241:’s addition to Hollywood altered local and international perceptions of popular culture through "Disneyfication " which is typically used to alter a topic in popular culture like stories, amusement parks, or fan conventions. Events like wars and other major world events became the driving forces behind these cultural shifts and can be held accountable for the push to "Disneyfy" the world, or as the definition insinuates, to make a safe space or thing in an unsafe environment or time. The Walt Disney Company was created as a result of creating something out of a desire to comfort scared individuals or to alter the appearance to appeal to family-friendly ideals in a controlled manner, but the term "Disneyfication" did not come until the 1970s.
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320:, one of the many themed parks from Disney, was opened in 1982 with the purpose to invite the public to explore a fun multicultural experience for families and friends. The attraction brings the chance to visit over 11 cultural experiences, including a variety of cuisines without having to travel far and the ability to have the comfort of knowing you are in a safe and controlled space. This "land" alone was able to bring more exposure to controlled cultural exposure by creating an Americanized vision of Asian and European architecture, food, music, clothing, and stories. It also provided the ability to expand "Disneyfication" into other countries like China and Japan with the openings of
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328:, despite the fact that people all over the world that have grown fearful over time that their own folk tales or myths would fall victim to a form of "Disneyfication". Walt Disney's rapid "Disneyfication" of nostalgic stories is often connected to American capitalism but still creates success in the ways in which Walt Disney presented the park and films to the American audience. The Walt Disney Company found a clever and comforting way in which "Disneyfication" was making its way into the entertainment business worldwide.
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287:, "Disneyfication" is the process in sociology in which a person, place, or things are simplified or altered to meet the same image requirements of Disney productions. Characters and stories created or used by Disney have been able to the ideas of stories, art, gender, sexuality, disability, race, and perspective of the ordinary. The Disney craze became so great and widespread that The Walt Disney Company was able to "Disneyfy" amusement parks for other countries. These places in
312:"The happiest place on earth can in the twenty-first century accommodate what in the twentieth represented the pure and abject horror that people fled to Disneyland to escape from". The Walt Disney Company was intricate in the way in which they pitched the theme park to their targeted audience, those who wanted an escape. In particular, The names of the parks were allocated ending in "world" or "land" to give the illusion that real-life stops and fantasy begin because the "
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entertainment industry is actually catered to its audience. Trends are influenced by the people of the time period in which it was being produced. The history of popular culture can be traced back to the start of early human communities and the addition of electricity in the home that really defined the modern concept of culture, with examples from the 1900s such as the radio, bright signs, automobiles, and the television.
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261:”, the company went broke and forced Disney to sell his camera in order to move in with an uncle in Hollywood. Disney became the epitome of the American Dream and started a billion-dollar company in a run-down garage. By 1928, Walt Disney began working with a distributor that allowed for the creations of the company to be recognized by hundreds, including the success of the famed character
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among all ages and was used in global platforms such as international political propaganda because of his popularity among people. Every artwork produced since then has been a clear trademark of the Disney name and, in turn, every cultural aspect in the Disney films or world has been changed to fit
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now have their own piece of the desired "Disneyfied" Western society. The major success of the media produced by the company is also an important key factor and attributed to the specific techniques of earlier films that left an impact on people, including psychologically affecting events like the
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to be associated with a statement about the cultural products of the Disney company itself, denoting the general process of rendering material (a fairy tale, novel, historical event) into a standardized format that is recognizable as being a product of the Walt Disney
Company according to Bryman.
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The term broadly describes the process of stripping a real place or thing of its original character and representing it in a sanitized format where references to anything negative or inconvenient are removed, and the facts are simplified with the intent of rendering the subject more pleasant and
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At the start of the twentieth century, popular culture was reaching its highest potential in terms of what it would become today by modern standards of overall
American culture. The mass production of pleasure and entertainment is meant for a profit-inducing audience and that change within the
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death of a family member or rules for being seen as beautiful. The term, "Disneyfication" was put in sociological studies in order to explain the process of the transformation of things to essentially sugarcoat the reality of unsafe environments or issues like the threat of a unique identity.
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For example, Walt Disney's creation of an amusement park is the embodiment of what "Disneyfication" was meant to describe, an escape from a harsh reality. Imagination was the original source of inspiration for Mr. Disney and, according to
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237:" or "Disneyfied" culture spread to other countries through film, songs, architecture, stories, and other real-world elements. Over time, each concept in popular culture defined the overall culture of the time it was developed and
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in 1918, the young Walt Disney took his first step in the animation world and got a job that allowed him to draw for a film company. By 1922, Disney spent his time recruiting animators in order to jumpstart his first company,
233:”. The company gained the ability to influence the world with the power of association and gradually created cultural shifts as a result of “Disneyfication” becoming so popular in the west. The desire and demand for "
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became the most famous character in the world and the new face of the Walt Disney
Company. Mickey’s success became far greater than anticipated by the Disney animators and his fame surpassed that of the actor
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easily grasped. In the case of physical places, this involves replacing the real with an idealized, tourist-friendly veneer—resembling the "
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because he takes the latter to be accompanied by negative connotations and described four dimensions of
Disneyization in particular:
749:"Reading" Disneyland: a historical look at the textual interpretation of the Disney Parks and the Study of American popular culture
591:"Reading" Disneyland: a historical look at the textual interpretation of the Disney Parks and the Study of American popular culture
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as well as the rest of the world." Though the two are largely used interchangeably, Bryman states his preference of
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Kehoe, Andre. 1991. "Christian
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Popular Culture : More of Everything, Faster, and Brighter
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Gill, Brendan (April 1991). ""The Sky Line: Disneyitis."".
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Cinderella's castle near Fantasyland in Disney Park
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Group dresses up as Disney characters at convention
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735:Jackson, Kathy Merlock; West, Mark I. (2011).
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622:. Jefferson, NC: McFarland & Co.
589:Anne., Nestegard, Elizabeth (1994).
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337:first appeared in 1959, while "
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639:. Rutgers University Press.
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783:(in German). Vs Verlag.
533:UK: SAGE Publications.
263:Oswald the Lucky Rabbit
1812:Cultural globalization
1771:Ellen Swallow Richards
1766:Consumers' Association
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805:The Cultures of Cities
717:Ferrell, Jeff (2001).
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694:. New York: Routledge.
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809:Blackwell Publishing
633:Wills, John (2017).
468:Celebration, Florida
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1651:Consumer revolution
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65:Find sources:
59:
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43:This article
41:
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1426:Disney adult
1359:Marvel Press
1349:Disney Press
1314:Disney Store
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1164:Disney Dream
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1150:Disney Magic
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1139:Castaway Cay
886:Disney Parks
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267:Mickey Mouse
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235:Americanized
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194:Americanized
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52:Please help
47:verification
44:
1776:Ralph Nader
1747:Key players
1621:Consumerism
1597:Consumerism
1535:Port Disney
1518:DisneyQuest
1513:Club Disney
1461:Team Disney
1178:Disney Wish
1104:Experiences
401:consumption
347:Alan Bryman
246:World War I
239:Walt Disney
170:consumerist
150:theme parks
142:Walt Disney
136:, the term
1796:Categories
1121:Golden Oak
1068:Disneytown
902:Disneyland
672:. Dublin:
496:References
490:Walmarting
314:imagineers
80:newspapers
18:Disneyfied
1733:Euthenics
1540:DisneySea
1523:ESPN Zone
1488:Cancelled
1456:runDisney
1382:DCPI Labs
1102:Signature
982:licensee)
757:cite book
599:cite book
331:The term
152:, etc.).
134:sociology
110:June 2024
1675:Activism
1626:Consumer
1614:Concepts
1364:NG Media
511:. 1996.
432:See also
1832:Eponyms
1555:WestCOT
1446:FoxNext
1396:FoxNext
1391:Playdom
386:Theming
357:of the
94:scholar
1297:Disney
1223:Aulani
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409:Costco
289:Europe
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1409:Other
1366:(70%)
935:Epcot
651:JSTOR
369:over
318:EPCOT
146:media
101:JSTOR
87:books
1759:list
763:link
707:ISBN
701:UK:
641:ISBN
605:link
535:ISBN
407:and
405:IKEA
324:and
293:Asia
291:and
221:The
168:and
73:news
558:doi
349:in
250:war
188:of
56:by
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