345: 1335:'s "Iron Road" (1864), which exegetes such as Liviu Marian saw as "quasi-identical" with the passage in 6702: 6465: 6250: 5657:

Ioana Both, " 'Mihai Eminescu – Poète National Roumain.' Histoire et anatomie d'un mythe culturel", in

4827: 4511:

Constantin Poenaru, "Leca Morariu — cu redacția în pribegie", in Raduț Bîlbîie, Mihaela Teodor (eds.),

1795: 1754: 1725: 1679: 1663: 6546: 6391: 6351: 6285: 6265: 6124: 4643: 2067: 1477: 1391: 1159:

variant, builds on this sentiment. Its third stanza includes a reference to Bukovina as falling into

4355:

Ana-Felicia Diaconu, Cristina Țineghe, "Istorii puțin știute. Cum s-a unit Maramureșul cu țara", in

4271:

dv., "O rară și frumoasă reprezentație. Producțiunea elevilor grădinei de copii. — O șezătoare", in

6692: 6346: 6336: 5798:, Dumitru D. Panaitescu, "Eminesciana. Reflecții ziaristice pe marginea istoriei contemporane", in 4715: 2914:

Mihai Ogrinji, "Monumentele neamului. 100 de ani de la dezvelirea statuii lui Ștefan cel Mare", in

2588:

The poem was again fully accessible during the revolutionary events, its opening lines used by the

2171:

noted at the time that Eminescu was both praised and censored with the acquiescence of a compliant

2056: 2052: 2016: 1666:

in 1903. During the inquiry, Pelivan reports, the Gendarmes produced an incompetent translation of

1511:

as the author had withdrawn from public life. The "classic" selection and arrangement, which place

1332: 1144: 679: 300: 296: 5124: 5094: 4743: 3808: 3488: 3287: 3014: 1961: 1584:

before 1900. The poem was also part of the theatrical repertoire, recited during intermissions by

1568:, published in 1890 and heavily indebted to Maiorescu's observations, closely followed in 1893 by 1402:

Several commentators focus on the poem's prophetic outbursts and their literary sources. Some see

319:

became a rallying call for revolutionary nationalists and fascists. It was deemed problematic and

6651: 6599: 6577: 6311: 5686:, pp. 379–404. Iași: Institutul de Filologie Română A. Philippide & Editura Trinitas, 2002. 3886: 3873:

Cătălin I. Nicolae, "Câteva date despre conferințele lui Ioan Andrieșescu la radioul public", in

3184:

Istoria literaturii române în secolul XX, după o nouă metodă. Sămănătorism, poporanism, criticism

2635: 2581:

to the Tisza", which excluded reference to Bessarabia; "Dniester" would only be clarified in the

2020: 1374: 1269:'s satires. The Bessarabian topic is addressed in a parallel poem, referring to the Russians as " 752: 587: 261: 219: 53: 489:

is Eminescu's contribution to a "trans-historical" cult of Prince Stephen, who had consolidated

6436: 6376: 6290: 6212: 5901:

Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures

2092: 1733: 1713: 1241: 311:

since the 1890s, while also serving as subversive literature among Romanian communities in the

280: 2214:, could still appear in print in 1949. One theory claims that a disillusioned communist poet, 1817:

continued to have an especially strong presence as a political symbol and poetic model, while

44: 6737: 6235: 5178: 5092:. Fondul principal al culturii române. 'O carte de vizită a spiritualității unui popor'", in 5068: 5034: 4897: 4571: 4498: 4342: 4197: 4094: 3969: 3926: 3784: 3243: 2996: 2761: 2238: 2175:. He highlighted this against the oppression experienced by the other social groups, quoting 1786:

found that it excluded their homeland. The matter was addressed by a Transylvanian delegate,

1729: 1603:, who published in 1914 a "people's edition" of Eminescu's work, set apart a section for the 1004: 912: 586:"What they take, and what they give", cartoon of July 1878 expressing a Romanian take on the 288: 5824: 5789:

Călin-Andrei Mihăilescu, "Mihai Eminescu: The Foundational Truth of a Dual Lyre", pp. 86–96.

5196: 2681:(former Moldavian SSR), where he has a status equivalent to that of "national poet", within 1783: 1464:, critic Cornelia Mănicuță notes that Eminescu was reusing a Stephen motif already found in 1076:

had demonstrated genetic links between Romanians and Bukovina's Slavic minorities, whether "

1040: 6656: 6609: 6406: 6048: 6024: 5922:

Opere, Vol. III. Poezii tipărite în timpul vieții; Note și variante: Dela Doina la Kamadeva

4273: 2729:

are not representative for the Moldovan ethos, which, he argues, relies on other elements.

2706: 2671: 2615: 1457: 1237:

s ninth line, has contributed to that locality's notoriety in a Romanian cultural context.

1096: 880: 859: 825: 344: 308: 292: 237: 6572: 5700: 5355: 5305: 2361: 1898: 1753:

as a "pitiful song of ancient woes". Driven into a war of attrition, Romania contemplated

742: 347: 8: 6687: 6202: 5964:

Aurel Vasiliu, "Bucovina în viața și opera lui M. Eminescu", in Constantin Loghin (ed.),

5402: 5333: 5287: 4951: 4810: 3413: 3398: 3334: 3179: 2678: 2597: 2438:

with a covert critique of communism; this was detected, then eliminated, by the censors.

2399:'s detailed critique of it had seen print in 1956. That same month, in an interview with 1646:. According to Ibrăileanu, the latter, being an "untalented Eminescian", was inspired by 1585: 1465: 1297: 1052: 845: 756: 702: 591: 140: 6431: 5696: 4516: 2468: 2383:

s apparent claim to Bessarabia. Discussing classical Romanian literature in April 1982,

1823: 1787: 1537:

remained unpublished until 1902, but was widely known through its musical adaptation by

1357:

had declared folklore to be an unalterable, "living book". Similarly, rural sociologist

6727: 6625: 6207: 5859:"Identitatea și unitatea românească în două oglinzi: Eminescu și Alexei Mateevici", in 5736: 3741: 2550: 2523: 2250: 1875: 1577: 1240:

Another discernible theme is Eminescu's anger over the plight of Romanians in Russia's

817: 716: 622: 257: 215: 77: 5976:

Nationalist Ideology and Antisemitism. The Case of Romanian Intellectuals in the 1930s

5896: 5873:

In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey through Romania and Beyond

5064:"Stenograma Ședinței Comitetului Politic Executiv al CC al PCR din ziua de 5 mai 1976" 4864: 2463: 1553: 1396: 979:, Fondane "loved so much that he even found him an excuse for the xenophobic lyrics 917: 340: 236:, it is noticeably angry to the point of rhetorical violence, a radical expression of 6197: 6192: 5983: 5946: 5929: 5908: 5880: 5840: 5815: 5776: 5748: 5727: 5716: 5687: 5673: 5648: 5518: 5490: 5435: 5157: 5025: 4767: 4719: 4621: 4593: 4562: 4520: 4247: 4215: 4112: 3898: 3757: 3093: 2164: 2132: 2112: 1993: 1635: 1572:'s reader, aimed at Romanian schoolteachers in the Banat, and by Gheorghe Adamescu's 1429:. Building on this verdict, Ukrainian researcher Volodymyr Antofiychuk proposes that 1415: 1407: 1108: 1000: 885: 805: 692:, on June 4. The audience was reportedly enthusiastic, and moved in to hug Eminescu. 682:, had announced his participation; he did however show up for parallel ceremonies at 643: 324: 233: 119: 87: 4239: 1631:, which saw the old gentry and the peasants as equally threatened by modernization. 1608: 1448:

proposes that the "famous invocation" deepens folkloric accounts about Stephen as a

49: 6187: 5868: 4614:

Comuniștii înainte de comunism: procese și condamnări ale ilegaliștilor din România

4609: 4329: 3443: 2741: 2593: 2562: 2324:

was reportedly the first in his profession to test censorship by publicly reciting

1764: 1434: 1353:, who notes Eminescu's descent into pessimism, "just a quarter of a century" after 1315:

According to Steinhardt, the central message is not xenophobic, but "ecological", "

972: 599: 103: 5267: 3862:

Anuarul Institutului de Istorie George Barițiu din Cluj-Napoca, Series Humanistica

2215: 1831:

was also a major of influence on the anti-Russian poetry published at the time by

183: 6635: 6165: 6058: 5704: 5669: 5627:"Псалом у творчості Тараса Шевченка та Міхая Емінеску: компаративістичний аспект" 5006: 4991: 4357: 3749: 2749: 2643: 2356:

had to be withdrawn from Romanian bookshops for featuring the first two lines of

2036: 1538: 1370: 1309: 1121: 908: 538: 442:, with foreigners as "caterpillars" and stalkers of the local Romanians; then on 370: 253: 6245: 4513:

Elita culturală și presa (Congresul Național de istorie a presei, ediția a VI-a)

2333: 2242: 2234: 2153: 634:". Another variation on that pattern is addressed to "His Majesty, The Forest" ( 315:. During the interwar, with Greater Romania established as a political reality, 6582: 6381: 6295: 5979: 5772: 5708: 5430:

Cornelia Viziteu, "Argument", in Ioan Constantinescu, Cornelia Viziteu (eds.),

5150: 4782:

Niculae Stoian, "Eminesciana. Un admirator și exeget al Poetului național", in

4127:

Ionuț Iliescu, "Inaugurarea monumentului lui Ștefan cel Mare din Bârsești", in

3857: 3837: 2954: 2722: 2667: 2639: 2410: 2310: 2223: 2172: 2168: 1504: 1473: 1469: 1453: 1366: 1358: 1305: 1301: 1277:, likely to "tear out the tongues" of Romanian-speakers. The early versions of 763:) to Russia, noting parallels with the author's political columns, taken up by 595: 336: 312: 211: 207: 114: 35: 2698: 2183: 1682:

ultimately produced a blossoming of the Romanian Bessarabian press, including

816:

includes it among Eminescu's lesser poems, a "modest work in verse". Essayist

674: 602:, received in exchange by Romania, appears as a desolate and beastly marshland 6681: 6594: 6567: 6075: 5247: 4784: 4408:

Burlacu, p. 388; Iordan Datcu, "Ion Buzdugan și cântecele din Basarabia", in

3821: 3361: 3063: 2709: 2694: 2485: 2481: 2451: 2321: 2211: 2128: 1836: 1813:", and is seen by Goia as "ancestral Romanian land". In interwar Bessarabia, 1655: 1624: 1589: 1529: 1449: 1386: 1350: 1266: 1085: 964: 801: 332: 265: 5551:"În reflector: Ion Druță. Publicistica lui Ion Druță sub semnul manipulării" 3285:

Ion Buzași, "Panopticum. Un precursor al lui Eminescu: Andrei Mureșanu", in

1569: 5889:

Cornelia Mănicuță, "Ștefan cel Mare. Evocare istorică și mit romantic", in

5876: 5795: 4306: 4065:"Un lugojean pe urmele lui Eminescu: pianistul-compozitor Liviu Tempea (2)" 3483: 3396:

Al. Dobrescu, "'Un admirator al lui Eminescu', domnul dr. Moses Rosen", in

3009: 2477: 2104: 1832: 1810: 1806: 1573: 1543: 1411: 1320: 1316: 1148: 1104: 1100: 728: 617: 610:, could therefore claim that Eminescu had simply plagiarized Transylvanian 443: 245: 126: 5957:

Nae-Simion Pleșca, "Basarabia în publicistica și poezia lui Eminescu", in

5933: 5752: 5677: 5212: 4251: 2135:, who complained that Soviet authorities had reinvented his uncle into a " 1007:, who had come to be represented in the political and commercial classes. 975:

was one of the text's noted defenders; as reported by poet and biographer

6661: 6528: 6500: 6160: 6053: 5636: 5398:" 'Încă nu mă consider un actor mare' " (interview with Victor Rebengiuc) 4989:

Maria-Magdalena Ioniță, "Cafenelele Bucureștilor sub regim comunist", in

3068:

Istoria literaturii românești contemporane. I: Crearea formei (1867–1890)

2713: 2527: 2510: 1779: 1659: 1643: 1354: 1270: 1073: 1011: 1008: 863: 284: 5454: 5377: 3383: 3071: 2193:

at home also maintained a private cult of the poem. As noted by Creția,

2047: 911:

comprising all the Romanian-inhabited regions. However, as noted by the

6604: 6514: 6361: 6070: 5993: 5555: 5459: 4869: 4384:

Ion D. Goia, "Actualitatea politică. Transnistria românească (II)", in

2690: 2273:", but also that his high school teacher privately advised him to read 2012: 2004: 1996:

Božena Șesan published a translation into her native language in 1944.

1902: 1600: 1140: 1077: 429: 354:

and after, when it also became a public symbol of Romanian identity in

187: 57: 5109: 4386: 3891:

Outcast Europe: The Balkans, 1789–1989: From the Ottomans to Milošević

2611: 2401: 1746: 1440:

Although rejecting Eminescu's overall contribution, including most of

947:

Shining, splendid, in her borders—vast they are, and long their line!

6038: 5666:

Istoriografia literară românească. De la origini până la G. Călinescu

4759: 4589: 4537: 4432: 3894: 2702: 2554: 2199: 2136: 2041: 1767:

reminded Iorga and other nationalists of the anti-Russian content of

1507:

in his first-ever critical edition of Eminescu's poems, published at

1124:

race. It commonality was an "outstanding zest for war, but always in

1113: 1047:, viewing the former as more honest and reliable. Literary historian 833: 658: 241: 107: 5786:

John Neubauer, "Figures of National Poets. Introduction", pp. 11–18.

5684:

Identitatea limbii și literaturii române în perspectiva globalizării

5500: 1721: 256:, at a time when Romanian-inhabited regions were divided between an 6493: 6043: 5004:

Nicolae Mareș, "Profesorul Juliusz Demel istoric al românilor", in

3148: 2987: 2458:, during 1991, with various icons and portrait of Stephen the Great 1426: 1245: 1117: 1043:, Eminescu was a xenophobe who, overall, preferred the Jews to the 813: 490: 439: 399: 6085: 4291:"Profesorul, criticul și scriitorul Ioan Paul. Itinerar biografic" 2936:

Grama, pp. 204–205; Irimia (1984), p. 1; Perpessicius (1944), p. 3

2642:

priest calling for Eminescu's canonization, and also reclaimed by

1018:

The half-Jewish Steinhardt theorized, in his private papers, that

6441: 3806:

Petru Gh. Savin, "Cronică. Pier cântecele noastre poporale?", in

3753: 2582: 2455: 1565: 1274: 1168: 1088: 1081: 684: 355: 3186:, pp. 11–12. Bucharest: Editura Institutului de Literatură, 1934 2027:

a "gospel of Romanianism." The same appropriation happened with

1533:. Socec itself amended the text in its revised edition of 1895. 670: 5292: 4865:"Lumini și umbre. Eminescu în interpretarea lui Dumitru Irimia" 2578: 1889:

leaving us with empty hand, famished, pillaged where we stand.

1688:—which, in 1913, put out an Eminescu selection, featuring both 1421: 1282: 1261: 1227: 829: 765: 760: 434: 5968:, pp. 201–482. Cernăuți: Editura Mitropolitul Silvestru, 1943. 5232:

Virgil Nistru Țigănuș, "Grigore Vieru iluminat de poezie", in

2689:". In early 1994, a group of pro-Romanian scholars, including 1588:. In 1904, a Stephen obelisk was dedicated by the peasants of 1252:(with whom, he notes, Eminescu had lukewarm relations), while 1222:("How They Abducted Bukovina"). The metaphor is also found in 657:

only peaked after 1877, when he was living as a journalist in

4214:, p. 369. Bucharest: Editura Biblioteca Bucureștilor, 2012. 2927:

Călinescu, p. 165; Grama, pp. 203–206; Irimia (1984), pp. 1–2

1670:

into Russian, missing out on its more inflammatory rhetoric.

1548: 828:, he proposed that the verse still had "beauty bubbling like 612: 403: 224: 98: 2592:

in its first appeals to the Iași populace. Also then, actor

2167:

still published and discussed the poem. Diaspora journalist

2103:

was banned. At the time, Iron Guard commandos, supported by

1564:

as an object of study in academia was I. Manliu's manual of

941:

From the Tisza to the Dniester, and the Danube in its swell,

4109:

Istoria teatrului la Botoșani: 1838–1944. Vol. 1: 1838–1900

2522:

in its first issue of 1988, an initiative credited to poet

1792:

Trăiască România Mare de la Nistru și până dincolo de Tisa!

1642:-like poem specifically about Bukovina, and the Bukovinian 945:

Arms of brotherhood extended. And our Mother looks so well,

331:, phase. It was recited in more of less formal contexts by 5288:"Flori duhovnicești pentru mitropolitul Nestor Vornicescu" 5250:, "25 de ani de la adoptarea legislației lingvistice", in 4739:"Scriitori români în exil — Un rapsod modern: Aron Cotruș" 4246:, pp. 290–300. Bucharest: Editura Casei Școalelor, 1942. 3667:Ștefan S. Gorovei, "Ion Neculce și tradițiile Putnei", in 3144:"N. Steinhardt către I. Negoițescu: Trei scrisori inedite" 2541:

At the Eminescu centennial, some eleven months before the

2421:

centennial with another public reading, performed by poet

2332:

brought anti-Russian sentiment to the forefront, allowing

2078:(1929). With empty discolored slot left by the removal of 1972:-inspired relief, of Stephen and his horn, at the base of 1897:

Social parodies of the poem also include one performed by

272:("To Arms"), which is sometimes discussed as a variant of 5517:, pp. 324–325. Boulder: East European Monographs, 1994. 5122:

Hero, "Cenaclul 'Numele Poetului'. Ședința a cincea", in

4474:"Transpuneri în limbile europene ale liricii eminesciene" 4212:

Ioan Pelivan: istoric al mișcării naționale din Basarabia

2139:" poet while making sure that no one could access either 1580:, three literature textbooks for schoolchildren included 1292: 1084:. His conclusion was that the latter groups were in fact 943:

All Romanians are standing, to present at Mother's shrine

4929:

Iosif Antal, "Amintirea lui Ludovic Antal la Butea", in

2530:, Maria Macovei-Briedis published the Romanian magazine 1527:

was published in February 1884 by Maiorescu's rivals at

858:

contained Eminescu's "innermost thoughts", which led to

594:, shown as a prosperous region with inhabitants wearing 240:

against invading "foreigners", with additional hints of

4712:

Ovid, Myth and (Literary) Exile. Conference Proceedings

4452:"85 de ani de la dezvelirea statuii lui Mihai Eminescu" 4000:

Sorin Nemeti, "Pentru un alt ev mediu timpuriu...", in

1339:, and which is primarily about the Strousberg scandal. 1143:

dominance. Using heraldic analogies, he noted that the

327:, although tacitly endorsed under the regime's latter, 6332:

National Italo-Romanian Cultural and Economic Movement

5757:

Nicolae Cazacu, "Condamnarea raptului Basarabiei", in

5713:

Istoria literaturii române. III: Epoca marilor clasici

3680:

Cazacu, pp. 6, 8; Irimia (2003), pp. 140–141; Pleșca,

3221: 3219: 2371:

In January 1976, critic D. Micu noted in passing that

1980:

put out an Eminescu reader in Italian, which included

423:

translation by Mirela Adăscăliței, in Oișteanu, p. 199

3671:, Vol. I, Issue 2, 2005, p. 62; Ibrăileanu, II, p. 42 2344:

performance by Antal at the October 1968 festival in

1821:

was quoted as an opening text by the literary review

1419:

national perdition and redemption, are echoes of the

1377:

as enabled by efficient transportation. Archeologist

1210:

The Bukovina themes had appeared in several Eminescu

1039:

their ethnic solidarity." As noted by culture critic

5515:

The Bessarabian Question in Communist Historiography

5047:

D. Micu, "Eminescu și literatura română de azi", in

4679:

Anghel Popa, "Domnul colonel Gheorghe Eminescu", in

4494:"Acum 70 de ani – Primul Eminescu în limba maghiară" 2336:

to compose and circulate a third musical version of

1062: 812:

as "not a masterpiece, not even a small one", while

480:

translation by James Christian Brown, in Boia, p. 59

4664:"Generalul Avramescu, trădător sau victimă a NKVD?" 3216: 2269:("under lock and key"), primarily quoted with his " 820:took an intermediary position. While he recognized 260:and multinational empires. Its final lines call on 3746:Convorbiri cu Zaharia Sângeorzan și Nicolae Băciuț 3548: 3546: 2257:, were selectively banned only because Eminescu's 1634:By 1900, Eminescu's posthumous followers included 3036:Irimia (1984), pp. 2, 4 & (2003), pp. 140–142 1839:parodied the poem, revising its central message: 1425:, arriving at Eminescu through his readings from 6823:Works originally published in Romanian magazines 6818:Works originally published in literary magazines 6679: 2405:, historian Vasile Netea argued that Eminescu's 2237:discussed the ban on literary manifestations of 1654:also inspired the critically acclaimed debut of 620:, one of his first published works, taken up by 5829:Opere. I. Spiritul critic în cultura românească 5373:"Iași: cronica unei revoluții care n-a existat" 4913:, "De veghe la mormântul Sfântului Ștefan", in 3614:Perpessicius (1944), pp. 17–18; Vasiliu, p. 474 3543: 3486:, Kopi Kyçyku, "Eminescu, model 'albanez'", in 3359:, "'Un visage d'homme' — Benjamin Fondane", in 3291:, Vol. LXXVIII, Issue 12, December 1983, p. 105 3239:"Eminescu și Chopin – similitudini și paralele" 2630:unitary and indivisible state'". In the 1990s, 2340:. Essayist Nicolae Turtureanu recalls one such 5537:, Vol. 5, Issues 7–8, July–August 1994, p. 818 3824:, "Lumea satului între elogiu și analiză", in 3439:"Lecturi la prima vedere din Eminescu (XXXIX)" 2285:could not be checked out of public libraries. 2230:from collective memory, "for its xenophobia". 1917: 1847: 1676:Cultural League for the Unity of All Romanians 1179: 897:Romania overrun by the Jews and the Foreigners 669:is popularly associated with the unveiling at 501: 454: 381: 6009: 5434:, p. 5. Cluj-Napoca: Editura Clusium, 1999. 4586:Comparative Fascist Studies. New Perspectives 2514:reforms in the Soviet republic, the magazine 928:Din Tisa pân' la Nistru și-n Dunărea râpoasă 688:society. It was there that he first read his 5863:, Vol. XIII, Issues 6–10, 2013, pp. 138–144. 4881: 4879: 4755: 4753: 4210:Ion Constantin, Ion Negrei, Gheorghe Negru, 3427: 3425: 3423: 2889:Călinescu, p. 165; Perpessicius (1944), p. 3 2712:, questioning Snegur's apparent embrace of " 2677:Eminescu is also revered in the post-Soviet 343:, and subject to several admiring nods from 5585: 5583: 4963: 4961: 4567:"Octavian Goga (1 aprilie 1881–7 mai 1938)" 3828:, Vol. V, Issues 5–6, May–June 2019, p. 138 3744:, "Dialog cu monahul de la Rohia. 326", in 2500:—the latter includes and explicit mention: 2233:In July 1959, Romanian communist ideologue 1771:, which, he argued, had been proven right. 934:A noastră țară scumpă pe-ntinsul ei hotar. 795: 252:delineates the ideal geographical space of 6016: 6002: 5659:The New Europe College Yearbook, 1997–1998 5641:History and Myth in Romanian Consciousness 5238:, Vol. XVI, Issues 7–9, 2006, pp. 281, 285 5018: 5016: 4925: 4923: 4193:"Octavian Goga – 125 – Mesianism național" 4081: 4079: 4077: 3264: 3262: 3125:"Duiliu Zamfirescu, Basarabia și Bucovina" 2980: 2978: 2976: 2910: 2908: 2906: 2904: 2301:for Hungarians and Russians attending the 1863:și ne lasă pustiiți, nemâncați și jefuiți. 1678:. The respite of censorship following the 572:translation by Brown, in Boia, pp. 194–195 5745:Fundația Regală pentru Literatură și Artă 5051:, Vol. XXVII, Issue 1, January 1976, p. 6 4876: 4843:István Barabás, Maria Petre, "Lapszemle. 4750: 4480:, Vol. LV, September–December 2013, p. 92 4444: 4442: 3736: 3734: 3640: 3638: 3420: 3321: 3319: 3317: 3315: 3276:, Vol. II, Issue 39, September 1991, p. 1 3116: 3114: 3112: 3110: 3098:"Autobiografice. Despre bucuria lecturii" 3082: 3080: 2725:. Druță suggested that both Eminescu and 2683:the larger debate about Moldovan identity 2391:noted as an "oddity" and "inequity" that 2330:Soviet invasion of Czechoslovakia in 1968 2163:In Western countries, the anti-communist 2051:, accusing them of being a front for the 1724:. Two months after, the Romanian Kingdom 1551:by Liviu Tempea, was sung to the tune of 1342:Folklorist Petru Gh. Savin observes that 1163:("filthy kike hands"). Draft versions of 932:O mână de frăție. Vai! Cât e de frumoasă 899:, in an 1875 allegory by Alexandru Asachi 206:(sometimes translated as "Lament"), is a 6023: 5854:Anuar de Lingvistică și Istorie Literară 5580: 5113:, Vol. XXXI, Issue 15, April 1982, p. 13 4958: 3965:"Națiuni pragmatice: identitatea daneză" 2654:was then controversially sourced by the 2445: 2409:, alongside a similarly titled piece by 2395:could not be fully republished, whereas 2303:4th World Festival of Youth and Students 2061: 2055:. As recalled by Cioculescu, during the 1778:. The culmination of the process was a " 1712:During the early stages of World War I, 1296: 891: 581: 350:. The poem returned in focus during the 5961:, Vol. LVI, May–August 2014, pp. 39–43. 5726:. Paris: Éditions Le Manuscrit, 2005. 5013: 4920: 4851:, Vol. XXIX, Issue 10, March 1998, p. 2 4074: 4015:Perpessicius (2001), pp. 73–74, 348–349 3579: 3577: 3575: 3573: 3571: 3569: 3567: 3259: 2973: 2961:, pp. 62–63. Fălticeni: J. Bendit, 1930 2901: 2281:also remembers that volumes containing 2086: 955:Literary historian John Neubauer notes 751:to 1878, and Eminescu's anger over the 6680: 6342:National Liberal Party (Romania, 1875) 5759:Anuarul Catedrei de Științe Socioumane 5633:, Vol. XXII, Issue 214, 2012, pp. 6–8. 5312:, Vol. LXIX, Issue 12, June 1989, p. 1 5268:"Dumitru Matcovschi – portret în timp" 5128:, Vol. XXVI, Issue 28, July 1983, p. 6 5098:, Vol. XXV, Issue 17, April 1982, p. 3 4439: 4390:, Vol. LXXXI, Issue 18, May 1992, p. 3 3731: 3728:Burlacu, p. 382; Irimia (2003), p. 140 3635: 3411:Mircea Popa, "Zaharia Sângeorzan", in 3365:, Vol. XVI, Issue 4, April 2005, p. 12 3312: 3107: 3077: 2123:: already in 1946, the quotation from 1547:". Another version, circulated in the 1293:Eco-traditionalism and biblical echoes 1248:was first used by the Bukovinian poet 1099:, further noting that Eminescu was an 1091:. Scholar Kopi Kyçyku points out that 1055:or not) and Greeks; the "apocalyptic" 930:Întinde românimea pe-al patriei altar 6141:Unification of Moldavia and Wallachia 6120:Great National Assembly of Alba Iulia 5997: 5804:, Vol. VII, Issue 1, 1976, pp. 32–36. 5594:"Spectacolul tranziției fără sfârșit" 5494:, November 5, 2014; Cristian Andrei, 5351:"Centenarul morții poetului național" 4762:, "De la Nistru pân' la Tisa...", in 4430:"Teatrul Cărăbuș. Miss Revista!", in 4111:, p. 201. Botoșani: Quadrant, 2008. 4033:Perpessicius (2001), pp. 352, 355–356 3812:, Vol. X, Issue 8, April 1911, p. 194 3018:, Vol. XIV, Issue 7, July 1922, p. 18 2871:Perpessicius (2001), pp. 325, 441–442 2705:, issued an open letter addressed to 2625:through other television broadcasts. 1707: 1650:to the point of plagiarism. In 1902, 408:All Romanians have complained to me, 6522:Treceți, batalioane române, Carpații 5223:, Vol. 3, Issue 1, 2015, pp. 120–121 5154:(interview with Jean-Louis Courriol) 3893:, pp. 57–58. London & New York: 3564: 2736:was instrumented as a slogan by the 2111:as a password. Under the subsequent 1942:All Romanians have complained to me, 1911: 1841: 1495: 1173: 983:". Among the Jewish opinion-makers, 922: 790: 495: 448: 375: 6743:History of Transylvania (1867–1918) 6723:Anti-immigration politics in Europe 6261:Alliance for the Union of Romanians 5814:. Cluj-Napoca: Napoca Star, 2014. 3501:Vasiliu, pp. 462–463, 464, 469, 471 2131:. The paradox was noted by Colonel 1809:. This zone later became known as " 545:That I may hear your horn sounding 13: 6798:Anti-Ukrainian sentiment in Europe 6667:Unification of Moldova and Romania 6473:Dac-am plecat, Ardealule, din tine 6156:Union of Transylvania with Romania 6105:Revolt of Horea, Cloșca and Crișan 4947:"Scrisoare inedită – Veturia Goga" 4683:, Vol. XIII, Issue 2, 2006, p. 741 4006:, Issue 192, September 2010, p. 19 3381:. Eminescu și antisemitismul", in 2790:Mihăilescu, p. 92; Neubauer, p. 14 2297:, specifically asked him to quote 1883:blaming not the "foreign breed"... 1596:, carved into a slab of concrete. 1130:for the benefit of wimpy neighbors 999:, which reserves its contempt for 493:'s statehood in the 15th century: 14: 6834: 6357:National-Christian Defense League 5645:Central European University Press 5415:Serafim Duicu, "15 ianuarie", in 5030:"Cenzura comunistă și literatura" 4588:, p. 339. London & New York: 3652:"«Și cum vin cu drum de fier...»" 2880:Perpessicius (2001), pp. 395, 401 2817:Perpessicius (2001), pp. 142, 414 2738:Moldova–Romania unionist movement 1406:as primarily a curse, similar to 1155:("To Arms"), sometimes seen as a 1063:Kinship theory and self-censoring 555:The woods will come to your aid, 6813:Works originally read at Junimea 6783:Anti-Russian sentiment in Europe 6508:Pe-al nostru steag e scris Unire 6397:Everything For the Country Party 6256:National Identity Bloc in Europe 6146:Union of Bessarabia with Romania 6084: 5771:. Amsterdam & Philadelphia: 5603: 5571: 5562: 5540: 5527: 5507: 5475: 5466: 5444: 5424: 5409: 5384: 5362: 5340: 5315: 5299: 5277: 5257: 5241: 5226: 5203: 5185: 5163: 5140: 5131: 5116: 5101: 5075: 5054: 5041: 4998: 4983: 4936: 4904: 4854: 4837: 4817: 4791: 4776: 4728: 4704: 4695: 4686: 4673: 4653: 4630: 4602: 4578: 4553: 4544: 4535:"Ecourile Zilei. Atențiune", in 4529: 4505: 4483: 4463: 4424: 4415: 4402: 4393: 4378: 4364: 4349: 4320: 4300: 4280: 4265: 4256: 4233: 4224: 4204: 4179: 4170: 4161: 4152: 4143: 4051:Perpessicius (2001), pp. 357–358 4024:Perpessicius (2001), pp. 351–357 3719:Perpessicius (1944), pp. 4–6, 11 3161:Grama, pp. 40–41, 90–91, 203–204 2011:was especially popular with the 1776:union of Bessarabia with Romania 1487:s value as a historical record. 1460:. Commenting on this portion of 1369:, spoke of the lyric as evoking 178: 56:sounding his horn, for the 1914 43: 6788:Anti-German sentiment in Europe 6402:People's Party – Dan Diaconescu 6367:National Liberal Party-Brătianu 6276:Romanian Socialist Party (2003) 4618:Editura Universității București 4244:Scriitori basarabeni, 1850–1940 4134: 4121: 4101: 4090:"Eminescu în manualele școlare" 4054: 4045: 4036: 4027: 4018: 4009: 3994: 3985: 3976: 3951: 3942: 3933: 3907: 3880: 3867: 3851: 3831: 3815: 3800: 3791: 3766: 3722: 3713: 3704: 3695: 3686: 3674: 3661: 3626: 3617: 3608: 3599: 3590: 3555: 3530: 3517: 3504: 3495: 3477: 3468: 3459: 3450: 3405: 3390: 3368: 3350: 3341: 3303: 3294: 3279: 3250: 3228: 3207: 3198: 3189: 3173: 3164: 3155: 3134: 3057: 3048: 3039: 3030: 3021: 3003: 2964: 2959:Alte vremuri. Amintiri literare 2948: 2939: 2930: 2921: 2892: 2883: 2874: 2865: 2732:In 1998, Ioana Both noted that 2716:". In that context, they cited 2472:was staging public readings of 2425:. Also that month, writing for 1940:From the Dniester to the Tisza, 1887:stealing from the bread we eat, 1853:mi s-a plâns orice țăran sărman 1790:, who endorsed the new slogan: 1611:, depicting the final scene of 1385:to the philosophical essays of 1198:May the crows tear out his eyes 1147:, which had once featured the " 1103:who especially appreciated the 1059:formed part of that discourse. 412:Because of all the foreigners. 6778:Censorship in the Soviet Union 6151:Union of Bukovina with Romania 5812:Mihail Eminescu. Studiu critic 4828:"Amintirea lui Victor Eftimiu" 3585:Conferințele Bibliotecii ASTRA 3012:, "Eminescu la București", in 2992:"Un doctrinar legionar de azi" 2856: 2847: 2838: 2829: 2820: 2811: 2802: 2793: 2784: 2253:'s "bourgeois" works, such as 2066:Stephen with his horn and the 1964:. It also influenced sculptor 1662:. Pelivan was arrested by the 1308:, Bukovina. 1899 engraving by 616:. As noted by Eminescu expert 551:You will gather all Moldavia, 467:He to whom foreigners are dear 1: 6487:Doamne, ocrotește-i pe români 6387:Romanian National Unity Party 6115:Wallachian Revolution of 1848 5943:Museum of Romanian Literature 5615: 4176:Ibrăileanu, II, pp. 38, 41–42 3860:, "Sociologia distanței", in 2740:. Writing in 2016, historian 2313:, would not commit to having 1835:. In contrast, the left-wing 1714:Romania maintained neutrality 626:in the 1860s, was a "type of 577: 6317:Democratic Nationalist Party 6110:Moldavian Revolution of 1848 5905:University of Nebraska Press 5893:, Issue 10, 2004, pp. 79–91. 5837:Editura Litera International 5835:. Bucharest & Chișinău: 5194:, "Poetul și Basarabia", in 4893:"Un text din 'epoca de aur'" 4334:"Recenzii: Mihail Eminescu, 3877:, Vol. 27, 2020, pp. 476–477 3797:Perpessicius (1944), pp. 1–2 3605:Perpessicius (1944), pp. 5–6 2492:in subversive poems such as 2397:Constantin Dobrogeanu Gherea 2226:expressed a wish to expunge 2097:Soviet occupation in Romania 2091:In late 1944, shortly after 1950:Life is off to better climes 1944:Of this quite abnormal time: 1881:that they can never succeed, 1861:fură-al nostru miez de pâini 1202:May he roam along the blind 1200:His sight may he never find, 1196:Whoever brought us the kikes 1185:Ci să-i scoată ochii corbii 559:All the enemies will perish 469:Let the dogs eat his heart 410:That they could not succeed 214:. It was first published in 7: 6733:Environmentalism in Romania 6631:Re-latinization of Romanian 6322:Bessarabian Peasants' Party 5856:, Vol. XXIX, 1984, pp. 1–7. 5852:"1883 — anul Eminescu", in 5643:. Budapest & New York: 4972:"Opinii. Glose la Eminescu" 4158:Ibrăileanu, II, pp. 232–233 4149:Perpessicius (2001), p. 366 4042:Perpessicius (2001), p. 353 3131:, Issue 389, September 2012 2853:Perpessicius (2001), p. 427 2826:Călinescu, pp. 195, 220–221 2543:Romanian Revolution of 1989 2441: 2364:became more lenient toward 2309:, a communist potentate in 2247:Hungarian People's Republic 2202:recalls having been taught 696:was first published by the 352:Romanian Revolution of 1989 10: 6839: 6763:Society of Austria-Hungary 5715:, pp. 159–242. Bucharest: 5406:, Issue 412, February 2008 4766:, . Iași: Adenium, 2014. 4714:, pp. 259–260. Constanța: 4313:, pp. 163–164. Bucharest: 4167:Ibrăileanu, I, pp. 164–165 3844:, pp. 34, 113. Bucharest: 3623:Irimia (2003), pp. 140–141 3456:Ibrăileanu, I, pp. 158–159 2750:Romania's national holiday 2518:published all versions of 2305:. He further reports that 1905:acts, and referencing the 1879:all laborers will complain 1859:Căci chiar neaoșii stăpâni 1796:Socialist Party of Romania 1698:Avram Axelard (A. A. Luca) 1680:Russian Revolution of 1905 1664:Special Corps of Gendarmes 1592:. It included a stanza of 971:. Jewish poet-philosopher 824:as inferior to Eminescu's 650:itself is a worthy piece. 557:If it sounds three times, 524:Toți dușmanii or să piară, 361: 6644: 6618: 6560: 6547:Bessarabia, Romanian land 6538: 6457: 6450: 6419: 6392:Socialist Party of Labour 6352:National Fascist Movement 6304: 6286:Alliance for the Homeland 6266:Romanian Nationhood Party 6228: 6221: 6180: 6133: 6100: 6093: 6082: 6031: 5920:notes to Mihai Eminescu, 5741:Creativitatea eminesciană 4933:, December 13, 2007, p. 4 4399:Burlacu, pp. 382, 387–388 4375:, Issue 4/1981, pp. 68–69 3045:Perpessicius (1944), p. 2 2945:Perpessicius (1944), p. 1 2771:s rhetoric. In parallel, 2664:presidential race of 2014 2648:De la Nistru pîn' la Tisa 2263:De la Nistru pân' la Tisa 2245:and other leaders of the 2113:Romanian communist regime 2074:'s relief at the base of 2068:Moldavian military forces 2039:of the nationalist paper 1921:Tot românul plânsu-mi-s'a 1857:și nu de "străinătate"... 1757:. Writing at the time in 1490: 785: 549:If the horn sounds once, 516:Ai s-aduni Moldova toată, 514:De-i suna din corn o dată 510:Să te-aud din corn sunând 456:Cine-au îndrăgit străinii 432:, depicted as raided by " 428:Eminescu moves focus on 385:Tot românul plânsu-mi-s-a 177: 170: 162: 147: 135: 125: 113: 93: 83: 73: 65: 42: 32: 23: 6808:Antisemitic publications 6793:Anti-Hungarian sentiment 6698:Poetry by Mihai Eminescu 6372:National Socialist Party 6347:Romanian Communist Party 6337:National Romanian Fascio 5767:, John Neubauer (eds.), 5421:, January 15, 1991, p. 1 5329:"Noica și Eminescu (II)" 5274:, Vol. 39, Issue 2, 2011 5137:Camboulives, pp. 115–116 4716:Ovidius University Press 3864:, Vol. XIV, 2016, p. 373 3195:Caracostea, pp. 244, 291 2778: 2590:National Salvation Front 2057:National Legionary State 2053:Romanian Communist Party 2017:National Christian Party 2007:section. From ca. 1927, 1948:Yet if you're a minister 1923:Că sunt vremuri anormale 1919:De la Nistru pân'la Tisa 1855:că nu mai poate străbate 1734:the subsequent campaigns 1333:Bogdan Petriceicu Hasdeu 1281:still made mentions of " 1187:Să rămâe'n drum cu orbii 1183:N'ar vedea ziua cu anii 1181:Cine ne-au adus Jidanii 1126:service to the foreigner 926: 796:Overt and oblique levels 719:similarly believes that 680:Bogdan Petriceicu Hasdeu 547:And Moldavia gathering. 543:Rise up from your grave 520:Îți vin codrii-n ajutor, 458:Mânca-i-ar inima câinii 387:Că nu mai poate străbate 383:De la Nistru pân-la Tisa 6803:Antisemitism in Romania 6748:Culture of Transylvania 6708:King asleep in mountain 6652:Anti-Romanian sentiment 6600:Nicolae Petrescu-Comnen 6578:Corneliu Zelea Codreanu 6312:Romanian National Party 6271:Social Democratic Party 6251:People's Movement Party 5926:Fundația Regele Mihai I 5699:, "Mihai Eminescu", in 5625:Volodymyr Antofiychuk, 5463:, Issue 1111, June 2011 5455:"Cine bântuie școlile?" 4995:, March 2020, pp. 55–56 4917:, Issue V/2012, pp. 1–2 4834:, Issues 7–8/2010, p. 6 3846:Fundația Regele Carol I 3587:, Issue 144/2011, p. 10 2754:Moldovan Supreme Soviet 2666:, read as an attack on 2636:Romanian Orthodox icons 2526:. From her home in the 2450:Anti-Soviet protest in 2271:Emperor and Proletarian 2021:Corneliu Zelea Codreanu 1984:. A Hungarian-language 1885:It's our very own elite 1607:. The cover had art by 1375:cultural homogenization 800:Himself a nationalist, 653:Eminescu's interest in 561:From border to border 535:Stephen your Highness, 508:Tu te-nalță din mormânt 505:Tu la Putna nu mai sta, 16:Romanian political poem 6377:Crusade of Romanianism 6327:Democratic Union Party 6291:Romanian Village Party 6281:National Liberal Party 6213:Ferdinand I of Romania 5724:La Roumanie littéraire 5325:Cassian-Maria Spiridon 5174:"Jurnalul unui editor" 4436:, August 9, 1929, p. 6 4412:, Vol. LV, 2013, p. 50 4361:, December 1999, p. 23 4277:, Issue 120/1916, p. 2 4131:, Vol. VI, 2006, p. 75 3027:Irimia (1984), pp. 1–3 2644:Iron Guard revivalists 2508:"). With the onset of 2459: 2083: 2001:National Liberal Party 1968:, who in 1929 added a 1938: 1927:Dacă ai ajuns ministru 1918: 1915: 1870: 1848: 1845: 1410:'s exorcism or to the 1312: 1242:Bessarabia Governorate 1194: 1180: 1177: 939: 900: 603: 533: 526:Din hotară în hotară 522:De-i suna a treia oară 502: 499: 465: 455: 452: 396: 382: 379: 151:July 1, 1883 6768:Censorship in Romania 6753:History of Bessarabia 6480:Deșteaptă-te, române! 6466:Cântă cucu-n Bucovina 6236:Greater Romania Party 5722:Bernard Camboulives, 5432:Studii eminescologice 5371:Laurențiu Ungureanu, 5254:, Issue 3/2014, p. 14 5200:, June 18, 2013, p. 1 4788:, Issue 22/1989, p. 6 4616:, p. 246. Bucharest: 4297:, Issue 322, May 2015 3922:"Resursele psalmilor" 3875:Cercetări Arheologice 3692:Irimia (2003), p. 141 3492:, Issue 1/1998, p. 22 3347:Oișteanu, pp. 197–200 3256:Mihăilescu, pp. 91–92 3225:Irimia (2003), p. 140 3090:Daniel Cristea-Enache 3070:, p. 293. Bucharest: 2918:, Issue 6/1983, p. 10 2534:, which also took up 2449: 2376:poetry, headlined by 2295:Minister of Education 2239:Hungarian nationalism 2147:. In both countries, 2119:was also targeted by 2065: 1962:Gheorghe Bogdan-Duică 1929:Ai scăpat de angarale 1517:One Wish Alone Have I 1325:Austrian rail company 1300: 1161:mâni murdare de jidan 1095:does not mention the 895: 585: 518:De-i suna de două ori 389:De-atâta străinătate. 222:. A variation of the 6773:Censorship in Russia 6718:Romanian nationalism 6713:Political literature 6657:Bessarabian question 6610:Corneliu Vadim Tudor 6407:United Romania Party 6241:New Generation Party 6025:Romanian nationalism 5966:Eminescu și Bucovina 5861:Revista Limba Română 5833:II. Scriitori români 4970:Nicolae Turtureanu, 4889:Tatiana Slama-Cazacu 4650:, Issue 1/2016, p. 4 4515:, p. 89. Bucharest: 4274:Gazeta Transilvaniei 4071:, September 28, 2015 4063:Constantin-T. Stan, 3939:Antofiychuk, pp. 7–8 3780:"Bătrânul și ploaia" 3740:Zaharia Sângeorzan, 3701:Vasiliu, pp. 478–479 3632:Vasiliu, pp. 462–464 3561:Vasiliu, pp. 457–458 3417:, August 2024, p. 33 3402:, Issue 5/1990, p. 3 2646:; a magazine called 2279:Tatiana Slama-Cazacu 2249:. Răutu argued that 2121:political censorship 2087:Communist censorship 2035:("nests"). By 1936, 1755:defeat in early 1918 1458:Frederick Barbarossa 1285:and Kalmyk hordes". 1273:" and "dog-hearted" 1265:more closely mirror 1139:during a century of 1097:Albanians of Romania 826:philosophical poetry 553:If it sounds twice, 238:Romanian nationalism 6758:History of Bukovina 6203:Alexandru Ioan Cuza 5549:Maria Șleahtițchi, 5403:Observator Cultural 5349:Eliza Dumitrescu , 5334:Convorbiri Literare 5072:, Issues 13–14/2014 4952:Convorbiri Literare 4863:Maria Șleahtițchi, 4811:Convorbiri Literare 4644:"Diagrama unui mit" 4541:, May 7, 1930, p. 1 4088:Mircea Anghelescu, 3991:Camboulives, p. 116 3913:Antofiychuk, p. 8; 3465:Volovici, pp. 11–13 3447:, November 20, 2015 3414:Convorbiri Literare 3399:Convorbiri Literare 3387:, May 7, 1946, p. 2 3335:Convorbiri Literare 3309:Camboulives, p. 115 3213:Irimia (1984), p. 2 3180:Mihail Dragomirescu 3123:Constantin Coroiu, 3104:, November 27, 2015 2679:Republic of Moldova 2672:Transylvanian Saxon 2598:Romanian Television 2462:Also in the 1980s, 2210:, authored by poet 2191:national-communists 2093:King Michael's Coup 1974:his Eminescu statue 1726:entered World War I 1586:Aristizza Romanescu 1466:Romantic literature 1128:, and what is more 1120:" were of the same 879:resemble in intent 846:Mihail Dragomirescu 836:rocks collapsing". 757:Southern Bessarabia 703:Convorbiri Literare 592:Southern Bessarabia 512:Și Moldova adunând! 438:" on horseback; on 309:Romanian curriculum 258:independent kingdom 141:Convorbiri Literare 52:'s illustration of 6626:Aromanian question 6208:Carol I of Romania 6066:National communism 5939:Studii eminesciene 5825:Garabet Ibrăileanu 5765:Marcel Cornis-Pope 5737:Dumitru Caracostea 5559:, Issues 9–10/2002 5504:, November 5, 2014 5266:Petru Paraschivu, 5197:Literatura și Arta 5160:, November 8, 2013 5010:, July 2019, p. 55 4873:, Issues 9–10/2009 4764:Toamna căpitanului 4737:Florin Manolescu, 4107:Ștefan Cervatiuc, 3948:Grama, pp. 203–204 3742:Nicolae Steinhardt 2970:Caracostea, p. 291 2916:România Pitorească 2862:Bucur, pp. 375–376 2808:Grama, pp. 204–205 2650:appeared in 1991. 2551:Romanian Athenaeum 2524:Dumitru Matcovschi 2460: 2427:România Pitorească 2084: 1784:Northern Maramureș 1708:In Greater Romania 1685:Cuvânt Moldovenesc 1599:Iorga's associate 1578:Kingdom of Romania 1392:Creative Evolution 1319:", and "obviously 1313: 1041:Garabet Ibrăileanu 901: 832:", the beauty of " 818:Nicolae Steinhardt 727:Eminescu's friend 717:Dumitru Caracostea 604: 503:Ștefane, Măria Ta, 329:national-communist 232:), picked up from 78:Kingdom of Romania 6703:Stephen the Great 6675: 6674: 6573:Nicolae Ceaușescu 6556: 6555: 6437:Cîntarea României 6415: 6414: 6222:Political parties 6198:Michael the Brave 6193:Stephen the Great 6176: 6175: 6125:Bridge of Flowers 5913:978-0-8032-2098-0 5891:Codrul Cosminului 5885:978-0-8129-9681-4 5820:978-606-690-067-6 5781:978-90-272-3458-2 5761:, 2012, pp. 4–14. 5717:Editura Academiei 5701:Șerban Cioculescu 5661:, 2000, pp. 9–70. 5609:Antofiychuk, p. 8 5491:Evenimentul Zilei 5356:Jurnalul Național 5306:Nicolae Ceaușescu 5158:Radio Free Europe 5026:Nicolae Manolescu 4772:978-606-742-038-8 4747:, Issues 3–4/2015 4724:978-973-614-559-9 4681:Analele Bucovinei 4662:Manuel Stănescu, 4626:978-606-16-0520-0 4598:978-0-415-46222-8 4563:Nicolae Manolescu 4525:978-973-32-0922-5 4311:Figuri de lăutari 4220:978-606-8337-39-5 4117:978-606-8238-88-3 3762:978-973-46-5594-6 3658:, January 1, 2016 3656:Literatura de Azi 3514:(1976), pp. 32–34 3375:Barbu Brănișteanu 3102:Literatura de Azi 3094:Nicolae Manolescu 2898:Călinescu, p. 165 2844:Călinescu, p. 220 2756:delegate recited 2660:Nicolae Bacalbașa 2656:Social Democratic 2502:Doina mi-o furară 2488:, who alluded to 2362:Nicolae Ceaușescu 2218:, openly recited 2165:Romanian diaspora 2156:also argued that 2133:Gheorghe Eminescu 2095:and the onset of 2076:Eminescu's statue 1988:was completed by 1958: 1957: 1952:With many dimes! 1899:Constantin Tănase 1895: 1894: 1694:Codrule, Măria ta 1636:Duiliu Zamfirescu 1560:The first use of 1496:Becoming a symbol 1433:is a parallel to 1220:Răpirea Bucovinei 1208: 1207: 1045:Romanian liberals 987:once argued that 985:Barbu Brănișteanu 953: 952: 806:Nicolae Manolescu 791:Xenophobia debate 771:Strousberg Affair 644:Vasile Alecsandri 636:Codrule, Măria ta 574: 567: 566: 482: 475: 474: 425: 418: 417: 348:Nicolae Ceaușescu 262:Stephen the Great 234:Romanian folklore 193: 192: 120:iambic tetrameter 54:Stephen the Great 6830: 6455: 6454: 6432:Cenaclul Flacăra 6226: 6225: 6188:Vlad the Impaler 6098: 6097: 6088: 6018: 6011: 6004: 5995: 5994: 5869:Robert D. Kaplan 5849:Dumitru Irimia, 5794:Mihai Eminescu, 5697:George Călinescu 5624: 5610: 5607: 5601: 5591: 5587: 5578: 5575: 5569: 5568:Both, pp. 36, 46 5566: 5560: 5548: 5544: 5538: 5535:Revista Istorică 5531: 5525: 5511: 5505: 5483: 5479: 5473: 5470: 5464: 5452: 5448: 5442: 5428: 5422: 5413: 5407: 5392: 5388: 5382: 5370: 5366: 5360: 5348: 5344: 5338: 5323: 5319: 5313: 5303: 5297: 5286:Tudor Nedelcea, 5285: 5281: 5275: 5265: 5261: 5255: 5245: 5239: 5230: 5224: 5211: 5207: 5201: 5189: 5183: 5179:România Literară 5171: 5167: 5161: 5148: 5144: 5138: 5135: 5129: 5120: 5114: 5105: 5099: 5088:, "Interviurile 5079: 5073: 5069:România Literară 5062: 5058: 5052: 5045: 5039: 5035:România Literară 5024: 5020: 5011: 5002: 4996: 4987: 4981: 4969: 4965: 4956: 4945:Valeriu Birlan, 4944: 4940: 4934: 4927: 4918: 4915:Mănăstirea Putna 4908: 4902: 4898:România Literară 4887: 4883: 4874: 4862: 4858: 4852: 4841: 4835: 4825: 4821: 4815: 4814:, September 2013 4799: 4795: 4789: 4780: 4774: 4757: 4748: 4744:Viața Românească 4736: 4732: 4726: 4708: 4702: 4699: 4693: 4690: 4684: 4677: 4671: 4661: 4657: 4651: 4640:Barbu Cioculescu 4638: 4634: 4628: 4610:Adrian Cioroianu 4606: 4600: 4582: 4576: 4572:România Literară 4561: 4557: 4551: 4548: 4542: 4533: 4527: 4517:Editura Militară 4509: 4503: 4499:România Literară 4491: 4487: 4481: 4472:Florian Copcea, 4471: 4467: 4461: 4457:Curierul de Iași 4450: 4446: 4437: 4428: 4422: 4419: 4413: 4406: 4400: 4397: 4391: 4382: 4376: 4373:Anale de Istorie 4368: 4362: 4353: 4347: 4343:România Literară 4328: 4324: 4318: 4315:Editura Muzicală 4304: 4298: 4288: 4284: 4278: 4269: 4263: 4262:Oișteanu, p. 199 4260: 4254: 4237: 4231: 4228: 4222: 4208: 4202: 4198:România Literară 4187: 4183: 4177: 4174: 4168: 4165: 4159: 4156: 4150: 4147: 4141: 4138: 4132: 4125: 4119: 4105: 4099: 4095:România Literară 4087: 4083: 4072: 4062: 4058: 4052: 4049: 4043: 4040: 4034: 4031: 4025: 4022: 4016: 4013: 4007: 3998: 3992: 3989: 3983: 3980: 3974: 3970:România Literară 3959: 3955: 3949: 3946: 3940: 3937: 3931: 3927:România Literară 3916: 3911: 3905: 3884: 3878: 3871: 3865: 3855: 3849: 3835: 3829: 3819: 3813: 3804: 3798: 3795: 3789: 3785:România Literară 3776:Barbu Cioculescu 3774: 3770: 3764: 3738: 3729: 3726: 3720: 3717: 3711: 3708: 3702: 3699: 3693: 3690: 3684: 3678: 3672: 3665: 3659: 3648:Alex. Ștefănescu 3646: 3642: 3633: 3630: 3624: 3621: 3615: 3612: 3606: 3603: 3597: 3594: 3588: 3581: 3562: 3559: 3553: 3550: 3541: 3534: 3528: 3521: 3515: 3508: 3502: 3499: 3493: 3481: 3475: 3472: 3466: 3463: 3457: 3454: 3448: 3444:Ziarul Financiar 3435:Alex. Ștefănescu 3433: 3429: 3418: 3409: 3403: 3394: 3388: 3372: 3366: 3354: 3348: 3345: 3339: 3327: 3323: 3310: 3307: 3301: 3298: 3292: 3288:Viața Românească 3283: 3277: 3268:Alpár Horváth, " 3266: 3257: 3254: 3248: 3244:România Literară 3236: 3232: 3226: 3223: 3214: 3211: 3205: 3202: 3196: 3193: 3187: 3177: 3171: 3170:Grama, pp. 90–91 3168: 3162: 3159: 3153: 3142: 3138: 3132: 3122: 3118: 3105: 3088: 3084: 3075: 3072:Editura Adevĕrul 3061: 3055: 3052: 3046: 3043: 3037: 3034: 3028: 3025: 3019: 3015:Viața Romînească 3007: 3001: 2997:România Literară 2986: 2982: 2971: 2968: 2962: 2952: 2946: 2943: 2937: 2934: 2928: 2925: 2919: 2912: 2899: 2896: 2890: 2887: 2881: 2878: 2872: 2869: 2863: 2860: 2854: 2851: 2845: 2842: 2836: 2833: 2827: 2824: 2818: 2815: 2809: 2806: 2800: 2797: 2791: 2788: 2770: 2742:Robert D. Kaplan 2634:was featured on 2596:walked into the 2594:Victor Rebengiuc 2563:Constantin Noica 2504:("They stole my 2469:Cenaclul Flacăra 2382: 2181: 2072:Ion Schmidt-Faur 1994:Bukovinian Czech 1966:Ion Schmidt-Faur 1933: 1912: 1907:Great Depression 1865: 1842: 1824:Viața Basarabiei 1788:Ștefan Cicio Pop 1765:Benjamin Fondane 1751:Cristache Ciolac 1744:was sung by the 1503:was included by 1486: 1435:Taras Shevchenko 1379:Ioan Andrieșescu 1348: 1329:Barbu Cioculescu 1258: 1236: 1189: 1174: 1032:Alex. Ștefănescu 1024: 993: 973:Benjamin Fondane 961: 923: 755:, which awarded 600:Northern Dobruja 569: 528: 496: 477: 460: 449: 420: 391: 376: 325:communist period 264:, depicted as a 210:by the Romanian 182: 181: 158: 156: 148:Publication date 104:political poetry 47: 38: 28: 21: 20: 6838: 6837: 6833: 6832: 6831: 6829: 6828: 6827: 6693:1883 in Romania 6678: 6677: 6676: 6671: 6640: 6636:Romanianization 6614: 6552: 6534: 6451:Popular culture 6446: 6411: 6300: 6217: 6172: 6166:Greater Romania 6129: 6089: 6080: 6059:Neo-Legionarism 6027: 6022: 5992: 5978:. Oxford etc.: 5897:Andrei Oișteanu 5808:Alexandru Grama 5705:Ovidiu Papadima 5670:Editura Minerva 5622: 5618: 5613: 5608: 5604: 5592:Tudor Cristea, 5589: 5588: 5581: 5576: 5572: 5567: 5563: 5546: 5545: 5541: 5532: 5528: 5513:Wim van Meurs, 5512: 5508: 5481: 5480: 5476: 5471: 5467: 5450: 5449: 5445: 5429: 5425: 5414: 5410: 5390: 5389: 5385: 5368: 5367: 5363: 5359:, June 15, 2009 5346: 5345: 5341: 5321: 5320: 5316: 5304: 5300: 5283: 5282: 5278: 5263: 5262: 5258: 5246: 5242: 5231: 5227: 5209: 5208: 5204: 5190: 5186: 5182:, Issue 35/2014 5169: 5168: 5164: 5149:Iulian Ciocan, 5146: 5145: 5141: 5136: 5132: 5121: 5117: 5106: 5102: 5086:Pompiliu Marcea 5080: 5076: 5060: 5059: 5055: 5046: 5042: 5038:, Issue 51/2016 5022: 5021: 5014: 5007:Magazin Istoric 5003: 4999: 4992:Magazin Istoric 4988: 4984: 4980:, June 15, 2021 4967: 4966: 4959: 4955:, November 2008 4942: 4941: 4937: 4931:Flacăra Iașului 4928: 4921: 4909: 4905: 4901:, Issue 17/2000 4885: 4884: 4877: 4860: 4859: 4855: 4842: 4838: 4826:C. D. Zeletin, 4823: 4822: 4818: 4800:Petru Ursache, 4797: 4796: 4792: 4781: 4777: 4758: 4751: 4734: 4733: 4729: 4709: 4705: 4700: 4696: 4692:Neubauer, p. 18 4691: 4687: 4678: 4674: 4659: 4658: 4654: 4636: 4635: 4631: 4607: 4603: 4583: 4579: 4575:, Issue 14/2011 4559: 4558: 4554: 4549: 4545: 4534: 4530: 4510: 4506: 4502:, Issue 48/2004 4489: 4488: 4484: 4469: 4468: 4464: 4460:, June 13, 2014 4448: 4447: 4440: 4429: 4425: 4421:Burlacu, p. 384 4420: 4416: 4407: 4403: 4398: 4394: 4383: 4379: 4369: 4365: 4358:Magazin Istoric 4354: 4350: 4346:, Issue 26/2017 4326: 4325: 4321: 4305: 4301: 4289:Victor Durnea, 4286: 4285: 4281: 4270: 4266: 4261: 4257: 4238: 4234: 4229: 4225: 4209: 4205: 4201:, Issue 18/2006 4185: 4184: 4180: 4175: 4171: 4166: 4162: 4157: 4153: 4148: 4144: 4139: 4135: 4129:Cronica Vrancei 4126: 4122: 4106: 4102: 4098:, Issue 11/2000 4085: 4084: 4075: 4060: 4059: 4055: 4050: 4046: 4041: 4037: 4032: 4028: 4023: 4019: 4014: 4010: 3999: 3995: 3990: 3986: 3982:Mănicuță, p. 84 3981: 3977: 3973:, Issue 45/2001 3957: 3956: 3952: 3947: 3943: 3938: 3934: 3930:, Issue 31/2005 3914: 3912: 3908: 3885: 3881: 3872: 3868: 3856: 3852: 3836: 3832: 3820: 3816: 3805: 3801: 3796: 3792: 3788:, Issue 42/2005 3772: 3771: 3767: 3750:Rohia Monastery 3739: 3732: 3727: 3723: 3718: 3714: 3709: 3705: 3700: 3696: 3691: 3687: 3679: 3675: 3666: 3662: 3644: 3643: 3636: 3631: 3627: 3622: 3618: 3613: 3609: 3604: 3600: 3596:Vasiliu, p. 457 3595: 3591: 3582: 3565: 3560: 3556: 3552:Volovici, p. 13 3551: 3544: 3535: 3531: 3522: 3518: 3509: 3505: 3500: 3496: 3482: 3478: 3474:Vasiliu, p. 461 3473: 3469: 3464: 3460: 3455: 3451: 3431: 3430: 3421: 3410: 3406: 3395: 3391: 3373: 3369: 3355: 3351: 3346: 3342: 3325: 3324: 3313: 3308: 3304: 3300:Neubauer, p. 14 3299: 3295: 3284: 3280: 3270:De la Nistru... 3267: 3260: 3255: 3251: 3247:, Issue 24/2016 3237:Nicolae Mareș, 3234: 3233: 3229: 3224: 3217: 3212: 3208: 3203: 3199: 3194: 3190: 3178: 3174: 3169: 3165: 3160: 3156: 3140: 3139: 3135: 3120: 3119: 3108: 3086: 3085: 3078: 3062: 3058: 3054:Mănicuță, p. 83 3053: 3049: 3044: 3040: 3035: 3031: 3026: 3022: 3008: 3004: 3000:, Issue 37/2000 2984: 2983: 2974: 2969: 2965: 2953: 2949: 2944: 2940: 2935: 2931: 2926: 2922: 2913: 2902: 2897: 2893: 2888: 2884: 2879: 2875: 2870: 2866: 2861: 2857: 2852: 2848: 2843: 2839: 2834: 2830: 2825: 2821: 2816: 2812: 2807: 2803: 2798: 2794: 2789: 2785: 2781: 2768: 2464:Adrian Păunescu 2444: 2417:celebrated the 2415:Numele Poetului 2389:Pompiliu Marcea 2380: 2291:Virgil Radulian 2189:Dissidents and 2179: 2089: 2037:Stelian Popescu 1954: 1951: 1949: 1947: 1945: 1943: 1941: 1935: 1930: 1928: 1926: 1924: 1922: 1920: 1891: 1888: 1886: 1884: 1882: 1880: 1878: 1873: 1872:From the Budjak 1867: 1862: 1860: 1858: 1856: 1854: 1852: 1851:până la Bărăgan 1850: 1803:Regency Hungary 1730:Entente country 1710: 1629:Revista Socială 1554:Chant du départ 1539:Eduard Caudella 1498: 1493: 1484: 1397:Étienne Souriau 1371:social distance 1346: 1317:anti-technicist 1310:Hugo Charlemont 1295: 1259:s views on the 1256: 1234: 1204: 1201: 1199: 1197: 1191: 1186: 1184: 1182: 1122:Thraco-Illyrian 1065: 1022: 991: 959: 949: 946: 944: 942: 936: 933: 931: 929: 918:Andrei Mureșanu 909:Greater Romania 881:Frédéric Chopin 860:Simion Bărnuțiu 798: 793: 788: 630:" or a "pseudo- 608:Alexandru Grama 580: 563: 560: 558: 556: 554: 552: 550: 548: 546: 544: 542: 541: 537:Do not stay in 536: 530: 525: 523: 521: 519: 517: 515: 513: 511: 509: 507: 506: 504: 471: 468: 462: 457: 414: 411: 409: 407: 393: 388: 386: 384: 371:Austria-Hungary 364: 341:Adrian Păunescu 283:, also read as 254:Greater Romania 246:anti-technicist 179: 154: 152: 106: 102: 61: 33: 24: 17: 12: 11: 5: 6836: 6826: 6825: 6820: 6815: 6810: 6805: 6800: 6795: 6790: 6785: 6780: 6775: 6770: 6765: 6760: 6755: 6750: 6745: 6740: 6735: 6730: 6725: 6720: 6715: 6710: 6705: 6700: 6695: 6690: 6673: 6672: 6670: 6669: 6664: 6659: 6654: 6648: 6646: 6645:Related topics 6642: 6641: 6639: 6638: 6633: 6628: 6622: 6620: 6616: 6615: 6613: 6612: 6607: 6602: 6597: 6592: 6591: 6590: 6583:Mihai Eminescu 6580: 6575: 6570: 6564: 6562: 6558: 6557: 6554: 6553: 6551: 6550: 6542: 6540: 6536: 6535: 6533: 6532: 6525: 6518: 6511: 6504: 6497: 6490: 6483: 6476: 6469: 6461: 6459: 6452: 6448: 6447: 6445: 6444: 6439: 6434: 6429: 6423: 6421: 6417: 6416: 6413: 6412: 6410: 6409: 6404: 6399: 6394: 6389: 6384: 6382:Romanian Front 6379: 6374: 6369: 6364: 6359: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6314: 6308: 6306: 6302: 6301: 6299: 6298: 6296:S.O.S. Romania 6293: 6288: 6283: 6278: 6273: 6268: 6263: 6258: 6253: 6248: 6243: 6238: 6232: 6230: 6223: 6219: 6218: 6216: 6215: 6210: 6205: 6200: 6195: 6190: 6184: 6182: 6178: 6177: 6174: 6173: 6171: 6170: 6169: 6168: 6158: 6153: 6148: 6143: 6137: 6135: 6131: 6130: 6128: 6127: 6122: 6117: 6112: 6107: 6101: 6095: 6091: 6090: 6083: 6081: 6079: 6078: 6073: 6068: 6063: 6062: 6061: 6051: 6046: 6041: 6035: 6033: 6029: 6028: 6021: 6020: 6013: 6006: 5998: 5991: 5990: 5980:Pergamon Press 5969: 5962: 5955: 5954: 5953: 5936: 5917:Perpessicius, 5915: 5894: 5887: 5866: 5865: 5864: 5857: 5847: 5839:, 1997–1998. 5822: 5805: 5792: 5791: 5790: 5787: 5773:John Benjamins 5762: 5755: 5734: 5720: 5709:Alexandru Piru 5694: 5680: 5662: 5655: 5634: 5623:(in Ukrainian) 5619: 5617: 5614: 5612: 5611: 5602: 5600:, Issue 3/2006 5579: 5577:Kaplan, p. 220 5570: 5561: 5539: 5526: 5506: 5474: 5465: 5443: 5423: 5418:Cuvîntul Liber 5408: 5394:Ovidiu Șimonca 5383: 5381:, May 16, 2011 5361: 5339: 5337:, January 2009 5314: 5310:Era Socialistă 5298: 5296:, Issue 5/2007 5276: 5256: 5240: 5225: 5202: 5192:Nicolae Dabija 5184: 5162: 5139: 5130: 5115: 5100: 5082:Mihai Ungheanu 5074: 5053: 5040: 5012: 4997: 4982: 4977:Ziarul de Iași 4957: 4935: 4919: 4903: 4875: 4853: 4836: 4816: 4790: 4775: 4749: 4727: 4703: 4701:Kaplan, p. 268 4694: 4685: 4672: 4652: 4629: 4601: 4577: 4552: 4543: 4528: 4504: 4482: 4462: 4438: 4423: 4414: 4401: 4392: 4377: 4363: 4348: 4319: 4299: 4279: 4264: 4255: 4240:Petre V. Haneș 4232: 4223: 4203: 4178: 4169: 4160: 4151: 4142: 4133: 4120: 4100: 4073: 4053: 4044: 4035: 4026: 4017: 4008: 3993: 3984: 3975: 3950: 3941: 3932: 3906: 3879: 3866: 3858:Traian Herseni 3850: 3838:Henri H. Stahl 3830: 3814: 3799: 3790: 3765: 3730: 3721: 3712: 3703: 3694: 3685: 3673: 3669:Analele Putnei 3660: 3634: 3625: 3616: 3607: 3598: 3589: 3563: 3554: 3542: 3529: 3516: 3503: 3494: 3476: 3467: 3458: 3449: 3419: 3404: 3389: 3377:, "Foiletonul 3367: 3349: 3340: 3338:, January 2012 3311: 3302: 3293: 3278: 3258: 3249: 3227: 3215: 3206: 3197: 3188: 3172: 3163: 3154: 3152:, Issue 2/2013 3133: 3106: 3076: 3056: 3047: 3038: 3029: 3020: 3002: 2972: 2963: 2955:Arthur Gorovei 2947: 2938: 2929: 2920: 2900: 2891: 2882: 2873: 2864: 2855: 2846: 2837: 2828: 2819: 2810: 2801: 2792: 2782: 2780: 2777: 2668:Klaus Iohannis 2496:("Arise") and 2443: 2440: 2423:Cezar Ivănescu 2411:Vasile Lucaciu 2385:Mihai Ungheanu 2311:Suceava County 2255:A székelyekhez 2224:Victor Eftimiu 2173:intelligentsia 2169:Virgil Ierunca 2088: 2085: 1956: 1955: 1936: 1893: 1892: 1868: 1709: 1706: 1638:, who wrote a 1621:Scrisoarea III 1609:Ipolit Strâmbu 1515:right before " 1505:Titu Maiorescu 1497: 1494: 1492: 1489: 1474:Ovidiu Pecican 1470:Ottoman Empire 1454:Ogier the Dane 1452:, on par with 1373:, and more so 1367:Traian Herseni 1359:Henri H. Stahl 1302:Forest railway 1294: 1291: 1216:umbra spinului 1206: 1205: 1192: 1145:Moldavian arms 1064: 1061: 997:Scrisoarea III 951: 950: 937: 907:anticipates a 877:Scrisoarea III 855:Scrisoarea III 797: 794: 792: 789: 787: 784: 596:Romanian dress 590:. At the top, 579: 576: 565: 564: 531: 485:The ending of 473: 472: 463: 416: 415: 394: 363: 360: 337:Victor Eftimiu 313:Russian Empire 301:anti-Ukrainian 297:anti-Hungarian 212:Mihai Eminescu 208:political poem 191: 190: 175: 174: 168: 167: 164: 160: 159: 149: 145: 144: 137: 133: 132: 129: 123: 122: 117: 111: 110: 95: 91: 90: 85: 81: 80: 75: 71: 70: 67: 63: 62: 50:Ipolit Strâmbu 48: 40: 39: 36:Mihai Eminescu 30: 29: 15: 9: 6: 4: 3: 2: 6835: 6824: 6821: 6819: 6816: 6814: 6811: 6809: 6806: 6804: 6801: 6799: 6796: 6794: 6791: 6789: 6786: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6719: 6716: 6714: 6711: 6709: 6706: 6704: 6701: 6699: 6696: 6694: 6691: 6689: 6686: 6685: 6683: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6649: 6647: 6643: 6637: 6634: 6632: 6629: 6627: 6624: 6623: 6621: 6617: 6611: 6608: 6606: 6603: 6601: 6598: 6596: 6595:Nicolae Iorga 6593: 6589: 6586: 6585: 6584: 6581: 6579: 6576: 6574: 6571: 6569: 6568:Ion Antonescu 6566: 6565: 6563: 6559: 6548: 6544: 6543: 6541: 6537: 6530: 6526: 6523: 6519: 6516: 6512: 6509: 6505: 6502: 6498: 6495: 6491: 6488: 6484: 6481: 6477: 6474: 6470: 6467: 6463: 6462: 6460: 6456: 6453: 6449: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6424: 6422: 6420:Organizations 6418: 6408: 6405: 6403: 6400: 6398: 6395: 6393: 6390: 6388: 6385: 6383: 6380: 6378: 6375: 6373: 6370: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6309: 6307: 6303: 6297: 6294: 6292: 6289: 6287: 6284: 6282: 6279: 6277: 6274: 6272: 6269: 6267: 6264: 6262: 6259: 6257: 6254: 6252: 6249: 6247: 6244: 6242: 6239: 6237: 6234: 6233: 6231: 6227: 6224: 6220: 6214: 6211: 6209: 6206: 6204: 6201: 6199: 6196: 6194: 6191: 6189: 6186: 6185: 6183: 6179: 6167: 6164: 6163: 6162: 6159: 6157: 6154: 6152: 6149: 6147: 6144: 6142: 6139: 6138: 6136: 6132: 6126: 6123: 6121: 6118: 6116: 6113: 6111: 6108: 6106: 6103: 6102: 6099: 6096: 6092: 6087: 6077: 6076:Protochronism 6074: 6072: 6069: 6067: 6064: 6060: 6057: 6056: 6055: 6052: 6050: 6047: 6045: 6042: 6040: 6037: 6036: 6034: 6030: 6026: 6019: 6014: 6012: 6007: 6005: 6000: 5999: 5996: 5989: 5988:0-08-041024-3 5985: 5981: 5977: 5973: 5972:Leon Volovici 5970: 5967: 5963: 5960: 5956: 5952: 5951:973-8031-34-6 5948: 5944: 5941:. Bucharest: 5940: 5937: 5935: 5931: 5927: 5924:. Bucharest: 5923: 5919: 5918: 5916: 5914: 5910: 5906: 5902: 5898: 5895: 5892: 5888: 5886: 5882: 5878: 5874: 5870: 5867: 5862: 5858: 5855: 5851: 5850: 5848: 5846: 5845:9975-904-14-9 5842: 5838: 5834: 5830: 5826: 5823: 5821: 5817: 5813: 5809: 5806: 5803: 5802: 5797: 5793: 5788: 5785: 5784: 5782: 5778: 5774: 5770: 5766: 5763: 5760: 5756: 5754: 5750: 5746: 5743:. Bucharest: 5742: 5738: 5735: 5733: 5732:2-7481-6120-3 5729: 5725: 5721: 5718: 5714: 5710: 5706: 5702: 5698: 5695: 5693: 5692:973-8179-12-2 5689: 5685: 5681: 5679: 5675: 5671: 5668:. Bucharest: 5667: 5664:Marin Bucur, 5663: 5660: 5656: 5654: 5653:963-9116-96-3 5650: 5646: 5642: 5638: 5635: 5632: 5628: 5621: 5620: 5606: 5599: 5595: 5590:(in Romanian) 5586: 5584: 5574: 5565: 5558: 5557: 5552: 5547:(in Romanian) 5543: 5536: 5530: 5524: 5523:0-88033-284-0 5520: 5516: 5510: 5503: 5502: 5497: 5493: 5492: 5487: 5484:Ovidiu Albu, 5482:(in Romanian) 5478: 5469: 5462: 5461: 5456: 5451:(in Romanian) 5447: 5441: 5440:973-555-214-0 5437: 5433: 5427: 5420: 5419: 5412: 5405: 5404: 5399: 5395: 5391:(in Romanian) 5387: 5380: 5379: 5374: 5369:(in Romanian) 5365: 5358: 5357: 5352: 5347:(in Romanian) 5343: 5336: 5335: 5330: 5326: 5322:(in Romanian) 5318: 5311: 5307: 5302: 5295: 5294: 5289: 5284:(in Romanian) 5280: 5273: 5269: 5264:(in Romanian) 5260: 5253: 5249: 5248:Valeriu Matei 5244: 5237: 5236: 5229: 5222: 5218: 5214: 5210:(in Romanian) 5206: 5199: 5198: 5193: 5188: 5181: 5180: 5175: 5170:(in Romanian) 5166: 5159: 5155: 5153: 5147:(in Romanian) 5143: 5134: 5127: 5126: 5119: 5112: 5111: 5104: 5097: 5096: 5091: 5087: 5083: 5078: 5071: 5070: 5065: 5061:(in Romanian) 5057: 5050: 5044: 5037: 5036: 5031: 5027: 5023:(in Romanian) 5019: 5017: 5009: 5008: 5001: 4994: 4993: 4986: 4979: 4978: 4973: 4968:(in Romanian) 4964: 4962: 4954: 4953: 4948: 4943:(in Romanian) 4939: 4932: 4926: 4924: 4916: 4912: 4907: 4900: 4899: 4894: 4890: 4886:(in Romanian) 4882: 4880: 4872: 4871: 4866: 4861:(in Romanian) 4857: 4850: 4846: 4840: 4833: 4829: 4824:(in Romanian) 4820: 4813: 4812: 4807: 4805: 4798:(in Romanian) 4794: 4787: 4786: 4785:Contemporanul 4779: 4773: 4769: 4765: 4761: 4756: 4754: 4746: 4745: 4740: 4735:(in Romanian) 4731: 4725: 4721: 4717: 4713: 4707: 4698: 4689: 4682: 4676: 4669: 4665: 4660:(in Romanian) 4656: 4649: 4645: 4641: 4637:(in Romanian) 4633: 4627: 4623: 4619: 4615: 4611: 4605: 4599: 4595: 4591: 4587: 4581: 4574: 4573: 4568: 4564: 4560:(in Romanian) 4556: 4547: 4540: 4539: 4532: 4526: 4522: 4518: 4514: 4508: 4501: 4500: 4495: 4492:Lajos Sipos, 4490:(in Romanian) 4486: 4479: 4475: 4470:(in Romanian) 4466: 4459: 4458: 4453: 4449:(in Romanian) 4445: 4443: 4435: 4434: 4427: 4418: 4411: 4405: 4396: 4389: 4388: 4381: 4374: 4367: 4360: 4359: 4352: 4345: 4344: 4339: 4338:. Inscripții" 4337: 4331: 4327:(in Romanian) 4323: 4316: 4312: 4308: 4303: 4296: 4292: 4287:(in Romanian) 4283: 4276: 4275: 4268: 4259: 4253: 4249: 4245: 4241: 4236: 4227: 4221: 4217: 4213: 4207: 4200: 4199: 4194: 4190: 4186:(in Romanian) 4182: 4173: 4164: 4155: 4146: 4140:Bucur, p. 129 4137: 4130: 4124: 4118: 4114: 4110: 4104: 4097: 4096: 4091: 4086:(in Romanian) 4082: 4080: 4078: 4070: 4066: 4061:(in Romanian) 4057: 4048: 4039: 4030: 4021: 4012: 4005: 4004: 3997: 3988: 3979: 3972: 3971: 3966: 3962: 3961:Grete Tartler 3958:(in Romanian) 3954: 3945: 3936: 3929: 3928: 3923: 3919: 3915:(in Romanian) 3910: 3904: 3903:0-415-27089-8 3900: 3896: 3892: 3888: 3887:Tom Gallagher 3883: 3876: 3870: 3863: 3859: 3854: 3847: 3843: 3839: 3834: 3827: 3823: 3822:Alexandru Zub 3818: 3811: 3810: 3803: 3794: 3787: 3786: 3781: 3777: 3773:(in Romanian) 3769: 3763: 3759: 3755: 3751: 3747: 3743: 3737: 3735: 3725: 3716: 3710:Pleșca, p. 43 3707: 3698: 3689: 3683: 3677: 3670: 3664: 3657: 3653: 3649: 3645:(in Romanian) 3641: 3639: 3629: 3620: 3611: 3602: 3593: 3586: 3580: 3578: 3576: 3574: 3572: 3570: 3568: 3558: 3549: 3547: 3540:(1976), p. 35 3539: 3533: 3527:(1976), p. 33 3526: 3520: 3513: 3507: 3498: 3491: 3490: 3485: 3480: 3471: 3462: 3453: 3446: 3445: 3440: 3436: 3432:(in Romanian) 3428: 3426: 3424: 3416: 3415: 3408: 3401: 3400: 3393: 3386: 3385: 3380: 3376: 3371: 3364: 3363: 3362:Contemporanul 3358: 3353: 3344: 3337: 3336: 3331: 3328:Petru Zugun, 3326:(in Romanian) 3322: 3320: 3318: 3316: 3306: 3297: 3290: 3289: 3282: 3275: 3271: 3265: 3263: 3253: 3246: 3245: 3240: 3235:(in Romanian) 3231: 3222: 3220: 3210: 3201: 3192: 3185: 3181: 3176: 3167: 3158: 3151: 3150: 3145: 3141:(in Romanian) 3137: 3130: 3126: 3121:(in Romanian) 3117: 3115: 3113: 3111: 3103: 3099: 3095: 3091: 3087:(in Romanian) 3083: 3081: 3073: 3069: 3065: 3064:Nicolae Iorga 3060: 3051: 3042: 3033: 3024: 3017: 3016: 3011: 3006: 2999: 2998: 2993: 2989: 2985:(in Romanian) 2981: 2979: 2977: 2967: 2960: 2956: 2951: 2942: 2933: 2924: 2917: 2911: 2909: 2907: 2905: 2895: 2886: 2877: 2868: 2859: 2850: 2841: 2835:Bucur, p. 375 2832: 2823: 2814: 2805: 2796: 2787: 2783: 2776: 2774: 2767: 2763: 2759: 2755: 2751: 2747: 2743: 2739: 2735: 2730: 2728: 2724: 2719: 2715: 2711: 2710:Mircea Snegur 2708: 2704: 2700: 2696: 2695:Pavel Parasca 2692: 2688: 2684: 2680: 2675: 2673: 2669: 2665: 2662:, during the 2661: 2657: 2653: 2649: 2645: 2641: 2637: 2633: 2628: 2624: 2619: 2617: 2614: 2613: 2608: 2604: 2599: 2595: 2591: 2586: 2584: 2580: 2576: 2572: 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2539: 2537: 2533: 2529: 2525: 2521: 2517: 2513: 2512: 2507: 2503: 2499: 2495: 2491: 2487: 2486:Grigore Vieru 2483: 2482:Nicolae Lupan 2479: 2475: 2471: 2470: 2465: 2457: 2453: 2448: 2439: 2437: 2432: 2428: 2424: 2420: 2416: 2412: 2408: 2404: 2403: 2398: 2394: 2390: 2386: 2379: 2374: 2369: 2367: 2363: 2359: 2355: 2354:Juliusz Demel 2351: 2347: 2343: 2339: 2335: 2331: 2327: 2323: 2322:Ludovic Antal 2318: 2316: 2312: 2308: 2304: 2300: 2296: 2292: 2288: 2284: 2280: 2276: 2272: 2268: 2264: 2260: 2256: 2252: 2251:Sándor Petőfi 2248: 2244: 2240: 2236: 2231: 2229: 2225: 2221: 2217: 2216:Nicolae Labiș 2213: 2212:Mihu Dragomir 2209: 2205: 2201: 2196: 2192: 2187: 2185: 2178: 2174: 2170: 2166: 2161: 2159: 2155: 2150: 2146: 2142: 2138: 2134: 2130: 2129:Moldavian SSR 2126: 2122: 2118: 2114: 2110: 2106: 2102: 2098: 2094: 2081: 2077: 2073: 2069: 2064: 2060: 2058: 2054: 2050: 2049: 2044: 2043: 2038: 2034: 2030: 2026: 2022: 2018: 2014: 2010: 2006: 2002: 1997: 1995: 1992:in 1934. The 1991: 1990:Sándor Kibédi 1987: 1983: 1979: 1975: 1971: 1967: 1963: 1953: 1937: 1934: 1932: 1914: 1913: 1910: 1908: 1904: 1900: 1890: 1877: 1876:Bărăgan Plain 1869: 1866: 1864: 1849:De la Bugeac 1844: 1843: 1840: 1838: 1837:Emilian Bucov 1834: 1830: 1826: 1825: 1820: 1816: 1812: 1808: 1804: 1799: 1797: 1793: 1789: 1785: 1781: 1777: 1772: 1770: 1766: 1762: 1761: 1756: 1752: 1749: 1748: 1743: 1739: 1735: 1731: 1727: 1723: 1719: 1715: 1705: 1703: 1699: 1695: 1691: 1687: 1686: 1681: 1677: 1673: 1669: 1665: 1661: 1657: 1656:Octavian Goga 1653: 1649: 1645: 1641: 1637: 1632: 1630: 1626: 1625:Ilarie Chendi 1622: 1618: 1614: 1610: 1606: 1602: 1597: 1595: 1591: 1587: 1583: 1579: 1575: 1571: 1567: 1563: 1558: 1556: 1555: 1550: 1546: 1545: 1540: 1536: 1532: 1531: 1530:Contemporanul 1526: 1522: 1518: 1514: 1510: 1509:Editura Socec 1506: 1502: 1488: 1483: 1479: 1475: 1471: 1467: 1463: 1459: 1455: 1451: 1450:sleeping hero 1447: 1446:Grete Tartler 1443: 1438: 1436: 1432: 1428: 1424: 1423: 1417: 1413: 1409: 1405: 1400: 1398: 1394: 1393: 1388: 1387:Henri Bergson 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1351:Alexandru Zub 1345: 1340: 1338: 1334: 1330: 1326: 1322: 1318: 1311: 1307: 1303: 1299: 1290: 1288: 1284: 1280: 1276: 1272: 1268: 1267:Cezar Bolliac 1264: 1263: 1255: 1251: 1250:Vasile Bumbac 1247: 1243: 1238: 1233: 1229: 1225: 1221: 1217: 1213: 1203: 1193: 1190: 1188: 1176: 1175: 1172: 1170: 1166: 1162: 1158: 1154: 1150: 1149:Valois lilies 1146: 1142: 1138: 1133: 1131: 1127: 1123: 1119: 1115: 1110: 1109:Grigore Ghica 1106: 1102: 1098: 1094: 1090: 1087: 1083: 1079: 1075: 1070: 1060: 1058: 1054: 1050: 1049:Leon Volovici 1046: 1042: 1037: 1033: 1029: 1021: 1016: 1013: 1010: 1006: 1002: 998: 990: 986: 982: 978: 974: 970: 969:Romanian Jews 966: 965:Bukovina Jews 958: 948: 938: 935: 925: 924: 921: 919: 914: 910: 906: 898: 894: 890: 888: 887: 882: 878: 874: 869: 865: 861: 857: 856: 851: 847: 842: 837: 835: 831: 827: 823: 819: 815: 811: 807: 803: 802:Nicolae Iorga 783: 780: 776: 772: 768: 767: 762: 758: 754: 753:Berlin Treaty 750: 745: 744: 739: 734: 730: 725: 722: 718: 714: 713: 707: 705: 704: 699: 695: 691: 687: 686: 681: 676: 672: 668: 664: 660: 656: 651: 649: 645: 641: 637: 633: 629: 625: 624: 619: 615: 614: 609: 601: 597: 593: 589: 588:Berlin Treaty 584: 575: 573: 562: 540: 532: 529: 527: 498: 497: 494: 492: 488: 483: 481: 470: 464: 461: 459: 451: 450: 447: 445: 441: 437: 436: 431: 426: 424: 413: 405: 401: 395: 392: 390: 378: 377: 374: 372: 368: 359: 357: 353: 349: 346: 342: 338: 334: 333:Ludovic Antal 330: 326: 322: 318: 314: 310: 306: 302: 298: 294: 290: 286: 282: 277: 275: 271: 267: 266:sleeping hero 263: 259: 255: 251: 248:" discourse. 247: 243: 239: 235: 231: 227: 226: 221: 220:Berlin Treaty 217: 213: 209: 205: 204: 199: 198: 189: 185: 176: 173: 169: 165: 161: 150: 146: 143: 142: 138: 134: 130: 128: 124: 121: 118: 116: 112: 109: 105: 101: 100: 96: 92: 89: 86: 82: 79: 76: 72: 68: 64: 59: 55: 51: 46: 41: 37: 31: 27: 22: 19: 6738:Technophobia 6587: 6561:Nationalists 6246:Noua Dreaptă 6134:Unifications 5975: 5965: 5958: 5938: 5921: 5900: 5890: 5877:Random House 5875:. New York: 5872: 5860: 5853: 5832: 5828: 5811: 5801:Manuscriptum 5799: 5796:Perpessicius 5768: 5758: 5740: 5723: 5712: 5683: 5665: 5658: 5640: 5630: 5605: 5597: 5573: 5564: 5554: 5542: 5534: 5529: 5514: 5509: 5499: 5489: 5477: 5468: 5458: 5453:Sorin Șerb, 5446: 5431: 5426: 5416: 5411: 5401: 5386: 5376: 5364: 5354: 5342: 5332: 5317: 5309: 5301: 5291: 5279: 5272:Biblio Polis 5271: 5259: 5251: 5243: 5235:Limba Română 5233: 5228: 5220: 5205: 5195: 5187: 5177: 5172:Ion Buzași, 5165: 5151: 5142: 5133: 5123: 5118: 5108: 5103: 5093: 5090:Luceafărului 5089: 5077: 5067: 5056: 5048: 5043: 5033: 5005: 5000: 4990: 4985: 4975: 4950: 4938: 4930: 4914: 4911:Pimen Zainea 4906: 4896: 4868: 4856: 4848: 4844: 4839: 4831: 4819: 4809: 4803: 4793: 4783: 4778: 4763: 4742: 4730: 4711: 4706: 4697: 4688: 4680: 4675: 4670:, April 2012 4667: 4655: 4647: 4632: 4613: 4604: 4585: 4580: 4570: 4555: 4550:Boia, p. 213 4546: 4536: 4531: 4512: 4507: 4497: 4485: 4477: 4465: 4455: 4431: 4426: 4417: 4409: 4404: 4395: 4385: 4380: 4372: 4366: 4356: 4351: 4341: 4335: 4330:B. Fundoianu 4322: 4310: 4307:Viorel Cosma 4302: 4294: 4282: 4272: 4267: 4258: 4243: 4235: 4230:Cazacu, p. 8 4226: 4211: 4206: 4196: 4181: 4172: 4163: 4154: 4145: 4136: 4128: 4123: 4108: 4103: 4093: 4069:Actualitatea 4068: 4056: 4047: 4038: 4029: 4020: 4011: 4001: 3996: 3987: 3978: 3968: 3953: 3944: 3935: 3925: 3909: 3890: 3882: 3874: 3869: 3861: 3853: 3841: 3833: 3825: 3817: 3807: 3802: 3793: 3783: 3768: 3745: 3724: 3715: 3706: 3697: 3688: 3681: 3676: 3668: 3663: 3655: 3628: 3619: 3610: 3601: 3592: 3584: 3557: 3537: 3532: 3524: 3519: 3511: 3506: 3497: 3487: 3484:Mihai Cimpoi 3479: 3470: 3461: 3452: 3442: 3412: 3407: 3397: 3392: 3382: 3378: 3370: 3360: 3357:Boris Marian 3352: 3343: 3333: 3305: 3296: 3286: 3281: 3273: 3269: 3252: 3242: 3230: 3209: 3200: 3191: 3183: 3175: 3166: 3157: 3147: 3136: 3128: 3101: 3067: 3059: 3050: 3041: 3032: 3023: 3013: 3010:Ioan Slavici 3005: 2995: 2966: 2958: 2950: 2941: 2932: 2923: 2915: 2894: 2885: 2876: 2867: 2858: 2849: 2840: 2831: 2822: 2813: 2804: 2799:Boia, p. 194 2795: 2786: 2772: 2765: 2757: 2745: 2733: 2731: 2726: 2717: 2686: 2676: 2658:politician, 2651: 2647: 2631: 2626: 2622: 2620: 2616:at Christmas 2610: 2606: 2602: 2587: 2574: 2570: 2566: 2558: 2546: 2540: 2535: 2531: 2519: 2515: 2509: 2505: 2501: 2497: 2493: 2489: 2478:Brezhnev Era 2473: 2467: 2461: 2435: 2430: 2426: 2418: 2414: 2406: 2400: 2392: 2377: 2372: 2370: 2365: 2357: 2349: 2341: 2337: 2334:Sabin Drăgoi 2325: 2319: 2314: 2307:Miu Dobrescu 2298: 2287:Pimen Zainea 2282: 2274: 2266: 2262: 2258: 2254: 2243:Gyula Kállai 2235:Leonte Răutu 2232: 2227: 2219: 2207: 2203: 2194: 2188: 2176: 2162: 2157: 2154:Petru Creția 2148: 2144: 2140: 2124: 2116: 2108: 2105:Nazi Germany 2100: 2090: 2079: 2046: 2040: 2032: 2028: 2024: 2008: 1998: 1985: 1981: 1978:Ramiro Ortiz 1969: 1959: 1939: 1931:Sunt parale! 1925:Nu's parale! 1916: 1901:in his 1929 1896: 1871: 1846: 1833:Ion Buzdugan 1828: 1822: 1818: 1814: 1811:Transnistria 1807:Soviet Union 1800: 1791: 1773: 1768: 1758: 1745: 1741: 1737: 1717: 1711: 1701: 1693: 1689: 1683: 1671: 1667: 1651: 1647: 1639: 1633: 1628: 1620: 1616: 1612: 1604: 1598: 1593: 1581: 1574:chrestomathy 1561: 1559: 1552: 1544:Marseillaise 1542: 1534: 1528: 1524: 1520: 1512: 1500: 1499: 1481: 1461: 1441: 1439: 1430: 1420: 1416:Vuk Karadžić 1412:Kosovo curse 1403: 1401: 1390: 1382: 1362: 1343: 1341: 1336: 1321:Heideggerian 1314: 1286: 1278: 1260: 1253: 1239: 1231: 1223: 1219: 1215: 1211: 1209: 1195: 1178: 1164: 1160: 1156: 1152: 1134: 1129: 1125: 1105:Ghica family 1092: 1068: 1067:Implicitly, 1066: 1056: 1035: 1027: 1019: 1017: 996: 988: 980: 977:Boris Marian 956: 954: 940: 927: 904: 902: 896: 884: 876: 872: 867: 853: 849: 848:argued that 840: 838: 821: 809: 799: 778: 774: 764: 748: 741: 737: 732: 729:Ioan Slavici 726: 724:1883 feast. 720: 710: 708: 701: 697: 693: 689: 683: 666: 662: 654: 652: 647: 639: 635: 631: 627: 621: 618:Perpessicius 611: 605: 571: 568: 534: 500: 486: 484: 479: 476: 466: 453: 444:Transylvania 433: 427: 422: 419: 397: 380: 366: 365: 316: 304: 281:anti-Russian 278: 273: 269: 249: 229: 223: 202: 201: 196: 195: 194: 171: 139: 127:Rhyme scheme 97: 25: 18: 6662:Moldovenism 6529:Trei culori 6501:Hora Unirii 6161:Great Union 6054:Legionarism 6049:Irredentism 5903:. Lincoln: 5637:Lucian Boia 5472:Both, p. 46 4847:(105)", in 3274:Európai Idő 3204:Boia, p. 59 2714:Moldovenism 2699:Ion Țurcanu 2528:Latvian SSR 2511:Perestroika 2277:. Linguist 2184:Aron Cotruș 1946:Not a dime! 1780:Great Union 1660:Ion Pelivan 1644:Radu Sbiera 1408:Saint Basil 1355:Alecu Russo 1137:boyar class 1101:Albanophile 1074:cranioscopy 1053:assimilated 1012:Moses Rosen 1009:Chief Rabbi 864:Lucian Boia 706:on July 1. 675:Ion Creangă 323:during the 289:anti-German 285:antisemitic 6688:1883 poems 6682:Categories 6605:Horia Sima 6515:Pui de lei 6362:Iron Guard 6071:Poporanism 5959:Philologia 5631:Nash Holos 5616:References 5556:Contrafort 5460:Revista 22 5125:Luceafărul 5095:Luceafărul 4870:Contrafort 4478:Philologia 4410:Philologia 3842:Pentru sat 3809:Luceafărul 3748:, . Iași: 3489:Luceafărul 3379:Adevĕrului 2762:Parliament 2691:Ion Negrei 2670:(who is a 2023:, calling 2013:Iron Guard 1903:vaudeville 1601:A. C. Cuza 1570:Enea Hodoș 1271:dog-headed 1141:Phanariote 1118:Dalmatians 1086:Slavicized 1078:Ruthenians 1005:Bulgarians 886:Polonaises 743:Luceafărul 731:describes 715:. Scholar 578:Background 430:Bessarabia 293:anti-Greek 279:Expressly 188:Wikisource 155:1883-07-01 69:1870?–1883 58:A. C. Cuza 6728:Ecopoetry 6039:Dacianism 5982:, 1991. 5945:, 2001. 5934:491449490 5928:, 1944. 5907:, 2009. 5879:, 2016. 5775:, 2010. 5753:247668059 5747:, 1943. 5678:221218437 5647:, 2001. 5213:Igor Cașu 4760:Zoe Petre 4718:, 2010. 4620:, 2014. 4592:, 2010. 4590:Routledge 4538:Dreptatea 4519:, 2013. 4433:Universul 4252:935507473 4189:Ion Simuț 3918:Ion Simuț 3897:, 2001. 3895:Routledge 3756:, 2015. 3536:Eminescu 3523:Eminescu 3510:Eminescu 2752:, when a 2723:Ion Druță 2707:President 2703:Ion Varta 2640:Comănești 2555:Emil Bobu 2538:in 1988. 2494:Ridică-te 2267:la secret 2200:Zoe Petre 2082:quotation 2042:Universul 1576:. In the 1478:levy army 1414:, in the 1114:Albanians 1034:explains 913:Hungarian 659:Bucharest 398:From the 345:President 242:ecopoetry 228:(plural: 172:Full text 136:Publisher 108:ecopoetry 6619:Policies 6494:Drum bun 6044:Dacology 6032:Ideology 5711:(eds.), 5672:, 1973. 5378:Adevărul 5252:Akademos 4845:Privirea 4668:Historia 3826:Scriptor 3384:Adevărul 3149:Apostrof 2988:Z. Ornea 2498:Eminescu 2452:Chișinău 2442:Recovery 2346:Ipotești 2137:Moldovan 2048:Adevărul 1760:Chemarea 1590:Bârsești 1427:Dosoftei 1246:metonymy 834:Thracian 814:Z. Ornea 712:Bojdeuca 700:monthly 698:Junimist 491:Moldavia 440:Bukovina 400:Dniester 321:censored 184:ro:Doina 94:Genre(s) 88:Romanian 84:Language 6539:Phrases 6442:Junimea 6229:Current 6181:Figures 5783:. See: 5719:, 1973. 5110:Flacăra 4832:Acolada 4802:"Calea 4648:Acolada 4612:(ed.), 4387:Flacăra 4295:Cultura 4003:Tribuna 3754:Polirom 3129:Cultura 2746:La arme 2638:, by a 2612:colinde 2583:erratum 2480:, with 2456:Moldova 2402:Flacăra 2338:La arme 2145:La arme 2107:, used 2101:La arme 2033:cuiburi 2029:La arme 1874:to the 1819:La arme 1738:La arme 1566:poetics 1535:La arme 1287:La arme 1275:Kalmyks 1262:muscali 1169:Yiddish 1153:La arme 1089:Dacians 1082:Hutsuls 830:geysers 685:Junimea 678:enemy, 623:Familia 435:muscali 402:to the 362:Outline 356:Moldova 270:La arme 153: ( 74:Country 66:Written 60:edition 6305:Former 6094:Events 5986: 5949: 5932: 5911: 5883: 5843: 5818: 5779: 5751: 5730: 5690: 5676: 5651: 5598:Litere 5521: 5501:Gândul 5438: 5293:Ramuri 5221:Plural 5049:Steaua 4804:Doinei 4770: 4722: 4624: 4596: 4523: 4336:Poezii 4317:, 1960 4250: 4218: 4115: 3901: 3760: 3752:& 3682:passim 3538:et al. 3525:et al. 3512:et al. 3272:", in 3074:, 1934 2701:, and 2579:Istros 2532:Glasul 2516:Nistru 2320:Actor 2293:, the 1747:Lăutar 1728:as an 1722:Brașov 1491:Legacy 1422:Psalms 1395:) and 1001:Greeks 786:Themes 766:Timpul 761:Budjak 339:, and 299:, and 6588:Doina 6458:Songs 6427:ASTRA 5629:, in 5596:, in 5553:, in 5498:, in 5488:, in 5457:, in 5400:, in 5375:, in 5353:, in 5331:, in 5290:, in 5270:, in 5219:, in 5176:, in 5066:, in 5032:, in 4974:, in 4949:, in 4895:, in 4867:, in 4849:A Hét 4830:, in 4808:, in 4741:, in 4666:, in 4646:, in 4569:, in 4496:, in 4476:, in 4454:, in 4340:, in 4293:, in 4195:, in 4092:, in 4067:, in 3967:, in 3924:, in 3782:, in 3654:, in 3441:, in 3332:, in 3241:, in 3146:, in 3127:, in 3100:, in 2994:, in 2779:Notes 2773:Doina 2769:' 2766:Doina 2758:Doina 2734:Doina 2727:Doina 2718:Doina 2687:Doina 2652:Doina 2632:Doina 2627:Doina 2623:Doina 2607:Doina 2603:Doina 2575:Doina 2571:Doina 2567:Doina 2559:Doina 2547:Doina 2536:Doina 2520:Doina 2506:Doina 2490:Doina 2474:Doina 2436:Doina 2431:Doina 2419:Doina 2407:Doina 2393:Doina 2381:' 2378:Doina 2373:Doina 2366:Doina 2358:Doina 2350:Doina 2342:Doina 2326:Doina 2315:Doina 2299:Doina 2283:Doina 2275:Doina 2259:Doina 2241:with 2228:Doina 2220:Doina 2208:Doina 2204:Doina 2195:Doina 2180:' 2177:Doina 2158:Doina 2149:Doina 2141:Doina 2125:Doina 2117:Doina 2109:Doina 2080:Doina 2025:Doina 2009:Doina 1986:Doina 1982:Doina 1970:Doina 1829:Doina 1815:Doina 1769:Doina 1742:Doina 1718:Doina 1702:Doina 1690:Doina 1672:Doina 1668:Doina 1652:Doina 1648:Doina 1640:Doina 1617:Doina 1613:Doina 1605:doine 1594:Doina 1582:Doina 1562:Doina 1549:Banat 1525:Doina 1521:Doina 1513:Doina 1501:Doina 1485:' 1482:Doina 1462:Doina 1442:Doina 1431:Doina 1404:Doina 1383:Doina 1363:Doina 1347:' 1344:Doina 1337:Doina 1306:Putna 1283:Tatar 1279:Doina 1257:' 1254:Doina 1235:' 1232:Doina 1230:, in 1228:Boian 1224:Doina 1212:doine 1165:Doina 1157:Doina 1116:and " 1093:Doina 1080:" or 1069:Doina 1057:Doina 1036:Doina 1028:Doina 1023:' 1020:Doina 992:' 989:Doina 981:Doina 960:' 957:Doina 905:Doina 873:Doina 868:Doina 850:Doina 841:Doina 822:Doina 810:Doina 779:Doina 775:Doina 759:(the 749:Doina 738:Doina 733:Doina 721:Doina 694:Doina 690:Doina 667:Doina 663:Doina 655:doine 648:Doina 640:Doina 632:doina 628:doina 613:doine 539:Putna 487:Doina 404:Tisza 367:Doina 317:Doina 305:Doina 274:Doina 250:Doina 244:and " 230:doine 225:doina 203:Doină 200:, or 197:Doina 166:61–62 163:Lines 115:Meter 99:doina 26:Doina 5984:ISBN 5947:ISBN 5930:OCLC 5909:ISBN 5881:ISBN 5841:ISBN 5816:ISBN 5777:ISBN 5749:OCLC 5728:ISBN 5688:ISBN 5674:OCLC 5649:ISBN 5519:ISBN 5436:ISBN 4768:ISBN 4720:ISBN 4622:ISBN 4594:ISBN 4521:ISBN 4248:OCLC 4216:ISBN 4113:ISBN 3899:ISBN 3758:ISBN 2387:and 1692:and 1619:and 1456:and 1003:and 875:and 852:and 740:and 671:Iași 216:1883 131:aabb 2760:in 2674:). 2553:by 2466:of 2143:or 2005:Olt 2003:'s 1304:in 1132:". 883:'s 186:at 34:by 6684:: 5974:, 5899:, 5871:, 5831:; 5827:, 5810:, 5739:, 5707:, 5703:, 5639:, 5582:^ 5396:, 5327:, 5215:, 5156:, 5084:, 5028:, 5015:^ 4960:^ 4922:^ 4891:, 4878:^ 4752:^ 4642:, 4565:, 4441:^ 4332:, 4309:, 4242:, 4191:, 4076:^ 3963:, 3920:, 3889:, 3848:, 3840:, 3778:, 3733:^ 3650:, 3637:^ 3566:^ 3545:^ 3437:, 3422:^ 3314:^ 3261:^ 3218:^ 3182:, 3109:^ 3096:, 3092:, 3079:^ 3066:, 2990:, 2975:^ 2957:, 2903:^ 2697:, 2693:, 2618:. 2585:. 2545:, 2454:, 2115:, 2099:, 2070:, 1909:: 1827:. 1763:, 1736:. 1700:, 1557:. 1399:. 920:: 889:. 773:, 598:; 406:, 373:: 358:. 335:, 303:, 295:, 291:, 287:, 276:. 6549:" 6545:" 6531:" 6527:" 6524:" 6520:" 6517:" 6513:" 6510:" 6506:" 6503:" 6499:" 6496:" 6492:" 6489:" 6485:" 6482:" 6478:" 6475:" 6471:" 6468:" 6464:" 6017:e 6010:t 6003:v 4806:" 1389:( 570:— 478:— 421:— 157:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index